by Nahp Suicide

Anemona is from Chile. She has been photographer and a Suicide Girl since 2007. She started being her own model/photographer and has now shot more than 70 sets for SG.

How did you first get involved with SuicideGirls?

I remember that the first pictures of Suicide Girls that I saw were on a website called Fotolog. I loved the concept of the webpage and the whole role of alternative modeling. Immediately I felt identified with them! I talked with a friend from college (Neftis) and proposed her to make a set, and she said yes. That’s how everything started.

What’s your background photography-wise?

I studied sound engineering at college, and there I got on a short course of basic photography. That was my first introduction to it. Then I quit my career to officially study photography at university. I left university for personal reasons, but I’ve continued my self education every day. I’m a firm believer that knowledge and perfection comes not only by theory but also through practice.

What was the first photo you had published?

Some of Mattilda‘s pictures in La Nacion, a local newspaper talking about the new phenomenon called SuicideGirls.

How would you describe your style?

I think that my personal photography style is very connected with who I am, my personal style and how I interpret the world; I would say bright colors, fresh, and playful.

What gear do you use?

A Canon 7D + 50mm + 10-22mm + 28-200mm and my very personal NATURAL LIGHT. I don’t like to use much studio lightning, I always prefer natural sets.




How important is Photoshop in your final images?

I use Photoshop basically to increase the colors – that is kind of my personal style. I also add some contrast and do a little skin retouching.

What gives you ideas and inspires you to create such amazing sets?

I really love music, so music videos are a huge inspiration to me. I love the style of Jonas Åkerlund and how he uses colors, I really do! Also Cherry has an amazing use of colors and Sean make sets with such a simplicity that’s impossible not to feel inspired by them too.

What is your favorite image?

It’s hard to choose but I would say these are some of them: Atomic in Under The Waves (NSFW), Discoquette in Transparent, Smash in Into The Light (NSFW), Belena in Lomography, Lith in Hottie Geek (NSFW).

Tell us why it’s your fave and how you achieved it?

Well, in Atomic’s “Under The Waves” set it was very difficult to do, cause the day was so cold and we had to try to shoot in waves and cold water. But we actually made it awesome. I’ve always wanted to make a set like that so I guess that’s why I really liked that one.

In Belena’s “Lomography” set we wanted to show just how she is, a very fun, colorful and playful girl, and her love of Lomo cams. I think that’s also one of the best executed sets that I’ve made.

Is there anybody or anything you would love to photograph that you haven’t? (And tell us why)

I really love to make people’s portraits and capture their style and represent that. I would love to shoot some day with girls like Carrina, Annalee, Plum, Gogo, Rambo, Pilot, JaneDoe, Discordia, Lass, BelleBane, and many more. Actually, I’m so lucky to have had the opportunity to make sets with girls I’ve always wanted to, and I hope I can continue doing it in the future!

Related Posts:
In Focus: The Photographers of SuicideGirls feat. P_Mod
In Focus: The Photographers of SuicideGirls feat. Talena
In Focus: The Photographers of SuicideGirls feat. Lavonne
In Focus: The Photographers of SuicideGirls feat. DarrylDarko
In Focus: The Photographers of SuicideGirls feat. Albertine
In Focus: The Photographers of SuicideGirls feat. Holley
In Focus: The Photographers of SuicideGirls feat. Dwam
In Focus: The Photographers of SuicideGirls feat. Writeboy
In Focus: The Photographers of SuicideGirls feat. IvyLlamas
In Focus: The Photographers of SuicideGirls feat. Lavezzarro

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World…

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

[..]

by Blogbot

Artist / SG Member Name: I’m Dwam on SG and as a tattooist, but I use Ipomée as an illustrator name.

Mission Statement: I don’t know. I’m fascinated by the aesthetic of the body. I love drawing people, faces, bodies, clothing, motions, figures, in order to convey or translate moods, emotions, and sensations. I’m also really into dreams, symbols, mythology, and gender issues, and I’m trying to infuse that in my works.

Medium: Mostly graphic and ink on paper, some acrylic inks or watercolor, and digital art on Photoshop quite often. And skin now.

Aesthetic: Obviously it’s very influenced by comics. And now all this background influences a lot my tattoo work. I don’t know if this will make sense, but what I’m looking for, mostly, is the elegance of the lines.

Notable Achievements: Although I’ve been a part of a bunch of collective comics books, and I also created a self-published 4 books project with my schoolmates back in time; I never really made it further into the comics world. After I worked in an animation studio, I changed directions and stepped into the tattooing world, and that has been a lot more successful! However, I’m still illustrating sometimes for magazines or occasional commissions.

Why We Should Care: I don’t know. Why should you care, or why not? I hope to touch people with my art, but then it’s a matter of taste and sensibility, and they do not always match.

I Want Me Some: I’ve got a bunch of prints and originals on sale but no site for that. Most of my works are on my blog: ipomee.canalblog.com/ The easiest way is to contact me on SG or at ipomeee@hotmail.com if you’re interested.

[..]

by Nahp Suicide

P_Mod is from Strasbourg, France, and has been a photographer for SG since 2006. He specializes in shooting for tattoo magazines, and also takes live music and band promo pics.

How did you first get involved with SuicideGirls?

After a long photography break, my tattoo artist (Reynald, Asphalt Jungle) asked me to do a couple of portraits of some of his costumers. It was a proposition that I declined first cause I felt uncomfortable with portraits. (Basically I was pretty shy and I preferred taking pictures of landscapes, abandoned buildings, and so on.) I discovered SG when looking for good inspiration pictures of tattooed people, and three months later I shot two girls (Ayane & Raia) in Paris with a national TV team behind my back. I hadn’t slept for two days before the shoot, but at least the baptism by fire was done.




What’s your background photography-wise?

I learnt photography [at college] and I graduated 15 years ago. I was pretty disgusted by the artsy/elitist/show-off [element of] the students’ and teachers’ mind-shaping, so I gave up shooting for eight years and worked as an assistant in a photo laboratory. Then digital arrived and the photo processing industry felt down, so I opened my company four years ago. Now I work mostly for the tattoo press and doing band pictures.

What was the first photo you had published?

A picture of Jay Read for the cover of Rise tattoo magazine. 




How would you describe your style?

That’s a pretty difficult question. I don’t work to create a special style actually. Basically I try to keep pictures as close to reality as I can. Photography is in many ways like music, you can hide behind the technology, but it’s not everything. For example, I was at a Dream Theater show a couple of years ago. It was the most well executed gig I’ve ever seen, but the most boring also. Two days later I went to a random punk gig. It was technically a disaster, but way more enjoyable and alive. You can shoot a perfect picture technically, but which doesn’t work cause the moment isn’t there and nothing happens. The shoot is only a part of the process. The selection is also very important: why a picture is a part of your selection, what the picture means for you, and how it represents your mood during the shoot – even if the picture is not technically perfect.

What gear do you use?

A Canon 1D + 50mm + 24-70 95% of the time, and Hasselblad 500CM for analog.




How important is Photoshop in your final images?

I think that a raw image which doesn’t work unedited won’t work edited. I try to select pictures where I won’t have to spend two hours editing, but there’s obviously an element of laziness also.




What gives you ideas and inspires you to create such amazing sets?

Mostly music visuals, video clips, cinema. Actually, most of the time it’s not a real creation but it’s tributes from existing things, winks or whatever. The trick is I’m usually trying to let the girl bring her idea. I’m just here to help in a technical shaping. It’s not laziness; I find it interesting to involve models in their own idea as SG is basically a way to show yourself. There’s also the possible scenario where there’s no specific theme, in this case we just discuss how we can take advantage of a location, light, and mood, and do something coherent. To mix with some photographers on SG like Steve Prue, Cherry, Albertine or Dwam has been a real inspiration and kind of changed my view on photography generally speaking.




What is your favorite image?

None and many in the same time.

Tell us why it’s your fave and how you achieved it?

My main trouble is when I spend too much time on the pictures, then I always think it’s all crap. I used to have a personal crisis, like “let’s give up photography and open a fishing company in the country side.” On the other hand, I’m more interested in personalities than simple aesthetics, so my faves are obviously the pictures done with people who own a strong universe. I think when you can join personality and aesthetic, you can be sure something will happen. My first thoughts go to people like AnnaLee, Gogo, Lylie, Leopoldine, Dwam, Nemesis, Revenge, Apory, Opale, Sinnah, and so many others. But I’m certainly not objective about it as they are a way more than models and have became true friends.



Is there anybody or anything you would love to photograph that you haven’t? (And tell us why)

I’m usually [limited by] geographic issues, but I’d like to drift off into new encounters so let’s wait and see ; )

Related Posts:
In Focus: The Photographers of SuicideGirls feat. Talena
In Focus: The Photographers of SuicideGirls feat. Lavonne
In Focus: The Photographers of SuicideGirls feat. DarrylDarko
In Focus: The Photographers of SuicideGirls feat. Albertine
In Focus: The Photographers of SuicideGirls feat. Holley
In Focus: The Photographers of SuicideGirls feat. Dwam
In Focus: The Photographers of SuicideGirls feat. Writeboy
In Focus: The Photographers of SuicideGirls feat. IvyLlamas
In Focus: The Photographers of SuicideGirls feat. Lavezzarro

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World…

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

[..]

by Nahp Suicide

Talena is a Latin American photographer. She lives in Chile but travels constantly to other Latin American countries to shoot sets with different SGs. She has been with SuicideGirls since 2007, and is both a model and a photographer.

How did you first get involved with SuicideGirls?

I remember finding a few pictures of Quinne, Apnea, and other models thanks to Fotolog. Then I found a link to the SG site, and took the free tour. I used to think that SG was only for North American models.

What’s your background photography-wise?

My start was thanks to Fotolog. That was how I got involved in photography too, with standard cameras, trying to get the best out of every machine that I had during that time. I was also my own model. I am a self-taught photographer from the beginning, so I know that photography will be my only path in life. In the present I’m studying Visual Art and Photography. I enjoy it very much, but college only gives me the status of professional. I feel like the experience with SuicideGirls gives me all the knowledge of a professional photographer, the studies only give me some foundation in technique. But as an artist or a professional related to art and expression we’re always gonna learn some more.

What was the first photo you had published?

That was in a publication called Pink Attitude. They bought my self-portrait for the cover around 2007 or 2008.

How would you describe your style?

Tough question; In the beginning I was trying to follow the style of the site. It took some time for me to discover my own voice, my own emotional vibration. Outside of SG my style is more dark but equally feminine, playing with the atmosphere, with textures, and the temperature. I guess, little by little, I ended up transferring a mix between my personal style and the style of the site.

What gear do you use?

A Canon 7D with two lenses: a 28-155mm and a 50mm. I aso use a Canon Speedlite 580 II flash and some reflectors. I’m planning to increase my gear this year.

How important is Photoshop in your final images?

It’s a tool in that it complements my work, BUT you have to understand that the capture is everything. When I take a good capture, I can always visualize how it’s gonna end up, what kind of mood, the aesthetics, the feeling, the personality of the picture. So for me it is a great tool to increase, interpret, and transform the conditions and details since as a photographer sometimes you have to fight with nature.

What gives you ideas and inspires you to create such amazing sets?

I am inspired by several sources: fashion, film, music, and the feeling that remains in my subconscious, that makes me dream. I also get inspired by the style and the personality of the models. It’s really fun adapt a vision based on the style of the model because that only makes the results better.

What is your favorite image?

Oh god, that’s difficult, because lately I have shot so many sets and I think most of them are my favorites. But I think one of them is from the multi of Liu, Prussia and Cassiopea called Cherry Bomb.

Tell us why it’s your fave and how you achieved it?

I specially love this picture because the girls had so much fun. I mean, as a matter of fact, most of the pictures were spontaneous. It was so much fun. The four of us took a long trip to take the shots. It happened in a room full of instruments. Everywhere was smelling of beer and cigarettes, and everyone was sweating and laughing till they burst. I think that’s why it’s one of my faves. It was a nice moment. I love that set to death.

Is there anybody or anything you would love to photograph that you haven’t? (And tell us why)

My dream is go to Europe and be able to shot every place that crosses my sight. Getting to know Germany especially, would also be a dream. Being able to shooting Manko, Quinne, Radeo, Plum, Annalee, Kraven, Jamity, and the list goes and goes. The truth is that I hope to meet and shoot so many girls of the site. I’ve had the opportunity to visit different countries and meet very gorgeous girls in each one. I hope to continue traveling the world and not stopping. There’s so much beauty in every place.

Related Posts:

In Focus: The Photographers of SuicideGirls feat. Lavonne
In Focus: The Photographers of SuicideGirls feat. DarrylDarko
In Focus: The Photographers of SuicideGirls feat. Albertine
In Focus: The Photographers of SuicideGirls feat. Holley
In Focus: The Photographers of SuicideGirls feat. Dwam
In Focus: The Photographers of SuicideGirls feat. Writeboy
In Focus: The Photographers of SuicideGirls feat. IvyLlamas
In Focus: The Photographers of SuicideGirls feat. Lavezzarro

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World…

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

[..]