by Fred Topel
“Darren and Mickey and I all decided that we were going to keep our distance…”
– Evan Rachel Wood
Evan Rachel Wood has a lot to say about a little role in The Wrestler. She only appears in two scenes in the movie, but they are pivotal. She plays the estranged daughter of Randy “The Ram” Robinson (Mickey Rourke), a professional wrestler who continues to prove hes an unreliable dad as he has flings with strippers and groupies on the road. Off the set, rumors were that Rourke and Wood were having a fling of their own.
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by Matt Dunbar
While the holiday season provides an endless bounty for Sinbad fans the world over, action movie nerds such as myself loathe the winter solstice and its attendant festivities. Despite the perfect Christmas-themed taglines for a Dolph Lundgren vehicle (“This Christmas, Earth has no time for peace…”), December usually means a dry spell for protracted car chases, overwrought explosions, and cheesy one-liners delivered with Central European accents.
Thankfully, there is one historical exception to this holiday action drought. Alongside George Bailey’s exuberant dash through Bedford Falls and Ralphie’s ill-fated target practice, nothing evokes the yule-tide spirit more than the sight of Alan Rickman’s flailing arms as he falls to his death off Nakatomi Towers. With due apologies to Lethal Weapon loyalists, the first Die Hard is the best Christmas movie to ever incorporate cocaine, automatic gunfire and lots of dead East Germans.
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by Tamara Palmer
“Your trade secret is that you’re killing people?”
– Howard Straus
In the 1920s, Dr. Max Gerson developed the Gerson Therapy, a methodology of boosting the immune system largely led by an organic diet that has been at controversial odds with conventional medicine for decades — despite a difficult-to-ignore track record of helping people survive cancer and other terminal illnesses.
The Beautiful Truth is a documentary which explores this treatment regimen. It was directed and shot by Steve Kroschel, an accomplished wildlife cinematographer and natural history filmmaker. This is his third film about the Gerson Therapy, but this time his subject hits closer to home; Garret, the 15-year-old boy who serves as the film’s central figure, is Kroschel’s son.
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by Nicole Powers
“It’s an absolutely fucking crazy story.”
– Jaimie D’Cruz
Exit Through the Gift Shop is a film that defies explanation, and one’s ability to suspend disbelief. Indeed the plot would be utterly ridiculous, if it weren’t for the fact that it’s true.
It started out life as a simple documentary about street art as seen through the lens of Thierry Guetta, a French national living in Los Angeles. Thanks to a family connection, and his infectious and perpetuity ebullient personality, Guetta gained unparalleled access to the major players in the scene, who are a notoriously secretive and hard to track down bunch by necessity due to the predominantly illicit nature of their work. Guetta’s extreme enthusiasm for the form, and his zealous pursuit of its practitioners, ultimately led him to the scene’s holy grail, Banksy, an elusive British street art superstar.
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by Nicole Powers
It was very possible to lose one’s mind…playing Catherine,” says Mena Suvari, referring to her role in the film Hemingway’s Garden of Eden, which opens in select US theaters this month. Indeed the character at the heart of the Ernest Hemingway book, upon which the movie is based, is considered to be one of the writer’s most complex.
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by Fred Topel
“I guess Stephen Brill never saw Star Wars.”
– Kyle Newman
With the Star Wars saga officially wrapped up with Episode III: Revenge of the Sith, fans will seek out any remaining sliver of that galaxy far, far away on screen. The Clone Wars animated movie gave them a little bit of light drone lasering action, but what really caught their attention was Kyle Newman’s Fanboys.
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by Nicole Powers
Amanda Palmer is a rebel with a cause; she fights fiercely for her artistic freedom. When the musician and singer, who is currently on hiatus from the “Brechtian punk cabaret” band The Dresden Dolls, made a video to promote one of the songs from her debut solo album, Who Killed Amada Palmer, it seems her belly didn’t conform to the ideal expressed by a male executive at her label, who apparently explained: “I’m a guy, Amanda. I understand what people like.” She fought the label’s attempt to slim down her stomach’s role in the clip for “Leeds United” (it was already pretty damn small). Her loyal fans also rose to her defense, and a grassroots ReBellyOn website was launched.
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