by Ryan Stewart
William Gibson will always be the cyberpunk prophet, the man whose Hugo-winning 1984 debut novel Neuromancer, about a future underworld dystopia where radically advanced computing possibilities exist in tandem with sex, drugs and political skullduggery, introduced the notion of “cyberspace” to the public and predicted the emergence of a world wide web, along with computers of ever-increasing intelligence and dubious motive. In the post-September 11th world, however, his attention has increasingly focused not on a new imagined future (the branch of Matrix-style cyber fiction his work spawned chugs along regardless) but on the complexities of the present. In a recent NYT op-ed about Google’s tightening grip on our lives, Gibson conceded that “science fiction never imagined Google” and characterized the search engine as a “coral reef of human minds” with an impact so potentially transformative that it should cause us to consider new ideas like “training wheel” identities for today’s minors, whose every stupid, impolitic thought is being cached to their potential future detriment.
[..]
by Fred Topel
We Americans are kind of soft. When we say “machete” it kind of sounds like “ma-shed-ee.” When Machete himself says it, it sounds as sharp as the blade itself: “Ma-chay-tay.” Danny Trejo really emphasizes the correct Mexican pronunciation of his latest character.
If there were Suicide Men, Danny Trejo might be their leader. Although, he wouldn’t have to worry about committing social suicide, because nobody’s going to mess with him. His rugged face, chest of tattoos, handlebar moustache and long man hair have gotten him cast as bad guys in movies for the past 25 years.
[..]
by Fred Topel
“I love the Suicide Girls. I like Radeo.”
– Jason Schwartzman, actor
Jason Schwartzman loves the SuicideGirls. He called out his favorite by name and even mentioned another one by her signature tattoo. It makes sense that he’d be so cultured, coming from the Coppola family. They have high class tastes in film, music and even fine wine (try the Coppola shiraz. It’s delightful.)
Alternative beauty is especially relevant to Schwartzman’s latest movie. In Scott Pilgrim Vs. The World, Scott (Michael Cera) has to fight his new girlfriend’s seven evil exes. Ramona Flowers (Mary Elizabeth Winstead) expresses a lot of SuicideGirls qualities, the way she dresses and her different hair colors (three hair changes in the film), though no visible tattoos. We’ll assume they’re in the director’s cut.
[..]
by Lisa Brady
Thanks to a new wave of reality TV shows like MTV’s Teen Mom and 16 and Pregnant, and ABC Family’s The Secret Life of the American Teenager, the issue of teen pregnancy is out in the open (and apparently a source of endless entertainment). But does anyone else find it incredibly ironic that ABC Family is showing a series about teen pregnancy?
In the past it was considered a grievous mistake to get pregnant before getting married. These days, with the 50% divorce rate and the prevalence of one-night stands (and unprotected copulation), it’s very common to have a single parent situation. There is absolutely nothing wrong with that. If Gilmore Girls has taught us anything, its that single mom’s (or dad’s) rock – and can be super hot. And with the likes US Weekly and People rewarding teenage moms with magazine covers, it’s almost as if the mainstream media is actively encouraging the phenomenon.
[..]
by Ryan Stewart
April 11, 1983 was the definitive day in Dave Mustaine’s professional life. As lead guitarist and contributing songwriter for an up-and-coming thrash metal band called Metallica, he had been living out his dream of making a living at playing metal for over a year and a half. Like many at the time, he was also beginning to sense that his band was something truly special, a ferociously talented foursome that had the potential to go where no metal band had gone before. A musical virtuoso with unlimited ambition, Mustaine’s eyes were fixed on the future, but he was badly neglecting the present. A problem with drinking and drugs, owed in part to a rootless childhood, had plagued him for years, and as success drew closer his reckless behavior increased and lines were crossed. No one knows what the final straw really was, but on the morning of April 11, while Metallica was in N.Y.C. on business, Mustaine was awoken by singer James Hetfield and unceremoniously handed a Greyhound ticket home to L.A. He was out of Metallica, without so much as a warning.
[..]
by Brett Warner
They call it “loss prevention”- an attempt to minimize shrinkage, shoplifting, and all other sorts of profit loss. Standing behind a computer screen, fake smiles all around, the word “Information” hanging like a halo over your head… it’s easy to start thinking about things you’ve lost along the way. A soccer mom asks for the Self Help section and like a prized show dog, you walk to her through the aisles, handing her a copy of He’s Just Not That Into You with a chipper “Have a good day!” the first of hundreds you’ll give out before closing time. The truth is that you silently hate this woman, and the next customer, and the next. You hate her because you never planned on selling books for a living. And each query, each title search, each cash register transaction is a blunt reminder of what’s gone missing, of what little there is left. Management worries about lost product – a bookseller worries about losing themselves.
[..]
by Andrew E. Konietzky
This week I had a great round-table discussion with friends concerning the state of new media and the changing world around us. Being a writer and podcaster, I have long been a supporter of CC. Whoops! I may have to give a bit of a refresher course first: Creative Commons is a nonprofit organization that works to increase the amount of creativity (cultural, educational and scientific content) in “the commons” – the body of work that is available to the public for free and legal sharing, uses, re-purposing and remixing. So I sat down to do a bit of research for my benefit and to show I am not created just out of cheesy films, zombies and strange culture. Well, actually I am, but I do have a stake in this changing world of media.
The world is now a hyper-expanding WikiNation, with information flowing back and forth faster than ever before. Plug in your cranial jack and download the info-burst on this documentary from the global networks. Rip: A Remix Manifesto, in which web activist and filmmaker Brett Gaylor explores issues of copyright in the information age, mashing up the media landscape of the 20th century and shattering the wall between users and producers. He is also the web producer of HomelessNation.org, a web project dedicated to bridging the digital divide and allowing everyone to participate in online culture. Brett is one of Canada’s first video bloggers and has been working with youth and media for over 10 years, and is a founding instructor of the Gulf Islands Film and Television School.
[..]
