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Jun 2011 29

by Daniel Robert Epstein

“[Spartans] throw their kids off cliffs”
– Zack Snyder

300 is such a blast. There will be no other movie ever that is able to combine killing children, stabbing half dead Persians and guys with swords for arms in such a cool way. Gerard Butler has teamed up with visionary director Zack Snyder to bring the ultimate historical graphic novel by Frank Miller to life.

Butler plays King Leonidas, who declares war on the invading Persians, after they insult his queen and his city. Without permission from Sparta’s high courts, Leonidas gathers 300 of his best soldiers to battle Xerxes army of 10,000 Persians. 300 takes what Robert Rodriguez did with Sin City to the nth degree creating a colorful and sometimes even horrifying story of courage.

I got a chance to talk with Snyder at the 300 press day in Los Angeles about what it takes to inspire an army, making fun movies for adults, and his upcoming film adaptation of Alan Moore and Dave Gibbons’ Watchmen.

Read our exclusive interview with Zack Snyder on SuicideGirls.com.

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Jun 2011 22

by A.J. Focht

Somewhere between the overabundant CGI and shoddy storyline, The Green Lantern lost the critics and its audience. Critics started bashing the movie early in the week, sticking it around 25% on RottenTomatoes. While the audience reaction has been…less harsh, it has consistently been ranked as the worst super hero movie of the year. Still it managed to take the weekend box office with opening sales of $53.2 million.

It looks like DC needs to stay away from the neon colored heroes and stick with something a little more traditional…and dark. The Dark Knight Rises has been picking up cast additions like they were on sale. The latest person to sign on the dotted line is Liam Neeson, who revisits the role of Ra’s al Ghul. This brings the total of villains cast to three with Bane, Catwoman, and Ra’s al Ghul (with high speculation of the introduction of Talia al Ghul). There is also a new ‘teaser’ for The Dark Knight Rises making its way around the web. The trailer was supposedly shown before the Green Lantern, but the official status of the teaser is still being questioned.

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Jun 2011 22

by Daniel Robert Epstein

“I’’m allergic to a certain level of contrivance.”
– Larry Charles

When the Borat movie was released last year you couldn’t even count the number of publicity appearances that Sacha Baron Cohen made in character. Those appearances, along with creating a hysterical and powerful movie, turned Borat into a monstrous hit and a cultural phenomenon that crossed all lines of gender, race and politics.

Much of the attention for the film was given, and rightly so, went to Cohen, but for most movies the director is always an essential element. Borat‘’s director is Larry Charles, previously best known for his writer/producer work on Seinfeld, Curb Your Enthusiasm and Entourage. Charles also directed another mop topped Jew named Bob Dylan in Masked and Anonymous. I got a chance to talk with Charles about creating the movie, the politics behind the scenes and how he got those people to say such outrageous things.

Read our exclusive interview with Larry Charles on SuicideGirls.com.

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Jun 2011 17

by Damon Martin

In brightest day, in blackest night.
No evil shall escape my sight.

The opening words of the Green Lantern oath, but unfortunately for the filmmakers of the movie that hits theaters nationwide today, they lost sight of how to do a decent job of turning a comic book into something worthy of a big screen (and the accompanying big ticket price).

Green Lantern (starring Ryan Reynolds, Blake Lively, Peter Saarsgard, and Mark Strong) hits on a few key elements that have made its comic book counterpart one of the biggest and most popular titles in the DC Universe, but director Martin Campbell along with writers Greg Berlanti, Michael Green, and Mark Guggenheim missed the target overall with their film.

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Jun 2011 15

by Nicole Powers

“It’s not democracy anymore.”
– Robert F. Kennedy, Jr.

On the surface, The Last Mountain is a documentary about the dirty business of coal, the highly destructive and toxic practice of mountaintop removal mining, and one community’s fight to preserve their homes, their livelihoods, their health, and the last great mountain in the region. However, the story of Coal River Mountain in West Virginia is allegorical of much that is wrong with America, which is why during our roundtable conversation with the film’s champion, renowned environmental lawyer and activist Robert F. Kennedy, Jr., he barely mentions the four-letter word that is coal. Instead, Kennedy focuses on the underlying history and climate that has allowed corporations to rape and pillage our environment, and poison and kill our citizenry with impunity.

In The Last Mountain, Don Blankenship, the former CEO of Massey Energy (he retired at the end of December 2010), is typecast in the role of modern day robber baron. As the largest coal producer in Central Appalachia, his company is only able to function on the scale it does by subjugating democracy. Mountaintop removal mining is cheaper and less labor intensive than traditional underground coal extraction methods, but it causes such an affront to the landscape, water and air, that it can only be done when the authorities charged with protecting the public interest are willing and able to look the other way.

Between 2000 and 2006 Massey chalked up a staggering 60,000 EPA infractions, but has suffered little in consequences beyond much belated and pitifully low fines that serve the government’s need to be seen to be doing something while maintaining the status quo. Of course, Massey is not the only corporation and coal is far from the only industry that is using and abusing our severely compromised shell of a democracy. In light of the Citizens United Supreme Court ruling allowing corporate campaign donations (and a subsequent one that makes direct-to-candidate payments permissible), our government couldn’t be for more up for sale if it were posted on eBay.

Though there will inevitably be dark days ahead for our democracy, it’s not all doom and gloom thanks to a groundswell of grassroots activism as witnessed in Coal River Valley and documented in The Last Mountain. As for the environment, Kennedy points out towards the end of this interview that there’s an (LED) light at the end of the tunnel, and ironically it’s capitalism in its cleanest and purest form that may end up saving the day.

Read our interview with Robert F. Kennedy, Jr. on SuicideGirls.com.

The Last Mountain opens in Los Angeles* on Wednesday, June 15, and in Irvine, Pasadena, Philadelphia, San Francisco*, and Berkeley on Friday, June 17.

*Bill Haney and Robert F. Kennedy, Jr. will appear in person at the Landmark opening night screenings in Los Angeles and San Francisco – visit the Landmark website for more details.

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Jun 2011 14

by Daniel Robert Epstein

“I think postmodernism is almost a condition”
– Simon Pegg

It’’s 2007 and Simon Pegg has become a bonafide movie star. Pegg’s breakout role in the surprise cult hit Shaun of the Dead has led to bigger roles such as the lab tech in Mission: Impossible III and the lead in the Run, Fat Boy, Run written by Michael Ian Black. But Hot Fuzz is the film that Pegg and his long time collaborator, director Edgar Wright, have wanted to do since they wrapped Shaun.

Shaun of the Dead is one of my favorite films of recent years, but Hot Fuzz surpasses it in acting and humor, and technically the film is a marvel. Wright and Pegg have crafted a tight screenplay that lovingly satirizes elements from some of the best/worst action films of all time. Amazingly they’’ve incorporated those ideas into pivotal and often emotional scenes.

In Hot Fuzz, Pegg plays super cop Nicholas Angel, who does such a good job of arresting bad guys that he is making his department pale in comparison. He is then transferred to the rural sleepy hamlet of Sandford. At first he spends his time trying to whip the lazy police department into shape but soon Angel realizes that Sandford is hiding a dark secret…

Read our exclusive interview with Simon Pegg on SuicideGirls.com.

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Jun 2011 13

by Nicole Powers

“I think that the tide against mountaintop mining’s free ride is turning.”
– Bill Haney

There’s nothing pretty about coal mining at the best of times, but mountaintop removal mining is downright obscene. The process is ugly in every sense of the word, but is less labor intensive, and therefore cheaper and more desirable for the big energy corporations who do it. However the hidden expense in terms of the environment, public health, employment, and subsidies mean that it’s something that the American public is paying dearly for. The cost of mountaintop removal mining is something that is literally and metaphorically killing us.

The sordid details involve deforestation to prepare the site. The ‘overburden’ – in this case a euphemism for the top 250 to 500 feet of a mountain – is then removed using dynamite to reveal the underlying coal seam. The rubble created as the mountaintop is blown away is generally pushed down the mountainside, covering flora and fauna, rivers and streams, and anything else in its wake. Once the coal has been removed the mining companies are supposed to restore the site, but this requirement is at best broadly interpreted, and at worse blatantly flouted with few repercussions.

Fifty percent of the electricity produced in the US comes from coal-powered plants, and thirty percent of the coal used comes from Appalachia. As a result, 500 majestic Appalachian mountains have been destroyed. The biggest perpetrator of this destruction is Massey Energy, who proudly proclaim on their website that their ‘vision’ is ‘to be the premier supplier of quality coal from Central Appalachia to worldwide markets.’

The physical removal of coal however, is only the first stage in a highly toxic chain of events. The coal then has to be prepared, a procedure that uses vast amounts of water to wash off the soil and rock. The byproduct of this is a filthy sludge, which contains all manner of heavy metals and other such carcinogens, that is stored in vast impoundments. These sludge ponds are generally lazily constructed using dirt that is blasted off the mountaintop to damn a valley below. For the most part, there’s no concrete or steel reinforcement as would befit dams built on such a scale. Because of this, many of these impoundments are leaking, and, furthermore, because these structures are not lined, the pollutants even in the sound dams leak into the surrounding water table.

The environmental impact of such mining practices is supposed to be mitigated by the Clean Air and Clean Water Acts, which in turn are supposed to be enforced by the Environmental Protection Agency (EPA), the Department of Environmental Protection (DEP), and, to some extent, the Army Corps of Engineers. But a Bush-era single word change to the Clean Water Act arrested its ability to control pollution, much to the delight of the polluters. Known as the Fill Rule, the definition of allowable fill material that could be dumped into lakes, rivers, and streams was essentially broadened to include all manner of waste. Thus, the Clean Water Act now serves as a license for big business to pollute.

Because of the intrinsically dirty nature of coal mining and the cozy relationship the industrialists have with those in power (George Bush famously called his election to office ‘a coal-fired victory’ because of the extent of the industry’s contributions to his cause), pollution is an inevitable part of the process and polluters are rarely brought to task. For example, according to Environmental Protection Agency records, Massey Energy committed over 60,000 violations between 2000 and 2006, but has paid a pittance in fines, which when compared to the company’s profits barely even register as a tickle on the wrist, never mind the slap they’re supposed to be.

In the lieu of the government acting in the interests of the people it’s supposed to represent, the battle for clean air and water, and sustainable energy and jobs is being fought on the ground by those Big Coal directly adversely effects. The struggle of one such community in West Virginia’s Coal River Valley, whose homes, land, health, and employment prospects have been blighted by Massey’s mountaintop removal mining operations, is documented in a new film, The Last Mountain.

A collaboration between filmmaker Bill Haney (whose previous credits include the Academy Award-shortlisted Price of Sugar) and renowned environmental lawyer and activist Robert F. Kennedy, Jr., The Last Mountain should be mandatory viewing for anyone who’s ever switched on a light. The film not only tells the inspiring story of the grassroots fight against the Goliath that is Massey, but also underlines our implicit culpability, which can be summed up by one simple yet staggering statistic: sixteen pounds of coal is burned each day for every man woman and child in the US.

SuicideGirls participated in roundtables with Haney and Kennedy. The following is excerpted from the interview with Haney (our conversation with Kennedy is posted here).

Read our interview with Bill Haney on SuicideGirls.com.

The Last Mountain opens in Los Angeles* on Wednesday, June 15, and in Irvine, Pasadena, Philadelphia, San Francisco*, and Berkeley on Friday, June 17.

*Bill Haney and Robert F. Kennedy, Jr. will appear in person at the Landmark opening night screenings in Los Angeles and San Francisco – visit the Landmark website for more details.