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Mar 2012 14

by Damon Martin

“Roads? Where we’re going, we don’t need roads”
~ Dr. Emmett Brown, Back to the Future

Remember the bit in Back to the Future when Doc Brown (played by Christopher Lloyd) utters that very line and flies away in his souped up DeLorean to take Michael J. Fox and his girlfriend 30 years into the future? He takes them to the year 2015, which is only 3 years from now. In Brown’s version of the future, all the cars had been converted to flying automobiles and we had air gliding skateboards, video walls, and instant pizza.

Were some of those ideas a little crazy? Sure they were. But thinking back 30 years ago, those sorts of things almost seemed possible. I mean look at 1985 compared to 1955 with regards to the advancements in science, technology and innovation.

Now in the year 2012, the United States of America is falling behind the rest of the world when it comes to STEM (science, technology, engineering, and math), while our creativity and innovation fails to come up with much of anything new outside of Apple releasing a new iPhone or iPad every year.

Famed astrophysicist Neil DeGrasse Tyson believes that a big reason that America is falling behind innovation-wise is due to the lack of funding the government has given over to NASA in the last several years. As our space program has dwindled so has our ability to think outside the box, and reach for the stars both literally and figuratively.

Tyson recently spoke in front of Congress where he made his case for why NASA’s funding is so important:

“During the late 1950’s through the early 1970’s, every few weeks an article, cover story, or headline would extol the ‘city of tomorrow,’ the ‘home of tomorrow,’ the ‘transportation of tomorrow.’ Despite such optimism, that period was one of the gloomiest in US history, with a level of unrest not seen since the Civil War. The Cold War threatened total annihilation, a hot war killed a hundred servicemen each week, the civil rights movement played out daily confrontations, and multiple assassinations and urban riots poisoned the landscape,” said Tyson. “The only people doing much dreaming back then were scientists, engineers and technologists. Their visions of tomorrow derive from their formal training as discoverers. And what inspired them was America’s bold and visible investment on the space frontier.”

Now Tyson points out very specifically that in realistic terms the reason why the US was so dedicated to the space race in the 60s had to do with the Russians’ own dedication to space exploration. The USSR launched the first manned missions into space and the only way the US could beat them was to land a man on the moon. Obviously that was a successful conquest, and, in the period directly following it, most people believed that within a couple of decades we’d surely have landed a man on Mars. Neil Armstrong first stepped foot on the moon on July 20, 1969, yet more than 40 years later our space exploration has essentially landed back on Earth with a dull thud.

‘We stopped dreaming’ said Tyson during an appearance on the popular HBO series Real Time with Bill Maher. “And so I worry, that decisions Congress makes, doesn’t factor in the consequences of those decisions on tomorrow. Tomorrow’s gone. They’re playing for the quarterly report, they’re playing for the next election cycle, and that is mortgaging the actual future of this nation.”

In that same interview, Tyson also points out that the financial bailout ($850 billion) that was completed to save the banks and Wall Street from complete collapse, is more than the entire 50 year tally of the budget for NASA.

The fact is Tyson is right and it’s not even all about landing a man on the moon or exploring the deepest reaches of space, as amazing as all that would be. So much technology was developed as a result of our race to the moon, and that also created work for millions of Americans. Technology launched or invented because of our out of this world endeavors includes Lasik surgery, scratch resistant lenses, cordless power tools, micro-sized electronics, and the list goes on…

But we stopped dreaming.

Even in the early 1980s when I was in elementary school, kids talked all the time about becoming astronauts and wanting to walk on Mars or being the first person to fly to Pluto. I vividly remember our teachers always showing the shuttle launches and how exciting that was to see for a kid growing up. Now our children’s dreams might take them as far as Washington, D.C. or New York City, but rarely do you hear anybody talking about flying to Mars, much less colonizing the moon.

As NASA’s budget continues to fall by the wayside while other programs flourish, and our war machine eats up billions upon billions of dollars, what dreams are we instilling in the next generation? We are obviously a long, long way from landing on Mars or even sending manned missions back into space. We can barely get funding for the technology that will help us peer far enough into space from earth so that we may one day learn the true origins of our universe.

Flying cars? Maybe Doc Brown should have shot for 200 years in the future given the trajectory we’re currently on.

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Mar 2012 14

by Fred Topel

“I just like to feel that rush of fear.” – Paul Dano

Paul Dano has been one of the most interesting actors to watch in the last 10 years. He’s done several hard hitting indie dramas like L.I.E. and The Ballad of Jack and Rose, and that famous “I’ve abandoned my child” scene in There Will Be Blood. His youthful face has kept him in teen comedies, dramas and dramedies, from The Emperor’s Club to The Girl Next Door.

It was probably Little Miss Sunshine that made viewers learn his name. Stuck in the van with Steve Carell, Greg Kinnear, Toni Collette and little Abigail Breslin, Dano played the older brother who just wanted to join the Air Force. Since then he’s popped up in big studio movies like Knight & Day and Cowboys & Aliens.

Currently, Dano stars in Being Flynn, based on author Nick Flynn’s memoir Another Bullshit Night In Suck City. Dano plays Nick, then an aspiring author volunteering at a homeless shelter. His estranged father Jonathan (Robert DeNiro) comes back into his life and even shows up at the homeless shelter. Jonathan Flynn left before his wife Jody (Julianne Moore) killed herself, a suicide Nick believes he caused with a short story he wrote. Guilt, homelessness and even falling into drugs himself makes Nick a very juicy role for Dano.

Dano gave us some time to speak with him when he visited Los Angeles with the film. Though I’ve been watching him for a decade this was actually the first time I met him in my Hollywood career, although for all this time I’ve been saying his name wrong. I learned the correct pronunciation of Dano after hearing all of the Focus Features staff refer to him all day. Good thing I didn’t make a “Book ‘em, Dano” joke because that’s not how it’s pronounced.

Read our exclusive interview with Paul Dano on SuicideGirls.com.

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Mar 2012 14

Lylie Suicide in In Bloom

  • INTO: Gigs, makeup, travel, I love naughty words in English!
  • MAKES ME HAPPY: A guitar solo! Love.
  • MAKES ME SAD: Idiots.
  • HOBBIES: Dance.
  • 5 THINGS I CAN’T LIVE WITHOUT: Music, a bed…

Get to know Lylie better over at SuicideGirls.com!


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Mar 2012 13

by Nahp Suicide


[Gogo in Nixe]

P_Mod is from Strasbourg, France, and has been a photographer for SG since 2006. He specializes in shooting for tattoo magazines, and also takes live music and band promo pics.

How did you first get involved with SuicideGirls?

After a long photography break, my tattoo artist (Reynald, Asphalt Jungle) asked me to do a couple of portraits of some of his costumers. It was a proposition that I declined first cause I felt uncomfortable with portraits. (Basically I was pretty shy and I preferred taking pictures of landscapes, abandoned buildings, and so on.) I discovered SG when looking for good inspiration pictures of tattooed people, and three months later I shot two girls (Ayane & Raia) in Paris with a national TV team behind my back. I hadn’t slept for two days before the shoot, but at least the baptism by fire was done.




What’s your background photography-wise?

I learnt photography [at college] and I graduated 15 years ago. I was pretty disgusted by the artsy/elitist/show-off [element of] the students’ and teachers’ mind-shaping, so I gave up shooting for eight years and worked as an assistant in a photo laboratory. Then digital arrived and the photo processing industry felt down, so I opened my company four years ago. Now I work mostly for the tattoo press and doing band pictures.


[Myra in Fernsehapparat]

What was the first photo you had published?

A picture of Jay Read for the cover of Rise tattoo magazine. 




How would you describe your style?

That’s a pretty difficult question. I don’t work to create a special style actually. Basically I try to keep pictures as close to reality as I can. Photography is in many ways like music, you can hide behind the technology, but it’s not everything. For example, I was at a Dream Theater show a couple of years ago. It was the most well executed gig I’ve ever seen, but the most boring also. Two days later I went to a random punk gig. It was technically a disaster, but way more enjoyable and alive. You can shoot a perfect picture technically, but which doesn’t work cause the moment isn’t there and nothing happens. The shoot is only a part of the process. The selection is also very important: why a picture is a part of your selection, what the picture means for you, and how it represents your mood during the shoot – even if the picture is not technically perfect.

What gear do you use?

A Canon 1D + 50mm + 24-70 95% of the time, and Hasselblad 500CM for analog.





[Dwam in Woad]

How important is Photoshop in your final images?

I think that a raw image which doesn’t work unedited won’t work edited. I try to select pictures where I won’t have to spend two hours editing, but there’s obviously an element of laziness also.




What gives you ideas and inspires you to create such amazing sets?

Mostly music visuals, video clips, cinema. Actually, most of the time it’s not a real creation but it’s tributes from existing things, winks or whatever. The trick is I’m usually trying to let the girl bring her idea. I’m just here to help in a technical shaping. It’s not laziness; I find it interesting to involve models in their own idea as SG is basically a way to show yourself. There’s also the possible scenario where there’s no specific theme, in this case we just discuss how we can take advantage of a location, light, and mood, and do something coherent. To mix with some photographers on SG like Steve Prue, Cherry, Albertine or Dwam has been a real inspiration and kind of changed my view on photography generally speaking.





[Apory in Karma Police]

What is your favorite image?

None and many in the same time.

Tell us why it’s your fave and how you achieved it?

My main trouble is when I spend too much time on the pictures, then I always think it’s all crap. I used to have a personal crisis, like “let’s give up photography and open a fishing company in the country side.” On the other hand, I’m more interested in personalities than simple aesthetics, so my faves are obviously the pictures done with people who own a strong universe. I think when you can join personality and aesthetic, you can be sure something will happen. My first thoughts go to people like AnnaLee, Gogo, Lylie, Leopoldine, Dwam, Nemesis, Revenge, Apory, Opale, Sinnah, and so many others. But I’m certainly not objective about it as they are a way more than models and have became true friends.



Is there anybody or anything you would love to photograph that you haven’t? (And tell us why)

I’m usually [limited by] geographic issues, but I’d like to drift off into new encounters so let’s wait and see ; )


[Dwam, Key, Morrigan, Nemesis, Opale, and Tie in ZILF]

Related Posts:
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In Focus: The Photographers of SuicideGirls feat. DarrylDarko
In Focus: The Photographers of SuicideGirls feat. Albertine
In Focus: The Photographers of SuicideGirls feat. Holley
In Focus: The Photographers of SuicideGirls feat. Dwam
In Focus: The Photographers of SuicideGirls feat. Writeboy
In Focus: The Photographers of SuicideGirls feat. IvyLlamas
In Focus: The Photographers of SuicideGirls feat. Lavezzarro

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Mar 2012 13

by Blogbot

Every week we ask the ladies and gentlemen of the web to show us their finest ink in celebration of #TattooTuesday.

Our favorite submission from Twitter wins a free 3 month membership to SuicideGirls.com.

This week’s #TattooTuesday winner is @Schultzy60 who says he is “in love with each and every Suicide Girl!”

Awe, we <3 you too. Enjoy your shiny new membership! XOX Enter this week's competition by replying to this tweet with a pic of your fav tattoo and the #tattootuesday hashtag.

Good luck!

A few things to remember:

  • You have to be 18 to qualify.
  • The tattoo has to be yours…that means permanently etched on your body.
  • On Twitter we search for your entries by looking up the hashtag #TattooTuesday, so make sure you include it in your tweet!

Check out the Tattoo Tuesday winners of weeks past!

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Mar 2012 13

by Daniel Robert Epstein

“I’’m interested in really off-beat people.”
– Bob Levin

If I got busted for killing someone I would definitely hire lawyer Bob Levin. I actually have no idea how good of a lawyer he is or what kind of law he practices but he writes about comic books and that’’s enough to base my freedom on.

Anyway, Levin is best known as the author of the book The Pirates and the Mouse about Disney suing a group of underground cartoonists known as the Air Pirates in 1971 about a comic book parody of Disney cartoons in which Mickey Mouse, Goofy, Bucky Bug and others get high, have sex and swear a blue streak.

Now Fantagraphics has compiled a book of essays that Levin wrote for The Comics Journal magazine. These essays include subjects like Chester Brown, S. Clay Wilson, Dori Seda, B.N. Duncan, Justin Green, Maxon Crumb, Crockett Johnson, Roy Lichtenstein, Graham Ingels, Jack Katz, Rory Hayes, and more.

Read our exclusive interview with Bob Levin on SuicideGirls.com.

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Mar 2012 13

Rambo Suicide in Finalmente

  • INTO: Photography, exercise, Nintendo 64, Playstation, being domestic, Photoshop, arts, crafts, crocheting, mysteries, psychology, and animals.
  • NOT INTO: Negativity, irresponsibility, side aches on the treadmill, turbulence during airplane rides, Indian cuisine.
  • MAKES ME HAPPY: Friends, anything tiny, flowers, tea, cats, chocolate, new clothes, laughing, BBQs, sunshine, alone time, a clean house, success, margaritas, karaoke, bowling.
  • MAKES ME SAD: Animal cruelty and obscene wealth.
  • HOBBIES: Dancing, skating, working out, posing nude, watching TV series on DVD, riding my bike, drawing, cross stitching, making greeting cards, reading, and writing.
  • MAKES ME SAD: Animal cruelty, obscene wealth, really cute boys who are taken, shitty tattoos, disappointing my parents.
  • HOBBIES: Dancing, yoga, watching TV series on DVD, riding my bike, drawing, cross stitching, making greeting cards, reading, writing, photography, swimming, camping, bargain hunting.
  • 5 THINGS I CAN’T LIVE WITHOUT: Chapstick, eyeliner, sunglasses, Bovi, and a fresh ass pair of Vans.
  • VICES: Junk food, staying up late, talking about myself too much.
  • I SPEND MOST OF MY FREE TIME: Watching movies, playing video games, reading, cooking, sleeping, playing with kitty, shopping, driving, and making arts & crafts.

Get to know Rambo better over at SuicideGirls.com!