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Sep 2010 15

by Ryan Stewart

William Gibson will always be the cyberpunk prophet, the man whose Hugo-winning 1984 debut novel Neuromancer, about a future underworld dystopia where radically advanced computing possibilities exist in tandem with sex, drugs and political skullduggery, introduced the notion of “cyberspace” to the public and predicted the emergence of a world wide web, along with computers of ever-increasing intelligence and dubious motive. In the post-September 11th world, however, his attention has increasingly focused not on a new imagined future (the branch of Matrix-style cyber fiction his work spawned chugs along regardless) but on the complexities of the present. In a recent NYT op-ed about Google’s tightening grip on our lives, Gibson conceded that “science fiction never imagined Google” and characterized the search engine as a “coral reef of human minds” with an impact so potentially transformative that it should cause us to consider new ideas like “training wheel” identities for today’s minors, whose every stupid, impolitic thought is being cached to their potential future detriment.


Gibson’s recent fiction has echoed his contemporary concerns. His aughts-focused Bigend Trilogy (Pattern Recognition, Spook Country, and the newly-released Zero History) follows the atypical adventures of a handful of iPhone-obsessed, cosmopolitan scrappers such as ex-rock star/freelance journalist Hollis Henry, myopic drug addict and talented translator Milgrim, and the titular Hubertus Bigend, an amoral advertising entrepreneur and “cool hunter” whose appearance has been described by Gibson as “Tom Cruise on a diet of virgin blood and truffled chocolates,” and whose latest ephemeral fixation in Zero History is a high-end toy called a Festo Penguin, which is a remote-controlled airship shaped like a flying bird. The rootless nature of these characters, the flexibility of their identities, the volume of cultural data they must process moment to moment, it’s all indicative of a decade of whiplash change, and one in which the future points in infinite directions, depending on your vantage point.

SuicideGirls recently called up William Gibson in a Seattle hotel to discuss his current state of mind.

Read our exclusive interview with William Gibson on SuicideGirls.com.

Zero History is available from Amazon.com and all fine bookstores.