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Jun 2011 13

by Nicole Powers

“I think that the tide against mountaintop mining’s free ride is turning.”
– Bill Haney

There’s nothing pretty about coal mining at the best of times, but mountaintop removal mining is downright obscene. The process is ugly in every sense of the word, but is less labor intensive, and therefore cheaper and more desirable for the big energy corporations who do it. However the hidden expense in terms of the environment, public health, employment, and subsidies mean that it’s something that the American public is paying dearly for. The cost of mountaintop removal mining is something that is literally and metaphorically killing us.

The sordid details involve deforestation to prepare the site. The ‘overburden’ – in this case a euphemism for the top 250 to 500 feet of a mountain – is then removed using dynamite to reveal the underlying coal seam. The rubble created as the mountaintop is blown away is generally pushed down the mountainside, covering flora and fauna, rivers and streams, and anything else in its wake. Once the coal has been removed the mining companies are supposed to restore the site, but this requirement is at best broadly interpreted, and at worse blatantly flouted with few repercussions.

Fifty percent of the electricity produced in the US comes from coal-powered plants, and thirty percent of the coal used comes from Appalachia. As a result, 500 majestic Appalachian mountains have been destroyed. The biggest perpetrator of this destruction is Massey Energy, who proudly proclaim on their website that their ‘vision’ is ‘to be the premier supplier of quality coal from Central Appalachia to worldwide markets.’

The physical removal of coal however, is only the first stage in a highly toxic chain of events. The coal then has to be prepared, a procedure that uses vast amounts of water to wash off the soil and rock. The byproduct of this is a filthy sludge, which contains all manner of heavy metals and other such carcinogens, that is stored in vast impoundments. These sludge ponds are generally lazily constructed using dirt that is blasted off the mountaintop to damn a valley below. For the most part, there’s no concrete or steel reinforcement as would befit dams built on such a scale. Because of this, many of these impoundments are leaking, and, furthermore, because these structures are not lined, the pollutants even in the sound dams leak into the surrounding water table.

The environmental impact of such mining practices is supposed to be mitigated by the Clean Air and Clean Water Acts, which in turn are supposed to be enforced by the Environmental Protection Agency (EPA), the Department of Environmental Protection (DEP), and, to some extent, the Army Corps of Engineers. But a Bush-era single word change to the Clean Water Act arrested its ability to control pollution, much to the delight of the polluters. Known as the Fill Rule, the definition of allowable fill material that could be dumped into lakes, rivers, and streams was essentially broadened to include all manner of waste. Thus, the Clean Water Act now serves as a license for big business to pollute.

Because of the intrinsically dirty nature of coal mining and the cozy relationship the industrialists have with those in power (George Bush famously called his election to office ‘a coal-fired victory’ because of the extent of the industry’s contributions to his cause), pollution is an inevitable part of the process and polluters are rarely brought to task. For example, according to Environmental Protection Agency records, Massey Energy committed over 60,000 violations between 2000 and 2006, but has paid a pittance in fines, which when compared to the company’s profits barely even register as a tickle on the wrist, never mind the slap they’re supposed to be.

In the lieu of the government acting in the interests of the people it’s supposed to represent, the battle for clean air and water, and sustainable energy and jobs is being fought on the ground by those Big Coal directly adversely effects. The struggle of one such community in West Virginia’s Coal River Valley, whose homes, land, health, and employment prospects have been blighted by Massey’s mountaintop removal mining operations, is documented in a new film, The Last Mountain.

A collaboration between filmmaker Bill Haney (whose previous credits include the Academy Award-shortlisted Price of Sugar) and renowned environmental lawyer and activist Robert F. Kennedy, Jr., The Last Mountain should be mandatory viewing for anyone who’s ever switched on a light. The film not only tells the inspiring story of the grassroots fight against the Goliath that is Massey, but also underlines our implicit culpability, which can be summed up by one simple yet staggering statistic: sixteen pounds of coal is burned each day for every man woman and child in the US.

SuicideGirls participated in roundtables with Haney and Kennedy. The following is excerpted from the interview with Haney (our conversation with Kennedy is posted here).

Read our interview with Bill Haney on SuicideGirls.com.

The Last Mountain opens in Los Angeles* on Wednesday, June 15, and in Irvine, Pasadena, Philadelphia, San Francisco*, and Berkeley on Friday, June 17.

*Bill Haney and Robert F. Kennedy, Jr. will appear in person at the Landmark opening night screenings in Los Angeles and San Francisco – visit the Landmark website for more details.

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Jun 2011 10

by Daniel Robert Epstein

“I’’m more of a stream of consciousness kind of guy.”
– David Arquette

David Arquette made a name for himself in the Scream trilogy and since then has had a long career in television and film. But for his directorial debut, The Tripper, Arquette has gone back to the horror genre, this time infusing it with political overtones. The Tripper is about a Ronald Reagan-obsessed serial killer that targets a bunch of hippies.

While some may be surprised that Arquette may be stepping into directing, it is no shock because he comes from one of the most talented and prolific Hollywood legacies ever. The Arquette family in show business started with Cliff Arquette, better known as Charley Weaver and spawned Lewis Arquette and David’s sisters Patricia and Rosanna. Most recently Arquette stepped back into television with the sitcom In Case of Emergency and co-producing Courteney Cox’s show Dirt. I got a chance to talk with the first time director after his long grassroots bus tour promoting The Tripper.

Read our exclusive interview with David Arquette on SuicideGirls.com.

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Jun 2011 08

by Daniel Robert Epstein

“I would have a problem with having kids.”
– Thora Birch

Thora Birch has been entertaining us for ¾ of her life, from kids’ films like Monkey Trouble and Hocus Pocus all the way up to her breakout roles in American Beauty and Ghost World. Now Birch concentrates on smaller films with strong character roles and her latest is the horror film Dark Corners where her character wakes up one day as a different person being stalked by terrifying creatures.

Read our exclusive interview with Thora Birch on SuicideGirls.com.

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Jun 2011 07

by Daniel Robert Epstein

“Your movie can get fucked in one night”
– Diego Luna

Diego Luna has long been one of Mexico’s favorite actors but it wasn’t until Y tu mama también became an international hit that he started working in America. Since then he’s had some great success with the conman film Criminal and the Steven Spielberg directed The Terminal. But for his own directorial debut Luna has looked back to his native country and created a documentary about one of his heroes, the legendary Mexican boxer Julio Cèsar Chávez. The documentary is showing at New York’s Tribeca Film Festival and I got a chance to talk with Luna on his very busy first day of press about the film.

Read our exclusive interview with Diego Luna on SuicideGirls.com.

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Jun 2011 06

by Nicole Powers

“I get so nervous about working with people that I like.”
– Mark Ronson

Producer, DJ, songwriter and multi-instrumentalist Mark Ronson has been responsible for some of the freshest sounds of the last few years. Despite his impressive résumé, which includes Amy Winehouse’s seminal album Back to Black, and tracks for Lily Allen (“Littlest Things”) and Adele (“Cold Shoulder”), he’s also a rather humble and an eminently likeable chap, which, along with the aforementioned, explains why so many marquee artists are keen to work with him today.

Ronson came to prominence with work that showcased his own highly stylized aesthetic, which combines a ’60s Motown sound with cool danceable grooves and hipster chic, as evidenced on Back To Black, which was released in 2006, and his second solo full length, Version, which came out the following year. However, he’s not a man to be pigeonholed.

[..]

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Jun 2011 03

by Daniel Robert Epstein

“All of us want to offend every single person.”
– Cherry Chevapravatdumrong

You may not recognize or be able to pronounce the name Cherry Chevapravatdumrong but over the next few years she will become one of your favorite writers. Already a valued member of the Family Guy writing staff Chevapravatdumrong has written some of my favorite recent episodes such as “Sibling Rivalry” where Lois decides to gain a lot of weight and “Prick Up Your Ears” which has a Christian group take over sex education class at James Woods High School. Chevapravatdumrong has teamed up with SuicideGirls favorite Alex Borstein to write the new Family Guy book, It takes a Village Idiot, and I Married One, which is the companion book to the upcoming episode where Lois becomes mayor of Quahog.

Read our exclusive interview with Cherry Chevapravatdumrong on SuicideGirls.com.

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Jun 2011 02

by Daniel Robert Epstein

“Human beings are always trying to solve the problem”
– Juan Carlos Fresnadillo

Juan Carlos Fresnadillo really impressed me with his debut feature film Intacto nearly five years ago. He also caught the attention of esteemed filmmaker, Danny Boyle, who had just finished his post-apocalyptic ode to the zombie genre, 28 Days Later. When it came time for Boyle to hire someone to direct the sequel 28 Weeks Later it seems that Fresnadillo was high on his list.

Fresnadillo has directed 28 Weeks Later with grand aplomb and has created a fast paced thriller that combines what 28 Days Later did with new unexpected elements. Robert Carlyle plays a man who in the wake of the rage virus spreading across England was able to hide in a safe house with his wife. When the infected break into their refuge, he makes a split second decision and leaves his wife to be infected. The story picks up again 28 weeks later, the infected have all starved to death and the US military have set up a safe haven in the middle of London. Carlyle’’s character is safe in the green zone and is able to have his children fly back into the country and the family can be reunited. But his wife has been discovered to be a Typhoid Mary type with the rage virus and she is brought into the safe zone with dangerous results.

Read our exclusive interview with Juan Carlos Fresnadillo on SuicideGirls.com.