by A.J. Focht
Welcome to your extra long conference edition of Ur W33K 1N G33K!
X-Men: First Class is being widely hailed as the best super hero movie since The Dark Knight, and it ruled the box-office this weekend grossing $56 million. The prequel to the X-Men series may have beat out other current films on its opening weekend, but it doesn’t measure up to any of its predecessors, or in this case protégés. First Class had the smallest opening weekend audience of any of the X-Men movies. Despite all the critics praise, the film appears to have suffered from the sins of its…future, as the past two X-Men movies (X-Men: The Last Stand, and X-Men Origins: Wolverine) nearly destroyed all the credibility the series had built. Still, they’ve managed to win back many of their estranged fans and currently hold an audience rating of 88% on Rotten Tomatoes.
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by Nicole Powers
“I get so nervous about working with people that I like.”
– Mark Ronson
Producer, DJ, songwriter and multi-instrumentalist Mark Ronson has been responsible for some of the freshest sounds of the last few years. Despite his impressive résumé, which includes Amy Winehouse’s seminal album Back to Black, and tracks for Lily Allen (“Littlest Things”) and Adele (“Cold Shoulder”), he’s also a rather humble and an eminently likeable chap, which, along with the aforementioned, explains why so many marquee artists are keen to work with him today.
Ronson came to prominence with work that showcased his own highly stylized aesthetic, which combines a ’60s Motown sound with cool danceable grooves and hipster chic, as evidenced on Back To Black, which was released in 2006, and his second solo full length, Version, which came out the following year. However, he’s not a man to be pigeonholed.
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by Aaron Colter
There’s been a collective pants shitting in the comic book industry this week as DC Comics announced that they would relaunch nearly every series this September as a #1 issue, making the content available for download on the same day as print versions hit stores.
Shop owners are crying the death of the industry, and other publishers are trying to play catch-up. Meanwhile, DC Comics is taking a huge gamble on its latest venture. It’s no secret that the company has been playing second-fiddle to Marvel Comics, now backed by the giant Disney corporation, and cleaned house to make room for new executives from a more traditional background that owners Warner Bros. found necessary.
As harsh as it may sound, DC Comics can’t be supported by serialized issues that are sold to only a few hundred thousand costumers, at best, every month. The real money made by Batman, Superman, and all the other beloved characters, is in stupid shit, like T-shirts, movies, action figures, cartoons, and anything else you can slap a logo on to make it appeal to children and nerds.
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by Blogbot
This Sunday (June 5th) our very special in-studio guests will be Oslo, who’ll be performing a special in-studio acoustic set previewing songs from their new album, High Mountain Sessions Vol. 1 (out June 28).
SG Radio’s “Nude Music” Acoustic Sessions – Because songs are better naked.
Listen to SG Radio live Sunday night from 10 PM til Midnight on Indie1031.com
Got questions? Then dial our studio hotline digits this Sunday between 10 PM and midnight PST: 877-900-1031
Busy on Sunday? Then find all our podcasts at http://suicidegirlsradio.blip.tv/ and listen at your leisure.
And don’t forget to follow us on Twitter.
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by Daniel Robert Epstein
“I am a known wanker”
– Tony Wilson
With the release of 24 Hour Party People in 2002, Tony Wilson became a household name in the minds of the people in the know. The film became a biography of Wilson who is best known for managing such seminal bands as Happy Mondays and Joy Division but due to contracts not being up to legal snuff, Wilson was never able to profit much. But since the movies release Wilson has had a tough time due to a bout with cancer and has now put aside managing bands and concentrated on other projects. Most notably In the City a yearly festival and music industry conference which is having its premiere in New York City this year.
Read our exclusive interview with Tony Wilson on SuicideGirls.com.
by Aaron Colter
I didn’t ask to be born. None of us did. But there are still some really good things in life. Think about it! Rain drops on roses and whiskers on kittens . . . and boobs. Anyway, it’s my birthday, so I think about these things, and dying. Out of all forms of entertainment, music makes me feel the most of alive. We should all go to a concert soon, together, and make-out. Until then, here are some songs that get the blood pumping.
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by Mike Hammer
“I came up with a term that maybe it should be called, but now I cant remember…”
– Sage Francis
Sage Francis tears holes in hypocrisy and mainstream hip-hop with his thoughtful stories of the human condition. The wordsmith spits rhymes that make you think, make you smile, and flow beautifully over high-tempo beats. His new album, Human the Death Dance, is a hip-hop work of art that mixes cutting edge beats from indie rap producers like Alias and Reanimator and Ant, as well as Sage’s insightful personal and pop cultural rants. The 16-track disc is what Sage calls a wrap up album of all his previous work.
I sat down with Sage in Cleveland, Ohio to hear some things about the indie hip-hop scene, his abnormal MySpace page, the first rhyme he ever wrote, greedy publishing companies, and more.
Read our exclusive interview with Sage Francis on SuicideGirls.com.