By Alex Dueben

Alan Robert is best known as a musician and singer/songwriter of the bands Life of Agony and Spoiler NYC, but he was first and foremost a comic guy. A graduate of the School of Visual Arts in New York City where he studied cartooning under Walt Simonson and others, the rock star is now in the midst of his second career as a comics artist and writer. At a time when celebrities will put their names on a comic but let others do all the work, Robert is creating comics that are written, drawn, colored and even lettered by him and include back page material taking readers through his process and workspace and have some fun along the way.

After the success of last year’s miniseries Wire Hangers, IDW is releasing a new miniseries from Robert starting this month. Crawl To Me is a strange dark tale that was created in just a matter of months and shows growth and experimentation over his work published just a year ago. Talking with the budding horror icon is a real inspiration and it’s clear that Robert is having the time of his life.

Read our exclusive interview with Alan Robert on SuicideGirls.com.

by Lily Suicide

On May 5, 1993, three young boys, Chris Byers, Michael Moore and Stevie Branch, were brutally murdered in the town of West Memphis, Arkansas. Grieving and looking for answers, the town allegedly bypassed evidence pointing at probable suspects. Instead, they prosecuted three teenage boys who were unconventional for the town of West Memphis. The boys, Damien Echols, Jason Baldwin, and Jessie Miskelly, wore black and listened to heavy metal music. They would later come to be known as the West Memphis Three.

There was what many critics call a coerced confession from Jessie Misskelly, who had a below average IQ. Jessie Miskelly recanted his statement the next day, stating that he had been put under extreme pressure and psychological warfare by the West Memphis police, but by then it was too late and the fate of three young men rested uneasily in the hands of the judicial system. They were convicted of murder in early ’’94. Jessie Miskelly got life plus 40, Jason Baldwin received life without parole and Damien Echols – at only 18 years of age – was sentenced to death by lethal injection.

Luckily, there were cameras in the courtroom, and they were used for the making of the HBO documentary Paradise Lost. Burk Sauls first saw Paradise Lost in August of ’96. He watched it and watched it again. At the end he was always left with the same feeling that many other people were left with: “with a lot of empty spaces, unanswered questions and doubts.” Many people became angry after watching Paradise Lost. Burk Sauls, Kathy Bakken, and Grove Pashley decided to do something about it. They launched the WM3.org website and the West Memphis Three support group, as well as eventually appearing in the sequel to the first HBO documentary, Paradise Lost 2.

I caught up with Burk to talk about the case, as well as Damien Echols’ memoir Almost Home, written on death row.

Read our exclusive interview with Burk Sauls Of The West Memphis Three Support Group on SuicideGirls.com.

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World…

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see parts ONE and TWO – then continue reading after the jump…)

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by Daniel Robert Epstein

There are thousands of hip-hop fans out there who want to know how Ice-T is going to bring himself back to the kind of success and popularity he enjoyed in the late ’80’s and early ’90’s. Well, all your memories of Law & Order and Leprechaun in the Hood will fade away once you hear the new Body Count album, Murder 4 Hire. Though most of the original members of Body Count have passed away, Ice-T and Ernie C have brought together a new Count to show you what gangsta rap is all about.

Read our exclusive interview with Ice-T on SuicideGirls.com.

by Bob Suicide

Being the old man that I am, I remember gaming back when we used simple controllers with a limited amount of buttons, sat on our butts for days on end –– without a single save point in sight –– and I liked it. When DDR came out, I was suspicious of this “new” interactive format, and wholeheartedly believed it was part of some giant government conspiracy to get me off my couch. Not being particularly “rhythmically coordinated,” the government’s devious plot failed.

However, little did I know that this set a dangerous precedent, and that something far greater was looming on the horizon of interactive gaming: the Wii. I was actually working at GameStop when the Wii came out. Those were dangerous times on the front lines of the war of retailers vs. consumers. Many a man was lost, either trampled by the hordes of moms trying to bag “the ultimate Christmas gift” or nagged to death with the sonic onslaught of “is it in yet?”

But, after the dust settled and we finished mourning the loss of our beloved brethren, the Wii didn’t really live up to the hype. Ok, I know that’s not an entirely accurate statement to make considering the sales of the Wii and the ground it has made in expanding the casual gaming market. But, as a hardcore gamer, has the Wii ever really provided a satisfying gaming experience? Not really. Sure, Zelda was fun and the console lends itself well to rails shooters like Resident Evil. However, I have two Wiis and I can say with certainty that mine have been used as doorstops more than they have served as relevant gaming consoles.

Needless to say, when the PS3 Move was released it seemed like Sony had missed the marketing mark yet again, since their sad “EyeToy with a wand” failed to capture the hearts and minds of the consumer the way the Wii did. And I joyously snarked –– as any fanboy does –– at their lame attempts to regain relevancy.

So when the Kinect made its debut I sneered at the projections people were making. And I wasn’t alone. Even Penny Arcade gods Mike Krahulik and Jerry Holkins scoffed at the idea of a motion-sensitive gaming experience that could galvanize the hardcore market.

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by Daniel Robert Epstein

In the ranks of great DJs worldwide we must acknowledge those brilliant artists who don’t speak any English. Any list of seminal DJs must include DJ Krush. Krush started his career in the 1980’s and by the early ’90’s he was already heralded as one of the greats.

His most recent project is Stepping Stones: The Self-Remixed Best, a two disc set. One disc called Lyricism and features collaborations with MCs. The second disc is called Soundscapes and contains remixes of instrumental pieces. This interview was conducted through a translator.

Read our exclusive interview with DJ Krush on SuicideGirls.com.

by A.J. Focht

The thought of any remake is normally enough to make me cringe. When a cult classic like Evil Dead gets set for a reboot, my first reaction is to grab my torch and pitchfork. But with both Sam Raimi and Bruce Campbell involved in the project, it’s hard not give it my support. Campbell recently commented on the movie, reassuring horror fans that they aren’t just ‘farting out a sequel.’ He had this to say about the project and the new director:

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