“The message of Deep Throat was different strokes for different folks.”
– Randy Barbato And Fenton Bailey
I first saw Deep Throat about 15 years ago on grainy bootleg VHS tape [remember those?]. At the time I thought that Cinemax Friday Nights after Dark were more scandalous and titillating. However Fenton Bailey and Randy Barbatos documentary Inside Deep Throat schooled me just as it will school everyone else who forgot or never knew what an impact the seminal porno film had on this country. Through brand new interviews with director Gerard Damiano, Norman Mailer, Harry Reems and archive footage of Linda Lovelace we find out just why Deep Throat polarized America and ended up grossing over $600 million.
In my previous article, I discussed the way in which the mass media has mishandled the Aurora theater shootings. While some in the media approached the story with respect, the majority of them showed little consideration for the victims involved. But it’s not just the media that has been careless in the aftermath of the massacre. Many politicians have used this event as a spring board for their campaigns, while already failing to live up to their promises to the victims.
It’s been a week since I sat down in Theater 9, unaware of the hell that awaited me. I remember the high pitched screech, like a bottle rocket, as the coward tossed the gas grenades into a theater full of unsuspecting moviegoers. I can hear sounds of gunfire and see the bright flashes coming from the corner of the theater in the back of my mind. The screams of the victims in the theater haunt me at night. The vivid memories of wandering shocked through a crowd of people covered in blood, with no way of knowing whose blood it was, will stay with me forever.
I am just one of hundreds of movie patrons that share this horrific experience. Despite these mental scars, I am eternally thankful I have no physical wounds to match. Seventy people in the theater were not as lucky, and twelve of them paid with their lives.
The death toll could have been much higher if it had not been for the amazing first responders. The first police officers arrived on scene within minutes of the shooting. Several officers took it upon themselves to deliver victims to local hospitals in person, instead of waiting for the ambulances. Their quick action likely saved several lives. While the police, dispatchers, medics, firefighters, and ER doctors all did an amazing job that night, I feel they have already received a lot of praise. I therefore want to personally thank the unmentioned heroes of that evening; the victims’ advocates and local RTD bus drivers that worked alongside the ranks of emergency responders that night.
After we were all forced to wait outside the theater for a few hours following the shootings, the police finally got everyone organized and bussed us down to a local school. The bus drivers were very kind to all of the victims and tried to cater to our needs. Once at the school, the victims’ advocates showed up. They brought us food and water, and helped however they could. For those of us with missing members in our party, they were the ones that organized our information so we could be contacted as soon as anything was known.
Unfortunately, for many of the victims, that was the only night we saw this kind of support. Organizers had promised that there would be counseling available for the victims before a vigil held on Saturday. All of the victims that showed up early, including my group, were disappointed to find that the counseling before the vigil was reserved for the deceased victims’ families. All the other victims, even those who had been injured but released from hospital, would have to wait for the vigil to start and the victims’ advocates to come outside. Until then, we were left to fend for ourselves against the press.
The victims’ advocates did eventually come out to see us, but they hardly knew where to start given our number and the fact we were now spread out in the crowd. They did what they could. They consoled groups in mourning, whether they were at the theater or not. What stung the worst was to then hear the speakers stand up, one-by-one, and talk about how there needed to be support for all the victims, often emphasizing the mental scarring. Despite the diversity of the term victim in their speeches, their policies had a much narrower definition as to who the victims were.
On the day of the vigil, President Barack Obama visited the families of the deceased. He chose not to attend the vigil because he knew he couldn’t be there without pulling the focus away from the victims. His choice not to make an appearance at the vigil, even though it would have likely given him a boost in the polls, shows that he really did have the victims’ best interests at heart.
I only wish others could have been so selfless. There were dozens of politicians on the stage, most of whom didn’t speak. While he didn’t call them all off by name, Mayor Steve Hogan of Aurora stood for two minutes naming the ranks and affiliations of the dignitaries present, several of whom are up for reelection this coming fall. I understand giving credit to all of the first responders who were in attendance, but the long stream of elected officials felt too much like campaigning to the grieving.
For many in Colorado, this incident is hitting to close to home after the Columbine High School shootings. One victim of the Columbine shooting, Samuel Granillo, is working on a documentary about the school shootings. Through it, his goal is to find a way to provide counseling for those seeking it after the shootings at Columbine High School – which is desperately needed for those who still suffer from posttraumatic stress disorder in the wake of it. The funds for the Columbine victims dried up long before everyone had healed. Many of us that were in the theater on July 20th now worry that the support for the Aurora victims will also prematurely disappear.
There is hope; gestures of support have started to come through. Many speculated that Warner Bros. might make a contribution of some kind. On Tuesday, the studio made it official by announcing they were pledging a ‘substantial’ donation, without releasing details of the actual sum they plan to give to the Colorado Community First Foundation Aurora Victim Relief Fund. Many small businesses in the local communities are holding fundraisers for varying charities and victim support efforts. A group that helped bring the first Comic Con to Denver, organized a human wall at the vigil to counter protest the Westboro Baptist Church, even though the church never showed up. The Aurora Rise Benefit Event is being planned by All C’s Collectibles Comic store in Aurora, Colorado. Comic publishers including DC Comics and Image Comics have contacted them to pledge donations. The event is still coming together, but it so far looks to include a silent auction with proceeds going to victim support.
This outpour of donations from the local, online, and comic book communities has been phenomenal. The biggest worry is that the funds won’t reach most of the victims. My message to the politicians is simple: Have some class. Stop using this tragedy to get reelected. The best thing all the politicians can do now is to make sure that the support for the victims is allocated appropriately. There are several victims who have no way to pay their substantial medical bills, and many more that will need therapy for years to come.
In the final segment, I will discuss the ways in which social media has affected the tragedy. On a large scale, social media has created the most support for the victims. That isn’t to say there isn’t a downside to the internet hive mind.
A.J. Focht is a student, writer, and self-identifying geek. He has a BA in English, and is currently pursuing his Master’s degree at the University of Denver. He is a regular contributor to SuicideGirls. His work is also featured in Kush Magazine.
WHY DO YOU LOVE IT?: It’s really nice to see people’s photography and to get tips and tricks.
DISCUSSION TIP: I’m probably the worst person to ask for tips. I never post in threads I like because I always end up killing them. So if I like something I just stay as an observer.
“It’s very expensive to make a film in Britain because the exchange rate is so terrible. Dollars are worthless in the UK.”
– Danny Boyle
Danny Boyle is near and dear to the heart of probably every SuicideGirl and member. If not for his debut film noir Shallow Grave or the film that broke him through, Trainspotting, then definitely for the horror film, 28 Days Later. That film gave a pure shot of adrenaline into the heart of the zombie picture. His latest picture, Millions, might surprise casual fans. But Boyle nuts know that the man can tackle any genre and come up with a wonderfully inventive picture.
Millions tells the tale of a three person family; a practical nine year old called Anthony, his religious seven year old brother Damian, who sees saints around every corner, and their father who is the superintendent of a new housing development in Manchester. When a suitcase full of money falls out of the sky at Damian’s feet, it sets the boys on the adventure of a lifetime that leads them to realize that true wealth has nothing to do with money.
Thursday July 19th, I rushed home from work to get ready to catch the midnight showing of The Dark Knight Rises with a group of friends. We were all excited to finally be seeing the epic conclusion to Christopher Nolan’s Batman series. After wading through the crowd to get our tickets and stocking up on overpriced food and drinks, we made our way into Theater 9 and took our seats. The showing was packed and there weren’t enough empty seats in a row for all eight of us to sit together. We split up, sitting in small groups throughout the theater. I ended up in the second row from the back with my roommate and another friend.
Everyone waited patiently through the lackluster trailers for the feature film to begin. When the movie started, the theater went silent and everyone fixed their eyes in on the screen, mesmerized. Scene after scene, I became more enthralled with the story. About twenty minutes in, we were all snapped out of the epic fantasy world and into a nightmarish reality. A gunman opened fire on the unsuspecting crowd. I made it out of the theater unscathed, but I can’t say the same about the rest of my group. One of them was injured and went to hospital, and another didn’t came out of the theater alive. While I survived, 12 people were killed in the massacre and another 58 were injured.
It took seemingly no time before the twenty-four hour news networks had informed everyone across the nation as to what had happened. The mad rush to present the world with information caused the media vultures to deliver several false reports as they stopped at nothing to get their stories. In the midst of this living nightmare, the media circus fed off the victims’ despair like it was fresh bread in a famine.
With only a small charge left in her phone one of the members of my group thought it best to send out a blanket distress beacon via Twitter so she could conserve her battery to call her parents and a ride home. Caitlin tweeted from her account @dingos8myTARDIS informing her family and friends of the chaos and that she was physically alright. Her tweets were some of the first online, and within the hour BBC, CNN, and others were broadcasting her messages on the news. The hundreds of media outlets that contacted her throughout the night were unexpected, but we could understand they were just trying to do their jobs. Once we had been released, Caitlin, not wanting the mass media attention, released these tweets:
dingos8myTARDIS: To the media: I was tweeting earlier because my phone was on 10%batt & I needed to let people know I was okay. I am (in) no shape for interviews.
dingos8myTARDIS: To rephrase: I have no interest in interviews at this time. I was merely sending an emergency beacon.
Despite her requesting to be left alone, she was perpetually bombarded by yet more media requests via Twitter from outlets including FOX News and The Huffington Post. As if the mass attention on Twitter was not enough, other news networks took it upon themselves to get her phone number and start calling her.
While we all sat anxiously awaiting information on the MIA member of our group, phones and email notifications continued go off till all our phones had died. Before even our families and friends had a chance to check in, the overzealous reporters were all but knocking on our doors. Right after our group finally learned our missing member didn’t make it, Caitlin’s phone began to ring; It was the Today Show on the other end requesting an interview about him. She told them off and asked them not to contact her again. However, her pleas didn’t stop them from calling again the next morning, still trying to get an interview.
This is not to say that everyone in the media treated this tragic event and the victims like they were just a breaking news story. A select few talk show hosts and reporters handled their responses to the incident with the utmost tact. Craig Ferguson changed his opening monologue in response to the Aurora shootings. His heartfelt reaction was a signal that some of the media could show signs of humanity and compassion for the victims. On his Hulu show, Spoilers, Kevin Smith opened with a sincere speech and spent the rest of the time talking about the incident with the Spoilers crew. Responses like these made a huge difference for the survivors in my group who had begun to feel the media had turned on them.
While an array of talk show hosts had excellent responses to this tragic massacre, only a handful of career journalists handled it with the same level of professionalism. Out of all the reporters that covered this tragic story, only a few reported it both honestly and with consideration for the victims and survivors. Anderson Cooper conducted an interview with the father, girlfriend, and best friend of Alex Teves, the deceased member of our group. Cooper was genuine, and he allowed each of them to speak their mind. At the end of the interview, Teves’ father challenged Cooper and CNN to, moving forward, stop talking about and showing the gunman, since doing so only gave him the attention he sought, and asked them instead to focus to the victims.
[Anderson Cooper interviews Alex Teves’ father, girlfriend and best friend]
In contrast, ABC continues to provide the wrong information five days after the shootings. In the ABC News interview with Alex’s father and girlfriend, Dan Harris ended the segment by saying that Alex graduated from the University of Colorado with a degree in Physical Therapy. In reality, Alex recently graduated with his Master’s Degree in Counseling from the University of Denver. Even after being called out on The Daily Show, ABC fails to check the facts to their reports before airing them.
As if the misleading media wasn’t enough, their voyeuristic nature is making the victims and survivors feel uncomfortable even attending the memorials and vigils held in their honor. During the prayer vigil held on Sunday outside the Aurora Municipal building, reporters and photographers were swarming the lawn as the mourners arrived. There was a sectioned off area up front, but it was only for the families of the deceased victims, and it was located right in front of the podium for all the cameras to see. There was no media perimeter, and photographers from all ranks of media aggressively roamed through the crowd. Everyone from bloggers to international news organizations forced their way onto grieving groups. When Caitlin asked for her picture not to be taken, the only response she received was that she should not be in a public space. When friends of the victims would act as human shields, getting in the way of the pictures, the cameramen became increasingly volatile. At an event that was supposed to be for the victims, the victims couldn’t find any sanctuary from the press.
The political speeches throughout the vigil and the mass media presence raise the question: who was the vigil for? As a survivor of the Aurora massacre, I can say that I didn’t feel comforted by any of it. Amongst the several prayers, mostly Christian, all I heard was political name dropping ahead of the upcoming election, as the victims and survivors were left to defend themselves against the heartless, overbearing, and at times downright hostile actions of those in the media.
My message to the media is simple: First, as Mr. Teves asked Anderson Cooper, stop showing the face of and talking about the shooter. He is a coward that massacred an unsuspecting group of civilians. Every time you talk about him, you only help add his name to the pages of history. Next, I beg that you give both the victims and survivors their space. There are plenty of victims and families that are willing to talk to you, and could use the attention for good reasons such as medical bills. For those who want to be left alone, it’s the least you can do.
In Part 2, I will talk about how the politicians have handled this event, both good and bad. For many, this is becoming too reminiscent of the Columbine High School shooting, both in the tragic nature of what occurred and in the mishandling of the victims and survivors. For the final segment, I will explore the awe inspiring responses and support that has come from social media.
***
A.J. Focht is a student, writer, and self-identifying geek. He has a BA in English, and is currently pursuing his Master’s degree at the University of Denver. He is a regular contributor to SuicideGirls. His work is also featured in Kush Magazine.
“Just because its a big genre picture you should still put a lot of layers to those characters.”
– Sigourney Weaver
After 30 years in Hollywood Sigourney Weaver has created a filmography that would be the envy of any young ingénue. From Alien to Ghostbusters to three Academy nominations, this beautiful actor has created some of the compelling characters ever.
Her latest is Sandy Travis in Imaginary Heroes, which was written and directed by 25 year old Dan Harris. The film follows one year in the lives of the Travis family. After a terrible tragedy, the family pretty much falls to pieces. Teenage son Tim [Emile Hirsch] sleepwalks through life, mother Sandy [Sigourney Weaver] finds escape in smoking pot, and father Ben [Jeff Daniels] goes into shut-down mode, disconnecting from his family
“You must not forget that all the people in the movie are perpetrators and are bad.”
– Oliver Hirschbiegel
Downfall: Hitler and the End of the Third Reich is a very difficult but important film. The plot of the movie has Traudl Junge [Alexandra Maria Lara], the final stenographer for Adolf Hitler [Bruno Ganz], telling the story of the Nazi dictator’s final days in his Berlin bunker at the end of WWII. Downfall has been nominated for Academy Award for Best Foreign Film.
Oliver Hirschbiegel is the brilliant director of Downfall who first made an impression on US soil with the psychological horror film Das Experiment which was partially based on the Stanford Prison Experiment. Before making that feature he created Kommissar Rex and directed dozens of television movies. With Downfall he tackles another very high pressure situation which has become his trademark.
