by Blogbot

The Sunset Strip’s Viper Room hosted a soirée to celebrate the release of Game author Neil Strauss‘ latest, a rock & roll interview anthology-cum-self help book entitled Everyone Loves You When You’re Dead.

The superstar scribe, who’s penned biographical bestsellers with the likes of Mötley Crüe (The Dirt), Dave Navarro (Don’t Try This at Home) and Marilyn Manson (Long Hard Road Out of Hell), nearly missed his own party thanks to a line of 300 fans who showed for a signing earlier on in the evening at The Grove’s Barnes & Noble.

Though Strauss missed excellent sets from local rockers No More Kings and DTLA’s comical Weekend Pilots, he did make it just in time to see burlesque artist (and Lucha VaVOOM producer) Rita D’Albert shake her last tassel, before unlikely ladies man Har Mar Superstar took over the stage. True to form, Har Mar (the sexed-up R&B alter ego of one Sean Matthew Tillmann) got rid of his clothes as he got the room moving – and SuicideGirls was there to photograph the party in his pants (see images after the jump).

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by Blogbot

This Sunday (April 3rd) our very special in-studio guest will be drummer extraordinaire, and all-round top dude, Josh Freese.

Josh has worked with some of the biggest, craziest and/or coolest names in the business; He’s a member of The Vandals, Devo, and the on-hiatus A Perfect Circle, and has played with NIN, Sting, and Guns N’ Roses, to name but a few.

Fresh off a tour with Devo, the wacky skin whacker will be in-studio talking about his forthcoming E.P., My New Friends (a follow-up of sorts to 2009’s Since 1972), and the novel way he plans on pimping it.

Listen to SG Radio live Sunday night from 10 PM til Midnight on Indie1031.com

Got questions? Then dial our studio hotline digits this Sunday between 10 PM and midnight PST: 877-900-1031

Busy on Sunday? Then find all our podcasts at http://suicidegirlsradio.blip.tv/ and listen at your leisure.

And don’t forget to follow us on Twitter.

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by Ryan Stewart

Over the next few months, Hollywood’s hottest writer, Diablo Cody, will see her second and third scripts rushed into development. One of those, Girly Style, is a girl’s version of Superbad. The other is a horror film called Jennifer’s Body, starring Transformers’ Megan Fox, and it’s about – wait for it – a cheerleader that eats boys. Literally. If you want to know what kind of mind could come up with such a thing, a good place to start is with Cody’s 2005 memoir Candy Girl, which chronicles her unlikely journey from teenage miscreant in a punk band called Yak Spackle to achingly ordinary office drone to topless dancer (she went by Roxanne and other names) to popular blogger to aspiring screenwriter in her late twenties.

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by Keith Daniels

Georgia-by-way-of-Alabama’s Drive-By Truckers are by nature what so many bands today aspire to be by artifice: authentic, American, rootsy rock’n’roll. They first hit the national radar with their third album, Southern Rock Opera, an ambitious double-album which used the story of Lynyrd Skynyrd as a metaphor for the decline of the South as a whole.

Ever since, even while weathering lineup and label changes, they’ve cranked out a great new record on a near-yearly basis in a decade-long winning streak that few bands have equaled.

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by Erin Broadley

“I’’m ready to fight and I’’m ready to sing.”
– Pearl Aday

It’s a cool Los Angeles night at the Standard Hotel and the scantily clad girl in the Plexiglas cage above the concierge desk is nodding off… but then again, Monday’s are always a little slow. A drifter ambles past the front entrance, down the sidewalk, mouthing along to whatever voice rattles through his head. Meanwhile rock singer Pearl Aday and I are holed up in a booth in the hotel’s the street-side diner. As she drinks tea and I sip merlot, we talk about the current state of music, more specifically women in rock-n-roll, and Pearl is pissed off.

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by Aaron Colter

The first time I saw Che Smith was in the basement of the Purdue Student Union in West Lafayette, Indiana. The Malcontents, a local ska band, were playing a free show in the student center on what was hopefully a weekend night, given the amount of substances I consumed. That evening, while The Malcontents were jamming out a reggae-vibe number called “We Make Profits,” and I was three-quarters into a bottle of Captain Morgan, someone started free-styling over the song – Rhymefest.

Despite starting the night in the basement of a Purdue building and waking up some sixty miles away at Butler University, I remember that song. It was, and remains, one of the single greatest live music moments in my life. But the reason I’m writing about Rhymefest, or rather Che Smith, isn’t because of his music, it’s because Che Smith is running for Alderman of Chicago’s 20th Ward.

Most of the media has defined Che Smith as a childhood friend of Kayne West, a Grammy-winner for “Jesus Walks With Me,” and the winner of a hip-hop battle with Eminem. All of these things are true, but that’s not the entire story.

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by A.J. Focht

Filmed on a budget of just $4 million dollars, Red State shows a side of Kevin Smith that the world has never seen before. Known for his raunchy nerd comedies, the pseudo-horror Red State defiantly stands out from his other works.

Red State has been the fuel of many an internet fire since its announcement in back in 2006. To start things off, the film’s budget did not include advertising money. As an attempt to avoid the “studio math,” the Harvey Boys studio intends to advertise the movie with viral word of mouth. Then in January, at the Sundance Film Festival, Smith announced his plans to self-distribute the film as the first SModcast Picture, launching things with a road tour that started on March, 5.

On Tuesday, March 22, Red State made its stop in Denver, CO; where I had a chance to catch the movie and a Q&A after with Smith.

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