by Alex Dueben
Dame Darcy is a renaissance woman. The Idaho-born artist has crafted a broad and powerful body of work. She’s an illustrator and fine artist, a musician, dollmaker and designer. Her work has been exhibited in galleries around the world. In 2006, Penguin released a new edition of Jane Eyre heavily illustrated by her. She has an etsy store where she sells not just prints and original art, but dolls and other handcrafted work. She’s collaborated with Alan Moore and contributed to the Tori Amos comics anthology Comic Book Tattoo. Her other books include Gasoline and Frightful Fairytales.
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By Edward Kelly
On paper, it seems like a no-brainer. Comedy and rap should, in theory, go together like Shakespeare and the stage – or CBS and derivative police procedurals. Even on a surface level, the similarities between comedy and hip-hop are many. Both are, essentially, spoken word art forms that are performed, at least in the beginning, at open mic nights in front of sometimes-hostile crowds. Both are very much raw and individual acts – an oftentimes undiluted, nerve-wracking display of what happens when a fan stops simply appreciating and starts producing material. As such, they invite a very personal dissection of an artist’s skill and talent.
But in practice comedy and rap rarely combine successfully. Sure, performers like MC Frontalot or MC Chris or Baddd Spellah are rappers and comedians, but part of their success is attributable to the postmodern, wink-wink comedic juxtaposition of gangsta rap clichés mixed with nerd culture quips. And while I love the nerdcore rappers, I can’t help but feel like I’m held at arms length. There’s an artifice there that can’t be bridged because, they’re essentially playing characters.
Rappers (and really all musicians) are at their best when the music feels, for lack of a less overused word, “real.” When Ice Cube told us that it was a good day because he didn’t have to use his AK, there was a certain sense of truth – a frustrated, angry condemnation of a society that allows injustice to continue. Likewise, transcendent comedy occurs when the comedian isn’t afraid to be uncomfortably honest about his life, such as when Louis CK rants about his young daughters’ bratty attitudes. The difference, of course, is that Cube uses testosterone-fueled posturing, while CK opts for exaggerated self-deprecation. Does that mean that CK doesn’t care about the injustice he sees in the world or that Cube isn’t aware of the inherently absurd nature of childrearing?
I don’t know the answer. But I have the feeling that Donald Glover does.
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by Nicole Powers
With her idiosyncratic style, DIY aesthetic, and kick-ass attitude, Tank Girl, who made her debut in Deadline in 1988, is without question a proto-SG. I was therefore jolly chuffed to receive a spiffy, glossy bound copy of her latest adventure, Skidmarks. Written by Tank Girl co-creator Alan Martin and drawn by the awesomely awesome* Rufus Dayglo, the gzillion thrills a minute plot is basically Wacky Races for an audience with a penchant for punk rock, smelly chicks (Tankie rolls with a pungent aroma), on-fire farts (see previous) and esoteric references.
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by Alex Dueben
Dan Goldman is best known for “Shooting War,” a comic written by Anthony Lappe which he illustrated. It first appeared online at Smith Magazine before being collected into a book in 2007. Since then Goldman, a member of the online comic collective Act-i-vate, has crafted a number of comics for print and the web.
“Red Light Properties” is a project Goldman has been developing for years and since January he’s been serializing the book on Tor.com. It’s the story of a small Miami Beach real estate firm – with a specialty – taking on haunted properties and exorcising the ghosts before selling them on. This isn’t ghostbusters, though. The plot’s a lot stranger and more complex, as are the characters.
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by Damon Martin
Dressing like a nerd has become the “in” thing to do (which is a little worrying when you consider yesterday’s “in” is today’s “out”). Personally I’ve been dressing like a nerd pretty much my whole life, because well, I’m a huge nerd – so I’ve little choice but to ride the wave (even if it beaches me in fashion oblivion in 6 months time). That said, there’s nothing wrong with being a stylish nerd (at least for now) and so with that I present “Geek Chic: The May the Force Be With You” edition.
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by Damon Martin
“Save the cheerleader, save the world”
It seemed like such a winnable premise. A comic book come to life on the small screen, with genuine comic book writers being an integral part of it all, and a television network willing to sink time, money and production into the series to make sure it’s a winner. That’s the beginning that was the hit series Heroes, which soon became the dwindling ratings show Heroes, and is now the canceled TV show Heroes. How did a show with so much promise and critical acclaim become such a superpowered fail for NBC??
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by Dan Tabor
So, how do you end one of the most beloved series to come out of comics in the last 6 years, and not disappoint your rabidly loyal fan-base? Why very carefully, that’s how. [..]
