by Darrah de jour

The unlikely, but delightful newly wed Gaiman-Palmer duo hit the Wilshire Ebell Theatre in Los Angeles on Halloween night kicking off what will be a five-city West Coast mini-tour, which will stop off in San Francisco (11/4), Vancouver (11/6), Portland (11/8) and Seattle (11/9).

On the heels of performing with Moby and Stephen Merritt, along with an admittedly “uncomfortable” Gaiman on keyboards, on The Late Late Show With Craig Ferguson earlier that day, the twosome were introduced at the Ebell by rad chick comic Margaret Cho (who likened her life-long affection for rice-paper wrapped white bunny candies to her fondness for uncircumcised penises). Taking the stage in black and white wedding-esque attire Amanda and Neil began a rowdy costume contest. Audience members, hand-selected by Cho, took to the stage and accepted varying levels of applause, which determined the ultimate winner: a gay male couple dressed as twin-rabbits. Creepy masks. The prize? Signed merch and a rather random bottle of balsamic purloined from a Craig Ferguson hospitality basket.

The British scary story writer and Dresden Dolls founder and lead-singer met while collaborating on Palmer’s macabre art/photo book Who Killed Amanda Palmer– a collection of photographs of a dead-Palmer – taken by Palmer, over a period of 14 years. Gaiman explains how this undertaking brought them together. Read, also, his latest plight: to help artists create wills for their literary estates.

A charmingly disorganized night filled with on-stage, off-mic banter, impromptu song and reading plans, and even a cue-card Q&A of previously scribbled audience questions proved utterly lavish in this overly-synchronized Lady Gaga lights/Chris Brown firework world of perfectly framed modernity. Not to mention, the love between these two is palpable. (They pecked between songs, and when Gaiman forgot his lyric sheet, Palmer hurriedly scribbled lines on a ripped piece of paper with Sharpie, handed it to him and ran back to her piano. A gesture which prompted Gaiman to proclaim aloud: “I love her.”)

NYC-native Palmer sang a cover of “Science Fiction/Double Feature” from The Rocky Horror Picture Show along with originals “Runs in the Family,” “Judy Blume,” and latest Twitter-fan-aided ode to 4-stringed, anti-Fascist Machine-killing machine, her I.O.C., “Ukulele Anthem.” The 35-year old outspoken bisexual even sang “Satellite of Love” for the nearing birthday-boy (Neil turns 50 on November 10th), and the couple did a tongue-in-cheek duet of the standard “Makin’ Whoopee.” Neil read a few poems and a Halloween story he wrote for The New York Times, as well as a silly torch song he’d penned lyrics for (“I Google You“) about heartbreak and computers replacing the ‘cigarettes and bar-fly’ mentality that pervaded society for so long. Charming Australian duo The Jane Austen Argument opened.

The tour is being recorded thanks to fan funding from a Kickstarter campaign, which surpassed its $20,000 goal by $113,000+. In fact, much of the connection Palmer has with her fans stems from her DIY, grass-roots use of technology: blogging, free music sites, Twitter. There, she communicates and even beckons help from them (like during her “ReBellyon” – a record company dispute with Roadrunner Records which was sparked when they edited a belly shot out of a music video because they felt she looked “fat”).

A standing ovation for the two geek and goth faves, was followed by a chaotic merch signing session. Trying to organize the ridiculously large throng that was packed into the relatively small foyer, Palmer stood on a table, barefoot, as she attempted to figure out how the hell she and her husband were going to sign stuff for the mass of fans before the theatre’s 11.30 PM curfew.

Post-feminist sex and sensuality expert Darrah de jour is a freelance journalist who lives in LA with her dog Oscar Wilde. Her writing has appeared in Marie Claire, Esquire and W. In her Red, White and Femme: Strapped With A Brain – And A Vagina columns for SuicideGirls, Darrah will be taking a fresh look at females in America. Visit her blog at Darrahdejour.com/srblog and find her on Facebook.

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by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World…

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

[..]

by A.J. Focht

Joss Whedon is no mere mortal in need of rest and relaxation. After wrapping up The Avengers, Whedon used his month long vacation to do a secret shooting of an adaptation of Shakespeare’s masterpiece Much Ado About Nothing

JOSS WHEDON: Well, it’s not a bit secret that I’ve done these [Shakespeare] readings before, and I always had a vague notion of shooting Much Ado. But I didn’t really have a take on it. And then, for some reason, I kinda sorta did. As we were finishing The Avengers in New York, my wife and I were planning our vacation for our 20th anniversary. And she said, “Let’s not take the vacation. Make a movie instead.” I was like, “I’m not even sure if I can adapt the script, cast the movie, and prep it in a month.” And she was like, “Well, that’s your vacation time, so you do it.” And so I did.

–Source EW

Starring several members of the Whedonverse, the cast includes: Nathan Fillion, Alexis Denisof (Angel), and Fran Kranz (Dollhouse), amongst others. Shooting the film in only twelve days, the entire cast managed to keep the project secret until it was announced via a press release.

Whedon isn’t the only one moving past The Avengers in a hurry. Marvel has announced several superhero sequels for 2013. All the usual suspects are present: Iron Man 3, Thor 2, Captain America 2, and the long rumored Ant-Man is still on the list.

With three exceedingly mediocre movies based on The Punisher, it’s surprising to hear that he’s getting another chance, this time on TV. If anything could make this situation more shaky, Fox has purchased the rights to the series. Odds are it will either be fantastic and immediately get cancelled, or it’s going to be another agonizing hour of prime time that they’ll keep around for years to come.

Mark Hamill tweeted his goodbye to voice acting as the Joker after Arkham City was released. The goodbyes weren’t so final as he quickly reneged on his statement when asked about an adaption of the graphic novel The Killing Joke. After his confirmation he’d come back for such a project, a fan movement started to get the project in motion.

Zombies survive another year. After only two episodes this season, The Walking Dead has been renewed for a third season by AMC.

With so many other interesting TV series popping up, is it surprising to learn that Stephen King’s The Dark Tower has gone from film to television? Producer Brian Gazer reports that the series has been picked up by HBO. There is still the possibility of a movie, but they intend to ‘do it right.’

For those Star Wars fans not heart broken by the series being rereleased in 3D, the trailer for Episode I has made it online (though it was subsequently pulled from YouTube by Fox).

Moving onto more exciting sci-fi movies, Ender’s Game the movie has received an official release date of March 15, 2013. The film is still over a year out, but after a long rollercoaster ride of the project being off and on, it’s great to see a solid date.

First they released the sneakers from the Back to the Future movies, then they announced the rerelease of the DeLorean. As if in an attempt to make Back to the Future’s timeline absolutely correct, development of a real hoverboard is underway. The board currently needs a rail to guide it, but they have two years to fix that.

Pulling one straight from the Disney playbook, Warner Bros. will pull all Harry Potter DVD titles off the shelves on December 29, 2011; this includes the soon to be released Deathly Hallow Part 2. If you haven’t finished your collection, now is your chance. Who knows when Warner Bros. will release the films back into circulation? I’m betting no less than ten years.

Not the most shocking news, but Rockstar has officially announced Grand Theft Auto V. The preview will be released on November 2. I’m hoping they change things up a bit, perhaps a female protagonist?

On a final note, massive video game convention Blizzcon 2011 has come and passed. Several major announcements were made for World of Warcraft, including the introduction of the first neutral race, Pandaren. Most impressively, it looks like Blizzard plans on releasing three games next year, the expansions for World of Warcraft , Starcraft, and Diablo III.

by Bob Suicide

I don’t plan on ever growing up, though I do plan on single-handedly keeping the vinyl toy industry in business for many years to come. You name it, I’ve got it –– or it’s on preorder. However, even my embarrassingly childish addiction has standards. I have Legos, GI Joes, Transformers, Star Trek and Star Wars figures and replicas, plus Munnys and Dunnys of all sizes, but, I’m not –– and never really was –– a “Barbie girl.” I had a few as a kid, but even then I was more excited about my X-Men and Power Ranger figures than any doll.

However, I recently admitted a secret shame: “Typically, when I go to the toy store (which is often) to look for totally justifiable and not at all embarrassing toys, I make a small but shameful detour down the doll aisle.” And, recently, I even bought a few. Not Barbies, but Mattel’s similar line of dolls: Monster High.

Barbie has often been the target of body and self-image criticism. Thanks to her impossible anatomical proportions, moms across the globe decry the doll’s destruction of their child’s self-esteems –– but always after purchasing one or two because their daughters just had to have one. All the while, the overwhelming majority of girls rabidly desire and play with their dolls completely oblivious to the negative stigma their parents place upon them.

What I lack in “Barbie” fandom I make up for in love for Tokidoki designer Simone Legno, who recently released his own Tokidoki branded doll: the first officially tattooed Barbie. (There were two prior dolls that came with stickers mimicking temporary tattoos, but, since we’re getting technical, anything non-permanent doesn’t count.) With his amazing sense of art and style, Simone has done an amazing service to promote the acceptance of the beauty of tattoos within mainstream society. The doll is a perfect blend of the Tokidoki and Barbie brands. He’s mixed them together in a way that doesn’t compromise either. Part of me looks at that doll and says, “Fuck yeah. She looks cool.” Everything about the design is beautiful and “hip.” There’s an amazing attention to detail and the tattoos in particular portray Simone’s love of Japanese art that underlies all of his work.

There are few things in our American culture that are so identifiable as products of the “American Dream.” Coca Cola’s one and Barbie is another. They’ve been around for ages and while they maintain a classic aesthetic, they subtly evolve as the societal outlook changes. As tattoos are becoming more culturally accepted, it’s exciting to finally have a Barbie with tattoos. It’s exciting to think one of the largest toy manufacturers in the country, which boasts the country’s best selling doll –– a doll that has been defining standards of beauty for decades –– has now embraced tattoos. And, by dint of wearing those tattoos, Barbie and her parent company have declared tattoos to be both feminine and beautiful too.

As a kid, I never looked to my Barbie dolls for aspirational images of who or what I could be or how I should look and, honestly, I don’t think most kids do. Toys are toys. Toys don’t shape a kid’s personality. Children pick toys that reflect their own inner character traits. I didn’t look at my Wild C.A.T.s Zealot figure thinking I was going to become a covert warrior-spy. I liked that figure because I was already a strong girl with a penchant for the wilder side. As an adult however, I find the reverse bleeding into my conscious and I see why parents can easily label a doll as a “role-model.” So I’m pleased –– and even slightly inspired –– to see my formerly subversive love of lowbrow art and tattoos proudly emblazoned on one of America’s biggest icons.

But, another part of me can’t seem to get over the fact that, with the overabundance of pink and the perfectly bobbed hair, she’s eerily similar to Paris Hilton, which is not the best foot forward when it comes to portraying tattoos within the mainstream. If Barbie is an aspirational ambassador, the way parents like to portray her, I can understand the concern they might have for a day when “socialite” replaces “princess” as the number one thing little girls want to be when they grow up. But the same can be said of many of the Barbie dolls on the shelf. When each doll comes with matching purse and a mini dog that fits inside, when the “Dream Mansion” has its own massive walk in closet for shoes, it’s unfair to single this one doll out as the harbinger for the tacky, classless persona of a famous for being famous reality TV star. If this doll gets a scarlet “H,” they all do.

My ultimate gripe is with the “minivan mom’s” rallying cry that tattoos set a bad example for young girls. The gist of their complaint can be summed up by a comment from the Ms Twixt website for parents of Tween-age girls:

“Encouraging children that tattoos are cool is wrong, wrong, wrong.”

In reality, this doll isn’t meant to be a walking ad for the tattoo industry; It’s not even meant for children. It’s a $50 doll, and like the original plastic lady who inspired her, Bild Lilli, this Barbie is clearly marketed to the adult collector. While I can happily whip up a scenario whereby the fact that Barbie, as a shining example of the American Dream, has endorsed tattoos means that body art and modification is beautiful (as I just did), the truth of the matter is this is just a piece of lowbrow art which happens to take the form of a doll. While the doll is a highly publicized and identifiable one that’s typically marketed to children, the reality is two business saw the opportunity for a branding partnership and a hot pop-art designer modified an existing product for a high-end and limited run directed and solely marketed at collectors. No child is going to run their sticky fingers across a Tokidoki Barbie box on a WalMart shelf and the creators never intended that scenario to occur.

The doll aside, why is “encouraging” children to get tattoos wrong –– other than the fact those kids are going to be really bummed when they ride their trike up to the local shop to get their very own body mod and get turned away when they don’t have proper ID. There are laws set in place to ensure underage children can’t get tattoos. Doodling on skin with a sharpie never hurt anything but the occasional couch or really nice shirt (somthing I did ALL the time as a kid). Showing a child a picture of a doll or a person with a tattoo on them doesn’t immediately mean your toddler’s going to come home from preschool with a set of sleeves. Many of their real-life role models –– who are seen as wholesome and positive influences –– have them. Justin Bieber has a tattoo (don’t judge me for knowing that, I already feel enough shame!), and the only negative thing he’s ever inspired kids to get is really stupid haircuts (and his albums!).

Maybe the real answer is to let kids be kids, people be people, and dolls be dolls.

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by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World…

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

[..]

by A.J. Focht

Last weekend New York Comic Con was the focus of most of the geek world. This was a chance for DC Comics to address questions concerning the New 52, especially concerns surrounding Batman continuity. But the most anticipated panel of all was The Avengers panel. Several of the actors were in attendance, and the audience got to see exclusive footage including some which featured the Hulk.

Speaking of the Hulk, there are new updates with regards to the upcoming The Incredible Hulk TV series. Directors Guilermo del Toro and David Eick will be attempting to keep the television Hulk as close to the Hulk from The Avengers as possible. Just another example of Marvel solidifying their continuity, and trying to make us forget Edward Norton in the process.

Out of all the superhero news this last week, none was as exciting as the prospects of Batman joining #OccupyWallStreet. Shooting is about to move to New York City, and the cast members have been told scenes could include shots of the protests. I’m not sure what plan Christopher Nolan has for capturing the #OWS action in the film, but I’m excited by the possibilities.

One last note on the caped crusader, Batman: Arkham City was released days ago, and it’s receiving some of the highest reviews of the year. I therefore wouldn’t be surprised to see Game Of The Year come down to Arkham City and Gears of War 3.

Even the real life superheroes made news this last week. Phoenix Jones, leader of the Rain City Superhero Movement, was publicly unmasked after facing assault charges. It looks like our real life superhero is going through some classic comic story lines, but that won’t stop him from making his patrols.

Some terrible things are happening in a galaxy far, far away. Star Wars 3D posters have been released. The poster lists Episode I 3D as premiering February 10, 2012. As an amusing twist, George Lucas showed up at the 2011 Scream Awards as Darth Vader was giving him a little roast.

On the Star Trek frontier, a new attempt to get Star Trek back on TV is in the works, but not by who you’d think. Seth MacFarlane, creator of Family Guy, is ready to leave the Griffin family fold and pick up his phaser. After seven years of Family Guy, MacFarlane wants to move on and thinks a Star Trek reboot could be his next step.

Thor 2 officially has signed new director, Patty Jenkins. The big players from the original cast will also be back, including Chris Hemsworth, Natalie Portman, and Anthony Hopkins.

We’re going back to the future, or at least we’ll have the potential to in the new DeLoreans coming in 2013. The DeLorean Motor Company and electric car company Epic EV are rereleasing Back to the Future‘s classic vehicle as a fully electric car, flux capacitors not included.

Finally, the zombies just keep invading. The Walking Dead killed the competition and topped ratings on Sunday with 7.3 million viewers. So it would make sense that another zombie themed TV show will soon be taking a bite out of prime time. Zombieland creators are working on a zombie sitcom. Unfortunately, they are looking to air on FOX, which instantly makes me hesitant.

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World…

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

[..]