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Jan 2012 31

by Shotgun Suicide

Suicide Girls are more than just pretty faces. When they’re not taking their clothes off and posing for pictures (and writing blogs), they’re making videos showcasing their many other talents. Some are jokers, some can do strange things with their tongues, some are ultra geeky, some even have strange robotic friends, some can sing, some are dancers and/or contortionists, some can do knife tricks, some share their secrets to getting laid (a lot!), some are having bad hair days, and all are 100% amusing.

This compilation, put together by Shotgun Suicide, highlights some of the best, the most memorable, and the plain silliest, from this past year.

Enjoy!
XOX

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Jan 2012 31

by Nahp Suicide


[Dwam in Parallelism]

Dwam is from France. She has been with SuicideGirls since 2008, and is both a model and a photographer.




How did you first get involved with SuicideGirls?

I just applied (as a model).
As a photographer, it started when Sweety and Maedusa asked me to shoot them a multi. 




What’s your background photography-wise?

I don’t really have any proper background. I experimented a bit when I was in art school, then I just tried. However I assisted P_Mod for a while, and gathered as much knowledge as I could. 




What was the first photo you had published?

Hahaha, a band’s picture in a local paper, nothing glorious.


[Dwam and Charlie in Self Timer]

How would you describe your style?

I don’t know! Do I have a style? 
I think I like to see the girls impersonate a character, to create scenes, and to tell some stories. 



What gear do you use?

A Canon 550D, and a 15-55 and 50mm lens most of the time. 




How important is Photoshop in your final images?

It depends. Sometimes I play around with Lightroom, for color correction mostly, to add a mood or an ambiance. I also drew and added graphic effects on a few sets. Otherwise I edit as little as possible. I want to see real people, not plastic dolls. 




What gives you ideas and inspires you to create such amazing sets?

Literature and movies, mainly. And the girls! Sometimes the girls evoke images and scenes, or sometimes I’ve got a very precise idea myself. Then I look for the girl that would best fit the idea. But usually I ask them if they have any idea, mood, or theme in mind, so we can work on it together. 






[Nemesis in Dorian]

What is your favorite image?

This one. [above]

Tell us why it’s your fave and how you achieved it?

Well, it’s a picture of Nemesis, one of my favorite people I met through the site, and it sums up pretty much everything I love: gender queerness, literature, timeless feelings. It’s also a great memory. I love it. 




Is there anybody or anything you would love to photograph that you haven’t? (And tell us why)

There are tons of people I wish to meet and work with. But right now on the top of my mind I think of Glitch, Chunni, Lumo, Adria, Opaque, Shanti and Malloreigh. Just because!


[Dwam in Sun With A Moustache]

Related Posts:
In Focus: The Photographers of SuicideGirls feat. Writeboy
In Focus: The Photographers of SuicideGirls feat. IvyLlamas
In Focus: The Photographers of SuicideGirls feat. Lavezzarro

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Jan 2012 27

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

[..]

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Jan 2012 26

by Blogbot


[“Honey” – Manko]


[“Blue So Blue” – Blue]

Artist / SG Member Name: Vivid Vivka a.k.a. Vivid Suicide

Mission Statement: I sling paint, and if someone likes it…that’s a bonus.


[“Brim”]

Medium: Acrylic, pen, marker, wood, canvas, spray paint, coffee grounds, blood, sweat, spit, tears.

Aesthetic: Naked and distorted. Usually with big hair, empty eyes, a lot of pink.


[“Yellow” – Yellow]

Notable Achievements: I believe three people have my work tattooed on their persons. To me, that’s a helluva achievement and intensely flattering. Ink aside, I have a BFA from the College for Creative Studies, in Detroit, MI. I majored in Illustration with a graphic background. I’ve made pieces for childrens’ hospitals in Detroit, had a few gallery shows, and had my work stolen for a ton of shitty band/party flyers. (Stop. Doing. That.)

Why We Should Care: 9 out of 10 viewers agree: it’s art.


[“The Queen of Crows (and Three Little Insects)”]

I Want Me Some: Much of my past art projects can be found on my DeviantArt (as well as many of my modeling photos). For prints and originals, I sell my work at vivka.etsy.com (more originals up soon…kinda sold out right now). Proper website and webstore to be unveiled with glitter and sparkles around mid 2012.


[“This Time…” – Adria]

[..]

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Jan 2012 24

by Nahp Suicide


[Crysta in Pray Hard]

Writeboy is Chicago based, and has been a member on SG since 2006. He became a staff photographer in 2010.

How did you first get involved with SuicideGirls?

I think I found out about SG through a friend. I can’t remember exactly. When I moved to Chicago a few years ago and didn’t know many people, I met some of my first local friends on here. SG Chicago had a pretty active group at the time.




What’s your background photography-wise?

SG was my motivation to get into photography. I’d posted some sketches in the SG Fan Art group and the positive reaction felt great. Then a woman I was seeing asked me to take some photos of her for fun and she liked them. So I kind of got addicted. I bought a Canon Rebel, joined Model Mayhem, and started shooting a lot. I volunteered to assist more experienced photographers and did some tutoring sessions. Some local Hopefuls and SGs offered to shoot with me and I’d go to SG Photographer Hopefuls for feedback on the sets. The great thing about photography to me is that it’s not rocket science. My work improved a lot because of some simple suggestions people offered along the way that made a big difference.





[Shyla in Blue]

What was the first photo you had published?

I don’t know if I’ve had anything published in print yet, but my first homepage set for SG was Blue with Shyla Suicide.

How would you describe your style?

Hopefully it comes across as natural and spontaneous. That there’s a connection between model and viewer.




What gear do you use?

Canon 5D Mark 2 and 24-70mm 2.8 lens mostly. Lately I’ve been experimenting with 50mm and 85mm prime lenses to get sharper images. And an assistant with a reflector :)




How important is Photoshop in your final images?

It’s important. A couple months ago I finally woke up and realized I should be following Cherry’s tutorial in the SG Photographer Hopefuls group. It’s always a balance between helping the model look her best while showing her as she is in real life. 




What gives you ideas and inspires you to create such amazing sets?

Looking at other sets of course is big. It also comes from what grabs my attention in someone. Do they have amazing hair, striking eyes, unique tattoos? Are they quiet, wild, intense, playful? It can also come from an article of clothing or the setting itself.





[Crysta in Pray Hard]

What is your favorite image?

I like this one from Bounty’s Pray Hard set [see full NSFW image].

Tell us why it’s your fave and how you achieved it?

Bounty just has these amazing big eyes. Also I like that the lighting is soft and her pose is kind of innocent, but there’s something suggestive in her look and the “Hard” tattooed across her knuckles that’s hot in an indirect way.



Is there anybody or anything you would love to photograph that you haven’t? (And tell us why)

Tons! It would be cool to shoot with Mary because she’s the original SG to me. As far as newer models, hopeful Spliff_ kind of represents what SG is about for me in that she’s hot in a unique and kind of unconventional way and yet comes across as down to earth and approachable. That’s what I like about lots of the members/models here and what I think makes this site such a unique place.

For more from Writeboy visit his SG profile.

Related Posts:
In Focus: The Photographers of SuicideGirls feat. IvyLlamas
In Focus: The Photographers of SuicideGirls feat. Lavezzarro

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Jan 2012 20

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

[..]

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Jan 2012 13

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

[..]