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Jul 2012 03

by Alex Dueben

“Making other people happy is not your goal”
– Sara Gran

Sara Gran has been writing for many years, but it’s her most recent novel Claire DeWitt and the City of the Dead that has taken her to a new level. The book, just out in paperback, is set in post-Katrina New Orleans and stars Claire DeWitt, a woman who is arguably the world’s greatest detective. This isn’t quite the major accomplishment that many people might think; most people who know Claire tend to hate her or think she’s crazy. A devotee of Jacques Silette, a French detective who wrote about the nature of mysteries and their investigation, Claire’s story is as much about the nature of mysteries and why we’re captivated by them as it is about this particular crime.

In her previous novels, whether she was writing about being young and screwed up in New York City, a woman who finds a demon controlling her, or a recovering drug addict in fifties New York, Gran doesn’t shy away from dark corners or rough edges. In her books there’s violence and drugs, addiction and tragedy, but also possibility and change. The heroine of her latest novel is a brilliant creation. Like Gran herself, Claire, as a woman who marches to the beat of her own drum and isn’t afraid of walking into dark places, is the perfect epitome of a Suicide Girl. The book is original, hypnotizing and addictive. The second book in the series comes out next year.

Read our exclusive interview with Sara Gran on SuicideGirls.com.

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Jun 2012 27

by Daniel Robert Epstein

“I like finding the areas where fiction and non-fiction overlap”
– Pola Rapaport

Pola Rapaport is the filmmaker behind the unique documentary Writer of O. Through interviews and dramatizations this documentary tells the story of Dominique Aury the woman who wrote the controversial and sexually provocative Story of O. Written in France in the mid-50’s, Story of O is about a beautiful Parisian fashion photographer who is in love with a man named Rene. As part of that intense love, she demands debasement and severe sexual and psychological tests.

Read our exclusive interview with Pola Rapaport on SuicideGirls.com.

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Jun 2012 26

by Keith Daniels

“It’s like that expression: ‘Smile until the rest of you catches on.'”
– Jennifer Axen, The Stripper’s Guide to Looking Great Naked

Authors and researchers Jennifer Axen and Leigh Phillips uncovered an untapped gold mine of real-world beauty technique from strippers and erotic dancers. The pair traveled the country interviewing women who make their livings in the nude in order to find out their secrets for looking great naked. The result? The Stripper’s Guide to Looking Great Naked, a fun, informative, and easy-to-use manual for real women who want to look as sexy as strippers do when they take off their clothes.

Read our exclusive interview with Jennifer Axen and Leigh Phillips on SuicideGirls.com.

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Jun 2012 23

by Blogbot

This Sunday (June 24th at 10 PM PST) on SuicideGirls Radio, in celebration of Pride month we welcome three guests who have enlightened views on what it means to love. Filmmaker Cassie Jaye (Daddy I Do and Right To Love) and inspirational speaker and lifestyle coach Jesse Brune will be joining SG radio host Nicole Powers (SG’s Managing Ed) and co-hosts Darrah de jour (SG’s Red, White & Femme post-feminist sex & sensuality columnist) and Moxie Suicide (SG model and self proclaimed sexpert) live in studio. Acclaimed author Inga Muscio (Rose: Llove in Violent Times and Cunt: A Declaration of Independence) will also be joining us by phone.

Listen to the world’s leading naked radio show live on Sunday nights from 10 PM til Midnight on suicidegirlsradio.indie1031.com/
(Hit the top right “listen Live” button!)

For updates on all things SG Radio-related, like us on Facebook and follow us on Twitter.

[..]

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Jun 2012 15

by Nicole Powers

“The problem is, from what I understand of Occupy, that because it’s so democratic, so many people have a say in what should go, that your messaging is just getting too beat to shit. The messaging has to be produced basically by one person or a very small group of people, no more than three or four, otherwise it just gets watered down.”
– George Parker on Occupy and marketing by committee

George Parker is a man who loves profanity almost as much as he hates the corporate fucktards and douchenozzles that stifle creativity in the advertising industry (Parker’s preferred pronominal profanities, not my own). In his popular “piss and vinegar” blog AdScam and his three books –Madscam, The Ubiquitous Persuaders, and his latest, Confessions of a Mad Man – the renowned British-born adman rails against the Big Dumb Agencies (BDAs) and the shareholder-serving corporations that consolidated, own, and suck the life out of them.

Self-described as “the last surviving Mad Man,” Parker landed at Cunard’s Pier 96 in New York to pursue his Madison Avenue dreams in an era when the cheapest way to cross the Atlantic was still by steamship. Having spent five debaucherous days of “non-stop drinking and shagging” aboard the Queen Mary, he arrived armed with a degree from the Manchester School of Art, a postgraduate scholarship from London’s Royal College of Art, a masters in bullshit from the University of Life, and a few hundred bucks. In the ensuing five decades, he rose through the ranks and has worked on countless major accounts both as a freelancer and in-house for some of the most prestigious agencies in the world including Ogilvy & Mather, Young & Rubicam, Chiat Day, and J. Walter Thompson.

As the recipient of Lions, CLIOs, EFFIES, and the David Ogilvy Award, and with a career that spans five decades and multiple continents, Parker has more perspective than most when it comes to what’s wrong in today’s ad world. He’s repelled by the kind of suits that use jargon like “resonate” instead of “appeal” and who “interface” instead of “meet.” But, according to Parker, their crimes against humanity only begin with their choice of vocabulary. He hates the way they treat the American public like it has a collective IQ somewhere south of Jessica Simpson’s and their clients with the kind of contempt that should be reserved for the likes of Dick Cheney and Karl Rove.

Talking of which, Parker also takes issue with the kind of one percenters who think it’s OK to treat themselves to Russian MiG 15 fighters (Larry Ellison of Oracle) and Boeing 767s (Google co-founders Larry Page and Sergey Brin) at their shareholders’ expense. To say Parker is moderately left wing is an understatement, since he never does anything – including Boddingtons – by halves. As such, he’s a rare beast in the advertising world, one that has lived life to the full yet has sense of decency, and a conscience.

Having been kind enough to call SuicideGirls “one of the best examples of a community based social networking site” in his excellent 2006 state-of-the-industry bible The Ubiquitous Persuaders (a book that serves as an update to Vance Packard’s 1957 classic The Hidden Persuaders), we were long overdue for a quality conversation with Parker. With the freshly minted Confessions of a Mad Man – a literary (and often times literal) romp through the industry as experienced by Parker – serving as an excuse, we called him up for a chat over drinks. In the interests of verisimilitude, ours was a glass of Sauvignon Blanc (cause we’re lightweights) and Parker’s was “a case of Pinot Noir” (because he’s not). During the course of our lengthy chinwag we discussed the decay of the American Dream, the not uncoincidental rise of political advertising, and how Occupy might best market itself and its efforts to stop the rot.

Read our exclusive interview with George Parker on SuicideGirls.com.

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Jun 2012 15

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, finished last Friday. You can therefore read the complete Killswitch Review online.

The Killswitch Review is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World.

The Complete Killswitch Review

Fiction Friday: The Killswitch Review – Chapter One
Fiction Friday: The Killswitch Review – Chapter One, Part Two
Fiction Friday: The Killswitch Review – Chapter One, Part Three
Fiction Friday: The Killswitch Review – Chapter One, Part Four
Fiction Friday: The Killswitch Review – Chapter Two, Part One
Fiction Friday: The Killswitch Review – Chapter Two, Part Two
Fiction Friday: The Killswitch Review – Chapter Two, Part Three
Fiction Friday: The Killswitch Review – Chapter Three, Part One
Fiction Friday: The Killswitch Review – Chapter Three, Part Two
Fiction Friday: The Killswitch Review – Chapter Three, Part Three
Fiction Friday: The Killswitch Review – Chapter Four, Part One
Fiction Friday: The Killswitch Review – Chapter Four, Part Two
Fiction Friday: The Killswitch Review – Chapter Four, Part Three
Fiction Friday: The Killswitch Review – Chapter Five, Part One
Fiction Friday: The Killswitch Review – Chapter Five, Part Two
Fiction Friday: The Killswitch Review – Chapter Five, Part Three
Fiction Friday: The Killswitch Review – Chapter Six, Part One
Fiction Friday: The Killswitch Review – Chapter Six, Part Two
Fiction Friday: The Killswitch Review – Chapter Six, Part Three
Fiction Friday: The Killswitch Review – Chapter Seven, Part One
Fiction Friday: The Killswitch Review – Chapter Seven, Part Two
Fiction Friday: The Killswitch Review – Chapter Seven, Part Three
Fiction Friday: The Killswitch Review – Chapter Seven, Part Four
Fiction Friday: The Killswitch Review – Chapter Seven, Part Five
Fiction Friday: The Killswitch Review – Chapter Eight, Part One
Fiction Friday: The Killswitch Review – Chapter Eight, Part Two
Fiction Friday: The Killswitch Review – Chapter Eight, Part Three
Fiction Friday: The Killswitch Review – Chapter Nine, Part One
Fiction Friday: The Killswitch Review – Chapter Nine, Part Two
Fiction Friday: The Killswitch Review – Chapter Nine, Part Three
Fiction Friday: The Killswitch Review – Chapter Nine, Part Four
Fiction Friday: The Killswitch Review – Chapter Nine, Part Five
Fiction Friday: The Killswitch Review – Chapter Ten, Part One
Fiction Friday: The Killswitch Review – Chapter Ten, Part Two
Fiction Friday: The Killswitch Review – Chapter Ten, Part Three
Fiction Friday: The Killswitch Review – Chapter Eleven, Part One
Fiction Friday: The Killswitch Review – Chapter Eleven, Part Two
Fiction Friday: The Killswitch Review – Chapter Eleven, Part Three
Fiction Friday: The Killswitch Review – Chapter Eleven, Part Four
Fiction Friday: The Killswitch Review – Chapter Eleven, Part Five
Fiction Friday: The Killswitch Review – The Final Installment

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Jun 2012 14

by Daniel Robert Epstein

“I’’d have to stop halfway through when the people were being lowered to the floor. Everyone was all upset about these people passing out. Then I’’d finish the story.”
– Chuck Palahniuk

Chuck Palahniuk has been a major focal point of SuicideGirls and members since the beginning. Since his debut novel, Fight Club, was turned into a movie in 1999, Palahniuk has becomes a major literary force. His new book, Haunted, is a series of short stories connected by the idea of a writer’s retreat. My favorite story is “Guts” about a horny 13 year old, a swimming pool’s intake valve, and the taste of calamari.

Read our exclusive interview with Chuck Palahniuk on SuicideGirls.com.

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