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Jun 2011 16

by Keith Daniels

“The Religious Right will continue to wage this war against women until we as secularists stand up with the feminists and say, ‘No more.’”
– Rebecca Watson

I first heard of Rebecca Watson in her role as the lone female host on The Skeptics Guide to the Universe podcast, on which she appears as one of a quartet of co-hosts led by Dr. Steven Novella, but she first gained notice within the skeptic community because of her work with the collaborative blog she founded, Skepchick.org.

Skepchick advocates for the interrelationship between critical thinking, science, secularism, and feminism. One of the most passionate, articulate, and fearless secularists in the public eye, Rebecca divides her time between Skepchick, the SGU podcast, and frequent speaking engagements at atheist and skeptic-oriented conferences and conventions. In 2009 Skepchick started its own convention, SkepchickCon, which occurs annually as part of the larger CONvergence at the end of June in Minneapolis.

We spoke recently about Skepchick, the Religious Right’s war against women in the United States, and the difficulties women face even within the secular community.

Read our exclusive interview with Rebecca Watson on SuicideGirls.com.

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Jun 2011 15

by Nicole Powers

“It’s not democracy anymore.”
– Robert F. Kennedy, Jr.

On the surface, The Last Mountain is a documentary about the dirty business of coal, the highly destructive and toxic practice of mountaintop removal mining, and one community’s fight to preserve their homes, their livelihoods, their health, and the last great mountain in the region. However, the story of Coal River Mountain in West Virginia is allegorical of much that is wrong with America, which is why during our roundtable conversation with the film’s champion, renowned environmental lawyer and activist Robert F. Kennedy, Jr., he barely mentions the four-letter word that is coal. Instead, Kennedy focuses on the underlying history and climate that has allowed corporations to rape and pillage our environment, and poison and kill our citizenry with impunity.

In The Last Mountain, Don Blankenship, the former CEO of Massey Energy (he retired at the end of December 2010), is typecast in the role of modern day robber baron. As the largest coal producer in Central Appalachia, his company is only able to function on the scale it does by subjugating democracy. Mountaintop removal mining is cheaper and less labor intensive than traditional underground coal extraction methods, but it causes such an affront to the landscape, water and air, that it can only be done when the authorities charged with protecting the public interest are willing and able to look the other way.

Between 2000 and 2006 Massey chalked up a staggering 60,000 EPA infractions, but has suffered little in consequences beyond much belated and pitifully low fines that serve the government’s need to be seen to be doing something while maintaining the status quo. Of course, Massey is not the only corporation and coal is far from the only industry that is using and abusing our severely compromised shell of a democracy. In light of the Citizens United Supreme Court ruling allowing corporate campaign donations (and a subsequent one that makes direct-to-candidate payments permissible), our government couldn’t be for more up for sale if it were posted on eBay.

Though there will inevitably be dark days ahead for our democracy, it’s not all doom and gloom thanks to a groundswell of grassroots activism as witnessed in Coal River Valley and documented in The Last Mountain. As for the environment, Kennedy points out towards the end of this interview that there’s an (LED) light at the end of the tunnel, and ironically it’s capitalism in its cleanest and purest form that may end up saving the day.

Read our interview with Robert F. Kennedy, Jr. on SuicideGirls.com.

The Last Mountain opens in Los Angeles* on Wednesday, June 15, and in Irvine, Pasadena, Philadelphia, San Francisco*, and Berkeley on Friday, June 17.

*Bill Haney and Robert F. Kennedy, Jr. will appear in person at the Landmark opening night screenings in Los Angeles and San Francisco – visit the Landmark website for more details.

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Jun 2011 14

by Daniel Robert Epstein

“I think postmodernism is almost a condition”
– Simon Pegg

It’’s 2007 and Simon Pegg has become a bonafide movie star. Pegg’s breakout role in the surprise cult hit Shaun of the Dead has led to bigger roles such as the lab tech in Mission: Impossible III and the lead in the Run, Fat Boy, Run written by Michael Ian Black. But Hot Fuzz is the film that Pegg and his long time collaborator, director Edgar Wright, have wanted to do since they wrapped Shaun.

Shaun of the Dead is one of my favorite films of recent years, but Hot Fuzz surpasses it in acting and humor, and technically the film is a marvel. Wright and Pegg have crafted a tight screenplay that lovingly satirizes elements from some of the best/worst action films of all time. Amazingly they’’ve incorporated those ideas into pivotal and often emotional scenes.

In Hot Fuzz, Pegg plays super cop Nicholas Angel, who does such a good job of arresting bad guys that he is making his department pale in comparison. He is then transferred to the rural sleepy hamlet of Sandford. At first he spends his time trying to whip the lazy police department into shape but soon Angel realizes that Sandford is hiding a dark secret…

Read our exclusive interview with Simon Pegg on SuicideGirls.com.

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Jun 2011 13

by Nicole Powers

“I think that the tide against mountaintop mining’s free ride is turning.”
– Bill Haney

There’s nothing pretty about coal mining at the best of times, but mountaintop removal mining is downright obscene. The process is ugly in every sense of the word, but is less labor intensive, and therefore cheaper and more desirable for the big energy corporations who do it. However the hidden expense in terms of the environment, public health, employment, and subsidies mean that it’s something that the American public is paying dearly for. The cost of mountaintop removal mining is something that is literally and metaphorically killing us.

The sordid details involve deforestation to prepare the site. The ‘overburden’ – in this case a euphemism for the top 250 to 500 feet of a mountain – is then removed using dynamite to reveal the underlying coal seam. The rubble created as the mountaintop is blown away is generally pushed down the mountainside, covering flora and fauna, rivers and streams, and anything else in its wake. Once the coal has been removed the mining companies are supposed to restore the site, but this requirement is at best broadly interpreted, and at worse blatantly flouted with few repercussions.

Fifty percent of the electricity produced in the US comes from coal-powered plants, and thirty percent of the coal used comes from Appalachia. As a result, 500 majestic Appalachian mountains have been destroyed. The biggest perpetrator of this destruction is Massey Energy, who proudly proclaim on their website that their ‘vision’ is ‘to be the premier supplier of quality coal from Central Appalachia to worldwide markets.’

The physical removal of coal however, is only the first stage in a highly toxic chain of events. The coal then has to be prepared, a procedure that uses vast amounts of water to wash off the soil and rock. The byproduct of this is a filthy sludge, which contains all manner of heavy metals and other such carcinogens, that is stored in vast impoundments. These sludge ponds are generally lazily constructed using dirt that is blasted off the mountaintop to damn a valley below. For the most part, there’s no concrete or steel reinforcement as would befit dams built on such a scale. Because of this, many of these impoundments are leaking, and, furthermore, because these structures are not lined, the pollutants even in the sound dams leak into the surrounding water table.

The environmental impact of such mining practices is supposed to be mitigated by the Clean Air and Clean Water Acts, which in turn are supposed to be enforced by the Environmental Protection Agency (EPA), the Department of Environmental Protection (DEP), and, to some extent, the Army Corps of Engineers. But a Bush-era single word change to the Clean Water Act arrested its ability to control pollution, much to the delight of the polluters. Known as the Fill Rule, the definition of allowable fill material that could be dumped into lakes, rivers, and streams was essentially broadened to include all manner of waste. Thus, the Clean Water Act now serves as a license for big business to pollute.

Because of the intrinsically dirty nature of coal mining and the cozy relationship the industrialists have with those in power (George Bush famously called his election to office ‘a coal-fired victory’ because of the extent of the industry’s contributions to his cause), pollution is an inevitable part of the process and polluters are rarely brought to task. For example, according to Environmental Protection Agency records, Massey Energy committed over 60,000 violations between 2000 and 2006, but has paid a pittance in fines, which when compared to the company’s profits barely even register as a tickle on the wrist, never mind the slap they’re supposed to be.

In the lieu of the government acting in the interests of the people it’s supposed to represent, the battle for clean air and water, and sustainable energy and jobs is being fought on the ground by those Big Coal directly adversely effects. The struggle of one such community in West Virginia’s Coal River Valley, whose homes, land, health, and employment prospects have been blighted by Massey’s mountaintop removal mining operations, is documented in a new film, The Last Mountain.

A collaboration between filmmaker Bill Haney (whose previous credits include the Academy Award-shortlisted Price of Sugar) and renowned environmental lawyer and activist Robert F. Kennedy, Jr., The Last Mountain should be mandatory viewing for anyone who’s ever switched on a light. The film not only tells the inspiring story of the grassroots fight against the Goliath that is Massey, but also underlines our implicit culpability, which can be summed up by one simple yet staggering statistic: sixteen pounds of coal is burned each day for every man woman and child in the US.

SuicideGirls participated in roundtables with Haney and Kennedy. The following is excerpted from the interview with Haney (our conversation with Kennedy is posted here).

Read our interview with Bill Haney on SuicideGirls.com.

The Last Mountain opens in Los Angeles* on Wednesday, June 15, and in Irvine, Pasadena, Philadelphia, San Francisco*, and Berkeley on Friday, June 17.

*Bill Haney and Robert F. Kennedy, Jr. will appear in person at the Landmark opening night screenings in Los Angeles and San Francisco – visit the Landmark website for more details.

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Jun 2011 10

by Daniel Robert Epstein

“I’’m more of a stream of consciousness kind of guy.”
– David Arquette

David Arquette made a name for himself in the Scream trilogy and since then has had a long career in television and film. But for his directorial debut, The Tripper, Arquette has gone back to the horror genre, this time infusing it with political overtones. The Tripper is about a Ronald Reagan-obsessed serial killer that targets a bunch of hippies.

While some may be surprised that Arquette may be stepping into directing, it is no shock because he comes from one of the most talented and prolific Hollywood legacies ever. The Arquette family in show business started with Cliff Arquette, better known as Charley Weaver and spawned Lewis Arquette and David’s sisters Patricia and Rosanna. Most recently Arquette stepped back into television with the sitcom In Case of Emergency and co-producing Courteney Cox’s show Dirt. I got a chance to talk with the first time director after his long grassroots bus tour promoting The Tripper.

Read our exclusive interview with David Arquette on SuicideGirls.com.

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Jun 2011 09

by Daniel Robert Epstein

“I got double excitement wood”
– Jamie Kennedy

Jamie Kennedy has played everything from a nerdy high schooler obsessed with movies to a nerdy tech obsessed NSA agent to a nerdy wannabe rap star… — well maybe he hasn’’t played everything. But usually whatever Kennedy does is very funny and that seems to be the case with Kickin’ It Old Skool where he plays an 11-year old breakdancer who falls into a coma and wakes up at age 30 and tries to put his life back together through the power of dance.

Read our exclusive interview with Jamie Kennedy on SuicideGirls.com.

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Jun 2011 08

by Daniel Robert Epstein

“I would have a problem with having kids.”
– Thora Birch

Thora Birch has been entertaining us for ¾ of her life, from kids’ films like Monkey Trouble and Hocus Pocus all the way up to her breakout roles in American Beauty and Ghost World. Now Birch concentrates on smaller films with strong character roles and her latest is the horror film Dark Corners where her character wakes up one day as a different person being stalked by terrifying creatures.

Read our exclusive interview with Thora Birch on SuicideGirls.com.