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Nov 2011 23

by Daniel Robert Epstein

“She seemed to be evolved past the typical sexual bondage of the 1950’s.”
– Gretchen Mol

When I spoke with Mary Harron last summer, she told me that while she was auditioning women for the role of Bettie, “After Gretchen Mol came in no one else would do.” After years of seeing Mol is supporting roles I wasn’t convinced. Well Mol is amazing in The Notorious Bettie Page. She creates a complex character that actually seems to enjoy posing. She creates the dynamic of a religious woman who does what she does best and that’’s posing in bondage and cheesecake photos.

Read our exclusive interview with Gretchen Mol on SuicideGirls.com.

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Nov 2011 21

by SG’s Team Agony feat. Aadie

Let us answer life’s questions – because great advice is even better when it comes from SuicideGirls.


[Aadie in Time Out]

Q. I’m 27 years old mother of three with a boyfriend that I’ve been with for four years. He is driving me nuts but he is the father of my youngest and he’s good with the kids. My question is about this other guy that I play video games with. He is a 28-year old single parent with two kids and we are really good friends. I can’t take my mind off him and that too is driving me nuts/ I’m like so torn up about what to do. I can really see myself with this guy but I don’t know if I’m messing up by thinking about letting my boyfriend go (he has broken up with me like 30 times). I don’t know what to do?

A: I think that most single men are pretty much exactly the same, just with different faces. This is so we can tell them apart – lol.

So keep that in mind (new boy = new problems). If you’re falling out of love with your boyfriend, you should be true to him and true to yourself. You can A: Leave him, or B: stick it out for your children. But whichever path you find yourself walking, I strongly hope you will be steering clear of your male video gaming hombre.

I think because this male friend is there and is listening to you, he’s a source of comfort given that your current situation is causing you distress. You’re therefore more drawn to him now then you normally would be. Leaving one man and running to arms of another won’t help you solve anything. Maybe you just really need some “on your own time” to think things through with your boyfriend, but don’t forget to communicate with him either.

Aadie
xoxo

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Got Problems? Let SuicideGirls’ team of Agony Aunts provide solutions. Email questions to: gotproblems@suicidegirls.com

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Nov 2011 21

By Fred Topel

“An entitled pretty girl is just straight up a fucking cunt.”
– Rie Rasmussen

Quentin Tarantino discovered Rie Rasmussen when he was presiding over the Cannes Film Festival in 2004. Her short film, Thinning the Herd, was nominated for the Palme d’Or in the shorts competition. Her first feature film, Human Zoo, opened the Berlin Film Festival in 2009, and Tarantino is bringing it to the states.

Rasmussen herself plays Adria, an immigrant from Kosovo in Marseilles. While opening up to an American romantic, Shawn (Nick Corey), Adria remembers her escape from military rape and a crime spree with a former soldier (Nikola Djuricko). Filled with the kind of blood and sex that would strike Tarantino’s fancy, it’s the voice of a woman with worldly thoughts. Standing 5’11” with Danish features, Rasmussen was a model for Gucci, Yves Saint Laurent, Dolce and Gabbana and more.

She appeared in the film Femme Fatale and starred in Angel-A. I met her on the Femme red carpet where she laughed at my questions about her height. Again speaking about Angel-A, I recalled her itching to speak out about her passions after years of being paid to stand there silently. So I was interested to see what those artistic ideas would be. To speak about Human Zoo, Rasmussen hung out in the offices of The Weinstein Company, essentially Tarantino’s home base. Dressed in all black with leather jacket, she dropped F bombs, talked dirty and got political all in the same breath. Finally, a woman I can talk to.

Read our exclusive interview with Rie Rasmussen on SuicideGirls.com.

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Nov 2011 18

by Blogbot

Every week we ask the ladies and gentlemen of the social web to show us their finest ink in celebration of Tattoo Tuesday.

Our favorite submission from Twitter wins a free 3 month membership to SuicideGirls.com.

This week, @_lambchop wins with her classy cameo.

If you haven’t won this week, don’t forget that you can enter each week until you do, so good luck next Tuesday, and happy inking!

A few things to remember:

  • You have to be 18 to qualify.
  • The tattoo has to be yours…that means permanently etched on your body.
  • On Twitter we search for your entries by looking up the hashtag #TattooTuesday, so make sure you include it in your tweet!

Check out the Tattoo Tuesday winners of weeks past!

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Nov 2011 18

by Blogbot

This Sunday hosts Nicole Powers (SG’s Managing Editor) and Lacey Conner (our resident recovering reality TV star from VH1’s Rock of Love and Charm School) will be joined by David J (of Bauhaus and Love & Rockets) who’ll be chatting about his new musicals, Silver for Gold (The Odyssey of Edie Sedgwick) and The Chanteuse And The Devil’s Muse (which sheds new light on the Black Dahlia Saga).

Tune in to the world’s leading naked radio show for two hours of totally awesome tunes and extreme conversation – and don’t let yo momma listen in!

Listen to SG Radio live Sunday night from 10 PM til Midnight on Indie1031.com

Got questions? Then dial our studio hotline digits this Sunday between 10 PM and midnight PST: 323-900-6012

And cyberstalk us on Facebook and Twitter.

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Nov 2011 18

by Yashar Ali

The shocking and tragic events at Penn State that have unfolded over the past two weeks, which exposed former assistant football coach Jerry Sandusky as a sexual predator, have (yet again) brought the issue of child sex abuse to the forefront of our collective consciousness.

In light of recent events, I want to discuss an issue, a behavior, that has bothered me for some time. It’s about how we encourage our kids to abandon their sense of self-trust –– their instinct and intuition –– in order to be polite by showing physical affection to adults.

How often, especially during the holidays, are children confronted with moments like this one: a relative comes to visit and the child’s parents say something like, “Now, give your uncle a hug and kiss.”


And when the child refuses to provide physical affection, or hesitates at the request, they sometimes hear things like, “You’re hurting your uncle’s feelings. It’s not polite. Now, go give him a hug and kiss.”

Some of us even remember our relatives asking us (some may say pleading or begging) for affection, “Aren’t you going to give me a hug and kiss? Please?!”

I think insisting and cajoling a child into showing physical affection towards an adult in this manner is incredibly dangerous. Whether it’s a relationship between a child and his/her relatives or one between a kid and an adult who is an acquaintance, family friend, or mentor, this type of behavior, in which children are expected to show physical affection as a sign of respect, is something I think we all need to be careful about.

When a child gives us the sense that they don’t want to be physically affectionate with someone, our tendency is to encourage the child, at that particular moment, to abandon their intuition and instinct –– it’s a small step towards the erosion of that child’s sense of self-trust. At that moment, we are telling them, “Forget about how you feel. Do something that makes you feel uncertain and uncomfortable, so that someone else (an adult) can feel acknowledged and respected.”

We are all built with a natural, innate sense of what feels right and wrong. Every species of animal is born with an instinctual drive. Unfortunately, the human species is the only one that is continually taught to ignore their instincts by their elders.

There is, however, a difference between intuition and instinct. Even though the words are often confused as synonyms for each other, there is a simple way to separate the two. We are all born with instinct, but intuition is built through education, living, and practice. Our intuition is linked to a keen and quick insight.

These two internal senses, intuition and instinct, make up my idea of self-trust. I see self-trust as related to trusting your reactions, your feelings about people, circumstances, and decisions. I see self-trust as the most authentic reactions and feelings.

I acknowledge that some kids are just being difficult, but it’s not about their motivation so much as it is about our reaction. When we initiate a process where we require boys and girls to have physical interaction even if they don’t want to, we’re also telling them to ignore their sense of self-trust. We are teaching kids that adults are in charge of who they should be and are affectionate with. We are telling them that they don’t have the right, or power to make their own decisions about human, physical interaction.

Again, it’s the little moments that create a big collective weight over time.

But my point is, no one has the right to demand affection, or an innate right to receive it, especially from a child. It’s not merely part of normal, polite interactions. It’s extra.

Insisting on a hug or a kiss may seem innocuous enough to us, as adults, but can you imagine asking, or expecting an adult to hug and kiss another adult as a way to show acknowledgement or respect?

Normally, we wouldn’t encourage two adults to have that sort of interaction because we all have a sense of what kinds of physical affection are appropriate in a given circumstance. We have a sense of what we feel comfortable with and we react according to our gut.

Why can’t we allow children to tap into this same instinctive, internal sense?

This doesn’t mean I think we should live in a society without affection. To the contrary.

But the idea that a child can be forced, guilt-tripped or cajoled into affection is disgusting to me. It’s not a light-hearted or funny moment, it’s sad. In that instance, we are telling that child to give up their physical selves in order to appease us adults, for reasons that they don’t fully understand or appreciate. Our motivation, whether it’s social embarrassment or a desire to connect with the child, puts us first, rather than thinking of them first…as it should be.

When it comes to acknowledging other people, the most we can expect from children is for them to politely and verbally greet adults. As far as I’m concerned, anything beyond that is expecting too much and is patently unfair.

Some may say that this way of handling interaction between adults and children will build up cynicism in kids, will rob them of their innocence, and will make them overly cautious of adults – or even teach them to be aloof.

Well, our childhoods have never been innocent (now or ever). One out of every four girls and one of out of every six boys will face sexual abuse before their 18th birthday. We only have to look at the numbers to understand that for many kids, there have never been bright, sunny childhoods.

For much too long, they have been filled with silent moments of sexual abuse, we just haven’t discussed them. They have been hidden away, just like the victims of Jerry Sandusky. It’s only when we shatter this myth of a childhood era of innocence that we can begin to understand what children truly face.

Sexual abuse completely revamps the blueprint of the victim’s life. Their worldview shifts, the way they process trust, how they build relationships, their sense of safety, are all permanently altered.

So, I think I’d much rather have our children be slightly cynical and aware, to encourage them to follow their sense of self-trust, and, as a result, give them a better chance of protecting themselves, than to insist that kids must show physical affection regardless of whether they feel comfortable doing so.

After all, it’s not like we’ve done our part to protect our kids, not at all. And if we have any doubt about that, all we have to do is think about Mike McQueary, looking on as that poor boy was raped in the locker room shower at Penn State.

***

Yashar Ali is a Los Angeles-based columnist, commentator, and political veteran whose writings about women, gender inequality, political heroism, and society are showcased on his website, The Current Conscience. Please follow him on Twitter and join him on Facebook

He will be soon releasing our first short e-book, entitled, A Message To Women From A Man: You Are Not Crazy — How We Teach Men That Women Are Crazy and How We Convince Women To Ignore Their Instincts. If you are interested and want to be notified when the book is released, please click here to sign-up.

Related Posts:
The Modern Day Version of “Just The Tip”
Men Who E-Maintain Women
He Doesn’t Deserve Your Validation: Putting The Fake Orgasm Out of Business
A Message To Women From A Man: You Are Not Crazy

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Nov 2011 18

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

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