by Aaron Colter
There’s been a collective pants shitting in the comic book industry this week as DC Comics announced that they would relaunch nearly every series this September as a #1 issue, making the content available for download on the same day as print versions hit stores.
Shop owners are crying the death of the industry, and other publishers are trying to play catch-up. Meanwhile, DC Comics is taking a huge gamble on its latest venture. It’s no secret that the company has been playing second-fiddle to Marvel Comics, now backed by the giant Disney corporation, and cleaned house to make room for new executives from a more traditional background that owners Warner Bros. found necessary.
As harsh as it may sound, DC Comics can’t be supported by serialized issues that are sold to only a few hundred thousand costumers, at best, every month. The real money made by Batman, Superman, and all the other beloved characters, is in stupid shit, like T-shirts, movies, action figures, cartoons, and anything else you can slap a logo on to make it appeal to children and nerds.
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by Blogbot
This Sunday (June 5th) our very special in-studio guests will be Oslo, who’ll be performing a special in-studio acoustic set previewing songs from their new album, High Mountain Sessions Vol. 1 (out June 28).
SG Radio’s “Nude Music” Acoustic Sessions – Because songs are better naked.
Listen to SG Radio live Sunday night from 10 PM til Midnight on Indie1031.com
Got questions? Then dial our studio hotline digits this Sunday between 10 PM and midnight PST: 877-900-1031
Busy on Sunday? Then find all our podcasts at http://suicidegirlsradio.blip.tv/ and listen at your leisure.
And don’t forget to follow us on Twitter.
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by Daniel Robert Epstein
“I am a known wanker”
– Tony Wilson
With the release of 24 Hour Party People in 2002, Tony Wilson became a household name in the minds of the people in the know. The film became a biography of Wilson who is best known for managing such seminal bands as Happy Mondays and Joy Division but due to contracts not being up to legal snuff, Wilson was never able to profit much. But since the movies release Wilson has had a tough time due to a bout with cancer and has now put aside managing bands and concentrated on other projects. Most notably In the City a yearly festival and music industry conference which is having its premiere in New York City this year.
Read our exclusive interview with Tony Wilson on SuicideGirls.com.
by Aaron Colter
I didn’t ask to be born. None of us did. But there are still some really good things in life. Think about it! Rain drops on roses and whiskers on kittens . . . and boobs. Anyway, it’s my birthday, so I think about these things, and dying. Out of all forms of entertainment, music makes me feel the most of alive. We should all go to a concert soon, together, and make-out. Until then, here are some songs that get the blood pumping.
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by Mike Hammer
“I came up with a term that maybe it should be called, but now I cant remember…”
– Sage Francis
Sage Francis tears holes in hypocrisy and mainstream hip-hop with his thoughtful stories of the human condition. The wordsmith spits rhymes that make you think, make you smile, and flow beautifully over high-tempo beats. His new album, Human the Death Dance, is a hip-hop work of art that mixes cutting edge beats from indie rap producers like Alias and Reanimator and Ant, as well as Sage’s insightful personal and pop cultural rants. The 16-track disc is what Sage calls a wrap up album of all his previous work.
I sat down with Sage in Cleveland, Ohio to hear some things about the indie hip-hop scene, his abnormal MySpace page, the first rhyme he ever wrote, greedy publishing companies, and more.
Read our exclusive interview with Sage Francis on SuicideGirls.com.
by Aaron Detroit
“I didnt understand who I was supposed to be.”
– Marilyn Manson
Marilyn Manson says his new record, Eat Me, Drink Me, saved him from an identity crisis. The controversial singer – recently hailed as The Last Rock Star by Spin magazine – chatted with Aaron Detroit about Slayer fans, getting his mojo back by making a record while lying on the floor, his directorial debut Phantasmagoria: The Visions of Lewis Carroll, and the last gasps of record industry.
Read our exclusive interview with Marilyn Manson on SuicideGirls.com.
by Erin Broadley
“I want people to be pulled into a record rather than be sort of preached…” – Aesop Rock
Like his name would suggest, Aesop Rock is a storyteller. But instead of shrouding lessons on morality within recycled folklore, the hip-hop emcee cuts to the chase, illuminating the human condition through unfettered observations on the strangeness of people and the shape-shifting worlds we inhabit. Born and raised in New York, Aesop has never lacked for subject matter. One could say that the city chooses her storytellers, and not the other way around. Aesop’s refined staccato raps eloquently around even the harshest of big city truths, and when he zigs before he zags, the wordplay is nothing short of spectacular. His detailed, non-linear narratives explore the tension that exists between innocence and the sordid aspects of human nature; the self-inflicted identity crisis that exists when one dabbles in role play – when the virgin taunts the whore, or when the pornographer becomes the ice-cream man. As Aesop puts it, his attraction lies in what happens when “fluffy meets evil.”
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