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Aug 2011 03

by Daniel Robert Epstein

“I have a documentary spirit”
– Michael Apted

Film director Michael Apted is such an anomaly in Hollywood. He careens from big budget films such as The World Is Not Enough to smaller films like Enigma. But always, without fail, every seven years Apted puts together another UP film. In 1964 a group of seven year old children were interviewed about their lives and Apted was a researcher on that film. Since then Apted has taken on the directing reins and every seven years he gets together with as many of the original people as possible and interviews them again. Now 49 UP has just been released along with all the UP films in a big DVD box set.

Read our exclusive interview with Michael Apted on SuicideGirls.com.

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Aug 2011 02

By Nicole Powers

“This is really a civil rights issue.”
– Kristin Canty

America devotes an inordinate amount of resources to its wars on controlled substances; namely its wars on drugs – and raw milk. Yep, you read that right. The prohibition of alcohol may have ended in the US in 1933 with the passage of the Twenty-First Amendment, but it’s still alive and kicking when it comes to unpasteurized milk.

The retail sale of raw milk for human consumption is illegal in the vast majority of states, and though some states do permit direct farm sales and/or herd shares, federal laws prohibit the sale and transport of raw milk across state lines. The U.S. Food and Drug Administration considers unpasteurized milk or cream –– and any uncooked products made from it, such as cheese, yogurt, and ice cream –– to be categorically unsafe. Their official line is that “raw milk can harbor dangerous microorganisms that can pose serious health risks to you and your family.”

However, by their own figures, a mere “800 people in the United States have gotten sick from drinking raw milk or eating cheese made from raw milk since 1998.” When you compare those numbers to the statistics on alcohol and cigarettes – which can be bought legally in all 50 states – the government’s position on the sale of raw milk appears to be inconsistent to say the very least. And the discrimination against raw dairy is even more profound when the health benefits are taken into consideration. But while the fight to decriminalize other controlled substances grabs headlines and galvanizes support, few are even aware of the prohibition against real milk. Kristin Canty, a small farm advocate from Massachusetts, hopes to change that with her compelling new documentary, Farmageddon: The Unseen War on American Family Farms.

Canty didn’t set out to make a film, merely to heal her son, who suffered from asthma and severe allergies. When traditional medicine failed to help, she embarked on a voyage of discovery that led her to raw milk. While fighting to heal her sick child, she also had to fight the seemingly unreasonable and intransigent attitude our government has towards healthy-minded boutique farmers who produce this hard to come by commodity in the face of much adversity. Frustrated and angered by reports of raids, and shocked at the increasing ferocity of the persecution of those who were doing nothing more than producing fresh food, Canty was compelled to expose the truth. For her, it wasn’t just about the disparity in treatment between big agriculture (whose factory methods have actually been responsible for the majority of serious food scares in recent years) and the mom & pop organic and sustainable operations, but an issue of a mother’s right to choose healthy food.

Read our exclusive interview with Kristin Canty on SuicideGirls.com.

**UPDATE**
Following the multi-agency armed raid on Venice Beach, CA fresh food collective Rawesome, which resulted in 3 arrests (see story), there will be a series of special screenings of Farmageddon at the Electric Lodge cinema on Saturday, August 20 (see details). Proceeds will go to the Rawesome Community Fund.

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Aug 2011 01

by Keith Daniels

“I absolutely love to sing.”
– Lindi Ortega

Lindi Ortega is a singer-songwriter from Canada with an incredible voice that brings to mind both Dolly Parton and Emmylou Harris. She’s been kicking around the music industry for a decade or more, slowly climbing the rungs and paying her dues as backup on tours with Kevin Costner and the Killers’ Brandon Flowers. Despite the recent setback of being dropped from her first major label deal with Interscope, she’s finally getting some well-deserved recognition. Her new record, Little Red Boots, was highlighted on NPR, which is how I heard of it.

She talked to SuicideGirls recently about those little red boots, how getting dropped from a major was a blessing in disguise, and how dinosaurs evolved into birds.

Read our exclusive interview with Lindi Ortegae on SuicideGirls.com.

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Jul 2011 29

by Daniel Robert Epstein

“Never try and be what you’re not”
– Marco Pirroni

Marco Pirroni is a legend in his own time. Now some of you may be saying “But I don’t know who the fuck Marco Pirroni is?” Well you may not know his name but you’ve heard his music. Pirroni was major part of the punk scene in the late ’70s in his native England. He first played with Siouxsie and the Banshees in 1976 along with Sid Vicious and later he joined Adam & the Ants penning five number one singles. Since then Pirroni has worked with dozens of other musicians but he is forever looking forward and never backward. His latest band is The Wolfmen where he has teamed up with another ex-Ant Chris Constantinou.

Read our exclusive interview with Marco Pirroni on SuicideGirls.com.

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Jul 2011 28

by Fred Topel

“I think sadness is really interesting…”
– Miranda July

I understand Miranda July’s new movie The Future, completely. I don’t think I can explain it, except to say that each individual scene, even single lines of dialogue, can inspire an entire conversation.

Writer/director July crafts the story of Sophie (July) and Jason (Hamish Linklater), a couple planning on adopting a cat they rescued. In the time it will take for the shelter to heal Paw-Paw (voice of July and yes, the cat narrates), Sophie and Jason plan to make the most of their remaining time without commitment. Sophie cancels the internet, yet still plans to record dances that she’ll upload at Wi-Fi enabled cafes. Jason explores a career in environmentalism.

Yet those are not the themes I focused on. The unique voice of July is that she will give Jason the power to freeze time, or the characters will contemplate the end, as in the big end. The story of Jason and Sophie’s relationship progresses to a conclusion, but it’s the abstract steps along the way that evoke thought and feeling.

At the Los Angeles Film Festival, July met me in the lobby of the J.W. Marriot downtown while her film played at the Regal Cinemas. She would return to the theater for an audience Q&A, but while a new audience experienced The Future, July sat in an outdoor bar, magenta stockings shining in the sun, and analyzed her film with me.

Read our exclusive interview with Miranda July on SuicideGirls.com.

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Jul 2011 27

by Damon Martin

Most people know Tom Morello as the guitarist from Rage Against the Machine or Audioslave, but now the Harvard graduate is moving into writing, specifically a new comic book called Orchid.

The book, which is written by Morello and features art from Shepard Fairey and Scott Hepburn, will be released by Dark Horse later this year

Influenced by the ladies featured on SuicideGirls.com, Morello’s title character is a strong female lead in a future world where the rich and powerful rule with an iron fist and the powerless are left with the scraps.

Morello, usually known for guitar innovations, has also added a new riff to his comic book set. With each issue, he will release a new track that fans will be able to download that will serve as the soundtrack to the story.

The book was unveiled last weekend at San Diego Comic Con where Morello sat down with SuicideGirls.com to give an insight into his passion for comics and what to expect when Orchid debuts.

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Jul 2011 27

by Alex Dueben

“The nature of all drama is really conflict.”
– Ron Marz

Ron Marz has been a comic book writer for many years, with a long list of credits at Marvel, DC, Dark Horse, Top Cow and just about every other comics company there is. His career has notably included a long run on Green Lantern.

In recent years some of his best work has been for Top Cow, where he’s been writing the company’s flagship comic Witchblade. He transformed the tile from a comic that was known in its early years for T&A into a complex superhero fantasy story that has led to Marz writing a series of miniseries (First Born and Artifacts) and ongoing series (Magdalena) for the company.

Marz is leaving the series with issue #150, and is busy writing a Green Lantern one shot and the Voodoo series coming from DC this fall. His big project this summer though is Shinku, a bloody horror story set in Japan that involves samurai and vampires, and is just as cool as it sounds.

Read our exclusive interview with Ron Marz on SuicideGirls.com.