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Mar 2012 26

by Alex Dueben

It’s not a political book exactly, more post-political, dealing with the aftermath of the degradation of the planet.”
– Brian Wood

Brian Wood’s first comic was Channel Zero, the story of a female freedom fighter in a repressive future America. Initially it didn’t make much of an impact, but it’s become a cult hit, and will be rereleased in a new edition along with its sequel this spring.

Wood has written a number of comics including Local, Demo, DV8, and the young adult comics The New York Four and The New York Five. His most significant work and arguably his best work has been the two series he wrote at Vertigo.

DMZ is one of the great political tales of the past decade and a great story of New York, which recently concluded after a long run. Northlanders, a series of unrelated stories about vikings that are based on historical fact and take place over centuries, is one of the most innovative and interesting comics of the decade.

His two major projects right now are at Dark Horse. With his longtime collaborator Becky Cloonan, Wood is taking over Conan the Barbarian for a 25 issue run. His other major project right now – and for years to come – is The Massive. The series just debuted in the anthology Dark Horse Presents illustrated by Kristian Donaldson and will launched as an ongoing series in June. It explores a group of environmentalists coming to terms with what to do after the world has come to an end.

Read our exclusive interview with Brian Wood on SuicideGirls.com.

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Mar 2012 23

by Alex Dueben

“I’ve been dying to get back to comics.” – Brian K. Vaughan

Brian K. Vaughan his made his name as one of the best comics writers of the twenty-first century. He created two long running series, the science fiction fable Y–The Last Man and the political superhero tale Ex Machina. Vaughan also created the series Runaways for Marvel and wrote the series’ best issues, wrote the graphic novel Pride of Baghdad based on the true story of lions who escaped from the Baghdad zoo. and wrote a story arc for the Season 9 of Buffy the Vampire Slayer for Dark Horse Comics and Joss Whedon that featured Faith.

Outside of comics, he’s been known for joining the writing staff of Lost during the third season. He worked on the show through the fifth season and is currently adapting Stephen King’s novel Under the Dome for Showtime.

His new project is Saga, an ongoing series coming out from Image Comics. Illustrated by Fiona Staples, the book is about a Romeo and Juliet-esque couple from opposite sides of an interstellar war. A blend of fantasy and science fiction elements, there are creatures with wings, horned aliens, ray guns and swords, spaceships and childbirth, bounty hunters, rocketship forests, cats that can tell if you’re lying, and a healthy dose of sex and violence. We reached Vaughan by e-mail.

Read our exclusive interview with Brian K. Vaughan on SuicideGirls.com.

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Mar 2012 22

by Daniel Robert Epstein

“My goal of making the film was to shoot life as much and as thoroughly as I possibly could so I could take people on that trip with me.”
– Ondi Timoner

Ondi Timoner is the director of the documentary DiG! This amazing film is about the rock bands The Brian Jonestown Massacre and The Dandy Warhols, and the friendship/rivalry between their respective founders, Anton Newcombe and Courtney Taylor.

Read our exclusive interview with Ondi Timoner on SuicideGirls.com.

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Mar 2012 21

by Daniel Robert Epstein

“If people don’’t want to let you do what you want to do, go make your own venue to do it.”
– Patton Oswalt

Patton Oswalt has expanded his world from comedian to writer to actor and now he’’s producing the movie, The Comedians of Comedy and the Comedy Central show of the same name. This new reality series follows four of the funniest comedians working today, Maria Bamford, Zach Galifianakis, Brian Posehn and Patton Oswalt, on their US tour. Director Michael Blieden has also taped them backstage and preparing before each show.

Read our exclusive interview with Patton Oswalt on SuicideGirls.com.

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Mar 2012 20

by Daniel Robert Epstein

“I don’’t think anybody’’s progressing with malice in mind, but the business has a way of changing.”
– Bob Mould

Bob Mould is best known for his work with the seminal punk band Hüsker Dü and his own band Sugar. But in the past few years he’’s been putting out solo albums via his own record label. Now he’’s stepped back from being an executive and has allowed Yep Roc Records to release his latest, Body of Song.

Read our exclusive interview with Bob Mould on SuicideGirls.com.

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Mar 2012 19

by Daniel Robert Epstein

“I do it for fun but there’’s definitely the benefit of money.”
– Bam Margera

What a ride Bam Margera has been on for the past five years. Even before he could drive he became a big skateboarding star then Jackass came a calling. After the Jackass movie became a hit he got his own TV show, Viva La Bam. He’’s directed one feature film and is prepping another. Now he’’s founded his own Warped Tour style show called Viva La Bands. I got a chance to talk to Bam while he was on his way to get a massage [no happy ending though].

Read our exclusive interview with Bam Margera on SuicideGirls.com.

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Mar 2012 16

by Justin Beckner

During a trip to Iowa (don’t ask me why I was there) I came across a brewpub called the Olde Main. It was slightly after noon and I was thirsty so I went inside. Upon speaking with the bartenders and other patrons there, I found that everyone in the bar knew a lot about the beer they were drinking. This was a place where beer was appreciated rather than simply consumed – this was my kind of bar.

The Olde Main had six classic styles of in house brews on tap. The vats that gave birth to the delicious beverages rested just beyond a sheet of glass behind the bar. As I sat there enjoying my beer –– A Scottish Ale called “Off Kilter” –– I began to ponder the rich history of beer brewing process. Everyone can enjoy the obvious effects of beer but it takes another breed to enjoy the science behind it.

I arranged to meet with the brewmaster Jeff “Puff” Irvin the next morning for a tour of the beer making process. Puff spoke with true passion as he explained each step taken to ensure that the beer at Olde Main is held to the highest standard. The following is an interview with Puff, an architect of delicious beer. A thorough explanation of the process used at Olde Main can be found here.

Justin Beckner: What are your credentials as a brewmaster?

Jeff “Puff” Irvin: I have an undergraduate degree in Biology from Iowa State University. Then I went to the University of California Davis and I graduated from the Master Brewers Program down there. Then I came back here to Ames, Iowa and started brewing beer.

JB: Was it always your plan to become a brewmaster or at what point did you decide that was what you wanted to do?

JPI: I had a job as a bartender here to put myself through undergraduate college and I wanted to learn more about the stuff I was serving so I did some brewing experiments at home before I went to school for it. I took a class at Iowa State called Plants & People where we talked about how plants have impacted society over the years so we learned a lot about the ingredients that go into making beer which I found to be really interesting. But I always had a passion for spirits, beer and wine, and I was fortunate enough to be in the right place at the right time and have the opportunity to get accepted to UC Davis. I’ve found that brewing beer has been a great fit for me and I’ve been doing it for the past eight years.

JB: Now, on the website people can check out the brewing by way of photos and your process is very well explained. You describe your brewing process here as being very “traditional”. What does that mean exactly?

JPI: We basically use large buckets to brew the beer which is a very old process. We don’t have a lot of the state of the art technology that some places can afford. But people have been making beer the same way for a very long time. We make it 500 gallons at a time. There are some things that we need to take into consideration because of that but the general process is the same as brewing it 5 gallons at a time in your home. It’s not rocket science.

JB: How many people work here?

JPI: The brewhouse in just myself and John, and then we’ve got four part-time guys who come in from time to time. We’ve also got a full time sales guy who’s always out on the road trying to sell the beer.

JB: Is the marketing world as difficult for breweries as it is for things like music and independent films?

JPI: It’s very similar in the fact that there are a lot of great breweries out there who are very good at marketing their product. In that sense, even though we’ve been around for eight years, we are still very new to the marketing aspects of the industry. We do have aspirations of getting bigger and hopefully soon building a new facility off site from here to keep up with production. We bottle five of our beers right now and we’d love to add some more seasonals to that.

JB: In your experimentations with making different kinds of beer and liquors, what would you say is the oddest ingredient you’ve ever used?

JPI: We do a chocolate porter here every year where we add 45 pounds of real Bavarian Chocolate – that’s our winter seasonal and it sells really well. We do an Irish Red beer for St. Patrick’s Day. We do a pumpkin brew for our fall seasonal. Some of the crazier stuff we do are our one-off runs. We did a 13 grain beer that had a bunch of holistic aphrodisiacs in it like Horny Goat Wheat Powder and Yohimbine. That was kind of funny and it sold well after we explained what was in it. We did a 4 Oat beer which we made with malted oats, flaked oats, toasted oats, and then an oat cereal that I can’t tell you the name of it because I called the company and since it is marketed to kids, they wouldn’t let us use the name anywhere. I can tell you that it was Magically Delicious – that’s what we called it. The interesting thing is that the cereal we used had marshmallows in it. We poured the boxes of cereal into our mash tub, so that was pretty interesting. We did a double IPA last spring which ended up being like 15.5 percent alcohol content. We used a process called dry hopping which we’d never used before here. It was a delicious beer but it was really a messy process. We’d like to make it again but we’ve got to figure out a better way to strain it from our tubs because it tends to clog everything up.

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