Stan Lee was recently named the 26th most influential American by Atlantic Monthly, but if it was up to me I would have put him quite a bit higher. Lee is, of course, best known as the co-creator of Spider-Man, X-Men, Fantastic Four and dozens more, though controversy has always swirled around how big his real contributions might have been. But first and foremost Lee has always been the consummate salesman, whether it was selling the latest weird Spider-Man villain to the readers or hosting the television show Who Wants To Be A Superhero?
Lee’s latest projects are totally without connection to Marvel Comics. His company, Purveyors of Wonders, has been producing original characters for straight to DVD movies. One of the best is Mosaic, an animated film starring the voice of Anna Paquin as Maggie Nelson a high school student whose father is an Interpol agent investigating a mysterious race that can change appearance at will. After Maggie is bathed in the power of one of her fathers discoveries, an ancient runestone, she gets all the powers of a chameleon. Maggie teams up with a member of that ancient race, codenamed Mosaic, to defeat the evil Mannequin who wants to take over the world.
“My ambition at the moment is to stay home and draw.”
– Dave McKean
Dave McKean’s first love was comics, but the artist, designer and writer has branched into other fields, creating book and album covers, publishing multiple books of his photographs and paintings, and has even drawn stamps for the Royal Mail. He’s the illustrator of Arkham Asylum, the landmark 1989 graphic novel written by Grant Morrison. He worked with John Cale on multiple books and collaborated with Heston Blumenthal on the memoir and cookbook, The Big Fat Duck Cookbook.
McKean is probably best known for his many collaborations with writer Neil Gaiman. McKean was the cover artist on The Sandman, illustrated Coraline and The Graveyard Book and the pair have created a series of graphic novels and picture books including Violent Cases, Signal to Noise and Mr. Punch. One of their collaborations was the film Mirrormask, which McKean co-wrote, designed and directed. It’s led to another career as a filmmaker, with two films currently in progress.
Working on his own, McKean has crafted dozens of short comics, many of which were collected in the book Pictures That Tick. He also authored Cages which is widely considered one of the most acclaimed and ambitious graphic novels ever created. McKean’s new book is Celluloid which was published by Delcourt in France and was just released by Fantagraphics in the United States.
“It’s probably slightly more meandering.”
– Neil Gaiman
When the novel American Gods was published ten years ago, Neil Gaiman went from being a writer primarily known for comics like The Sandman and Mr. Punch and novels like Neverwhere and Good Omens to one of the most successful and acclaimed writers of his generation. In addition to his novels, short stories, picture books, and movies, in the past decade Gaiman has also become one of the most beloved children’s writers of our time, his novels Coraline and The Graveyard Book having become modern classics.
He also penned an episode of Doctor Who, much to the delight of both Gaiman and the long running sci-fi show’s fans. More recently, it was announced that Gaiman will be working with HBO and the director and cinematographer Robert Richardson on a series based on American Gods. Now Harper Collins is releasing the tenth anniversary edition of of the book in a hardcover edition that contains what Gaiman referres to as “the preferred text.”
SG reached out to Gaiman by phone for a brief conversation at the beginning of his book tour.
Despite all his super powers, the Green Lantern might not land the green light for a sequel. Reports had been floating around all week that the movie would be getting a follow up regardless of its horrible performance at the box office. However reports of a Green Lantern 2 were quickly dismissed as Warner Bros. waits to make the official decision. Likely, the studio is wanting to see its $200 million (plus a ridiculous $175 million in marketing costs) returned before they sign off on anything. It all comes down to the green, and the lantern’s light isn’t going to help him out of this one.
And as if this summer hasn’t had enough of overdone CGI, Transformers: Dark of the Moon will be releasing worldwide on the first of July. In the earliest reviews it looked like the critics had gone to the dark side as they praised the film. Many critics insisted it be viewed in 3D claiming it to be the visual rival of Avatar. The later reports weren’t as kind. USA Today hails it as being visually stunning, but lacking story line, and…
Hey gang, guess what? I found this crumpled envelope that had the Top 5 Breweries list scrawled onto it in red marker. You don’t care, but it means one less piece of shit I have in the fuck-pile that is my living space. So, here they are, as previously promised:
Somewhere between the overabundant CGI and shoddy storyline, The Green Lantern lost the critics and its audience. Critics started bashing the movie early in the week, sticking it around 25% on RottenTomatoes. While the audience reaction has been…less harsh, it has consistently been ranked as the worst super hero movie of the year. Still it managed to take the weekend box office with opening sales of $53.2 million.
It looks like DC needs to stay away from the neon colored heroes and stick with something a little more traditional…and dark. The Dark Knight Rises has been picking up cast additions like they were on sale. The latest person to sign on the dotted line is Liam Neeson, who revisits the role of Ra’s al Ghul. This brings the total of villains cast to three with Bane, Catwoman, and Ra’s al Ghul (with high speculation of the introduction of Talia al Ghul). There is also a new ‘teaser’ for The Dark Knight Rises making its way around the web. The trailer was supposedly shown before the Green Lantern, but the official status of the teaser is still being questioned.
Trina Robbins is a legend among people who read and study comics. She’s a cartoonist who was active in the San Francisco underground in the ’70s and ’80s where she contributed to many publications including the East Village Other, It Ain’t Me Babe and Wimmen’s Comix. In recent decades she’s worked more as a writer on books including Go, Girl! and Chicagoland Detective Agency, in addition to working on Wonder Woman, Xena and The Spirit.
Robbins’ other claim to fame is that she is one of the great comics historians. In books like A Century of Women Cartoonists and From Girls to Grrrlz she writes not just thoughtfully and passionately about many cartoonists whose work has faded from consciousness, but she also reshapes our perception of comics past. In the book The Brinkley Girls, which she edited, the work of the artist Nell Brinkley was brought together, showing her incredible drafting skill and demonstrating why she was one of the most popular and important illustrators and cartoonists of her time.
