by Damon Martin

Most people know Tom Morello as the guitarist from Rage Against the Machine or Audioslave, but now the Harvard graduate is moving into writing, specifically a new comic book called Orchid.

The book, which is written by Morello and features art from Shepard Fairey and Scott Hepburn, will be released by Dark Horse later this year

Influenced by the ladies featured on SuicideGirls.com, Morello’s title character is a strong female lead in a future world where the rich and powerful rule with an iron fist and the powerless are left with the scraps.

Morello, usually known for guitar innovations, has also added a new riff to his comic book set. With each issue, he will release a new track that fans will be able to download that will serve as the soundtrack to the story.

The book was unveiled last weekend at San Diego Comic Con where Morello sat down with SuicideGirls.com to give an insight into his passion for comics and what to expect when Orchid debuts.

by Alex Dueben

Ron Marz has been a comic book writer for many years, with a long list of credits at Marvel, DC, Dark Horse, Top Cow and just about every other comics company there is. His career has notably included a long run on Green Lantern.

In recent years some of his best work has been for Top Cow, where he’s been writing the company’s flagship comic Witchblade. He transformed the tile from a comic that was known in its early years for T&A into a complex superhero fantasy story that has led to Marz writing a series of miniseries (First Born and Artifacts) and ongoing series (Magdalena) for the company.

Marz is leaving the series with issue #150, and is busy writing a Green Lantern one shot and the Voodoo series coming from DC this fall. His big project this summer though is Shinku, a bloody horror story set in Japan that involves samurai and vampires, and is just as cool as it sounds.

Read our exclusive interview with Ron Marz on SuicideGirls.com.

by Blogbot

Continuing our tradition of cosplay at Comic Con, this year SuicideGirls rocked outfits inspired by a ‘historical’ character from Issue 2 of the new SG Comic (see top left) as drawn by Cameron Stewart (he and Missy came by the booth and signed copies of the comic for fans – see pic top right). The costumes, which were whipped up by Junker Designs, were such a hit the ladies of booth 1632 even made the cover of Entertainment Weekly’s Comic Con photo gallery!

Thanks to everyone who stopped by to say hi! We hope you had as much fun as we did.

XOX

For more images check out our SG at SDCC photo gallery.
(Images courtesy of Ackley, Bob, Callioppe, Chris Gore, Drama, Exning, KingMuerte, Lolana, Milloux, Radeo, Rambo, Rlei, Seena, Tank, and Tita.)

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by Fred Topel

For some reason I expected Errol Morris to be a really serious documentarian trying to blow the lid off a scandal. Instead he was happy and smiling and laughing. He even made a joke that my two digital records (one for backup) were brother and sister. Morris has explored topics like police corruption in The Thin Blue Line and Abu Ghraib in SOP. His latest film, Tabloid tells a story we may not know, with a theme that still resonates today.

Joyce McKinney caused a scandal in the ‘70s when she allegedly kidnapped Kirk Anderson from the Mormon Church. At the time, the London tabloids either glorified her as a beautiful heroine or slammed her as a sexual predator. Today it takes far simpler scandals to make someone a tabloid star. For the film, Morris conducted an interview with McKinney and some of the other men who knew her, helped her or tried to stop her. The story unfolds in their own words, with a few on screen images for emphasis.

I spoke with Morris about today’s media, tabloid or otherwise.

Read our exclusive interview with Errol Morris on SuicideGirls.com.

by Jay Hathaway

John Linnell and John Flansburgh of They Might Be Giants have been making music for 30 years, and they still haven’t run out of things to say. While other bands with that kind of longevity just go through the motions and secretly hate one another, the Johns somehow manage to get along and keep making good records.

Their 15th record, Join Us, has been three years in the making. During that time, They Might Be Giants have been putting out wildly successful kids’ albums, and Join Us marks their return to “adult” rock n’ roll.

We were lucky enough to spend some time on the phone with John Linnell, trying to figure out what this record is all about. It turns out that after 30 years, a band can just make music without having to explain themselves. Join Us is a They Might Be Giants record: you’ll either get it, or you won’t, and Linnell is totally okay with that.

Read our exclusive interview with John Linnell on SuicideGirls.com.

by Aaron Colter

The bulk of this blog post isn’t about San Diego Comic-Con, I’m just using it as an excuse to get you to click on the title. And it worked. Fooled you, motherfuckers! You might as well stick around though, I mean, you did already click on the title, and you are already reading this sentence. The next one’s pretty good, you should read it too.

Comic-Con can actually be a lot of fun, but it’s expensive as hell and crowded as five pounds of shit in a four pound bag. If conventions are your type of party, there are smaller conventions around the country that are legitimately well-attended, where you’ll have the opportunity to meet with other fans and actually speak to creators about their work. If, however, you’re looking to blow a few thousand dollars, and can get a decent group of your friends to do the same, plan a year in advance, and set aside hundreds in cash for stuff on the show floor, then yes, San Diego Comic-Con is fucking awesome. If attending, my top three picks for things to get at SDCC are Mr. Hipp Strikes!, Any Empire by Nate Powell, and the 2011 Color Ink Book.

But, if you’re like me, and don’t really want to deal with all of that noise this year, next, or ever, unless absolutely necessary, then here’s some cool stuff that you can do this weekend that will still be pretty fun.

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by Daniel Robert Epstein

On camera the Jackass cast and crew always come off like psychotic eight year olds, which they are. But it also takes some talent to take this very motley crew, have them do all these insane and disgusting things to themselves and each other, and still be able to formulate it all into a movie. That’’s where Jackass co-creator and director Jeff Tremaine steps in.

Before the Jackass phenomenon, Tremaine was best known as the editor for Big Brother Magazine. Tremaine was the one who put all these lunatics together into the major franchise that they are now.

Read our exclusive interview with Jeff Tremaine on SuicideGirls.com.