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“There’s no King of Pop, like Michael Jackson, in the punk world.”
– Julien Temple
What would early punk be without its incestuous bickering? It was the initial refusal of Joe Strummer to allow a young Julien Temple into his inner circle in the mid-70s that first pushed the budding filmmaker towards the other great punk originators of the day, The Sex Pistols. That led to the creation of Temple’s two seminal Pistols documentaries, The Great Rock and Roll Swindle (which John Lydon loudly denounced for getting everything wrong) and The Filth and the Fury (made with his involvement and blessing).
When a movie was to be made in the mid-80s about the doomed affair of Sid and Nancy, director Alex Cox chose Strummer to write the film’s theme, much to the shock and chagrin of Lydon. Temple would then go on to record a commentary track for that film, in which he points out everything Cox gets wrong about the Pistols.
“There’ll always be something new. It’s like whack-a-mole.”
– Leigh Whannell
I first met Leigh Whannell as the writer and costar of Saw. I thought it was a really cool indie movie that came out of nowhere. It had a mind-blowing surprise at the end and a theme that really spoke to me. When Whannell wrote two sequels in two years, I really got into depth with him on Jigsaw’s morality. Seven Saws later, and Whannell has written another script for his directing buddy James Wan .
Insidious again deals with themes that are bigger than the immediate story. In the film, parents Josh (Patrick Wilson) and Renai (Rose Byrne) find their homes (that’s plural) haunted by spirits. So it’s a ghost story.