by Jamila
Let’s be quite clear, I am not an objective reviewer here. Mike Doughty’s music stole my heart in the summer of 2003, when I borrowed a mix CD from my roommate to listen to in the car and track 8 was “The Only Answer” –– two minutes and 9 seconds of sheer heaven that I repeated about 6 times before grilling said roommate about who had created this incredible tidbit of music and how had I missed it before. I am such a biased Mike Doughty fan that I have the robot from the cover of Rockity Roll tattooed on my ankle. Okay, disclaimer taken care of.
Doughty’s latest album, Yes and Also Yes is the perfect mix of all of the little quirky styles his other albums showcased. Haughty Melodic (a.k.a. the masterwork), was folksy and acoustic and haunting, with bright spots of silliness (and is still my favorite of his albums, to this day). Golden Delicious was a bit more experimental and electronic, while also serving to put MD on the mainstream map, at least a little bit. That album’s redux of “27 Jennifers” was the first of his songs I ever heard on a regular radio station –– not counting Sirius or college radio, etc –– and I grinned until the last strains died out.
Yes and Also Yes has the earnest, sweet, hopeful simplicity of Haughty Melodic with a twist of the edginess and electronic embellishment that he used on Rockity Roll and Golden Delicious. The most glaring difference though? The naive trust, the little boy looking for love and happily ever after who was so present on Haughty Melodic, even in the sad songs about love gone bad like the glorious “Unsingable Name,” is startlingly absent on this album. These are songs written by a man who’s had his heart ripped out and stomped on and knows so well how to tell the story.
While this isn’t the first time his fragile heart had been broken, it was the last time it will happen like this. This is not an album to cry yourself to sleep to whilst it spins endlessly on repeat, it’s much subtler and far more seductive. The kind of songs that pretty much everyone who has lost their virginity will be able to relate to. The first single “Na Na Nothing” is about as close to a universal anthem of getting fucked over as it gets. And there are so many moments on this album that made me think, “Yeah, me too!”
And yet, despite the bitterness Doughty wisely lets seep into some of the tracks, that youthful, exuberant hope is still ever present. He continues on his path of growth and exudes a ready-to-learn attitude that makes him and his music so incredibly likeable. You never really know what you will get when you buy one of his albums, but so far, I haven’t been disappointed.
Verdict? Definitely worth buying. And also worth paying extra for overnight shipping. Yes, that does mean I was talking about actually purchasing the *gasp* CD. This is one to tangibly hold in your hands.
