By Nicole Breanne

The Stones, Bowie, Elvis, Hendrix, The Beatles, they all played on vinyl throughout my formative years. These guys are the soundtrack of my childhood. I was also intrigued by photographs from that era. Candid shots of the rock stars were my favorite. I would also notice the beautiful girls that were with them. I didn’t know who they were or what they did, but one in particular stood out. As I grew older and the internet came into play, I did my research, Pamela Des Barres was the name.

Pamela Des Barres – known as Miss Pamela, Queen of the Groupies – is world famous, mostly for the company she’s kept. But after reading her books, watching her documentaries, and being part of the music scene myself, I realized she was so much more. And as I got into journalism (I started as rock writer), my desire to meet and know Pamela grew and grew. Finally, I got the balls to shoot her an email and ask her for an interview…

Nicole Breanne: I grew up in a very musical household, not only did we have vinyl, but we had a lot of candid shots of rock stars. Those were my favorite. I always saw these really beautiful girls, you in particular, and I would think to myself, “I want to be those girls.” Now I look at groupies and I’m like, “Ugh, really?”

Pamela Des Barres PDB: You can’t use groupie in a negative way like you just did, I forbid it

NB: Well, that’s kind of my point, I don’t see them as groupies like I see you as one. I just didn’t know if I could call them star fuckers in your living room.

PDB: [laughs] I don’t call them that, I don’t call them anything. That wasn’t what we were about. I didn’t have sex for a long time, I wanted it to be special and I wanted to really love the person and have them really love me. But I did give oral sex – I really wanted to show my appreciation.

NB: Exactly! You weren’t there to just screw rock stars. You were these beautiful girls that were there for the band, you appreciated the music. I really feel like you guys did so much more.

PDB: I’m glad you feel that way because a lot of the bands felt that way. It wasn’t us just trying to be with them, they wanted us there. The super groupies got to be up on stage, we felt what they were feeling. It was thrilling beyond words to be up on stage when The Who was doing Tommy, The Stones with “Gimme Shelter.” I’ve been in some pretty amazing places.

NB: You’re so good about giving details, and not giving too much. You don’t go into who’s big and who’s not.

PDB: People ask that all the time! Who was the best? Who was the biggest? The funniest question I get asked, and I get asked it a lot, is, “What is jimmy pages dick like?” [laughs] So many people want to know that! It’s like wow, sorry, if you can’t find out for yourself, I’m not gonna go that far. They don’t ask about Jim Morrison or Jagger. I guess everyone saw Jagger, but Jimmy is the one they ask about.

NB: You really loved these guys, was it hard to watch them live that extreme lifestyle?

PDB: Yeah, I had to walk away sometimes. I was scared for them, sure I was. I saw them doing more and more, and the drugs got harder, it wasn’t just hash. I won’t lie, I did it too. I did it all. I never shot up though. I guess I’m lucky that I’m not an addictive person, I could walk away. But there were a few times when I had to leave because I couldn’t watch.

NB: Again, you really cared about these guys — but you weren’t the only girl that was around. When I watched the documentary based on your second book, Let’s Spend The Night Together: Confessions of Rock’s Greatest Groupies, I was struck by how there was no jealousy. Was there any of that?

PDB: No. We all really liked each other and we were careful not to step on each other’s toes. When the scene changed and some younger girls came in — that’s a different story. They just wanted us out, and there was name-calling and that kind of thing. Not all of them. There are a few good girls that I still keep in touch with. But the original girls weren’t like that. I loved doing that documentary because I got to spend double time with the girls. They’re still some of my best friends.

NB: What’s it like when you listen to the music of that time – do you still feel that same?

PDB: Some of it is way too emotional. It brings back way too many emotional things. I get very heady. I can’t even listen to “Stairway.” It brings back way too many memories. When it’s on the radio I can’t wait to turn it off, especially if I’m driving. I still listen to Graham Parsons. I was moved by him and his voice and his intense desire to share what he was doing with music. He was so dedicate and I’m obsessed with him still. There was a girl from France who was interviewing me because she’s doing a comic book series on the GTO’s and I asked if she knew him and she said no [so] I gave her CDs. I’m like that, because if someone really loves music, they need to know Graham. That’s what he was about, spreading music.

NB: In your second book you talk about your divorce, your son — it’s a very personal book. Did you just decide that you were going to go balls out with this and tell it all?

PDB: I did that with all my books. But my second book…it’s a different book, its my favorite one. It’s not as well read as the first one, the first one was a bestseller for a long time. I have fans, they’re reading them, but I wish more people knew about the sequel.

NB: You’re working on your fifth book now…

PDB: Yeah, my fifth book will be about my spiritual journey. My agent is having a hard time selling it because I am perceived as a “groupie” and a “groupie” shouldn’t have spirituality I guess. But we have interest from a smaller house.

NB: You teach a writing class – how did that start?

PDB: I would periodically go take a refresher creative writing course throughout my life. Moon Zappa said, “I’ve got this really cool writing teacher you may want to check it out.” So, I went and half-way through the class I thought – I should be teaching this, I could be teaching this! So I thought about it for a year, then I decided to take the plunge and just go for it. I advertised on MySpace, because that’s what was happening at the time. My first group met right here, about 10-12 girls, and they loved it. It’s just great groups of women who are all like-minded, and they have these amazing stories, so life long friendships are made. It’s worked out. I’ve been doing it for 12 years now. I’ve been traveling and now I teach all over and I’m doing my first European trip too.

NB: How do you feel about music today?

PDB: There’s a lot of things I like, nothing like the renaissance I lived though where every thing was great – The Stones, The Byrds, The Doors. I had to choose between The Stones and The Burrito’s. I remember Mercy invited me to Monterrey and I said, “I can’t go I can’t miss The Burrito Brothers!” Now that is one of the few things I regret. But I love Lucinda Williams. She’s the only singer that has moved me like that in decades. I liked Ryan Adams for a while. He went off the rails for a bit, but his new album is good. My boyfriend Mike Stinson is the greatest songwriter. I still go to see Willie Nelson, Merle Haggard, Dylan always, always. I set my alarm to make sure I get up to get the best seats. Paul McCartney. Mainly the bands I liked then I’ll go see now.

NB: Do you feel like it could happen again? That someone can come along and just revolutionize music?

PDB: It happened in rap, Eminem is a real big favorite of mine because he took that whole other part of music and created it for himself. That was amazing. He’s the last person that has moved me in that kind of way, in the way that I was like, “Wow, this guy is doing something.” Not since Kurt Cobain. Kurt Cobain was the dude.

I left Pamela’s house completely elated. She was more than I had ever dreamed she could be. She was poised and kind, and still insanely beautiful. Part of me hoped that meeting her would quell my thirst for that time. Maybe it wouldn’t be as great as I thought it was, maybe she wouldn’t be. But, alas, I’m left with even more of a longing – so much so, that I’ll be at her January writing class. If, like me, you can’t get enough of Pamela, be sure to sign up for one of her creative writing workshops. Alternatively, you can join one of her Rock Tours, during which she takes groups around Hollywood to her old haunts and reads excerpts from her book. It’s a pretty kick ass trip down memory lane!

by Daniel Robert Epstein

I remember the first time I saw Alice Cooper. It was some bizarre commercial on MTV. It was some janitor picking up an Alice Cooper album and commenting on how scary he was. Then he turned around and it was Alice yelling into the camera. I nearly shit myself and I went to sleep crying. Alice Cooper has that kind of impression on people. Once you see him, you never forget him.

Now you can see the tour that was Alice at his height of his powers on the Billion Dollar Babies Tour. Shout Factory has just released the DVD Good To See You Again, Alice Cooper – Live 1973 – Billion Dollar Babies Tour. Besides having Alice sing some of his classics such as “I’m Eighteen,” “No More Mr. Nice Guy” and “School’s Out,” it also sports some great extras like an Alice Cooper commentary, deleted scene and outtakes.

Read our exclusive interview with Alice Cooper on SuicideGirls.com.

by Blogbot

Artist / SG Member Name: Zak Smith / ZakSmith

Mission Statement: I hate it when you’re eating a cheeseburger and then the chef comes out of the kitchen interrupts you eating and goes, “Oh now let me tell you a little bit about why I made a cheeseburger.” Oh wait, I don’t hate that. Because it never happens. Because they never do that. Because that would be stupid.

Medium: Acrylic on paper for the paintings. Ink on paper for the black-and-whites.

Aesthetic: Maximalist.

Notable Achievements: I have a painting in the collection of the Museum of Modern Art in New York and it’s a Suicide Girl — Charlie. I drew one picture for every page of Gravity’s Rainbow. I did an illustrated book of true stories about me working in the adult film industry called We Did Porn. I painted 100 Girls and 100 Octopuses and Charles Saatchi bought it and I know that plural is actually grammatically accurate thanks to friends I made 8 years ago on Suicide Girls. Honey Manko Suicide once called me crass.

Why We Should Care: Because throughout a decade of long disconnection and difficult-to-pin-down multimicronichefamousness SuicideGirls is the closest thing to a home I’ve ever had. And even though I went to Yale, been to a million art dinners, and have watched Sasha Grey lick my cum off another girl’s ass, I can still say to this day that most of the smartest, prettiest, and least sane people I’ve ever met and most of my best models are from this little pink pin-up girl website. Actually, that’s why I should care, isn’t it? I don’t know why you should care.

I Want Me Some: My last two books — Gravity’s Rainbow and We Did Porn were published by Tin House Books, my first one, Pictures Of Girls, was with DAP. Both are available through the usual on-line channels and by harassing finer art-book stores near you. The SG store used to sell some very nice full-size posters of my Charlie and Sawa paintings. If you complain a lot they might do some more. My site is www.zaxart.com.

[..]

by Daniel Robert Epstein

Zooey Deschanel is as beautiful, funny and charming in person as you all expected. Even though she comes from a family of movie people, her father is legendary cinematographer Caleb Deschanel, Zooey seems as down to earth as anyone. I got a chance to talk with her at the Toronto Film Festival where Winter Passing, her newest independent film, premiered.

Winter Passing has Deschanel playing a young actor who returns home after a seven-year absence to her famous alcoholic father [Ed Harris] and a house full of strangers that include a religious wandering loner [Will Ferrell] and one of her father’s former students [Amelia Warner].

Read our exclusive interview with Zooey Deschanel on SuicideGirls.com.

by A.J. Focht

The New Year is off to a good start as nerd rage scores one over the film industry. After the massive amount of complaints surrounding Bane’s voice in The Dark Knight Rises, Warner Bros. has cracked and made it easier to understand in the audio mix. While Christopher Nolan had no intentions of changing the voice, the studio’s fear of the fan outrage won out.

That wasn’t the only news from The Dark Knight Rises to break last week. In an interview with the Los Angeles Times, Anne Hathaway released some previously unknown details about scenes in the film. As if that wasn’t enough, the forty second montage from the prologue was leaked last week, and promptly removed.

Marvel Studios has released a new movie poster for The Avengers. The poster taps into the recent fad for classic looking movie posters. While the art style rather interesting, the poster is just about what you would have expected.

After five years of legal wrangling, the courts have made a decision as to the proper owners of Ghost Rider. No shocker, but Marvel will retain the rights. The case was brought to the court by Gary Friedrich, the modern re-creator of Ghost Rider. Marvel commissioned him to update their original Ghost Rider, a cowboy, and he delivered with the well-known skeleton motorcycle rider. Unfortunately for Mr. Friedrich, he signed over all rights of his character to Marvel, twice. It was on this grounds that the court decided that Marvel would keep all rights, and Friedrich, whose complaint stemmed from being cut out of the profits from the first movie, won’t be seeing profits from the upcoming sequel either. Just a good reminder to all artists to make sure they keep track of their intellectual rights.

Some more legal bullshitting coming out of Marvel; their lawyers are now proposing the case that the X-Men are not human. While the Mutant versus Human status has long been an issue in the comics, this time it’s being used in the real world for capitalistic gain. Certain countries tax less on figures that are not human, and thus, Marvel must insist that the X-Men are not humans. Perhaps these countries should change the wording to ‘humanoid’ to avoid confusion.

The largest scale model of Serenity has been found in the depths of the Universal Archives. The replica builders at Quantum Mechanix came across the model used in the Firefly series and had a chance to take several photos. Someone really should consider rescuing this piece and putting it some sort of science fiction museum, lest it disappears again into the depths, never to be seen again.

One last bit of news, Netflix has released a three minute trailer for their first original series Lilyhammer. It follows the story of an ex-mobster who enters the witness protection program. Sopranos veteran Steven Van Zandt plays the role of the protagonist, Frank ‘The Fixer’ Tagliano. This is the debut original series to come from Netflix, but they have several others in the works, including the final season of Arrested Development.

by Daniel Robert Epstein

For the internet crowd Ultraviolet is one of the most highly anticipated movies of the year. Writer/director Kurt Wimmer’s last film was Equilibrium, which even though it did not do well at the box office, became a major hit on DVD. Equilibrium’‘s unique blend of martial arts and guns, called gunkata, has spawned a cult of its own.

In Ultraviolet Milla Jovovich plays Violet who is part of a subculture of humans who have been genetically modified by a vampire-like disease giving them enhanced speed, incredible stamina, and acute intelligence. They are at war with the humans and now Violet must protect a nine-year old boy who has been marked for death by the human government.

I got a chance to talk with Jovovich at the first New York Comicon.

Read our exclusive interview with Milla Jovovich on SuicideGirls.com.

by Daniel Robert Epstein

Alexandre Aja is turning into a great horror auteur. He first broke into the American market with the disturbing thriller High Tension. Now he is releasing his first American horror film, a remake of the classic The Hills Have Eyes. This version casts Silence of the Lambs star Ted Levine as a loving father with a whole town fill irradiated mutants to fight.

Read our exclusive interview with Alexandre Aja on SuicideGirls.com.