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Jul 2011 06

by A.J. Focht

Following a grueling six-year legal battle, the video game industry has kicked the ass of California lawmakers who wanted to ban the sale of violent games to minors. The successfully appealed California Assembly Bills 1792 & 1793 would have made it illegal to sell excessively violent games to anyone underage. However, there is no similar legal penalty applied for including similar content in other forms of comparable media, such as books, music, movies, etc. While the legal battle is officially over, critics of the Supreme Court ruling are just beginning to raise their voices. Everyone from The Daily Show to the Washington Times has attacked the court’s position, without ever noting it would have separated video games into a unique category, while opening the door to further censorship and restrictions on all other forms of art, creativity, and media.

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Jul 2011 06

by Alex Deuben

“My ambition at the moment is to stay home and draw.”
– Dave McKean

Dave McKean’s first love was comics, but the artist, designer and writer has branched into other fields, creating book and album covers, publishing multiple books of his photographs and paintings, and has even drawn stamps for the Royal Mail. He’s the illustrator of Arkham Asylum, the landmark 1989 graphic novel written by Grant Morrison. He worked with John Cale on multiple books and collaborated with Heston Blumenthal on the memoir and cookbook, The Big Fat Duck Cookbook.

McKean is probably best known for his many collaborations with writer Neil Gaiman. McKean was the cover artist on The Sandman, illustrated Coraline and The Graveyard Book and the pair have created a series of graphic novels and picture books including Violent Cases, Signal to Noise and Mr. Punch. One of their collaborations was the film Mirrormask, which McKean co-wrote, designed and directed. It’s led to another career as a filmmaker, with two films currently in progress.

Working on his own, McKean has crafted dozens of short comics, many of which were collected in the book Pictures That Tick. He also authored Cages which is widely considered one of the most acclaimed and ambitious graphic novels ever created. McKean’s new book is Celluloid which was published by Delcourt in France and was just released by Fantagraphics in the United States.

Read our exclusive interview with Dave McKean on SuicideGirls.com.

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Jul 2011 05

by Keith Daniels

“This is the power of my Twitter account, motherfuckers…”
– Wayne Coyne

After 30 years together the Flaming Lips are still among the best and most interesting bands in the world. Blessed with a rabidly loyal fanbase and the pockets of indulgent major label patrons, the Lips have been able to pursue just about every project that struck their interests: recently including covering Pink Floyd’s entire Dark Side of the Moon album, releasing an EP every month for a year in forms as diverse as Youtube videos and USB drives embedded in gummy fetuses. This summer their always unforgettable live shows will even mix Dark Side of the Moon with The Wizard of the Oz in a way that seems almost inevitable.

SuicideGirls recently spoke with frontman Wayne Coyne about his new art gallery, The Wizard of Oz, and the power of Twitter.

Read our exclusive interview with Wayne Coyne on SuicideGirls.com.

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Jul 2011 04

by Daniel Robert Epstein

“I was going through a transition in my life.”
– Money Mark

Money Mark was money before money was a popular expression. Money’’s work as the keyboardist for the Beastie Boys has made him a highly regarded figure in the hip-hop world. It’s always a shock when he puts out a solo album and it is so radically different from the live and album work he has done with the Beasties. That shock was even more apparent when his new album, Brand New By Tomorrow, was released through Jack Johnson’s label Brushfire Records.

Read our exclusive interview with Money Mark on SuicideGirls.com.

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Jul 2011 01

by Mur Lafferty

SuicdeGirls presents the fourteenth installment of our Fiction Friday sci-fi series, Marco and the Red Granny, which is brought to you by SG columnist Mighty Mur a.k.a. cyber commentator Mur Lafferty.

Marco and the Red Granny is set in a not-so-distant future where an alien species, the Li-Jun, has transformed the moon into the new artistic center of the universe, where the Sally Ride Lunar Base soon gains the nickname “Mollywood.” These aliens can do amazing things with art and the senses, allowing a painting, for example, to stimulate senses other than sight. However, humans remain suspicious of the Li-Jun’s emotion-imbued goods, so while their entertainment can be beamed back to earth, a trade embargo prevents anything from being physically imported to the planet.

In the previous installments, Marco, a writer whose career has long been in the doldrums, gets a surprise call from an agent he thought he no longer had informing him that he has received an offer from Mollywood for a much coveted Li-Jun patronage. Keen to catch up career-wise with his ex-GF Penelope, who’d unceremoniously dumped him after being recruited by the Li-Jun two years earlier, Marco hastily jumps on the next shuttle to the moon. Once aboard, he finds himself sitting next to a seemingly unassuming old lady called Heather, who turns out to be The Red Granny, a legend in Li-Jun’s reality show world for being a three-time champion of The Most Dangerous Game (which requires contestants to sign away the rights to their life).

After settling into his new accommodations at House Blue, Marco has a brief meeting with his new patron, a Li-Jun called Thirteen. It’s only then that Marco realizes he’s never been shown the terms of his employment, and a sense of unease sets in. That evening, Marco is taken on a trip to see The Red Granny in action in The Most Dangerous Game. After a bloody battle, the senior reality TV star is again victorious. The viciousness of the game leaves The Red Granny unconscious, and Marco shocked, disturbed, and in need of a stiff drink. Unfortunately stiff drinks are frowned upon by the Li-Jun, so Marco settles for an early night

The next day, Marco learns first hand about the process that enables the Li-Jun to put taste into paintings, music into pie, and stories into (nonalcoholic) beverages. Having had his deepest and most depraved memories dredged and thoroughly probed by the aliens so they can be monitored and recorded, Marco finally sees the terms of his contract. He ultimately accepts the Li-Jun’s too-good-to-refuse offer, and embarks on his new life at House Blue. However, though he’s been handed everything he ever wanted, somehow the reality of it is hollow.

Twenty thousand words into his new graphic novel, with his first deadline looming, Marco suffers from a severe case of writers block, and searches for inspiration in the bottom of a glass that’s actually had something worth drinking in it. To this end, he stumbles across an illicit drinking establishment on the seedier side of the moon which turns out to be run by a collective of folks who are strictly persona non grata as far as the Li-Jun are concerned – The Alcoholic’s Guild. There Marco has an uneasy encounter with a glass or three of gin, his ex-GF Penelope, who is now going by the name Knowledge, and her AG sponsor, Defect. After downing one too many drinks, Marco begins to get a sense of exactly how severe of an infraction the Li-Jun consider the consumption of alcohol to be.

While attempting to conceal his inebriation as he sneaks back into House Blue, Marco is caught red handed by his Li-Jun keeper Seven (it was probably his spontaneous vomiting that gave him away). The punishment is a second bout of mind raping/mapping. Afterwards, with his patronage in jeopardy, Heather gives him a ‘special’ necklace to calm his nerves and promises to plead his case with Thirteen.

The following morning, Heather takes Marco on a behind-the-scenes tour of the secret areas of House Blue where the Li-Jun infuse emotion into art. The Red Granny also reveals that everything created in Mollywood will soon be permitted to be legally imported back to earth. Duly inspired and placated, Marco is allowed to resume his patronage…However, that was before he got kidnapped twice in one day. The first time by Penelope/Knowledge and Defect of The Alcoholic’s Guild, who made him realize the Li-Jun had brainwashed him into compliance, and the second time by the Li-Jun, who were rather upset about the fact he’d just been fraternizing with said Alcoholic’s Guild – albeit initially unwillingly.

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Jul 2011 01

by Aaron Colter

This week’s post is short, like the albums on the list. No time to waste. We’re all dying. Besides, what has Tibet gained in their patience?

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Jul 2011 01

by Daniel Robert Epstein

“I just rolled a joint”
– Zach Galifianakis

The landscape of standup comedy on television has taken a surprising turn in the past few years. People like Artie Lange, Patton Oswalt and Paul Mooney are doing these amazing standup shows and are videotaping them in a very cool verite way. In the wake of the success of The Comedians of Comedy, Zach Galifianakis and director/editor Michael Blieden have teamed up again to bring Zach Galifianakis – Live at the Purple Onion to DVD. Besides Galifianakis’ hysterical set at the world renowned venue, we also get to see his “brother” Seth get interviewed by NPR’s Brian Unger and get some real personal moments with Zach.

Read our exclusive interview with Zach Galifianakis on SuicideGirls.com.