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Mar 2012 23

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

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Mar 2012 23

by Alex Dueben

“I’ve been dying to get back to comics.” – Brian K. Vaughan

Brian K. Vaughan his made his name as one of the best comics writers of the twenty-first century. He created two long running series, the science fiction fable Y–The Last Man and the political superhero tale Ex Machina. Vaughan also created the series Runaways for Marvel and wrote the series’ best issues, wrote the graphic novel Pride of Baghdad based on the true story of lions who escaped from the Baghdad zoo. and wrote a story arc for the Season 9 of Buffy the Vampire Slayer for Dark Horse Comics and Joss Whedon that featured Faith.

Outside of comics, he’s been known for joining the writing staff of Lost during the third season. He worked on the show through the fifth season and is currently adapting Stephen King’s novel Under the Dome for Showtime.

His new project is Saga, an ongoing series coming out from Image Comics. Illustrated by Fiona Staples, the book is about a Romeo and Juliet-esque couple from opposite sides of an interstellar war. A blend of fantasy and science fiction elements, there are creatures with wings, horned aliens, ray guns and swords, spaceships and childbirth, bounty hunters, rocketship forests, cats that can tell if you’re lying, and a healthy dose of sex and violence. We reached Vaughan by e-mail.

Read our exclusive interview with Brian K. Vaughan on SuicideGirls.com.

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Mar 2012 22

by Andrew Shaffer

On February 18, PayPal contacted ebook distributor Smashwords with an ultimatum: Remove certain types of erotic ebooks (featuring underage characters, incest, bestiality, and rape), or face deactivation of their PayPal account. Since PayPal is integrated into the Smashwords website, they had no choice but to remove the “edgy” erotica identified by PayPal as “unlawful.” No U.S. court had ever found any of the ebooks in question illegal, but that was rather beside the point for PayPal, who seemed to be confusing illegal sexual activities with legal depictions of those activities.

What started as a dispute between a payment processor (PayPal) and a handful of ebook stores (including Smashwords) snowballed into a widely circulated petition from the Electronic Freedom Foundation (signed by the Authors Guild, the CBLDF, and the ACLU, among others) asking PayPal to reverse their policy.

“What I find chilling is that the money exchanger, not the merchant, can make such a decision,” commenter L.K. Rigel wrote on a Dear Author blog post, where news of PayPal’s actions was first reported. “PayPal is, after all, basically a bank. So now a bank gets to decide what customers can buy or merchants can sell? The decision is only palatable because they’re cutting off stuff people mostly find abhorrent.”

When PayPal allegedly tried to lay the blame on credit card companies’ terms of service, Visa flipped a finger right back. “Visa takes no position with respect to lawful goods and services bought and sold by the people and the companies who use our payment service,” Visa’s Investor Relations wrote in a letter to BannedWriters.com. “We want to clarify that Visa had no involvement with PayPal’s conclusion on this issue.”

After Visa clarified their position on credit card usage (“anything legal”), PayPal’s excuse (“the credit card companies are making us do this!”) fell apart and they had to admit defeat. On March 13, PayPal announced an updated policy with regards to handling ebook transactions that “will prohibit use of PayPal for the sale of e-books that contain child pornography, or e-books with text and obscene images of rape, bestiality or incest… In addition, the policy will be focused on individual books, not on entire ‘classes’ of books.”

PayPal’s policy change represented a win for online retailers as well as for freedom of expression “This is going to be a major victory for writers, readers and free speech,” said Smashwords’ Mark Coker.

Related Posts:

50 Shades of Grey: Whipping BDSM Out Of The Shadows

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Mar 2012 16

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

[..]

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Mar 2012 13

by Daniel Robert Epstein

“I’’m interested in really off-beat people.”
– Bob Levin

If I got busted for killing someone I would definitely hire lawyer Bob Levin. I actually have no idea how good of a lawyer he is or what kind of law he practices but he writes about comic books and that’’s enough to base my freedom on.

Anyway, Levin is best known as the author of the book The Pirates and the Mouse about Disney suing a group of underground cartoonists known as the Air Pirates in 1971 about a comic book parody of Disney cartoons in which Mickey Mouse, Goofy, Bucky Bug and others get high, have sex and swear a blue streak.

Now Fantagraphics has compiled a book of essays that Levin wrote for The Comics Journal magazine. These essays include subjects like Chester Brown, S. Clay Wilson, Dori Seda, B.N. Duncan, Justin Green, Maxon Crumb, Crockett Johnson, Roy Lichtenstein, Graham Ingels, Jack Katz, Rory Hayes, and more.

Read our exclusive interview with Bob Levin on SuicideGirls.com.

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Mar 2012 12

by Andrew Shaffer

“There’s a very fine line between pleasure and pain, Anastasia. They are two sides of the same coin, one not existing without the other. I can show you how pleasurable pain can be.”

– Christian Grey, the hero of E.L. James’ 50 Shades of Grey

“Patrons at my library are freaking out over 50 Shades of Grey,” Chicago librarian Leah White told me. Since the BDSM erotic romance novel (and its two sequels) is available only as “print-on-demand” through a small Australian publisher (TheWritersCoffeeShop.com), libraries and bookstores have had trouble keeping it in stock. Still, its popularity has steadily grown in the US over the past year, fueled in part by ebooks, which account for more than 90% of the trilogy’s 100,000-plus sales.

According to one Huffington Post blogger in January, the book is so engrossing that “moms are forgetting to pick their kids up from school.” And on March 1, following a salacious story in the New York Post, 50 Shades of Grey finally hit the top spot on Amazon’s Kindle books bestseller list. Today Show host Hoda Kotb even jumped on the bandwagon. “Hello steamy!” she tweeted after downloading the ebook. (This was particularly alarming to me, since my mother watches Hoda and her co-host Kathie Lee Gifford religiously.) Has BDSM gone mainstream?

First, let’s look at the plot of 50 Shades of Grey. Anastasia Steele, a college-age virgin who has never been kissed, meets Christian Grey, the 27-year-old billionaire CEO of Grey’s Enterprises Holdings. Christian is unbelievably handsome with his “tousled hair” and “expensive body wash.” He is also unbelievably kinky. He lost his virginity to a dominatrix when he was fifteen, and, after five years as her submissive, became a dom himself. He used his vast wealth to turn a room in his penthouse apartment into a virtual dungeon, nicknamed the “Red Room of Pain.” And he wants to share his love of BDSM (and fine wine, classical music, and Bruce Springsteen) with Anastasia.

The sex is well-written and James’ portrayal of BDSM is, for the most part, accurate. While Christian and Anastasia start out with “vanilla” sex acts, they gradually add spanking, bondage, riding crops, and object insertion into their repertoire. While such activities are old hat in the erotic fiction genre, they are shockingly explicit for a book being discussed by mainstream media. James teases the reader with an exhaustive list of sex acts and scenarios by way of a D/S contract. “No fisting, you say. Anything else you object to?” Christian asks Anastasia. “Anal intercourse doesn’t exactly float my boat,” she says. He responds, “I’ll agree to [remove] the fisting, but I’d really like to claim your ass, Anastasia.” The author takes the D/S relationship to extremes, however, as Christian attempts to prohibit Anastasia from snacking between meals and dictate how many times a week she works out (four, if you must know). As many readers have wondered, Is this BDSM or Weight Watchers?

The one problem I had with James’ portrayal of BDSM is the use of the lifestyle as “evidence” for how “dark” the hero is. “I’m fifty shades of fucked up, baby,” he tells Anastasia, a reference to both his abusive past and his love of BDSM.

“It wants us to think of Christian’s BDSM as something that’s wrong with him, a symptom of his inner, childhood demons,” Angela Toscano writes on the romance blog Dear Author. “But it also wants us to get off on it. Like teenage girls giggling over pictures of penises, it seems to say of BDSM, ‘Tee he he he! That’s so gross,’ but secretly loving the titillation that comes from viewing the forbidden.” It’s in sharp contrast to the sex-positive portrayal of BDSM as healthy and normal that one finds in most erotic fiction.

Some media outlets have dubbed 50 Shades of Grey “mommy porn” for the book’s almost singular appeal to middle-aged mothers, most of whom have never read an erotic book (let alone one featuring BDSM). “I am not in the habit of reading erotica, but this trilogy makes it seem okay, even for Westchester county,” one reader wrote.

Why this book? If you’re looking for erotic women’s fiction, there’s no shortage of better books out there, something even the most rabid E.L. James fans admit. But part of the book’s appeal is that “everybody is reading it.” A quick glance at Amazon reveals that customers who bought 50 Shades of Grey also bought the Hunger Games trilogy, Heaven is for Real, Steve Jobs’ biography, and novels by Nicholas Sparks and Jodi Picoult. In other words, big, popular books and authors.

Regardless of why it’s popular, 50 Shades of Grey‘s very existence is leading to some interesting, sex-positive discussions. “I found myself explaining what BDSM was to some of the moms at Saturday morning basketball,” publicist Alison Brod told The New York Post. Whether or not this signifies that BDSM (or even erotica) has gone mainstream is up in the air at this point, but it’s not inconceivable that 50 Shades of Grey could potentially do for BDSM what Twilight did for vampires.

***

Andrew Shaffer is the author of Great Philosophers Who Failed at Love, a book which takes a humorous look at the disastrous love lives of history’s smartest men and women. His writing has appeared in Mental Floss and Maxim. Stephen Colbert, with tongue planted firmly in cheek, once called Shaffer’s atheist Christmas cards “un-American.” Visit him online at EvilReads.com/.

He is currently serializing a Fifty Shades of Grey parody (Fifty-One Shades, because it’s one better) at: EvilReads.com/Fifty-One-Shades

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Mar 2012 09

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

[..]