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Aug 2011 19

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see parts ONE and TWO – then continue reading after the jump…)

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Aug 2011 12

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the first installment of Killswitch, then continue reading after the jump…)

[..]

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Aug 2011 05

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our new Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

[..]

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Jul 2011 28

by A.J. Focht

It was the comic world that ruled geek news this last week as San Diego Comic Con was in full swing. Major players from all realms of nerdom gathered to share their latest updates. With such a huge event, I can’t possibly cover all the announcements, but here’s a full recap for your convenience.

Marvel Studios made a good call releasing Captain America: The First Avenger along with all the con hype. It took the box office this weekend making $65.1 million, but still shy of Thor’s $65.7 million opening weekend. And while Comic Con may have helped boost Captain America’s sales in America, Harry Potter and the Deathly Hallows: Part 2 continues to enchant the rest of the world.

Out of all the videos released at this year’s Comic Con, the trailer for The Last Airbender: Legend of Korra was one of the most anticipated (see above). The brand new video gives just over a minute’s look at the world of Avatar some 70 years after Aang.

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Jul 2011 22

by Aaron Colter

The bulk of this blog post isn’t about San Diego Comic-Con, I’m just using it as an excuse to get you to click on the title. And it worked. Fooled you, motherfuckers! You might as well stick around though, I mean, you did already click on the title, and you are already reading this sentence. The next one’s pretty good, you should read it too.

Comic-Con can actually be a lot of fun, but it’s expensive as hell and crowded as five pounds of shit in a four pound bag. If conventions are your type of party, there are smaller conventions around the country that are legitimately well-attended, where you’ll have the opportunity to meet with other fans and actually speak to creators about their work. If, however, you’re looking to blow a few thousand dollars, and can get a decent group of your friends to do the same, plan a year in advance, and set aside hundreds in cash for stuff on the show floor, then yes, San Diego Comic-Con is fucking awesome. If attending, my top three picks for things to get at SDCC are Mr. Hipp Strikes!, Any Empire by Nate Powell, and the 2011 Color Ink Book.

But, if you’re like me, and don’t really want to deal with all of that noise this year, next, or ever, unless absolutely necessary, then here’s some cool stuff that you can do this weekend that will still be pretty fun.

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Jul 2011 22

by Mur Lafferty

SuicdeGirls presents the seventeenth installment of our Fiction Friday sci-fi series, Marco and the Red Granny, which is brought to you by SG columnist Mighty Mur a.k.a. cyber commentator Mur Lafferty.

Marco and the Red Granny is set in a not-so-distant future where an alien species, the Li-Jun, has transformed the moon into the new artistic center of the universe, where the Sally Ride Lunar Base soon gains the nickname “Mollywood.” These aliens can do amazing things with art and the senses, allowing a painting, for example, to stimulate senses other than sight. However, humans remain suspicious of the Li-Jun’s emotion-imbued goods, so while their entertainment can be beamed back to earth, a trade embargo prevents anything from being physically imported to the planet.

In the previous installments, Marco, a writer whose career has long been in the doldrums, gets a surprise call from an agent he thought he no longer had informing him that he has received an offer from Mollywood for a much coveted Li-Jun patronage. Keen to catch up career-wise with his ex-GF Penelope, who’d unceremoniously dumped him after being recruited by the Li-Jun two years earlier, Marco hastily jumps on the next shuttle to the moon. Once aboard, he finds himself sitting next to a seemingly unassuming old lady called Heather, who turns out to be The Red Granny, a legend in Li-Jun’s reality show world for being a three-time champion of The Most Dangerous Game (which requires contestants to sign away the rights to their life).

After settling into his new accommodations at House Blue, Marco has a brief meeting with his new patron, a Li-Jun called Thirteen. It’s only then that Marco realizes he’s never been shown the terms of his employment, and a sense of unease sets in. That evening, Marco is taken on a trip to see The Red Granny in action in The Most Dangerous Game. After a bloody battle, the senior reality TV star is again victorious. The viciousness of the game leaves The Red Granny unconscious, and Marco shocked, disturbed, and in need of a stiff drink. Unfortunately stiff drinks are frowned upon by the Li-Jun, so Marco settles for an early night

The next day, Marco learns first hand about the process that enables the Li-Jun to put taste into paintings, music into pie, and stories into (nonalcoholic) beverages. Having had his deepest and most depraved memories dredged and thoroughly probed by the aliens so they can be monitored and recorded, Marco finally sees the terms of his contract. He ultimately accepts the Li-Jun’s too-good-to-refuse offer, and embarks on his new life at House Blue. However, though he’s been handed everything he ever wanted, somehow the reality of it is hollow.

Twenty thousand words into his new graphic novel, with his first deadline looming, Marco suffers from a severe case of writers block, and searches for inspiration in the bottom of a glass that’s actually had something worth drinking in it. To this end, he stumbles across an illicit drinking establishment on the seedier side of the moon which turns out to be run by a collective of folks who are strictly persona non grata as far as the Li-Jun are concerned – The Alcoholic’s Guild. There Marco has an uneasy encounter with a glass or three of gin, his ex-GF Penelope, who is now going by the name Knowledge, and her AG sponsor, Defect. After downing one too many drinks, Marco begins to get a sense of exactly how severe of an infraction the Li-Jun consider the consumption of alcohol to be.

While attempting to conceal his inebriation as he sneaks back into House Blue, Marco is caught red handed by his Li-Jun keeper Seven (it was probably his spontaneous vomiting that gave him away). The punishment is a second bout of mind raping/mapping. Afterwards, with his patronage in jeopardy, Heather gives him a ‘special’ necklace to calm his nerves and promises to plead his case with Thirteen.

The following morning, Heather takes Marco on a behind-the-scenes tour of the secret areas of House Blue where the Li-Jun infuse emotion into art. The Red Granny also reveals that everything created in Mollywood will soon be permitted to be legally imported back to earth. Duly inspired and placated, Marco is allowed to resume his patronage…However, that was before he got kidnapped twice in one day. The first time by Penelope/Knowledge and Defect of The Alcoholic’s Guild, who made him realize the Li-Jun had brainwashed him into compliance, and the second time by the Li-Jun, who were rather upset about the fact he’d just been fraternizing with said Alcoholic’s Guild – albeit initially unwillingly. Marco’s punishment for this infraction? He was to be a contestant in The Most Dangerous Game.

Having selected his weapon of choice, with a little help from Heather, we join Marco as he prepares for his first bout – armed with nothing more than a bad case of nerves/abject terror, a staff, and a seemingly unassuming knife. However, something Heather said gives him pause for thought:

We are not that dissimilar. We’re just going about our paths in a different way.
Before he enters the arena, Marco cuts himself with the knife to see what it might be imbued with. He discovers thanks to its nefarious Li-Jun properties, it gives him a sense of rage he’s never felt before…

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Jul 2011 20

by A.J. Focht

Muggles made Hollywood magic last weekend as Harry Potter and the Deathly Hallows: Part 2 took the weekend box office, and made box office history. Deathly Hallows had the largest midnight release ever, with $43.5 million earned that night, shattering The Twilight Saga: Eclipse‘s previous record of $30 million. Sparkly vampires suffered further at the hands of the wizarding world as Deathly Hallows also broke The Twilight Saga: New Moon‘s opening day record, raking in $92.1 million in the US. It doesn’t stop there; Harry Potter nabbed the opening weekend record from The Dark Knight with $168 million. The entire world showed its approval as it collectively shelled out $475.5 million to see the Harry Potter series – putting it one-sixth of the way to James Cameron’s Avatar lifetime gross record in just one weekend!

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