Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World…
By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.
Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.
When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.
(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)
On February 18, PayPal contacted ebook distributor Smashwords with an ultimatum: Remove certain types of erotic ebooks (featuring underage characters, incest, bestiality, and rape), or face deactivation of their PayPal account. Since PayPal is integrated into the Smashwords website, they had no choice but to remove the “edgy” erotica identified by PayPal as “unlawful.” No U.S. court had ever found any of the ebooks in question illegal, but that was rather beside the point for PayPal, who seemed to be confusing illegal sexual activities with legal depictions of those activities.
What started as a dispute between a payment processor (PayPal) and a handful of ebook stores (including Smashwords) snowballed into a widely circulated petition from the Electronic Freedom Foundation (signed by the Authors Guild, the CBLDF, and the ACLU, among others) asking PayPal to reverse their policy.
“What I find chilling is that the money exchanger, not the merchant, can make such a decision,” commenter L.K. Rigel wrote on a Dear Author blog post, where news of PayPal’s actions was first reported. “PayPal is, after all, basically a bank. So now a bank gets to decide what customers can buy or merchants can sell? The decision is only palatable because they’re cutting off stuff people mostly find abhorrent.”
When PayPal allegedly tried to lay the blame on credit card companies’ terms of service, Visa flipped a finger right back. “Visa takes no position with respect to lawful goods and services bought and sold by the people and the companies who use our payment service,” Visa’s Investor Relations wrote in a letter to BannedWriters.com. “We want to clarify that Visa had no involvement with PayPal’s conclusion on this issue.”
After Visa clarified their position on credit card usage (“anything legal”), PayPal’s excuse (“the credit card companies are making us do this!”) fell apart and they had to admit defeat. On March 13, PayPal announced an updated policy with regards to handling ebook transactions that “will prohibit use of PayPal for the sale of e-books that contain child pornography, or e-books with text and obscene images of rape, bestiality or incest… In addition, the policy will be focused on individual books, not on entire ‘classes’ of books.”
PayPal’s policy change represented a win for online retailers as well as for freedom of expression “This is going to be a major victory for writers, readers and free speech,” said Smashwords’ Mark Coker.
Welcome to the first extra-long con edition of Ur W33K 1N G33K in 2012. Wonder Con kicked off this year’s convention season this past weekend in Anaheim. News from all corners of nerdom was announced at the event, or in press releases leading up to it. Major players from across the geek world showed off what they have in store. Several first previews of upcoming movies, shows, and comics were revealed, and the creators were very talkative during the panels. For anything not covered here, you can check out ComicBooked’s excellent Wonder Con 2012 wrap up.
The Amazing Spider-Man director Marc Webb talked about his choices for the upcoming Spider-Man movie at Wonder Con. During The Amazing Spider-Man panel, Emma Stone, who plays Peter Parker’s love interest Gwen Stacy, may have said a too much. Stone started into the tragic comic book death of Gwen Stacy. As the topic started to drift from Gwen’s story in the comic to the movie, Marc Webb interrupted and changed the topic. His abrupt interruption has given rebirth the rumor that Gwen Stacy will die in the film similar to how she died in the comics. Sony has also released a viral marketing video for The Amazing Spider-Man that includes Captain Stacy giving us the run down on what a dangerous menace the Spider-Man can be.
Speaking of superhero rumors, a controversial image has hit the web that claims to be the first poster for the upcoming Wolverine movie. The image’s origins are unconfirmed, but the original posting was taken down at the request of Twentieth Century Fox.
The first teaser image from Arrow, the upcoming Green Arrow show on the CW, has been released. Three time Oscar winning costume designer Colleen Atwood designed the Green Arrow’s suit. The pilot’s director, David Nutter, also talked about his goals in making Arrow darker and edgier than the Smallville pilot, which he also helmed.
Brian K. Vaughn’s new comic Saga premiered last week, and now his comic series Y: The Last Man, is making headway on becoming a movie. Matthew Federman and Stephen Scaia have been hired to write the new script. There has been talk of this series becoming a movie for a few years now so let’s hope that this script is good enough to stick.
Everybody’s favorite super villain is coming back for an encore. Despite Joss Whedon’s crazy schedule recently, he has announced plans to work on Dr. Horrible 2 this summer. No more is known about the project at this time.
The newest trailer for Abraham Lincoln Vampire Hunter premiered at Wonder Con. While promoting the undead slaying President, screenwriter Seth Grahame-Smith talked about his work on the upcoming Beetlejuice 2 script. The good news is there will be none of this reboot nonsense. It will be a direct sequel with Michael Keaton reprising the title role.
“The thing that Tim and Michael and I all agree on, and is most important for me is, I don’t wanna be the guy that destroys the legacy and the memory of the first film; I would rather die. I would rather just not make it, I’d rather just throw the whole thing away than make something that pays no respect and doesn’t live up even close to the legacy of the first film,” said Grahame-Smith.
While Grahame-Smith is all about treating classic works with respect, the same can’t be said for everyone in Hollywood. Michael Bay has decided to lay his taint on the Teenage Mutant Ninja Turtles. I don’t normally complain about Bay, unlike so many others. However, Bay has now decided to take it upon himself to change the history of the beloved human size reptiles. He’s dropping the mutant and making them aliens. No one knows what other changes he has in store. Not mutants? Not turtles? But we shouldn’t worry because he assures us that they will be ‘edgy, funny, and completely loveable.’
On a brighter note, the long awaited sequel to the Avatar: The Last Airbender series has received an air date, and it’s just around the corner. The Legend of Korra will start on Saturday April 14th at 11 AM on Nickelodeon.
The Legend of Korra wasn’t the only thing to get a solid release date last week. After a decade long wait, Diablo 3 will be released on May 15. While Diablo is the first in line, Blizzard also plans on launching expansions for the Starcraft and World of Warcraft series this year. They have also recently changed the WoW Scroll of Resurrection service to offer past players a free upgrade to the Cataclysm expansion, a free level 80 character, a free realm transfer, and other perks for coming back to the game.
Finally, female geek icon Felicia Day is set to guest star on an upcoming episode of Supernatural. Besides showing up on every geek show in the verse, Felicia Day has also launched a new YouTube channel with other nerd idols like Wil Wheaton called Geek and Sundry. The channel will feature nerd programming like: The Guild, Flog (Felicia Day’s video blog), Table Top (table top / board gaming with Wil Wheaton), Dark Horse Motion Comics, and so much more. Geek and Sundry launches April 2nd.
Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World…
By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.
Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.
When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.
(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)
[Above: First look at the Jim Lee designed cover for DC’s Free Comic Book Day]
The Avengers is a less than two months away and each week more information about the film is released. Most recently, SFX Magazine interviewed members of the production including Tom Hiddleston (Loki) and Director Josh Whedon. Hiddleston revealed some of Loki’s motives and Whedon further talked about the troubles with juggling so many heroes. Tickets for the midnight showings of The Avengers go on sale as early as March 16th. Those lucky enough to be near an affiliated AMC theatre can also catch the $40 Avengers Marathon that includes: Iron Man, The Incredible Hulk, Iron Man 2, Thor 3D, and Captain America 3D all before the midnight showing of The Avengers 3D.
Potential spoilers have leaked for the upcoming Iron Man 3 project. Playing off the storyline to come in The Avengers, Iron Man 3 will explore the Extremis storyline where Tony Stark uses nano-technology to become one with the Iron Man suit. For Iron Man comic fans, this is not as much of a surprise as the first Iron Man movie followed the Extremis origin and not the original origin. Another interesting thing on the video was confirmation that three Avengers: Captain America, Thor, and Iron Man will all be getting sequels regardless of how The Avengers does, whereas, the future of The Hulk franchise will be dependent on the performance of The Avengers.
DC is also making some changes with their comics. April will be the last month for a few of the New 52 that didn’t sell as well such as Static Shock, Hawk & Dove, and Men of War. They are also changing up artists. Starting in May, Detective Comics and Batwoman are getting new artists. Why they are replacing Batwoman’s artist after it was widely voted the Best Art in a Comic in 2011 is beyond me.
DC has also released more information, including covers, for Before Watchmen. The comics go on sale starting in June, but you may want to read the latest comments of Watchmen creator Allen Moore before buying them. In short, Moore is still upset he was screwed out of the rights for Watchmen, and he kindly asks if you do buy Before Watchmen that you stop purchasing all of his other works.
Joss Whedon has three movies coming out this year including The Avengers, but he hasn’t given up the fight for Firefly. In short, he said:
“I keep thinking they’re going to call me, crunch the numbers and say ‘Hey, we can make money from this!’ — but they don’t. I would never rule it out, I love those people. But I can’t just wait by the phone.”
Speaking of watching projects rise from the dead, Warner Bros is talking to Javier Bardem about The Dark Tower movie. Ron Howard still is set to direct the first film, perhaps with Bardem as the Gunslinger. The studio has purchased the script, and it is likely to start shooting in 2013.
The cast from the upcoming Evil Dead remake is nearly full. Most of the roles in the film have been cast and an official premise has been released:
“Levy leads the cast as Mia, a troubled young woman struggling to come to terms with the recent death of her mother. She retreats into a remote cabin to detox from her drug addiction, along with a circle of friends that includes her BFF (Lucas), her estranged brother David (Fernandez), his fiancee (Blackmore), and the gang’s academic pal Eric (Pucci). While in isolation, however, the group discovers the Book of the Dead and unwittingly unleashes malicious supernatural forces.”
Finally, George Takei was so excited when he raised the money for his upcoming Broadway musical Allegiance that he decided to share a little something with all his fans. I leave you with George Takei’s Happy Dance.
“Roads? Where we’re going, we don’t need roads”
~ Dr. Emmett Brown, Back to the Future
Remember the bit in Back to the Future when Doc Brown (played by Christopher Lloyd) utters that very line and flies away in his souped up DeLorean to take Michael J. Fox and his girlfriend 30 years into the future? He takes them to the year 2015, which is only 3 years from now. In Brown’s version of the future, all the cars had been converted to flying automobiles and we had air gliding skateboards, video walls, and instant pizza.
Were some of those ideas a little crazy? Sure they were. But thinking back 30 years ago, those sorts of things almost seemed possible. I mean look at 1985 compared to 1955 with regards to the advancements in science, technology and innovation.
Now in the year 2012, the United States of America is falling behind the rest of the world when it comes to STEM (science, technology, engineering, and math), while our creativity and innovation fails to come up with much of anything new outside of Apple releasing a new iPhone or iPad every year.
Famed astrophysicist Neil DeGrasse Tyson believes that a big reason that America is falling behind innovation-wise is due to the lack of funding the government has given over to NASA in the last several years. As our space program has dwindled so has our ability to think outside the box, and reach for the stars both literally and figuratively.
Tyson recently spoke in front of Congress where he made his case for why NASA’s funding is so important:
“During the late 1950’s through the early 1970’s, every few weeks an article, cover story, or headline would extol the ‘city of tomorrow,’ the ‘home of tomorrow,’ the ‘transportation of tomorrow.’ Despite such optimism, that period was one of the gloomiest in US history, with a level of unrest not seen since the Civil War. The Cold War threatened total annihilation, a hot war killed a hundred servicemen each week, the civil rights movement played out daily confrontations, and multiple assassinations and urban riots poisoned the landscape,” said Tyson. “The only people doing much dreaming back then were scientists, engineers and technologists. Their visions of tomorrow derive from their formal training as discoverers. And what inspired them was America’s bold and visible investment on the space frontier.”
Now Tyson points out very specifically that in realistic terms the reason why the US was so dedicated to the space race in the 60s had to do with the Russians’ own dedication to space exploration. The USSR launched the first manned missions into space and the only way the US could beat them was to land a man on the moon. Obviously that was a successful conquest, and, in the period directly following it, most people believed that within a couple of decades we’d surely have landed a man on Mars. Neil Armstrong first stepped foot on the moon on July 20, 1969, yet more than 40 years later our space exploration has essentially landed back on Earth with a dull thud.
‘We stopped dreaming’ said Tyson during an appearance on the popular HBO series Real Time with Bill Maher. “And so I worry, that decisions Congress makes, doesn’t factor in the consequences of those decisions on tomorrow. Tomorrow’s gone. They’re playing for the quarterly report, they’re playing for the next election cycle, and that is mortgaging the actual future of this nation.”
In that same interview, Tyson also points out that the financial bailout ($850 billion) that was completed to save the banks and Wall Street from complete collapse, is more than the entire 50 year tally of the budget for NASA.
The fact is Tyson is right and it’s not even all about landing a man on the moon or exploring the deepest reaches of space, as amazing as all that would be. So much technology was developed as a result of our race to the moon, and that also created work for millions of Americans. Technology launched or invented because of our out of this world endeavors includes Lasik surgery, scratch resistant lenses, cordless power tools, micro-sized electronics, and the list goes on…
But we stopped dreaming.
Even in the early 1980s when I was in elementary school, kids talked all the time about becoming astronauts and wanting to walk on Mars or being the first person to fly to Pluto. I vividly remember our teachers always showing the shuttle launches and how exciting that was to see for a kid growing up. Now our children’s dreams might take them as far as Washington, D.C. or New York City, but rarely do you hear anybody talking about flying to Mars, much less colonizing the moon.
As NASA’s budget continues to fall by the wayside while other programs flourish, and our war machine eats up billions upon billions of dollars, what dreams are we instilling in the next generation? We are obviously a long, long way from landing on Mars or even sending manned missions back into space. We can barely get funding for the technology that will help us peer far enough into space from earth so that we may one day learn the true origins of our universe.
Flying cars? Maybe Doc Brown should have shot for 200 years in the future given the trajectory we’re currently on.
Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World…
By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.
Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.
When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.
(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)
