by Justin R. Beckner

Jeremy Kasten has forged a name for himself in the filmmaking business as a brilliant, ego free person whose resume includes producing, directing, and editing films and feature content. Some may remember Kasten’s work on the Suicide Girls Must Die film or The Wizard of Gore which also starred several Suicide Girls along with Crispin Glover. When he’s not directing feature films, he spends his time editing behind the scenes footage for major films including Step Brothers, Spider Man 3, and Water for Elephants to name but a few. We caught up with Kasten to discuss his most recent work, The Theatre Bizarre which opens January 27th, 2012 in select cities.
The Theatre Bizarre takes a rare and unique approach to the horror genre. The movie is comprised of six segments, each with its own director: Buddy Giovinazzo (“I Love You”), Douglas Buck (“The Accident”), David Gregory (“Sweets”), Karim Hussain (“Vision Stains”), Tom Savini (“Wet Dreams”) and Richard Stanley (“Mother of the Toads”). Jeremy Kasten was given the demanding job of tying all the segments together with a cohesive storyline of his own featuring the legendary Udo Keir.
For cities and screenings, check out The Theatre Bizarre Facebook page. If you’re a fan of horror films, you won’t want to miss this summit of brilliant directors doing what they do best.

Justin R. Beckner: May I start off by saying how much I enjoyed The Theatre Bizarre. I’ve always been a fan or horror films and I’m not quite sure why. Why do you think people are so drawn to horror films? Why do people like to be scared from time to time?

Jeremy Kasten: I think movies in general are cheap thrills. There are lots of ways people get thrills – there’s chick flicks where you get emotionally attached to the character and then you get worked up. Then there’s the shock factor which goes all the way back to silent film, The Kiss, where people were first seen kissing in a film. I think horror taps into that primordial part of our brain that responds to fear because fear is a part of us. There’s another way horror affects us in a more surreal way where a film can replicate the experience of having a nightmare. It’s like when you have a nightmare and you wake up and you’re happy to be alive, So I think horror movies can tap into our fears and affect us in that kind of way.

JB: The Theatre Bizarre is a very unique movie in that it is several short story style films within a film – each with its own director. How did all of the directors come together for this unique style of film?

JK: David Gregory and the executive producers handpicked the directors to make the film. I came on after all the films were written and a couple of the directors had already made their films but they did not have a director for the wrap around at that point. I suspect that because of the film The Wizard of Gore, which I did with SuicideGirls, they knew I could deliver a theatrical Grand-Guignol quality to the wrap around part and hold the movie together. They knew they wanted it set in a theatre, they knew they wanted some sort of lead character who would pull you through all of those short stories and give a sense of grounding to the overall story. So I got together with Zach Chassler who is my creative partner who writes a lot of my movies and he had some great ideas. I knew I wanted to do something automatons so we put our heads together and we came up with the idea that became what you see in the film after Udo [Keir] came in and added his own specific and phenomenal sensibility to it.

JB: I noticed several connections between HP Lovecraft stories and the stories in the film. Was that an intentional parallel or simply the result of each director’s influences showing through?

JK: HP Lovecraft has been a huge influence on every horror filmmaker in the twentieth century. I don’t know if it was intentional but it’s hard to look at a horror movie from the era that Lovecraft is known and not see an influence on the movie. I know that there are a couple scenes in a couple of the films that are pure Lovecraft influence – it’s not like anyone talked about it, but it’s certainly there. David Gregory took away a lot of the constraints on the directors for this film and I think that freed them up to let that Lovecraft influence shine.

JB: Did you and the other directors work in close proximity throughout the making of the film?

JK: I’m not sure anybody knew each other until this film happened. I knew David Gregory, the producer – he brought me on – but I didn’t know any of the other directors and I’m not sure that they knew each other. We’ve been to film festivals and done panels together and we all get along very well but there was not of communication among the filmmakers leading up to the movie other than reading each other’s scripts. Because I was doing the wrap around I was given all the scripts and was able to get a glimpse at a couple of the films before making the wrap around. We really all met at the first film festival the movie was at. There wasn’t a lot of communications between us until the movie was done. Since the movie has been done, we’ve formed some friendships that I think will last a long time. I was really glad to have the opportunity to work alongside some filmmakers that I admire and some of them I’ve even been influenced by their work.

JB: The Theatre Bizarre opens on Friday, January 27th, where can people go to check out this movie?

JK: It’s opening in select cities which can be found on the film’s Facebook page or at Shocktillyoudrop.com. Its opening this weekend and then they’re doing a platform release over the next couple weeks in other cities. Then eventually it will be coming out on DVD and will be available in that format as well. But if you look on the Facebook page and the film is not paying in your city, you can demand it on there and a theatre chain in your city will be more likely to book it. That’s the way it goes these days in the movie business. All the theatre has to do is pay for a person to run the projector, so if they know people will show up it makes sense for them to book the movie for a couple days. So if you’d like to see The Theatre Bizarre and it’s not in your town, I’d encourage you to be vocal about it and demand it on the Facebook page.

JB: You mentioned previously that you worked with SuicideGirls in the movie The Wizard of Gore. How was that experience?

JK: I have to say, it was really an amazing experience because when I first started that project, SG was not the brand that it has become today, it was still very much coming up. As one of the producers and editors of the Suicide Girls Must Die video, I joined that after they shot it, I was lucky enough to work with Sean and Missy on that project and get closer to SG and seeing what it had become was pretty amazing.

JB: With all the directing, producing, and editing, you’re a busy guy. What have you been working on lately aside from The Theatre Bizarre?

JK: Last fall I did the recut for the movie 11/11/11 and that came out on 11/11/11 of this past year. So it was a movie that had a really obvious promotional release date which made for an intense end of the summer for me because we basically did a total recut. But it was really cool and I learned a lot. Now I’m back doing what is essentially my day job which is where I produce and edit behind the scenes specials for movies. I’m currently working on Abe Lincoln Vampire Hunter and Men in Black 3 which is going to be out this summer.

JB: Abe Lincoln Vampire Hunter, that sounds pretty awesome.

JK: Yeah, it’s gonna kick ass. It’s by the guy who did Nightwatch which was the movie that really broke him out and then he did Daywatch. He’s pretty much a genius.

JB: Do you have any advice to people who may want to enter the filmmaking business?

JK: I would say if you’re going to do it, take yourself seriously – don’t half ass it. I think a lot of people dip their toes in the water and think that maybe they might want to try to make a movie. You’ve got to commit to it and really go for it and make every effort to know what you need to know for something, that makes a big difference. The people who are successful are usually the ones who immersed themselves and educated themselves about something. In order to break the rules, you have to know what the rules are; that’s a big part of filmmaking now in an age where everything is so wide open as far as independent films go.

JB: I really want to thank you for taking the time to talk to us. Do you have any final thoughts comments or plugs?

JK: I guess I’d like to say about this movie that I was most pleased about was what a pleasure it was to work with one of my heroes. I’ve always been a huge fan of Udo Keir, and it was a privilege to work with him because he’s so much fun and he’s so good at what he does. That was really special to me, it was a dream come true.

by A.J. Focht

As we get closer to the release of The Dark Knight Rises, we’re finally establishing the truth behind many of the numerous past rumors that have surrounded the project throughout production. Liam Neeson has put another one to rest when he confirmed he will reprise his role as Ra’s al Ghul in the film. Neeson couldn’t say much more about the project, because apparently his part is so small that he didn’t get much access. The Dark Knight Rises hits theaters July 20, and a line of figurines are already being prepped to hit the market. These twelve inch models do an amazing job of capturing the outfits from the upcoming film and will be on sale in June.

The Deadpool movie is going into production this year. The ‘merc with a mouth’ will be getting his own film, and Rob Liefeld has seen eight minutes of the test footage. Ryan Reynolds is returning as Deadpool. Now we can only hope the film does the character more justice than Wolverine Origins did.

New high resolution images of The Avengers have been released. We’ve seen similar shots before, but we do get decent ones of each main character — sorry Hawk Eye didn’t make the cut. The only big thing of note here is we get some of the first clear shots of the Hulk.

Some lucky little fan got to take a photo with Superman and the picture has made its way online. The shot from the set of Man of Steel gives a clear look at the new Superman suit. Not to mention it really makes Henry Cavill look the part of Superman.

Last week, DC Comics logo change made its way around the web. Everyone, including myself, criticized the look of the new logo. DC has since revealed how they plan to use the logo. In a rather interesting twist, the logo was designed so it could be customized. Each logo keeps the same basic style, but changes its color and look depending on the comic it appears on. Despite my comments last week, I have to say this is pretty cool.

One other big story coming from DC Entertainment, the company announced a multi-million dollar campaign to raise money to fight hunger in the Horn of Africa. The campaign is called We Can Be Heroes. Using the Justice League of America as mascots, DC hopes to inspire the hero in everyone to end this crisis.

A few weeks back, Lily Collins was announced as the main character in the upcoming Evil Dead remake. However, due to scheduling conflicts, she has had to give up the part. There is still no news on who is going to take over the role, but time is running out as the film is scheduled in theaters April 12, 2013.

The first trailer for Doctor Who: The Eternity Clock videogame has been released. It’s set to release on the PS3, PS Vita, and PC later this year.

Speaking of Doctor Who…the show’s producer and chief screenwriter Russel T. Davies (who was also responsible for spin-off show Torchwood), has created a new series for BBC Wales. Aliens vs. Wizards is a 26-part series aimed at a younger audience. It’s about a young wizard, Tom Clarke, and his struggle against the aggressive aliens, the Nekross. While the show is being made for children, that doesn’t mean Doctor Who fans shouldn’t give it a shot.

On a final note, Cryptic Studios has made Star Trek Online free to play. The game is now free through the silver membership, which gives full game access but limited community access. There is still a gold membership with full access for $15 a month.

By Daniel Robert Epstein

Albert Brooks gets treated like a living comedy legend by nearly everyone in the world, deservedly so, except by studio executives looking at the bottom line. Brooks is releasing his seventh feature as director, Looking for Comedy in the Muslim World, through Warner Independent Pictures after Sony dropped it because of their fear.

Looking for Comedy in the Muslim World is the hilarious story of what happens when the US Government sends comedian Albert Brooks to India and Pakistan to find out what makes the over 300 million Muslims in that region laugh. Brooks, accompanied by two state department handlers and his trusted assistant, goes on a journey that takes him from a concert stage in New Delhi, to the Taj Mahal, to a secret location in the mountains of Pakistan.

Read our exclusive interview with Albert Brooks on SuicideGirls.com.

by A.J. Focht

With its release scheduled for July 20 of this year, The Dark Knight Rises is now well into its post-production and marketing phase. Entertainment Weekly was the first to debut several official shots in their issue last week. On top of several shots of Bane and others inside the magazine, the cover featured a close up of Batman and his new suit.

A new still has flown in from the set of The Man of Steel as well. The shot isn’t official, and is a bit blurry, but even out of context, it’s pretty epic. It features a fire truck that has been impaled by a tree and what could possibly be Superman underneath doing said impaling.

Despite all the epic news coming out from other superhero films, we’re being reassured that Iron Man III will be one of the best superhero movies ever. Now that is a tall order considering the lackluster spectacle that was Iron Man II, but Robert Downey Jr. has added his weight to the claim that the third film could be one of the best superhero movies of all time. The film will be going back to its roots and is looking to recapture the elements that made the first film successful.

The CW hasn’t given up on riding the superhero train. They are now working on a pilot episode of DC Comics’ Green Arrow franchise. Unfortunately, Justin Hartley, who became well known for his portrayal of the Green Arrow on Smallville, is not involved with the project.

Speaking of DC Comics, the company has gone through another logo change. They have gotten some flak for their past logo changes, but this might be by far the worst. Their new logo screams ‘CORPORATION’ not ‘COMICS.’

After concluding its second season on BBC, Sherlock has been renewed for a third. The show’s co-creator, Steven Moffat, confirmed the renewal via Twitter. The second season in the series is set to premiere on PBS this spring.

Talking of turning classic tales into shows, NBC is making a television series based on the Dracula lore. The series is going to be set in the 1890’s, and is being developed by Tony Krantz and Cole Haddon. While Dracula is the iconic vampire, I don’t see the need for anymore vampire television for a few years.

That isn’t to say there aren’t some vampire stories still worthy of being told on screen. For instance, Abraham Lincoln Vampire Hunter has just released several new pics and a behind the scenes video. And the historical fiction doesn’t end there. The second most badass president (first place still goes to ol’ honest Abe) is getting his own film. That right, FDR American Badass will feature our polio stricken president fighting Nazi werewolves.

Abigail Spencer has joined the Whedonverse and will star in Joss Whedon’s next film. What film is that exactly? Well the only details we have is that it’s a “supernatural romance.” Spencer does comment that, “It’s the most romantic film in the history of time.” There is no saying what Joss is up too, but let’s be honest, has he let us down yet?

On a final note, it looks like George Lucas is going to be taking things easier. After the release of his upcoming film, Red Tails, Lucas will be taking on his own form of retirement. What this seems to mean is he will no longer be working blockbuster films, and will instead focus on movies on a smaller scale. Lucas has also been rather honest about why he has made this decision, and it’s all our faults. The massive amount of negative fan criticism from the Star Wars prequels and special editions really hurt him. Who would want to keep making films for fanboys who hate you? Despite flaws in his latter work, this fan would just like to say, “Thank you.” George Lucas transformed the world of sci-fi for so many of us, and we must respect the tremendous effect he has had on the evolution of nerdom.

by SuicideGirls

On the surface, The Last Mountain is a documentary about the dirty business of coal, the highly destructive and toxic practice of mountaintop removal mining, and one community’s fight to preserve their homes, their livelihoods, their health, and the last great mountain in the region. However, the story of Coal River Mountain in West Virginia is allegorical of much that is wrong with America, which is why during our roundtable conversation with the film’s champion, renowned environmental lawyer and activist Robert F. Kennedy, Jr., he barely mentions the four-letter word that is coal. Instead, Kennedy focuses on the underlying history and climate that has allowed corporations to rape and pillage our environment, and poison and kill our citizenry with impunity.

In The Last Mountain, Don Blankenship, the former CEO of Massey Energy (he retired at the end of December 2010), is typecast in the role of modern day robber baron. As the largest coal producer in Central Appalachia, his company is only able to function on the scale it does by subjugating democracy. Mountaintop removal mining is cheaper and less labor intensive than traditional underground coal extraction methods, but it causes such an affront to the landscape, water and air, that it can only be done when the authorities charged with protecting the public interest are willing and able to look the other way.

Between 2000 and 2006 Massey chalked up a staggering 60,000 EPA infractions, but has suffered little in consequences beyond much belated and pitifully low fines that serve the government’s need to be seen to be doing something while maintaining the status quo. Of course, Massey is not the only corporation and coal is far from the only industry that is using and abusing our severely compromised shell of a democracy. In light of the Citizens United Supreme Court ruling allowing corporate campaign donations (and a subsequent one that makes direct-to-candidate payments permissible), our government couldn’t be for more up for sale if it were posted on eBay.

Though there will inevitably be dark days ahead for our democracy, it’s not all doom and gloom thanks to a groundswell of grassroots activism as witnessed in Coal River Valley and documented in The Last Mountain. As for the environment, Kennedy points out towards the end of this interview that there’s an (LED) light at the end of the tunnel, and ironically it’s capitalism in its cleanest and purest form that may end up saving the day.

Read our interview with Robert F. Kennedy, Jr. on SuicideGirls.com.

By Daniel Robert Epstein

Early on in his career everyone knew that Steven Soderbergh was an innovative and brilliant filmmaker. But no one had any idea that he would eventually have such an effect on the business side of making films. Bubble is the first film in a series of six that will be shot on high definition video and be released on three platforms at once, theatrical, DVD and to air on HDNet.

Bubble is about three people who work at a doll factory in a small town in rural West Virginia. One is an older woman named Martha [Debbie Doebereiner] who obviously has a crush on a young factory worker named Kyle [Dustin James Ashley]. But when a young and sexy single mother named Rose [Misty Dawn Wilkins] comes to work to the factory Martha doesn’’t like her…

Read our exclusive interview with Steven Soderbergh on SuicideGirls.com.

By Daniel Robert Epstein

Big surprise! Underworld: Evolution is a good film. This is a rare case of a sequel being much better than the original. This second film takes off nearly exactly at the end of the first. Now that the death dealing vampiric Selene [Kate Beckinsale] and the hybrid werewolf/vampire Michael [Scott Speedman] have defeated the evil leader of the vampires, they must stop the founder of the vampire’s bloodline from releasing his twin brother, the first werewolf, from his prison.

I got a chance to talk with Kate Beckinsale in New York.

Read our exclusive interview with Kate Beckinsale on SuicideGirls.com.