postimg
Apr 2012 20

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

[..]

postimg
Apr 2012 17

by Nahp Suicide


[Above: Sawa in Fascination Game shot by Zoetica]

Sawa is a model and a photographer who has worked with SuicideGirls since 2004. She has shot more than 100 sets and has been featured in SG’s films.

How did you first get involved with SuicideGirls?

I first started with Suicide Girls as a model. It was about 8 years ago. Missy shot me in my friend’s Hollywood apartment at dusk. I have to admit, one of my main motivations for getting in the mix for SG was to get on the other side of the camera too. I was already shooting a bit and convincing my friends to get naked for me.



What’s your background photography-wise?

Originally I took some photo classes at a few community colleges. I did some darkroom classes at Pierce College and did the whole photo program at Pasadena City College. But back then everything was shot on film. I remember I once spent a few years only shooting on 4″x5″ film. I had to re-learn a lot of things when I switched to digital. 
I also learn a lot from working on set. I do camera work on commercials and movies, and I’d say this is where I have done the most learning. They light things differently. I used to use only flash and natural light, and now I’ve become partial to continuous lighting. 



[Moxi in Revenge]

What was the first photo you had published?

That’s hard to say. I think some of the first photos I had published were in the metal scene. I’m pretty sure it was for my friend Chris Dodge’s label Slap-a-ham. I shot a lot of grindcore and noise bands back then and he put some of my black & white photos in the “Short Fast and Loud” compilation. I think most of my early published photos had to do with bands.



How would you describe your style?

I think certain styles or “looks” vary per shoot and what you are going after. I do like certain photos to look like a still out of a movie instead of a posed portrait. When I’m not shooting SG stuff, I like a lot of conceptual portraits. One of the trademark series I have been doing is my “Viva Banditas” series and those are a bit more raw and gritty and street art style. 




What gear do you use?

Usually a Canon 5D. Lately I’ve been shooting a lot more Polaroids. When I shoot film I use a Mamiya RZ67 Pro II. I also have a panoramic camera and a whole collection of vintage medium format cameras. I also have a LOT of fun with Diana and Holga cameras.

For lighting my favorite portrait light is a gem ball (learned this from movie lighting), and I use Diva Kino lights a lot. Sometimes I use strobes…and for outdoor shooting it’s always good to carry a shiny bounce. 




[Friskey in Road Trip]

How important is Photoshop in your final images?

Sometimes you can create a cool look with Photoshop but I believe all of your exposure control should be done in camera. I would never want to rely on Photoshop to save an image. I try to be consistent throughout a shoot. Photoshop can definitely help polish an image, which is good for fashion stuff. But for SuicideGirls we like the girls to be real so I think it’s important to not go too heavy on the Photoshop.



What gives you ideas and inspires you to create such amazing sets?

I love shooting inspiring girls that naturally give you great ideas. It’s such a treat to shoot a muse like that. I also get a lot of ideas from music. I sometimes get images in my head of an idea for a shoot and I have to write it down or else I will forget it for sure.




[Amina in One For The Road]

What is your favorite image?

Impossible! It’s too hard to narrow it down. 





Is there anybody or anything you would love to photograph that you haven’t?

As far as the site goes, I’ve been really lucky to shoot some amazing girls from around the world. I still haven’t shot Lass or Manko and I hope that will come soon. I have ideas for both of those girls!
In general, I have ideas to last me for like the next 10 years and a huge blessing would be to one day have the time to devote myself full time to these projects. And just to add more things to my plate, I’m in prep to start directing some music videos. In the meantime, I’ve also started running a gallery in the arts district of Downtown LA (Get Her! La Compound gallery) so I’m getting a huge kick out of collaborating with other fellow artists. Everything from street art, to fine art, and most definitely photography. I sometimes wish there were more hours in the day.

For more on Sawa visit: thesawa.com and lacompound.com


[Sarabi in Super]

[..]

postimg
Apr 2012 13

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

[..]

postimg
Apr 2012 12

by Blogbot

Artist / SG Member Name: Fimbis

Mission Statement: Being a straight edge guy in Ireland means I don’t spend quite as much of my time propping up the bar as the stereotypes would lead you to believe. Couple that with living in a very small-minded town and insanity probably isn’t far away if action is not taken! Being creative is my outlet, a way to keep my brain active and fresh.

Art was all I was ever interested in while at school. I couldn’t paint or draw all that well, so I gravitated towards the computer in the corner of the room and have been sitting there ever since. I can think of an idea walking down the street, looking through a magazine, listening to music or watching TV and immediately take note of it to return to at a later date. The idea I start out with pretty much always evolves to be something different at the end and I love the process.

Medium: 95% digital (Photoshop/Illustrator) and 10% pencil/pen.

Aesthetic: Multi colored glowstick.

Notable Achievements: Standing on a box on Grafton Street in Dublin (Ireland’s busiest street) at 2 PM on a Saturday, April 2006 and giving a speech about my speech impediment.

Flying to Australia (and staying for a year) on my own in 2008 with just the clothes on my back and my laptop after my luggage had been lost in a London airport.

Being asked to design flyers for Karma Suicide.

Selling something on Society6.com/.

Why We Should Care: How often do you stumble upon an Irishman who does not drink? Exactly!! For that reason alone, my work is worth a look!!!

I Want Me Some: You can find my work on Bahance, Society6, and in this thread on the SG Fan Art Group.

[..]

postimg
Apr 2012 12

By Blogbot

Co-founded by two former LA Weekly editors, Joe Donnelly and Laurie Ochoa, Slake is a highly collectable quarterly compendium “devoted to the endangered art of deeply reported narrative journalism and the kind of polished essay, memoir, fiction, poetry, and profile writing that is disappearing in a world of instant takes and unfiltered opinion.” Slake takes form as a hybrid of book and magazine, combining the non-disposability of the former with the kind of editorial prowess of the latter that harks back to an era when Bukowski wrote for the likes of Hustler and the LA Free Press.

Earlier this year we caught one of Slake’s live events, for which they are increasingly becoming renowned. Held at the Last Bookstore in DTLA, the reading featured many of the writers that have contributed to the lastest edition of Slake, which explores the concept of “Dirt” in all its forms. The night’s highlights included a hilarious turn from actress and comedian Lauren Weedman (a.k.a. Horny Patty from Hung), an essay from sex industry worker-cum-writer Antonia Crane, and a short story from Larry Fondation, which is excerpted below.

Dirty Girl by Larry Fondation

Wanda owns a dog but she never takes it for a walk. It shits inside. Sometimes she cleans it up, sometimes she doesn’t. Pieces of dried-up dog shit dot the floor of her apartment. But it’s not just the dog shit. Her whole place is a mess: piles of dirty dishes, empty beer cans and wine bottles, unwashed clothes strewn about.

She doesn’t shower very often, either. Every couple of weeks. She smells, but not much given how infrequently she bathes. She’s popular at all the clubs. Men love her. She always has a boyfriend.

Her romances all seem to last about a year. They end with the boy screaming, “You’re gross!”

I can never figure that out. She’s the same the whole time. It’s like, after a year they realize just how unclean she really is. Wanda doesn’t seem to care. A week or two later, she’s got another guy.

Her circle of friends is once removed from mine, but we hang out at the same places. I first meet her at the Short Stop on Sunset. The bartenders there are good, but there are too few of them, so you have to wait forever for a beer. Wanda is standing next to me. I can smell her a little, but I like it. She smells like sex and sweat.

We order the same drink—Irish and soda—and we laugh about it.

“You buying?” she asks. She is teasing but I can’t tell at first.

Her hair is greasy but she has a sly smile, sexy for sure. She tells me she already has a boyfriend, but we exchange numbers at the end of the night anyway.

***

The first time I go to her place, I can’t believe it. It looks like the set of a movie about degradation and squalor. I come in anyway. She hands me a cold beer.

Evidence of her boyfriend abounds — large-size Chucks and men’s underwear on the floor.

“My boyfriend’s out of town,” she says.

We flirt but do nothing. We talk a lot about music and bands and drink a lot of beer. At about 3, I head home.

***

I lose my job at Sea Level Records because they close the store. I start hanging around with Wanda most afternoons, but she has to be home every day by 3 because she gives her neighbor a blow job when he comes home from school.

The kid is a little Latino guy in the eighth grade.

“You want to watch?” she asks me.

“No,” I say, but I do not leave.

“My boyfriend won’t watch either,” she says.

She takes the kid in the bedroom. Ten minutes later, they are done and the kid goes home. She looks at me.

“What?” she says.

I don’t say anything.

It’s usually easy for us to talk, but now I am kind of quiet.

“It helps with his confidence,” she says. “He used to flunk every subject. Now he’s getting straight A’s.”

Sure enough she pulls out a couple of copies of his report cards — a steady rise in his performance, I admit.

“Don’t be judgmental,” she says. “He’s a boy, not a girl.”

***

Two days later I watch.

Sergio is glad to have me play the voyeur. He is proud and happy and puffing up his tiny chest. He smiles widely when Wanda swallows.

I want to tell him that Wanda and I have never touched each other, but it is not appropriate.

When they are done, Sergio asks for a beer.

“You’re too young to drink,” Wanda says and sends him on his way.

“When he hits the ninth grade, goes to high school, I gotta cut him off,” she says. “He needs a girlfriend.”

“You’re right about that,” I say.

“You hungry?” she asks.

She microwaves some taquitos. While we are eating, her dog takes a dump on the floor. I offer to take the dog for a walk.

“A little late,” she laughs, pointing at the pile of shit.

She goes to the fridge and grabs two cans of Pabst.

“Besides, you’ll spoil him,” she says.

***

I begin to drop by unannounced. Today she is reading. She reads a lot, in fact.

“You like Kant?” she asks me.

“The categorical imperative?”

“I prefer ‘a.’ ”

“ ‘A’?”

“Yeah, the indefinite article …”

“Okay.”

“I love the German Idealists.”

She is reading a Penguin paperback anthology with that title. She puts her book down and smiles at me.

“Especially Hegel.”

Her phone rings. She has a steel-blue iPhone. She keeps the volume up. I can always hear both sides of her conversations. Now a man shouts from the other end. Clearly it is her boyfriend. He is still out of town. I am not sure where he is. She has not told me. But he is very angry and loud. He yells for about ten minutes straight. She says nothing.

I pick up her book and, without losing her page, begin to read the introduction. It sounds interesting. When her boyfriend finishes his tirade, she turns off her phone. She looks at me. I can’t tell if she is sad.

“I guess I’m single again,” she says.

We kiss for the first time.

***

Wanda is usually fully clothed when she services Sergio. But today, is wearing her bathrobe with nothing on underneath. Her breasts poke through the folds of the robe. I have only watched their escapades twice. Today she pleads with me to be with them. She does him right by the front door of her apartment. She works extra quickly. He is staring down at her tits. He comes extra quickly. He waits for her to swallow but this time she does not. She hurries him out the door while he is still zipping up his pants.

“Tomorrow?” he asks.

This is different, and young Sergio is confused.

“Yes,” she mumbles with her mouth full.

She shuts and locks the door behind him. As soon as he is gone she flings her robe to the floor. She is naked and sweaty.

“Kiss me,” she says.

I do. We tongue and kiss with all the extra wetness and I am hard as mahogany. We finish kissing.

“Lick me clean and fuck me!”

I unbutton my shirt and drop to my knees. I fumble with my pants as I work my tongue up her thighs. She spreads her legs as she stands, shuffling her feet farther apart on the unwashed hardwood floor. Her pubic hair clumps and sticks together. My tongue parts her labia.

I am Wanda’s boyfriend now.

***

Larry Fondation is the author of two novels and two collections of short stories, all set in Los Angeles. His two most-recent books are collaborations with London-based artist Kate Ruth. Fondation has won a Christopher Isherwood Fellowship in Fiction Writing. Martyrs and Holymen is due to be published in 2012. For more info visit larryfondation.com/.

Original story art crafted by Alex Bacon and Anne McCaddon.

Dirty Girl, as excerpted from Slake Issue No. 4: Dirt, is reprinted with the kind permission of Larry Fondation and Slake Media LLC. Slake can be purchased at many independent LA bookstores including Skylight, Vroman’s, Stories, Last Bookstore, and Chevalier’s, and at Barnes & Nobles nationwide. It is also available via Amazon on a single purchase or subscriber basis. For more on Slake visit their website, Facebook, and Twitter.

postimg
Apr 2012 11

by Nahp Suicide


[Above: Talamia]

Talamia describes herself as a “photographer, illustrative designer, and thinker.” She lives is South Africa. She has been shooting for SuicideGilrs since 2008, and has more than 30 sets in the site.

How did you first get involved with SuicideGirls?

I had always loved the concept and internet stalked the models of SG ever since I could remember but was always under the misconception that it was a US only thing. The day I came to realize this was not so was when I randomly stumbled upon a local girl’s FB profile page whose profile picture had the SG logo on it. It was Lynx, and she introduced me to Diaz, and from there I threw myself at SG with a fervor.



What’s your background photography-wise?

I have a four year degree in BA: Information Design (aka Information Architecture), which covered some photography here and there, but mostly I am self taught.

 



[Orijin in Art of War]

What was the first photo you had published?

If we’re talking print media then It was probably a campaign series of portraitures of VJs and musicians for MTVbase that ran in a variety of music and youth related magazines.

How would you describe your style?

Having trained as a creative director-designer I find it very difficult to adhere to having one particular style. Or rather, I cannot see it in my work, even though others have said they can. All I can say about my work at this time is that I strive to makes images that are striking with the right amount of contrast to make the image pop.



What gear do you use?

I currently use the Canon range of equipment including a variety of L lenses.




[Lumo in Afterglow]

How important is Photoshop in your final images?

One always continually strives to achieve the desired end result out-of-camera so as to minimize reliance on post-editing, but Photoshop will always be vital for the odd blemish or bruise or stubborn stray hair.



What gives you ideas and inspires you to create such amazing sets?

The question is more like what doesn’t give me ideas for sets. Everything from dreams; the products of popular culture; the things people say; even patterns that emerge in tiles! Everything, no matter how trivial, can make splendid set ideas, and the more idiosyncratic the better. But what helps most directly is getting to know the amazing women I have gotten to work with and allowing them to inspire me.



[Hadess in A Beautiful Mind]

What is your favorite image?

There are so many favorites it’s really hard to choose. From the way the light sculpted Lumo’s beautiful form (in Afterglow – see NSFW image) to the stunning water-like reflection in the image of Hadess (in A Beautiful Mind – see NSFW image).

Tell us why it’s your fave and how you achieved it?

I like using light sources that wrap around the body’s contours to illuminate the fine details of shape and form. Reflective surfaces also provide gorgeous points of visual interest.

Is there anybody or anything you would love to photograph that you haven’t?

I love working with strong creative women. Some that come to mind are (I’ve probably left out three dozen others!) Bexi, Serial, Radeo, Bully, Jamity, Rashel, Prussia, Liu, Clio, AnnaLee, Nena, Waikiki, Manko, GoGo, Rigel, Vice, Annika, Bee, Flux, Lumi. Apart from being tremendously gorgeous, they are all so provocatively intelligent which is the biggest kind of turn on.


[Tarion in Kiss The Machine]

[..]

postimg
Apr 2012 06

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

[..]