“I never expected to hit any kind of audience.”
– Bret Easton Ellis
Even though Bret Easton Ellis has written so many brilliant and disturbing novels such as Glamorama, American Psycho and Less than Zero he’s been coming off so strange on his recent press tour. But he’s is a lot cooler than what I expected. After reading Lunar Park, then perusing his recent press and even reading the press materials that the book publicity people sent along, I expected a stoned intellectual lunatic that would take one question and then talk for 45 minutes. But we had a great and very honest conversation that encompassed a good chunk of his career, the films made from his work, and even his extensive therapy sessions.
Lunar Park is the most personal and revealing book of Ellis’ career because it is about a version of himself. A drug crazed asshole version, but one that seems like it would be fun to hang out with and snort coke off of Ione Skye’s tits.
“This film is really my way of saying we’ve had enough.”
– Nadine-Labaki
Nadine Labaki is my kind of woman. A Lebanese filmmaker, Labaki has lived life and experienced war and tragedy, so the perspective in her art is perceptive and philosophical. Certainly not superficial. You would think coming from a conflicted region, Labaki’s films would be serious and perhaps difficult to take. She actually makes comedies. Her first film, Caramel, was a romantic comedy. Her second, Where Do We Go Now?, is a comedy about religious conflict between Christians and Muslims.
How can such a subject be funny? Well, Where Do We Go Now? opens with a procession of Muslim women marching and swaying in rhythm, so you know there’s something different here. The men of their unnamed village are always on the brink of fighting. The women do everything they can to distract the men, from drowning out news broadcasts to bussing in a group of bikini models. With a light touch, Labaki gets people thinking and talking about important matters. Speaking with her in person was equally impressive. Though she was from the other side of the world, she spoke my language both literally (English) and spiritually. We had a gentle conversation about the culture and film making of Lebanon.
“I want to validate people and allow them to ask absolutely anything and take away this shame, guilt and judgment that can be associated with that.”
– Tristan Taormino
Tristan Taormino is best known for having one of the most famous assholes in the world. She is one of the foremost experts on anal sex and sex in general. That’s why she was the best person to edit the Best Lesbian Erotica anthology.
Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World…
By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.
Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.
When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.
(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)
“I’ve been looking at my address book and its fatter now than it ever was before.”
– Tilda Swinton
In the movies Tilda Swinton comes off very angel-like and that’s not a pun for Hellblazer fans. She seems very delicate with a strong touch of pathos, though in person she’s warm, sweet, very funny and all business. But I suppose when an actor has sheparded a passion project for five years like Swinton did with Thumbsucker you need to be that way sometimes.
Swinton plays Audrey Cobb, a woman with two children. At the age of 17 her son, Justin, still sucks his thumb. She wonders how she could possibly be grownup with a son going to college. In her early 40s, she is, like Justin, struggling to find out who she is and to accept her shortcomings. As a mother she knows that she doesn’t have all the answers to Justin’s troubles, and that she is sometimes too busy dealing with her own doubts to help him. Audrey hides from these realities through an obsession with a TV heartthrob, Matt Schraam [Benjamin Bratt], whose TV character seems to have all the neat answers.
In its second week in theatres, The Avengers broke over a dozen records, including tying with Avatar and Deathly Hallows Part 2 for fastest to a billion dollars. Considering in just two weeks it became the twelfth highest grossing movie ever, it should be no surprise that Disney has confirmed Avengers 2.
After the phenomenal success of The Avengers, Joss Whedon took some time to thank his longtime fans. Posting a letter on his personal site, Whedon thanked those that have stuck with him. After his heartfelt missive, he posted an interview with ‘Rutherford D. Actualperson’ covering some FAQ for his fans.
The Amazing Spider-Man is kicking up its advertising campaign. Now they have released a four minute preview of the film. It includes a scene where Spider-Man saves a child, but reveals his identity. Moments like this show the clear differences between this Spider-Man and the Spider-Man from the previous movies.
The newest news from The Dark Knight Rises is that Marion Cotillard has confirmed she is not playing Talia Al’Ghul. In a recent interview, the actress revealed that her character was a good throughout. This does not mean Talia Al’Ghul is not in the movie, but Marion Cotillard will not be playing the part.
The CW is moving forward with their new superhero television series, Arrow. Now there is an official synopsis of Arrow available. Some of it follows the traditional Green Arrow story, but there have been some changes, including the city, which has been switched from Star City to Starling City.
NBC’s Community has been green lit for another season, but they moved the show time to Friday nights. The series might be coming back, but it’s not clear if the whole study group will return. Both Chevy Chase and Community creator Dan Harmon have not signed on for the new season.
Jumping on the post-apocalyptic bandwagon, NBC is airing a new show next season called Revolution. The series follows the aftermath of a post-apocalyptic event where all electricity is shut off across the world. It clearly builds off the popularity of Hunger Games, and even includes a bow toting heroine.
In the video game world, Blizzard launched Diablo III at midnight on the 15th. Videogame developers at Bethesda are also looking to move in on Blizzards massively multiplayer online game territory. They have announced they are working on an Elder Scrolls MMO.
“If I’m going to fall flat on my face, I might as well do it in front of a decent crowd.”
– Sasha
To music purists nothing is scarier than when a legendary artist embraces new technology. I still talk to people who think Bob Dylan lost it when he went electric. Certainly DJ Sasha surprised everyone and angered many when he decided that he was going to be doing his live shows using the Ableton Live software with a custom-built Maven midi controller and an Apple G4 laptop. SG got a chance to talk with Sasha about using those tools to play live and how it affected his new album, Fundacion NYC.
