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Jun 2012 21

by Daniel Robert Epstein

“I like to try to find out what is unique about that band and why that band means something good or bad and nail that rather than design a perfume.”
– Julien Temple

Without ever being in a band Julien Temple has made a career out of music. He first came to attention in the late 1970’s when he filmed hours of the Sex Pistols. Much of that footage later went into his 2000 documentary The Filth and The Fury. In the 1980’s and ’90’s Temple directed dozens of music videos such as Tom Petty’’s “Free Fallin,” Van Halen’’s “Jump,” Culture Club’’s “Do You Really Want To Hurt Me?,” Accept’’s “Balls to the Wall,” and many more. But before that Temple directed The Great Rock ‘n’ Roll Swindle, which was about the Sex Pistols breakup told from the point of view of Malcolm McLaren.

Read our exclusive interview with Julien Temple on SuicideGirls.com.

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Jun 2012 20

by A.J. Focht

Critics across the UK have taken a swing at the web swinger. Amazing Spider-Man is meeting mixed reviews across the pond. While some are calling it good, but not up to the standards of The Avengers, others are saying it was boring and underwhelming. The first review out of Belgium raved about how great Andrew Garfield was as Peter Parker. The others don’t quite agree, many saying he’s lost the classic Peter Parker sarcasm and wit.

A new television spot for The Dark Knight Rises has been released. There are some new clips in the trailer, but the high point is definitely the footage featuring the BatJet. The Dark Knight Rises is the last big superhero movie release of the summer. It hits theaters on July 20, but presale tickets are available now.

Early last week, gossip about Josh Hartnet being cast as Matt Murdock in the Daredevil reboot swarmed the internet. Director David Slade quickly squashed these rumors. He tweeted that not only was Hartnet not taking the part, but that they aren’t at the casting phase for the movie. During his tweets, he also announced that there are no intentions for the movie to be in 3D.

Nerds everywhere can relax. Paramount Pictures has pulled the plug on Michael Bay’s Ninja Turtles. It looks like there will be no alien turtles from space, nor worries that the turtles won’t be teenagers. Although, another source says the movie has only been pushed back ten weeks.

Can the Time Lord live forever? Matt Smith hopes so. In a recent interview, he said he’d be interested in playing the part of the Eleventh Doctor forever, or as long as possible. No one knows when the Doctor number twelve’s time will come, but Smith hopes to stay in the TARDIS until the end of time.

During recent interviews, Chris Pine and Alex Kurtzman talked more about the upcoming Star Trek 2. Kurtzman spoke about the villain in the film, assuring fans that he was a scary badass that threatens to steal the show. Where the first Star Trek was about the crew’s relationships, Star Trek 2 will focus on the villain and how the crew has to work together to defeat him. It was also confirmed the film is being shot in IMAX.

If you can’t wait for Star Trek 2 for your fix of Enterprise-bourne action, you can look forward to the new Star Trek: The Next Generation comic. Entitled Hive, it will debut in September 2012 and will feature Picard and his crew fighting against the Borg who have assimilated the entire galaxy.

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Jun 2012 20

by Daniel Robert Epstein

“I never got into this business thinking I’’d be a movie star. I grew up running around the Connecticut countryside pretending I was Hopalong Cassidy’s sidekick.”
– Glenn Close

Glenn Close is hands down one of the greatest actors we have. She has proven that time and time again in films like The World According to Garp, The Safety of Objects and Dangerous Liaisons. Her film, Heights, is a Merchant Ivory production that comes on the heels of her great season in FX’s The Shield.

Heights follows five characters over 24 hours on a fall day in New York City. Isabel [Elizabeth Banks], a photographer, is having second thoughts about her upcoming marriage to Jonathan [James Marsden], a lawyer. On the same day, Isabel’s mother Diana [Glenn Close] learns that her husband has a new lover, and begins to re-think her life choices and her open marriage. Diana and Isabel’s paths cross with Alec [Jesse Bradford], a young actor, and with Peter [John Light], a journalist.

As the interrelated stories proceed, the connections between the lives of the five characters begin to reveal themselves and their stories unravel so that Isabel, Jonathan, Diana, Alec, and Peter must choose what kind of lives they will lead before the sun comes up on the next day.

Read our exclusive interview with Glenn Close on SuicideGirls.com.

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Jun 2012 19

by Blogbot

“I’’m not too into getting killed.”
– Robert Kirkman

The Robert Kirkman-penned comic The Walking Dead first hit the stands in 2003. It was subsequently picked up by AMC, where the TV series based on Kirkman’s story has broken cable viewing records.

The Walking Dead is a real take on what would happen if Romero zombies walked the planet. The plot follows a small group of people including their leader Rick, his wife and son as they desperately try to find a safe haven.

As the TV series goes from strength to strength, so does the comic, which will hit a major milestone next month: It’s 100th issue. The much anticipated July 11th release will feature multiple covers, something that will no doublt please and frustrate collectors in equal measure.

For more info on the 100th Issue, visit the dedicated site at: walkingdead100.com/

You can read our exclusive interview with Robert Kirkman on SuicideGirls.com.

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Jun 2012 18

by Fred Topel

“You don’t want to be asking permission. Look how that slows you down.”
– Robert Rodriguez

Robert Rodriguez was always an independent self starter. He made his first movie, El Mariachi, for $7000 and kept doing things his own way. He started his own studio facility, Troublemaker Studios, where he’s shot Sin City, Machete, Predators and more. Now he has his own company.

Quick Draw Productions is a step above the production facility Rodriguez already has in Austin, TX. As a production Company, Quick Draw will produce sequels to Machete and Sin City, as well as remakes of Heavy Metal and Fire and Ice. This year Quick Draw partnered with computer giant AMD to use their technology for Quick Draw Animation.

Today’s movie lovers are reaping the benefits of many of Rodriguez’ innovations. He actually made Spy Kids 3-D before the current wave of 3-D films, and the green screen movie (like 300) was largely innovated on Sin City.

He was also a pioneer of shooting digitally. He gave George Clooney his first leading role in From Dusk ‘Til Dawn and he introduced stars like Antonio Banderas, Salma Hayek and Danny Trejo to English speaking audiences.

During a trip to Rodriguez’ home base of Austin, I got to catch up with the busy filmmaker. This was even before he announced Sin City: A Dame to Kill For was starting production. But we had plenty to talk about with his new production company, animation studio, and even his own network. We also talked about the state of independence, since Rodriguez is now a major player in the industry.

Read our exclusive interview with Robert Rodriguez on SuicideGirls.com.

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Jun 2012 15

by Nicole Powers

“The problem is, from what I understand of Occupy, that because it’s so democratic, so many people have a say in what should go, that your messaging is just getting too beat to shit. The messaging has to be produced basically by one person or a very small group of people, no more than three or four, otherwise it just gets watered down.”
– George Parker on Occupy and marketing by committee

George Parker is a man who loves profanity almost as much as he hates the corporate fucktards and douchenozzles that stifle creativity in the advertising industry (Parker’s preferred pronominal profanities, not my own). In his popular “piss and vinegar” blog AdScam and his three books –Madscam, The Ubiquitous Persuaders, and his latest, Confessions of a Mad Man – the renowned British-born adman rails against the Big Dumb Agencies (BDAs) and the shareholder-serving corporations that consolidated, own, and suck the life out of them.

Self-described as “the last surviving Mad Man,” Parker landed at Cunard’s Pier 96 in New York to pursue his Madison Avenue dreams in an era when the cheapest way to cross the Atlantic was still by steamship. Having spent five debaucherous days of “non-stop drinking and shagging” aboard the Queen Mary, he arrived armed with a degree from the Manchester School of Art, a postgraduate scholarship from London’s Royal College of Art, a masters in bullshit from the University of Life, and a few hundred bucks. In the ensuing five decades, he rose through the ranks and has worked on countless major accounts both as a freelancer and in-house for some of the most prestigious agencies in the world including Ogilvy & Mather, Young & Rubicam, Chiat Day, and J. Walter Thompson.

As the recipient of Lions, CLIOs, EFFIES, and the David Ogilvy Award, and with a career that spans five decades and multiple continents, Parker has more perspective than most when it comes to what’s wrong in today’s ad world. He’s repelled by the kind of suits that use jargon like “resonate” instead of “appeal” and who “interface” instead of “meet.” But, according to Parker, their crimes against humanity only begin with their choice of vocabulary. He hates the way they treat the American public like it has a collective IQ somewhere south of Jessica Simpson’s and their clients with the kind of contempt that should be reserved for the likes of Dick Cheney and Karl Rove.

Talking of which, Parker also takes issue with the kind of one percenters who think it’s OK to treat themselves to Russian MiG 15 fighters (Larry Ellison of Oracle) and Boeing 767s (Google co-founders Larry Page and Sergey Brin) at their shareholders’ expense. To say Parker is moderately left wing is an understatement, since he never does anything – including Boddingtons – by halves. As such, he’s a rare beast in the advertising world, one that has lived life to the full yet has sense of decency, and a conscience.

Having been kind enough to call SuicideGirls “one of the best examples of a community based social networking site” in his excellent 2006 state-of-the-industry bible The Ubiquitous Persuaders (a book that serves as an update to Vance Packard’s 1957 classic The Hidden Persuaders), we were long overdue for a quality conversation with Parker. With the freshly minted Confessions of a Mad Man – a literary (and often times literal) romp through the industry as experienced by Parker – serving as an excuse, we called him up for a chat over drinks. In the interests of verisimilitude, ours was a glass of Sauvignon Blanc (cause we’re lightweights) and Parker’s was “a case of Pinot Noir” (because he’s not). During the course of our lengthy chinwag we discussed the decay of the American Dream, the not uncoincidental rise of political advertising, and how Occupy might best market itself and its efforts to stop the rot.

Read our exclusive interview with George Parker on SuicideGirls.com.

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Jun 2012 15

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, finished last Friday. You can therefore read the complete Killswitch Review online.

The Killswitch Review is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World.

The Complete Killswitch Review

Fiction Friday: The Killswitch Review – Chapter One
Fiction Friday: The Killswitch Review – Chapter One, Part Two
Fiction Friday: The Killswitch Review – Chapter One, Part Three
Fiction Friday: The Killswitch Review – Chapter One, Part Four
Fiction Friday: The Killswitch Review – Chapter Two, Part One
Fiction Friday: The Killswitch Review – Chapter Two, Part Two
Fiction Friday: The Killswitch Review – Chapter Two, Part Three
Fiction Friday: The Killswitch Review – Chapter Three, Part One
Fiction Friday: The Killswitch Review – Chapter Three, Part Two
Fiction Friday: The Killswitch Review – Chapter Three, Part Three
Fiction Friday: The Killswitch Review – Chapter Four, Part One
Fiction Friday: The Killswitch Review – Chapter Four, Part Two
Fiction Friday: The Killswitch Review – Chapter Four, Part Three
Fiction Friday: The Killswitch Review – Chapter Five, Part One
Fiction Friday: The Killswitch Review – Chapter Five, Part Two
Fiction Friday: The Killswitch Review – Chapter Five, Part Three
Fiction Friday: The Killswitch Review – Chapter Six, Part One
Fiction Friday: The Killswitch Review – Chapter Six, Part Two
Fiction Friday: The Killswitch Review – Chapter Six, Part Three
Fiction Friday: The Killswitch Review – Chapter Seven, Part One
Fiction Friday: The Killswitch Review – Chapter Seven, Part Two
Fiction Friday: The Killswitch Review – Chapter Seven, Part Three
Fiction Friday: The Killswitch Review – Chapter Seven, Part Four
Fiction Friday: The Killswitch Review – Chapter Seven, Part Five
Fiction Friday: The Killswitch Review – Chapter Eight, Part One
Fiction Friday: The Killswitch Review – Chapter Eight, Part Two
Fiction Friday: The Killswitch Review – Chapter Eight, Part Three
Fiction Friday: The Killswitch Review – Chapter Nine, Part One
Fiction Friday: The Killswitch Review – Chapter Nine, Part Two
Fiction Friday: The Killswitch Review – Chapter Nine, Part Three
Fiction Friday: The Killswitch Review – Chapter Nine, Part Four
Fiction Friday: The Killswitch Review – Chapter Nine, Part Five
Fiction Friday: The Killswitch Review – Chapter Ten, Part One
Fiction Friday: The Killswitch Review – Chapter Ten, Part Two
Fiction Friday: The Killswitch Review – Chapter Ten, Part Three
Fiction Friday: The Killswitch Review – Chapter Eleven, Part One
Fiction Friday: The Killswitch Review – Chapter Eleven, Part Two
Fiction Friday: The Killswitch Review – Chapter Eleven, Part Three
Fiction Friday: The Killswitch Review – Chapter Eleven, Part Four
Fiction Friday: The Killswitch Review – Chapter Eleven, Part Five
Fiction Friday: The Killswitch Review – The Final Installment