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Feb 2012 10

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

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Feb 2012 10

by Fred Topel

“The last two years I was all about eradicating my fears and shit.”
– Kevin Smith

Kevin Smith is used to working a crowd. His forte career-wise is really as a public speaker at his live Q&A shows. His movies made him a name and he still makes them. Well, at least he’s making one more. But his bread and butter has been live shows. He can take a question and spin it into a 20 minute anecdote and keep the crowd laughing along the way.

The Television Critics Association could have been a tough room for Smith. An organization of veteran critics from the print days of newspapers, they gather twice a year to work, not to humor performers. So when Smith had a new AMC television series to present to the TCA, he took the mic and answered questions. He joked about how he’s enjoying talking to the TV press, because they don’t hate him yet like the film press do.

It has been a tumultuous year for Smith in the film world. He premiered Red State at the Sundance Film Festival in January 2011, and then auctioned the film off to himself to take the film on the road and self-distribute. After saying on Twitter that he would not do press or screen the film for press, many of Smith’s loyal followers began lashing out, even more so after the “auction.” Yet Smith has been on the road with Red State, giving Q&As at sold out shows and the film is now available on VOD, Netflix and DVD/Blu-ray.

Comic Book Men is a reality series set in Smith’s New Jersey comic book store, Jay and Silent Bob’s Secret Stash. The dialogue between the staffers behind the counter may feel very similar to Smith’s movie Clerks, but he’s not writing any of it. It’s all real. After his TCA session, I found Smith in the hall of the Langham Hotel in Pasadena and I asked him for a follow-up interview. We ended up doing a full interview, ironic for someone who threatened to stop doing press. Our talk veered away from the TV show as a follow-up on his new distribution venture lead to spiritual life lessons, which only underscores the point that a conversation with Smith can really be about anything and go anywhere. It all ties into the voice that is making his final film, Hit Somebody, and launched the new TV venture Comic Book Men.

Read our exclusive interview with Kevin Smith on SuicideGirls.com.

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Feb 2012 09

by A.J. Focht

Who needs an army when you have a Hulk on your side? The newest trailer for The Avengers aired this weekend as part of the Super Bowl ad lineup. The Avengers will be released this May and each trailer just makes it looks better and better.

Amazing Spider-Man also released its second trailer this last week. After the CGI wreck they released first time around, this second one was a pleasant surprise. A new trailer wasn’t the only thing to come forth from the Amazing Spider-Man camp, more photos and characters bios were released on the official website. Spider-man is looking up, but I still don’t know if it will be able to stand against The Avengers or The Dark Knight Rises.

It’s starting to look like Hollywood is going to be packed with superheroes in the summer of 2013 as well. The Wolverine has a July 26, 2013 release date, joining The Man of Steel, Iron Man 3, and Thor 2 for the 2013 summer superhero season. Now, I love my superhero movies, but if Hollywood keeps putting them out at this frequency they are going to burn us all out. I personally have tired of the old X-Men series since the third movie bombed.

The big event happening over at Marvel Comics this year is Avengers vs. X-Men, but there is one other major happening — Spider-Men. Not much was known about this till the last week when Marvel released a graphic of two Spider-Man logos meshed together. It is clear the logos are that of Peter Parker and Miles Morales. Most are complaining, assuming they are bringing back Peter Parker in the Ultimates universe that Miles Morales now acts as Spider-Man in. I would like to raise a new theory however, they are introducing Miles Morales into the main Marvel line, or Earth-616. As the Ultimates universe is a variation of their main verse (the one Amazing Spider-Man takes place in), I argue that Miles Morales could exist in that world to. If he became a Spider-Man there, we would then have three Spider-Men, including the new Scarlet Spider. That puts Marvel half way to creating some Spider-Man knockoff of Batman Incorporated.

Marvel’s Spider-Men logo was small news compared to DC officially announcement of Before Watchmen. The series will star the Watchmen heroes in events that happen before the graphic novel Watchmen. There will be seven books total: Rorschach, Minutemen, Comedian, Dr. Manhatten, Nite Owl, Ozymandias, and Silk Spectre. Each issue will also feature a two page back up story of Curse of the Crimson Corsair. There has been a lot of talk about the whether or not DC should publish these comics. Allen Moore, the creator of Watchmen, had a falling out with DC and does not want them to use his properties. However, from a legal standpoint DC have retained the rights.

After losing their first choice for the female lead, the Evil Dead remake has cast Jane Levy (pictured in our header) to fill the role. Levy will be playing Mia, the equivalent of Bruce Campbell’s Ash Williams. Hopefully this casting sticks as they only have about a year left since the film releases on April 12, 2013.

Despite the a low domestic gross total, Robert Rodriguez intends to make good on his promise to make two more Machete films. That dream is coming even closer as he has teamed up with producer Alexander Rodnyansky to begin work on the second film in the trilogy. Despite its low gross totals, the first film was a cult success and it almost doubled its cheap budget.

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Feb 2012 08

by Blogbot

This Sunday SuicideGirls Radio will be celebrating love, sex, and sensuality with iconic adult film star, author, producer, and sex educator Nina Hartley. SG Radio host Nicole Powers (SG’s Managing Ed) will also be joined in studio by SG’s resident post-feminist sex and sensuality expert Darrah de jour and renowned relationship columnist Yashar Ali. Light a candle, open some bubbly, grab a box of your fave chocs, and listen in to our intimate in-studio foursome – judging by past shows, a little naughtiness is bound to ensue 😉

Tune in to the world’s leading naked radio show for two hours of totally awesome tunes and extreme conversation – and don’t let yo momma listen in!

Listen to SG Radio live Sunday night from 10 PM til Midnight on Indie1031.com

Got questions? Then dial our studio hotline digits this Sunday between 10 PM and midnight PST: 323-900-6012

And cyberstalk us on Facebook and Twitter.

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Feb 2012 08

by Fred Topel

“All I’ve ever done is recycle the hatred and use it to my advantage.”
– Chris Crocker

Chris Crocker was a Britney Spears fan before he made his famous “Leave Britney Alone” video. He grew up following her career and putting her posters on his bedroom wall. He was making YouTube videos in the early days of the video service, but when Spears took heat for a visibly unhealthy “comeback” performance at MTV’s Video Music Awards, Crocker leapt to her defense in a tearful display that made him a celebrity.

Most would think the “Leave Britney Alone” phenomenon would have been the end of it. Everyone gets their 15 minutes. Indeed Crocker is still known largely as the “Leave Britney Alone” Guy nearly five years later, though he’s continued to produce original videos and makes a healthy living from YouTube.

Certainly few would think he’d be the subject of a documentary. Me @ The Zoo is a film about Crocker’s life and career, and it premiered at the Sundance Film Festival in January. The film illuminates Crocker’s difficult life in the south, avoiding violent homophobia and channeling it into an on screen persona. The film explains the YouTube phenomenon and follows the many changes that have developed since the site took off. It also shows Crocker’s less successful endeavors, including a reality TV show that never aired.

Crocker attended Sundance sporting his new look, which the film shows him adopting. Shedding his long blonde hair, Crocker is now a clean cut brunette, though his voice is still distinct, even when he’s not crying and screaming. Crocker met up with me in the festival’s Bing lounge on Main Street in between film screenings and events for the It Gets Better campaign, which also had a presence at the film festival.

Read our exclusive interview with Chris Crocker on SuicideGirls.com.

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Feb 2012 07

by Damon Martin

It was all Dave Matthews doing.

As Kevin Smith took the stage at the Scotiabank Theater in Toronto while he was streamed out to hundreds of movie theaters across North America, the Clerks director admitted that it was years ago when he was at a movie, he saw a special announcement about a one night only Dave Matthews Band concert that would show all over world simultaneously in cineplex after cineplex.

The inspiration stayed with Smith for years. He dreamed of being able to go to his audience in a similar way, and this week he finally got his Dave Matthews moment. Kevin Smith: Live from Behind debuted on Thursday night, when the writer/director, along with good friend Jason Mewes, performed live in front of an audience in Canada, while reaching an audience of millions around the globe.

The concept was simple; Smith and Mewes would conduct a live taping of their podcast Jay and Silent Bob Get Old, and then they would move to a question and answer session. The questions would come from the live audience in Toronto and also via Twitter.

The 3-hour plus event showcased Smith and Mewes in their element. From a disturbing story about how Smith got obsessed with taking care of his daughter’s tortoises, including how he stopped turtle rape (you had to see it to understand it) to Mewes waxing intellectual about the first time he penetrated a vagina, and how girls don’t really have bushes anymore.

To look back, there really was no starting point to the show, but Smith and Mewes played brilliantly off of each other, and what was nothing more than a casual conversation between friends, turned into over an hour of entertainment for a live audience.

From there, Smith went into what most believe is his most perfect form of storytelling. His Q&A sessions, which are stuff of legend, including his iconic Hall H performance every year at San Diego Comic Con, and it’s undeniably where he really shines.

For two hours straight, Smith, along with Mewes, answered question after question from the live and internet audience. Smith didn’t shy away from anything. From funny and self-deprecating to serious and uplifting, Smith held the audience in the palm of his hand for over 180 minutes. When it was over, everyone would have gladly stayed for another three hours.

Smith has openly stated that after he makes his next move Hit Somebody, which begins filming later this year, that he is retiring from filmmaking. While many became sad at the prospect of losing such a funny and unconventional filmmaker, Smith’s true talent lies in other areas.

He’s built a podcast empire, with shows that typically rank as some of the most downloaded on all of iTunes, his public speaking gigs routinely sell out, and then he comes up with gems like Live from Behind where the audience can literally be anywhere and enjoy Smith’s own brand of humor and candor.

The film generation may look at names like Tarantino or Scorcese when speaking about the greats of the last 25 years, but when all is said and done, with ideas like Live from Behind, Kevin Smith may be the most creative mind the entertainment world has seen in the last few decades.

If you missed Live From Behind the only thing I can say is the next time Kevin Smith does a live show, podcast or video stream in your town, run don’t walk to see it. Even if you’ve never seen Clerks, Chasing Amy or Mallrats, just sit back and enjoy because it’s really a viewing experience everybody should have at least once.

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Feb 2012 07

By Daniel Robert Epstein

“I’’ve had numerous experiences when you’’re in a small town in Europe and you meet some weird person then you run into them two days later at a totally different place and yo’u’re like, ‘“Oh, my God that’’s that fucking guy.”'” – Eli Roth

When talking about the new generation of horror directors Eli Roth’s name will invariably come up. He has directed two of the most exciting horror films for the new generation, Cabin Fever and Hostel, and is also one of the most visible having appeared in Bravo’’s The 100 Scariest Movie Moments and even gotten Quentin Tarantino to present his new flick.

Hostel is certainly a big change from the disease horror of Cabin Fever. It’s about three backpackers in Amsterdam who are so damn horny they leave the sex capital of the world to travel to a small Slovakian city to find even looser, hotter women. They have some of the best times of their lives until they are kidnapped by a company that specializes in killing stupid backpackers.

Read our exclusive interview with Eli Roth on SuicideGirls.com.