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Mar 2012 16

by David Seaman

Earlier today in Washington, D.C., George Clooney and other peaceful protesters, including Martin Luther King III and NAACP President Benjamin Jealous, were arrested by the Secret Service. Is this a fluke, or a part of the government’s crackdown on peaceful protest in the nation’s capitol and elsewhere?

(George Clooney has since been released by authorities.)

Full details are included in the video report (above) — along with breaking news regarding the police raid on an apartment building earlier this week where several members of Occupy Miami resided.

The other video (below) is from my appearance on cable news network RT yesterday in which I discuss the very real issue of government agencies misusing the provisions in HR 347 (not to mention Patriot Act abuses, as outlined by two Democratic Senators in The New York Times today) , which could have a chilling effect on peaceful protest both in D.C. and around the country.

Protest should not be criminalized, period. And if even a well-connected celebrity like George Clooney is at risk, what does that say about the protections the rest of us may (or may not!) receive?

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Mar 2012 16

by Justin Beckner

During a trip to Iowa (don’t ask me why I was there) I came across a brewpub called the Olde Main. It was slightly after noon and I was thirsty so I went inside. Upon speaking with the bartenders and other patrons there, I found that everyone in the bar knew a lot about the beer they were drinking. This was a place where beer was appreciated rather than simply consumed – this was my kind of bar.

The Olde Main had six classic styles of in house brews on tap. The vats that gave birth to the delicious beverages rested just beyond a sheet of glass behind the bar. As I sat there enjoying my beer –– A Scottish Ale called “Off Kilter” –– I began to ponder the rich history of beer brewing process. Everyone can enjoy the obvious effects of beer but it takes another breed to enjoy the science behind it.

I arranged to meet with the brewmaster Jeff “Puff” Irvin the next morning for a tour of the beer making process. Puff spoke with true passion as he explained each step taken to ensure that the beer at Olde Main is held to the highest standard. The following is an interview with Puff, an architect of delicious beer. A thorough explanation of the process used at Olde Main can be found here.

Justin Beckner: What are your credentials as a brewmaster?

Jeff “Puff” Irvin: I have an undergraduate degree in Biology from Iowa State University. Then I went to the University of California Davis and I graduated from the Master Brewers Program down there. Then I came back here to Ames, Iowa and started brewing beer.

JB: Was it always your plan to become a brewmaster or at what point did you decide that was what you wanted to do?

JPI: I had a job as a bartender here to put myself through undergraduate college and I wanted to learn more about the stuff I was serving so I did some brewing experiments at home before I went to school for it. I took a class at Iowa State called Plants & People where we talked about how plants have impacted society over the years so we learned a lot about the ingredients that go into making beer which I found to be really interesting. But I always had a passion for spirits, beer and wine, and I was fortunate enough to be in the right place at the right time and have the opportunity to get accepted to UC Davis. I’ve found that brewing beer has been a great fit for me and I’ve been doing it for the past eight years.

JB: Now, on the website people can check out the brewing by way of photos and your process is very well explained. You describe your brewing process here as being very “traditional”. What does that mean exactly?

JPI: We basically use large buckets to brew the beer which is a very old process. We don’t have a lot of the state of the art technology that some places can afford. But people have been making beer the same way for a very long time. We make it 500 gallons at a time. There are some things that we need to take into consideration because of that but the general process is the same as brewing it 5 gallons at a time in your home. It’s not rocket science.

JB: How many people work here?

JPI: The brewhouse in just myself and John, and then we’ve got four part-time guys who come in from time to time. We’ve also got a full time sales guy who’s always out on the road trying to sell the beer.

JB: Is the marketing world as difficult for breweries as it is for things like music and independent films?

JPI: It’s very similar in the fact that there are a lot of great breweries out there who are very good at marketing their product. In that sense, even though we’ve been around for eight years, we are still very new to the marketing aspects of the industry. We do have aspirations of getting bigger and hopefully soon building a new facility off site from here to keep up with production. We bottle five of our beers right now and we’d love to add some more seasonals to that.

JB: In your experimentations with making different kinds of beer and liquors, what would you say is the oddest ingredient you’ve ever used?

JPI: We do a chocolate porter here every year where we add 45 pounds of real Bavarian Chocolate – that’s our winter seasonal and it sells really well. We do an Irish Red beer for St. Patrick’s Day. We do a pumpkin brew for our fall seasonal. Some of the crazier stuff we do are our one-off runs. We did a 13 grain beer that had a bunch of holistic aphrodisiacs in it like Horny Goat Wheat Powder and Yohimbine. That was kind of funny and it sold well after we explained what was in it. We did a 4 Oat beer which we made with malted oats, flaked oats, toasted oats, and then an oat cereal that I can’t tell you the name of it because I called the company and since it is marketed to kids, they wouldn’t let us use the name anywhere. I can tell you that it was Magically Delicious – that’s what we called it. The interesting thing is that the cereal we used had marshmallows in it. We poured the boxes of cereal into our mash tub, so that was pretty interesting. We did a double IPA last spring which ended up being like 15.5 percent alcohol content. We used a process called dry hopping which we’d never used before here. It was a delicious beer but it was really a messy process. We’d like to make it again but we’ve got to figure out a better way to strain it from our tubs because it tends to clog everything up.

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Mar 2012 16

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

[..]

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Mar 2012 16

by Daniel Robert Epstein

“I’’d rather have people walk out of the theatre going “that was so awesome…”
– Rob Zombie

Rob Zombie is really developing into a skilled director. While his first feature film House of 1000 Corpses is really hit or miss for people, The Devil’s Rejects, is undeniable a better quality film. The Devil’s Rejects‘ plot of three serial killers who kill and maim while being hunted by rogue sheriff may put some people off their lunch. It shows that Zombie is poised to become a major filmmaker.

Read our exclusive interview with Rob Zombie on SuicideGirls.com.

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Mar 2012 16

Squee Suicide in Sense of a Beginning

  • INTO: Tattoos, BMX, street art, urban vinyl, live music, modern art, going out with friends, drinking, movies, shopping, DIY clothing, animals, Tim Burton, Roman Dirge, Jhonen Vasquez, cartoons, traveling.
  • NOT INTO: U2, Star Trek, Star Wars, and feet.
  • MAKES ME HAPPY: My friends, my dog, music, seeing little kids on BMXs, anything that makes me laugh, Baby Guinness, Camden, working with animals, new tattoos and most things neon.
  • MAKES ME SAD: The news, war movies, and liars.
  • HOBBIES: Going to gigs, tattoo conventions, movies, comics, urban vinyl, pole dancing, swimming.
  • 5 THINGS I CAN’T LIVE WITHOUT: My MP3 player, my car, my dog, computer, and tea.
  • VICES: Tea, ginger bread, freshly baked bread, cracking arms and fingers, shopping, indecision, wasting money.
  • I SPEND MOST OF MY FREE TIME: Online, reading, working, swimming, in bed, eating or in the pub.

Get to know Squee better over at SuicideGirls.com!


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Mar 2012 15

by Laurelin

Change over time is a strange thing; it’s so gradual and so fast at the same time. One day you open your eyes and you’re like, wow, where did the time go? How did I get here in this apartment with all this stuff, with this job and this… life.

That’s how I felt high school and college were, and then all the years after that –– a montage of years blending, flickering in my memory like old movies, set to the most beautiful music. It all seemed to be only an exhale in a series of breaths, and all the breaths gone with only the slightest breeze before I’m even aware I’ve drawn another. It was forever and no time at all at the same time, and when it was finally over I couldn’t place how I had changed, or when; I just knew that somehow, I had. Looking back on the past month of my life I am finally able to look at something and know that without a doubt, this instance was when everything changed. This moment was mine.

I have always coasted though life with minimal responsibilities. At almost 30 I have to say I have the best and worst of it all: I have worked hard for every penny I’ve earned. I’ve always paid my own way. I fell into bartending because it paid my bills and still allowed me to party. This was a community where I could drink and stay up late and have a family, and a home away from home. I watched every friend I ever had in high school and then college settle and get married, start families, buy houses. And I stayed the same. I don’t think I ever had a problem, but I certainly never had any solutions. I never thought of it as a career, but it all of a sudden was mine, and while others turned up their noses I decided to make it my own. I never thought that anyone else would imagine me as being able to run a bar on my own; it was always someone else’s job. But then all of a sudden, there it was. An offer for this place to be mine –– really, actually mine.

Being offered a management position in an industry that has always allowed me to coast through life with minimal responsibilities seemed at first frightening. I can’t do this! Other people do this! It was scary, knowing that someone saw something in me, someone thinks I could run the show. What if I’m not good at it? What if I let everyone down? A chance to shine is also a chance to fail, and I always ran from responsibility in fear of failing. Mulling over my fate clutching my usual pint of beer, I consciously make a choice. This job I’ve chosen might not be what “everyone else” is doing, but it can be a career, it’s always been mine. I took a week to think about it and when I was finally ready to say “yes,” I knew that my life would never be the same. This was one of those moments where you take control and literally steer your life down one path. Mentally, I strap on my seatbelt and brace for impact.

My new manager pants seem to be fitting alright, but at the same time I am still so lost; working amongst friends and ex-boyfriends, trying to find my voice of authority while also trying to remain one of the gang. I have no idea who this person is who is supposed to be in charge. I feel like I haven’t found my voice. I can’t even control the color of my cheeks around my ex, how can I control the bar? I may not feel like I can find that voice of authority, but I have always had MY voice, and sometimes I hear that person I want to be stepping forward and speaking, as though someone else is finally accepting a role, and it takes a minute to realize that that person really is me.

I’m settling in in my own way, piece by piece. I’ve come to the conclusion that for me, there really isn’t a life beyond the bar scene. Some people were created just for this; born of late nights, shaken cocktails, of phone numbers and thoughts scribbled on cocktail napkins and spilt beer. I like to think that I didn’t just fall into this because it was easy. That’s how it started, sure. But it’s not how it’s going to end.

[..]

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Mar 2012 15

by Blogbot


[Dwam Suicide in Parallelism]

Artist / SG Member Name: I’m Dwam on SG and as a tattooist, but I use Ipomée as an illustrator name.

Mission Statement: I don’t know. I’m fascinated by the aesthetic of the body. I love drawing people, faces, bodies, clothing, motions, figures, in order to convey or translate moods, emotions, and sensations. I’m also really into dreams, symbols, mythology, and gender issues, and I’m trying to infuse that in my works.

Medium: Mostly graphic and ink on paper, some acrylic inks or watercolor, and digital art on Photoshop quite often. And skin now.

Aesthetic: Obviously it’s very influenced by comics. And now all this background influences a lot my tattoo work. I don’t know if this will make sense, but what I’m looking for, mostly, is the elegance of the lines.

Notable Achievements: Although I’ve been a part of a bunch of collective comics books, and I also created a self-published 4 books project with my schoolmates back in time; I never really made it further into the comics world. After I worked in an animation studio, I changed directions and stepped into the tattooing world, and that has been a lot more successful! However, I’m still illustrating sometimes for magazines or occasional commissions.

Why We Should Care: I don’t know. Why should you care, or why not? I hope to touch people with my art, but then it’s a matter of taste and sensibility, and they do not always match.

I Want Me Some: I’ve got a bunch of prints and originals on sale but no site for that. Most of my works are on my blog: ipomee.canalblog.com/ The easiest way is to contact me on SG or at ipomeee@hotmail.com if you’re interested.

[..]