by Mentalrage

Arkham Asylum pretty much set the standard for how good a game based on a comic book character and the world they inhabit could be. Previously, game’s based on comics were generally speaking either ill thought out, poorly executed, hurriedly produced tie-in’s with film properties or otherwise underwhelming and insulting to fans of both good games and the comics they were based on with very few exceptions.

Developer Rocksteady at that point had only produced the distinctly average Urban Chaos. Which made both their treatment of the Batman universe and it’s polished presentation and execution in Arkham Asylum all the more surprising.

Now the much-anticipated follow up Arkham City is upon us.

Simply put, Rocksteady has defined how to produce a follow up to a successful game. It builds on everything featured in the previous game, tweaking things here and there as well as adding plenty of new elements. Arkham City is an almost perfect example of digital alchemy, balancing deep lore that Bat fans will appreciate, but not to the extent that it will drive away gamers unfamiliar with the intricacies of Gotham City.

Arkham City finds a section of Gotham City partitioned off and transformed into a vast penal colony overseen by mysterious psychiatrist Hugo Strange. Bruce Wayne soon finds himself incarcerated in Arkham City for speaking out against Strange and it’s down to the Dark Knight to figure out what Strange is really up to and what “Protocol 10” is.

Chances are, unless you’ve been living in a cave for the last few decades, you’ll be familiar with at least some of the numerous villains that make up the Dark Knight’s rogues gallery (which is arguably the best in comics). Rocksteady has once again produced some great character designs with the Penguin re-imagined as a sadistic, eccentric Cockney wide-boy being just one of them. You can also look forward to seeing Mr. Freeze, Harley Quinn, The Joker, and Solomon Grundy, to name but a few, and that’s just the main story, there are side missions involving Bane, Mr. Zsasz, and The Riddler, plus additional Catwoman story missions which intertwine with the main story (her design is heavily influenced by Adam Hughes iconic take on the character).

The presentation all round is slick and highly polished. The Arkham facility which you find yourself in, with its array of buildings and alleyways, really feels like part of a city. It’s a gothic delight that’s equal parts urban decay and neon excess. These aren’t just random buildings either, Bat fans will pick up on numerous things like the building you first suit up as Batman in being Ace Chemicals. The voice acting is universally excellent with Kevin Conroy once again being a solid Dark Knight and Mark Hamil putting in another sublime performance as The Joker.

Unlike its predecessor you have a vast area that you’re free to explore open world style after the opening scenes. Gliding and grappling your way across the myriad of rooftops and perching upon a gargoyle before listening to a bunch of thugs debate whether crossing Two-Face or The Joker is worse before dropping out of the night sky and taking them all out is a thing of beauty it has to be said. If you’re so inclined you can actually spend a considerable amount of time just exploring before even starting any missions.

The downside of this new open world approach is Arkham City doesn’t have the claustrophobic story driven narrative of its predecessor, the varied selection of villains are battling each other for both territory and screen time it seems. Though I don’t think –– as impressive as Batman’s rogues gallery is –– there are many characters that would support a full story like The Joker, so in this regard Rocksteady has made a wise move.

To aid your navigation around Arkham City, Batman now has a divebomb move which can be used either as an offensive maneuver (once you’ve got the necessary upgrade) or can be used to gain height and speed by pulling up at the last minute before soaring into the night sky. Another addition is the line launcher, an adaptation to the Batclaw which enables you to travel horizontally between buildings and can even be fired mid flight to travel around corners.

Combat in Arkham City is built around the same mechanics as the previous game, but things have been tightened up with new options thrown into the mix too. Now you can use the numerous gadgets at your disposal in the midst of a fight easier. Watching a hammer wielding goon take out half his own men after being hit by the Remote Electronic Charge (a new addition) never gets old. Counter moves are a big factor in combat and learning the timing will literally save your life. Arkham City thugs aren’t completely brain dead either, they will team up on you and not just form an orderly queue while you take them out. Also if another gang of thugs is witness to your brawling, they’ll come steaming down the street and join the fray. This can result in facing a literal horde of bad guys where you can really show off your combat prowess.

One of the best things about combat in Arkham City is it doesn’t fall into the all too familiar problem of tedious repetition. Performing the same few moves over and over can quickly go from exhilarating fun to boring chore in a combat oriented game. Thankfully the combat here is influenced by your surroundings, find yourself up against a wall facing a mob of goons, and your counters will take this into account with Batman slamming faces into said wall until you move away from it.

Stealth quite rightly is also an important part of surviving in Arkham City. Even the Dark Knight isn’t invincible, so taking on tooled up goons head on will just lead to a quick demise. Vantage points are key and so is patience. Learning patrol patterns and picking your moment to strike before disappearing into the shadows will lead to goons freaking out and firing at shadows, which will lead to an intimidation experience bonus when you clear the area. If things do go a bit awry you can employ a new smoke bomb to cover your escape.

It’s not quite as easy this time around though, with goons later in the game sporting some hi-tech gear. For example they’re equipped with thermal imaging headsets which make you visible even if you’re hiding in the shadows, and have signal jammers which screw with your Detective Mode, meaning you have no access to the usual readouts on enemies in the vicinity.

Experience will allow you to level up where you can upgrade your Batsuit and gadgets, and learn new special combat techniques, amongst other things.

As for the Catwoman missions I mentioned earlier, they’re just as well executed. In fact they’re so good you’ll find yourself wishing there were more of them. Navigating Arkham City as Catwoman is a completely different experience as you utilize her whip and pounce from rooftop to rooftop or scale larger buildings in stages. Combat is different too. Catwoman is faster, but takes more of a beating if a goon connects. Her combat style is similar to Batman’s but the counters and stealth takedowns (dropping down off the ceiling for one) are more graceful and acrobatic in their approach and there’s a different set of gadgets to have fun with. I think Rocksteady may have gone a little overboard on sexing up Catwoman, I don’t think her catsuit needs to be zipped down quite that far to be sexy.

There’s plenty of other little details like Batman’s Batsuit taking damage as you progress, radio communications with both Alfred (with his trademark subtle dry humor) and Oracle. And listening to Penguin or Joker berate their goons as you take them out is highly amusing in a twisted way. “Batman’s never killed anyone but that doesn’t mean he won’t start with you,” quips The Joker.

Added to all that, there’s Riddler trophies to find, challenges to complete, and did I mention you get to punch a shark and can hitch a ride on a helicopter?

by ExAddict

The first four were tight. Real tight.

It’s a late night sometime during the ‘90s at any one of the millions of households, college dorms and computer labs across the planet…Productivity is at an absolute standstill because much caffeine, Doritos, freewill and time have been surrendered to what was simply put, the greatest game ever.

Fast forward to today and an entire generation of gamers await the next chapter in the series. But like the adventures of Duke Nukem before it, this one may end up stuck in the design stages for a vaporware eternity.

The game was SimCity. Or should I say SimFuckinCity. The ingenious city building and urban planning series created by software company Maxis and designer Will Wright. Sadly, since January 14th, 2003 – the release date of the last true SimCity title – the series has been dead in the water.

Sure there have been newer interpretations and incarnations of the Sim brand, especially since the 1997 acquisition of Maxis by the giant gaming conglomerate Electronic Arts. Despite SimCity’s incredible sales success and cult following, gamers have been crying for the next edition for close to nine years. Yes, believe it or not, it’s been almost nine years since SimCity 4.

So what happened? Mainly, a ton of platforms, iPad this. Nintendo 3DS that. While the original SimCity and it’s four true sequels (SimCity 2000, SimCity 3000 and Sim City 4) kicked serious ass on PC and Mac for fifteen years, the arrival of powerful handheld gaming systems, and later the iPhone and tablets have meant a new audience for an old standard. Afterall, as the piss-poor Duke Nukem Forever proved having tempted fans for 15 years, if it ain’t broke, why fix it?

Thus a legion of first-time gamers and business users going portable are spending countless hours creating and exploring exciting and worthwhile cities in an essentially unchanged gaming environment. Recent releases of SimCity have been based mostly on SimCity 3000, a.k.a. the crown jewel of the Maxis empire, released in 1999.

Something deep within the development teams of Electronic Arts must be clinging to the assumption that good code can always be recycled. While recent remixed versions and deluxe editions of the best of the series stand to bring a flood of fans to this legendary world-creator, we still don’t have what we want – SimCity 5.

Some might be asking, what about The Sims? Isn’t that a logical sequel to the brand? Nope, not even close. Even though The Sims, Spore, SimEarth, SimFarm, SimTown, Streets of SimCity, SimCopter, SimAnt, SimLife, SimIsle, SimTower, SimSafari, and SimPark all offer the Will Wright brand of world-building and exercises in environmental simulation, nothing beats the very first time your city comes alive, the moment you power up the transformer to bring electricity to your city. And many of us have hundreds, if not thousands, of hours of game time to prove it

Besides, although The Sims is in fact the highest selling video game of all time, the engineers and architects hidden inside all of us clamor for a return to world-building, not romantic plot-lines involving debates over purchasing a new couch and nonsense gibberish conversations with neighbors. For that, we have reality.

And then there’s the matter of Civilization.

First released in 1991, Civilization 1 through 5 have consistently offered a new and expanding universe for fans of extended (and time-consuming) adventures that revolve around the gamer playing the role of deity. The last Civ title was released in September 2010 and for some hardcore players, a new PC or Mac chapter of Civilization often means a complete upgrade in system hardware.

Will SimCity 5 ever see the light of day? Hard to tell. In 2007, EA released SimCity Societies, billed by some as the theoretical next sequel, but not a true SimCity 5. A review in two words: It sucked. Focusing far too much on being a bastard hybrid of both The Sims and a childish version of SimCity 4, SimCity Societies left a bad taste in many mouths.

Core to the reason why we may never see another worthwhile installment of this gaming classic, designer Maxis let the series design rights slip to Tilted Mill Entertainment, so they could concentrate on EA’s Spore, an underwhelming creature-builder also inspired by Will Wright.

If it ever is to see a real release, SimCity 5 may be born through the decision in 2008 by Maxis to release the SimCity source code under a free software license. If there’s one thing the free software community knows how to do, it’s fork the fuck out of original code.

If the fifth chapter in the book of SimCity is to be written, it might be authored by a fifty-six year old Senegalese crop worker or a banker riding the subway booting Ubuntu.

Maybe it’ll be worth the wait.

Other recent gaming notes…

* Will the Angry Birds movie threaten to score big box office or go down as yet another example in the long history of video game to big screen adaptations that have totally flopped? * Ever since my Xbox 360 surrendered to the red ring of death, I’ve been putting off investing any more money in Microsoft for this generation of gaming. But Battlefield 3 (from EA) just dropped and may change all that for me. I’m sick of waiting for a PS4. * WWE ’12 (from THQ) for PS3, Nintendo Wii and Xbox 360. Demolition and the Legion of Doom have been added as legends and I can see myself picking this up for the deepest Create-A-Character mode in the history of gaming. Throw in Brock Lesnar and the return of the F5 and my dollars are done.

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World…

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

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by A.J. Focht

After a few weeks with no new updates, The Dark Knight Rises released several updates this last week. The first photos of Joseph Gordon-Levitt on set have spread across the internet. A full synopsis of the film has been leaked, but it doesn’t reveal much more than what we’ve already known. Finally, the movie’s second official trailer will release with Sherlock Holmes:Game of Shadows on Dec 16.

That’s not the end of the Batman news either. WB Interactive has announced Batman: Arkham City has shipped 4.6 million copies for PS3/Xbox360. Despite some tough competition, Arkham City is looking more and more like Game of the Year.

Iron Man 3 is taking a change in scenery. After shooting the past two films in California, the next installment in the franchise is filming in North Carolina. The change in location is likely the first in a wave of updates bound to come now that The Avengers has wrapped.

Zack Snyder’s Man of Steel will use the infamous villain General Zod, but unfortunately, the character is not likely to use the immortal line, “Kneel before Zod.” It’s sad to see such a famous line being excluded; it would be like not having The Terminator say, “I’ll be back.” Even Smallville used the line when they introduced General Zod.

Speaking of Smallville, it looks like the show isn’t as dead as we may have thought. A new IMDB has been created for a show titled, Metropolis. Currently, Tom Welling, Erica Durance, Aaron Ashmore, and Michael McKean are listed in the credits. Is it possible the show is getting a reboot/remake?

While we’re on the note of remakes, that’s apparently exactly what the new Evil Dead project is, minus Ash. A synopsis has been released for the film that sounds exactly like Evil Dead with different characters.

Five twenty-something friends become holed up in a remote cabin where they discover a Book Of The Dead and unwittingly summon up dormant demons living in the nearby woods, which possess the youngsters in succession until only one is left intact to fight for survival.

Evil Dead isn’t the only undead movie making a return, reports confirm that Michael Keaton is returning to his role in the Beetlejuice sequel. I’m not sure how I feel about a sequel, but it sounds like they’re at least trying to do it right.

One last thing, I present you the best video game based movie to date, and it’s based on Duck Hunt. This new ten minute short film is by far one of the best video game to film adaptations I’ve ever seen.