Whenever this crazy ride of entertainment interviews that I’m on ends there are only a few things that will stick out as highlights. Interviewing David Cronenberg is number one on that list and number two will surely be visiting the set of Superman Returns in Australia. While I was on set with a number of other online writers a number of publicists kept apologizing to us for not having what they considered the most impressive sets up anymore. I kept telling them that what we were seeing was amazing regardless. We got to see a black colored Fortress of Solitude, I got to feel up the Superman costume [on a mannequin you sick minded freaks] and we got to walk about Lex Luthor’s yacht. From what I gather Superman Returns takes place five years after the events of Superman II. Superman traveled to the remains of Krypton and when he came back to Earth, Lois Lane has had a child with another man. While on set I got to view the footage of Superman Returns that was shown at San Diego Comicon and interview director Bryan Singer.
“The only thing that really fascinates me is marriage.”
– Donald Sutherland
It’s possible to forget just how damn funny Donald Sutherland is. He’s been in some of the funniest movies of all time and it shows when he walks into our interview with a wry smile while cracking jokes. But his latest movie, An American Haunting, is definitely not a comedy. The movie is set in the American south in 1818 and Sutherland stars as John Bell Sr. a man with a tight knit family who commits a sin against his church which releases a spirit to haunt his house and take out anger against his daughter.
Even the prequels are getting sequels. British actor Jason Flemyng who played Azazel in X-Men: First Class has said that a follow-up could soon be in the works. First Class was a surprisingly good addition to the franchise; hopefully tacking another one in won’t kill the series on a bad note.
Over the last few weeks, dozens of set pictures and several videos from the shooting of The Dark Knight Rises have been leaked – see roundup here. A couple of major spoiler could be contained, including a characters death scene.
Not everyone is convinced that the Metropolis project is happening. For those of us still holding out hope, the Metropolis IMDb page now lists Joe Davola and Alfred Gough as the executive producers; Gough being one of the original creators of Smallville.
On the comic front, DC Comics continues to dominate. The New 52 has really paid off as DC pulled in over 50% of all comic sales last month.
J.J. Abrams reportedly is after Benicio Del Toro to play the roll of the villain in the up coming Star Trek 2. No one is quite sure who the main villain will be. Theories range from the return of Khan to the Klingon’s and everything in between. The last movie created an entire new timeline so the possibilities are endless.
We’ve known that there were plans to another Blade Runner film; Ridley Scott says the project is likely to be a direct sequel. Scott also said that the project is quite a ways along, and they are close to finding a writer.
Reports from Middle Earth have been scarce lately. Last week, Peter Jackson and the crew released the new video blog. The video covers the finer points of shooting The Hobit in 3D, with several on set shots. The first part of The Hobbit is set for release holiday 2012.
Sad news from the land of Oz. Bruce Campbell’s cameo scene has been cut. Bruce tweeted that such things happen in epic flicks, and that there were no hard feelings toward Sam Raimi.
Barnes & Noble has revealed their tablet, complete with Marvel comics. As if almost in response to the Kindle Fire’s deal with DC, Barnes & Noble has released their own tablet featuring several of Marvels comics. The tablet is starting at $249 and is available on November 18.
“It takes a lot of electricity to turn black crude oil into gasoline.”
– Chris Paine
In the late 1990s and early 2000s, General Motors’ EV1s were the Apple Macs of cars. Ahead of their time, they were only driven by an enlightened “different” thinking few, but those that did felt passionately about their high tech machines.
A fully electric plug-in vehicle with a range of between 70 and 140 miles depending on model, the EV1 was first introduced into the marketplace in 1996. Available in limited test markets on a closed lease-only basis (whereby no actual purchase was allowed), it was developed by General Motors partly in response to the California Air Resources Board’s requirement that the seven major auto companies in the US had to make at least 2% of their output zero-emission vehicles (ZEV) by 1998 in order to sell any cars within the state (with further graduated steps stipulated up to 10% in 2003).
Though grudgingly produced by General Motors, the vehicle was beloved by the few consumers lucky enough to rise to the top of the company’s reportedly vast waiting list. But it was likely a car that was never intended to succeed. General Motors seemingly put more effort into fighting the CARB mandate in court than meeting existing demand for vehicles or marketing the EV1 to create even more. It was therefore not uncoincidental that the demise of the EV1 occurred in tandem with the gutting of CARB’s ZEV rules. The EV1 program was officially cancelled in 2003, and a total recall was put in motion, with repossessed cars being not only compacted but shredded for good measure too.
A 2006 documentary, Who Killed The Electric Car, chronicled the crushing demise of this groundbreaking car. In it filmmaker Chris Paine highlighted the collusion of the auto industry, oil companies, and politicians, who all had a vested interest in seeing the electric vehicle die an untimely death alongside CARB’s environmentally prudent directives. Catching the zeitgeist, Who Killed The Electric was the third highest grossing documentary that year (Al Gore’s An Inconvenient Truth being the first).
However, a decade after General Motors presided over the funeral of the EV1, the killing of the vehicle has proven to be a costly mistake. With gas prices rising, Toyota filled the rapidly increasing fuel-efficient void with their hybrid Prius, which went on sale in Japan in 1997. Following its worldwide debut in 2001, Toyota have sold over a million Prius cars in the US alone, and the rest of the auto industry has been scrabbling to catch up.
With revenge being served on a platter less than a decade on, Paine and his documentary team were compelled to reexamine the fortunes of the electric vehicle in a follow up film. The first had centered on activists working from outside the industry, with this film Paine chose to follow a diverse group of instigators working from within. Revenge Of The Electric Car therefore features four EV evangelists (some of whom were more recently converted than others) who are attempting to drive the future of the automobile into the present: Bob Lutz (General Motors’ Vice Chairman up until May 2010), Elon Musk (Tesla Motors’s CEO), Carlos Ghosn (Nissan’s President and CEO), and Greg “Gadget” Abbot (a DIY electric engine retro-fitter).
SuicideGirls recently visited Paine at his ultra green home to talk about his cinematic “I told you so” and the electric awakening of a sluggish car industry that was in need of a shock. After checking out the 2008 Tesla Roadster parked in Paine’s garage, the irony was not lost that we were conversing about, and anticipating the dominance of, the gas-free vehicle in the heart of LA’s oil country amidst the pumpjack nodding donkeys of Baldwin Hills.
“When you keep failing at things like I have, nobody knows you’re reinventing…”
– Dito Montiel
I first learned about Dito Montiel when his first film, A Guide to Recognizing Your Saints came out. It was notable for a cast including Robert Downey Jr., Shia Labeouf and Channing Tatum before they broke out, and Rosario Dawson who was already a star. Based on Montiel’s own book about growing up in and leaving New York, it introduced Montiel’s voice to Hollywood, particularly in dialogue that’s more like real people who have trouble articulating, rather than polished Hollywood screenplay.
His next movie was the studio action movie Fighting, also starring Tatum as an underground street fighter. Now that I knew who Montiel was, I stopped when I saw a Dito Montiel CD in a bin at the massive used record store Amoeba. The album had sophisticated music, layering different instruments with harmony and telling stories about, again, growing up. Montiel is also a painter. Tatum again stars in Montiel’s third film, The Son of No One. He plays a cop who gets assigned to the precinct of the housing project where he grew up. Tracy Morgan plays a stark, dramatic role as his childhood friend, now in rough shape from a traumatic childhood of abuse. Al Pacino plays police chief with ties to the old case.
Montiel is now a West Coaster like me. This is the third film I’ve had the opportunity to interview him for. Despite the serious subjects of his films and the raw style in which he portrays them, he always seems like lovable friendly guy. He even got a bit shy when I started asking about his music this time.
After a few weeks with no new updates, The Dark Knight Rises released several updates this last week. The first photos of Joseph Gordon-Levitt on set have spread across the internet. A full synopsis of the film has been leaked, but it doesn’t reveal much more than what we’ve already known. Finally, the movie’s second official trailer will release with Sherlock Holmes:Game of Shadows on Dec 16.
That’s not the end of the Batman news either. WB Interactive has announced Batman: Arkham City has shipped 4.6 million copies for PS3/Xbox360. Despite some tough competition, Arkham City is looking more and more like Game of the Year.
Iron Man 3 is taking a change in scenery. After shooting the past two films in California, the next installment in the franchise is filming in North Carolina. The change in location is likely the first in a wave of updates bound to come now that The Avengers has wrapped.
Zack Snyder’s Man of Steel will use the infamous villain General Zod, but unfortunately, the character is not likely to use the immortal line, “Kneel before Zod.” It’s sad to see such a famous line being excluded; it would be like not having The Terminator say, “I’ll be back.” Even Smallville used the line when they introduced General Zod.
Speaking of Smallville, it looks like the show isn’t as dead as we may have thought. A new IMDB has been created for a show titled, Metropolis. Currently, Tom Welling, Erica Durance, Aaron Ashmore, and Michael McKean are listed in the credits. Is it possible the show is getting a reboot/remake?
Five twenty-something friends become holed up in a remote cabin where they discover a Book Of The Dead and unwittingly summon up dormant demons living in the nearby woods, which possess the youngsters in succession until only one is left intact to fight for survival.
Evil Dead isn’t the only undead movie making a return, reports confirm that Michael Keaton is returning to his role in the Beetlejuice sequel. I’m not sure how I feel about a sequel, but it sounds like they’re at least trying to do it right.
One last thing, I present you the best video game based movie to date, and it’s based on Duck Hunt. This new ten minute short film is by far one of the best video game to film adaptations I’ve ever seen.
“It limits women…from aspiring to be great things.”
– Jennifer Siebel Newsom
As Americans, we like to think of ourselves as advanced and sophisticated as a society. Yet, when it comes to issues of gender equality the numbers don’t lie –– there’s no escaping the fact that we’re pretty damn backwards.
Women make up 51% of the US population, yet hold just 16.6% of the seats in Congress and 17% of those in the Senate. Indeed, we rank 90th in the world in terms of the proportion of women in national parliaments, below Afghanistan, Cuba, China, Ethiopia, Iraq, and the Sudan!
Furthermore, in America, just 3% of Fortune 500 CEOs are women. Similarly only 3% of positions of clout in the telecommunications, entertainment, publishing, and advertising industries are held by the fairer sex (pun intended). And this may be part of the problem, since those that are ultimately responsible for the aspirational messages we receive on a daily basis are predominantly male.
That’s not to say that the innate sexism that’s partly responsible for this power imbalance is necessarily malevolent or even intentional; the root of much of it is simply a lack of consciousness on all our parts. And to an extent, the state of play appears to be self-perpetuating, since a mere 16% of those responsible for Hollywood’s mass market dream machine (writers, directors, producers, cinematographers, and editors) are women, which in turn perhaps explains a similar lack of female protagonists/role models in feature films.
A much talked about new documentary, Miss Representation, which recently debuted on the OWN Network, does a very comprehensive job of exploring the underlying reasons for this vast leadership gender gap. The film features many prominent leading ladies including Nancy Pelosi, Condoleezza Rice, Dianne Feinstein, Gloria Steinem, Jane Fonda, Geena Davis, Rachel Maddow, Lisa Ling, and Katie Couric, whose powerful voices add strength to the message –– which is that a woman’s value is more than just the sum of her youth and beauty (as the mainstream media might have you believe).
SuicideGirls spoke with the driving force behind Miss Representation, Jennifer Siebel Newsom, who wrote, directed, and produced the exceptional cinematic gender essay. As a Stanford graduate, environmental and gender activist, actress, and mother –– who also happens to be the wife of the former Mayor of San Francisco, and current Lieutenant Governor of California, Gavin Newsom –- she’s had a front row seat watching what happens to women in power and how the media treats them, so perhaps has a greater understanding of the issues they face than most.
