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Jan 2012 06

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

[..]

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Jan 2012 06

By Nicole Breanne

The Stones, Bowie, Elvis, Hendrix, The Beatles, they all played on vinyl throughout my formative years. These guys are the soundtrack of my childhood. I was also intrigued by photographs from that era. Candid shots of the rock stars were my favorite. I would also notice the beautiful girls that were with them. I didn’t know who they were or what they did, but one in particular stood out. As I grew older and the internet came into play, I did my research, Pamela Des Barres was the name.

Pamela Des Barres – known as Miss Pamela, Queen of the Groupies – is world famous, mostly for the company she’s kept. But after reading her books, watching her documentaries, and being part of the music scene myself, I realized she was so much more. And as I got into journalism (I started as rock writer), my desire to meet and know Pamela grew and grew. Finally, I got the balls to shoot her an email and ask her for an interview…

Nicole Breanne: I grew up in a very musical household, not only did we have vinyl, but we had a lot of candid shots of rock stars. Those were my favorite. I always saw these really beautiful girls, you in particular, and I would think to myself, “I want to be those girls.” Now I look at groupies and I’m like, “Ugh, really?”

Pamela Des Barres PDB: You can’t use groupie in a negative way like you just did, I forbid it

NB: Well, that’s kind of my point, I don’t see them as groupies like I see you as one. I just didn’t know if I could call them star fuckers in your living room.

PDB: [laughs] I don’t call them that, I don’t call them anything. That wasn’t what we were about. I didn’t have sex for a long time, I wanted it to be special and I wanted to really love the person and have them really love me. But I did give oral sex – I really wanted to show my appreciation.

NB: Exactly! You weren’t there to just screw rock stars. You were these beautiful girls that were there for the band, you appreciated the music. I really feel like you guys did so much more.

PDB: I’m glad you feel that way because a lot of the bands felt that way. It wasn’t us just trying to be with them, they wanted us there. The super groupies got to be up on stage, we felt what they were feeling. It was thrilling beyond words to be up on stage when The Who was doing Tommy, The Stones with “Gimme Shelter.” I’ve been in some pretty amazing places.

NB: You’re so good about giving details, and not giving too much. You don’t go into who’s big and who’s not.

PDB: People ask that all the time! Who was the best? Who was the biggest? The funniest question I get asked, and I get asked it a lot, is, “What is jimmy pages dick like?” [laughs] So many people want to know that! It’s like wow, sorry, if you can’t find out for yourself, I’m not gonna go that far. They don’t ask about Jim Morrison or Jagger. I guess everyone saw Jagger, but Jimmy is the one they ask about.

NB: You really loved these guys, was it hard to watch them live that extreme lifestyle?

PDB: Yeah, I had to walk away sometimes. I was scared for them, sure I was. I saw them doing more and more, and the drugs got harder, it wasn’t just hash. I won’t lie, I did it too. I did it all. I never shot up though. I guess I’m lucky that I’m not an addictive person, I could walk away. But there were a few times when I had to leave because I couldn’t watch.

NB: Again, you really cared about these guys — but you weren’t the only girl that was around. When I watched the documentary based on your second book, Let’s Spend The Night Together: Confessions of Rock’s Greatest Groupies, I was struck by how there was no jealousy. Was there any of that?

PDB: No. We all really liked each other and we were careful not to step on each other’s toes. When the scene changed and some younger girls came in — that’s a different story. They just wanted us out, and there was name-calling and that kind of thing. Not all of them. There are a few good girls that I still keep in touch with. But the original girls weren’t like that. I loved doing that documentary because I got to spend double time with the girls. They’re still some of my best friends.

NB: What’s it like when you listen to the music of that time – do you still feel that same?

PDB: Some of it is way too emotional. It brings back way too many emotional things. I get very heady. I can’t even listen to “Stairway.” It brings back way too many memories. When it’s on the radio I can’t wait to turn it off, especially if I’m driving. I still listen to Graham Parsons. I was moved by him and his voice and his intense desire to share what he was doing with music. He was so dedicate and I’m obsessed with him still. There was a girl from France who was interviewing me because she’s doing a comic book series on the GTO’s and I asked if she knew him and she said no [so] I gave her CDs. I’m like that, because if someone really loves music, they need to know Graham. That’s what he was about, spreading music.

NB: In your second book you talk about your divorce, your son — it’s a very personal book. Did you just decide that you were going to go balls out with this and tell it all?

PDB: I did that with all my books. But my second book…it’s a different book, its my favorite one. It’s not as well read as the first one, the first one was a bestseller for a long time. I have fans, they’re reading them, but I wish more people knew about the sequel.

NB: You’re working on your fifth book now…

PDB: Yeah, my fifth book will be about my spiritual journey. My agent is having a hard time selling it because I am perceived as a “groupie” and a “groupie” shouldn’t have spirituality I guess. But we have interest from a smaller house.

NB: You teach a writing class – how did that start?

PDB: I would periodically go take a refresher creative writing course throughout my life. Moon Zappa said, “I’ve got this really cool writing teacher you may want to check it out.” So, I went and half-way through the class I thought – I should be teaching this, I could be teaching this! So I thought about it for a year, then I decided to take the plunge and just go for it. I advertised on MySpace, because that’s what was happening at the time. My first group met right here, about 10-12 girls, and they loved it. It’s just great groups of women who are all like-minded, and they have these amazing stories, so life long friendships are made. It’s worked out. I’ve been doing it for 12 years now. I’ve been traveling and now I teach all over and I’m doing my first European trip too.

NB: How do you feel about music today?

PDB: There’s a lot of things I like, nothing like the renaissance I lived though where every thing was great – The Stones, The Byrds, The Doors. I had to choose between The Stones and The Burrito’s. I remember Mercy invited me to Monterrey and I said, “I can’t go I can’t miss The Burrito Brothers!” Now that is one of the few things I regret. But I love Lucinda Williams. She’s the only singer that has moved me like that in decades. I liked Ryan Adams for a while. He went off the rails for a bit, but his new album is good. My boyfriend Mike Stinson is the greatest songwriter. I still go to see Willie Nelson, Merle Haggard, Dylan always, always. I set my alarm to make sure I get up to get the best seats. Paul McCartney. Mainly the bands I liked then I’ll go see now.

NB: Do you feel like it could happen again? That someone can come along and just revolutionize music?

PDB: It happened in rap, Eminem is a real big favorite of mine because he took that whole other part of music and created it for himself. That was amazing. He’s the last person that has moved me in that kind of way, in the way that I was like, “Wow, this guy is doing something.” Not since Kurt Cobain. Kurt Cobain was the dude.

***

I left Pamela’s house completely elated. She was more than I had ever dreamed she could be. She was poised and kind, and still insanely beautiful. Part of me hoped that meeting her would quell my thirst for that time. Maybe it wouldn’t be as great as I thought it was, maybe she wouldn’t be. But, alas, I’m left with even more of a longing – so much so, that I’ll be at her January writing class. If, like me, you can’t get enough of Pamela, be sure to sign up for one of her creative writing workshops. Alternatively, you can join one of her Rock Tours, during which she takes groups around Hollywood to her old haunts and reads excerpts from her book. It’s a pretty kick ass trip down memory lane!

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Jan 2012 06

by Daniel Robert Epstein

“Whereas these rock stars were who they were but I completed invented Alice. He’’s an animated character who is fun to play. To this day I really look forward to playing that character on stage. ”
– Alice Cooper

I remember the first time I saw Alice Cooper. It was some bizarre commercial on MTV. It was some janitor picking up an Alice Cooper album and commenting on how scary he was. Then he turned around and it was Alice yelling into the camera. I nearly shit myself and I went to sleep crying. Alice Cooper has that kind of impression on people. Once you see him, you never forget him.

Now you can see the tour that was Alice at his height of his powers on the Billion Dollar Babies Tour. Shout Factory has just released the DVD Good To See You Again, Alice Cooper – Live 1973 – Billion Dollar Babies Tour. Besides having Alice sing some of his classics such as “I’m Eighteen,” “No More Mr. Nice Guy” and “School’s Out,” it also sports some great extras like an Alice Cooper commentary, deleted scene and outtakes.

Read our exclusive interview with Alice Cooper on SuicideGirls.com.

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Jan 2012 06

Patton Suicide in Improvise

  • INTO: Art, broccoli, bats, body piercings, tattoos, Halloween, loud music, things that hurt, tight pants, loyalty, lunchboxes, dancing, quantum physics, workaholics, astral projection, needles, respect, monsters, insomniacs, wormholes, math equations, empathy, gore, mass murderers, machines, alternate dimensions, coupons, anatomy, Tetris, zombies, sharp objects, shiny things, comfy tees, short shorts.
  • NOT INTO: Nonsense, egos, arrogance, hustlers, skanks, injuring myself while barefoot, grocery shopping, being cold, batteries dieing, alarms going off, spilling things, interruptions, pretentious attitudes, cops, doppelgangers.
  • MAKES ME HAPPY: Picture texts, phone calls, body warmth, cats, boobs, sweet tea, surprises, broccoli, holding hands, kisses on the forehead, getting tucked in, Ugg boots, bats, sketchbooks.
  • MAKES ME SAD: Brooms, iPod running out of power, getting out of bed, burning my hair with my cigarettes, nosebleeds, laundry, icebergs, the ocean.
  • HOBBIES: Reading, painting, singing songs to myself, causing general pandemonium, dancing, being naked.
  • 5 THINGS I CAN’T LIVE WITHOUT: Sunglasses, my cat, cigarettes, loud music.
  • I SPEND MOST OF MY FREE TIME: Daydreaming, working non-stop, untangling my hair, pulling out eyelashes that stab me in the eye, pretending I’m a princess.

Get to know Patton better over at SuicideGirls.com!


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Jan 2012 05

by Blogbot


[Adria and Temper]


[Temper]

Artist / SG Member Name: Zak Smith / ZakSmith

Mission Statement: I hate it when you’re eating a cheeseburger and then the chef comes out of the kitchen interrupts you eating and goes, “Oh now let me tell you a little bit about why I made a cheeseburger.” Oh wait, I don’t hate that. Because it never happens. Because they never do that. Because that would be stupid.

Medium: Acrylic on paper for the paintings. Ink on paper for the black-and-whites.

Aesthetic: Maximalist.


[Charlie]

Notable Achievements: I have a painting in the collection of the Museum of Modern Art in New York and it’s a Suicide Girl — Charlie. I drew one picture for every page of Gravity’s Rainbow. I did an illustrated book of true stories about me working in the adult film industry called We Did Porn. I painted 100 Girls and 100 Octopuses and Charles Saatchi bought it and I know that plural is actually grammatically accurate thanks to friends I made 8 years ago on Suicide Girls. Honey Manko Suicide once called me crass.

Why We Should Care: Because throughout a decade of long disconnection and difficult-to-pin-down multimicronichefamousness SuicideGirls is the closest thing to a home I’ve ever had. And even though I went to Yale, been to a million art dinners, and have watched Sasha Grey lick my cum off another girl’s ass, I can still say to this day that most of the smartest, prettiest, and least sane people I’ve ever met and most of my best models are from this little pink pin-up girl website. Actually, that’s why I should care, isn’t it? I don’t know why you should care.

I Want Me Some: My last two books — Gravity’s Rainbow and We Did Porn were published by Tin House Books, my first one, Pictures Of Girls, was with DAP. Both are available through the usual on-line channels and by harassing finer art-book stores near you. The SG store used to sell some very nice full-size posters of my Charlie and Sawa paintings. If you complain a lot they might do some more. My site is www.zaxart.com.

[..]

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Jan 2012 05

by Nahp Suicide

Lavezzarro comes from South America, but now splits her time between London, Berlin and wherever the wind takes her.

How did you first get involved with SuicideGirls?

Monik’s set was my first time shooting a naked girl. I’m glad it got accepted. That was in 2005 and how it began.

What’s your background photography-wise?

I dropped out of Fashion Design University in the 4th semester as I noticed it wasn’t my thing, and I decided to learn photography without a school. I worked for different studios as assistant where I could learn something, and the main thing I learnt was that I dislike studios. So I kept on doing my thing – I still am learning actually.

What was the first photo you had published?

It probably was a band shot I did for an ex-boyfriend’s band back in 2004 when they were releasing a CD and got featured on a major newspaper.

How would you describe your style?

I am very honest. I like to photograph the girls how they are. I don’t tell them how to dress or to pretend to be something, and I think that can be seen in the images. I’m a bit of dark person, so you won’t be seeing rainbow cupcake pictures coming from me. I am also not a technical person, so I won’t be freaking out looking for the perfect images. I like to capture what happens and I like spontaneity. I think it’s raw.

What gear do you use?

All Canon lenses and body and few analogs, which are my favorites.

How important is Photoshop in your final images?

Not very. I do it very little to none, as I have no talent editing. Now I have amazing Photoshoppers working with me. They can retouch much better than I, but I ask them to keep it really natural. I can’t stand airbrushed images.

What gives you ideas and inspires you to create such amazing sets?

I listen music 24/7 and I am addicted to information. I have to be watching, reading, listening, consuming new stuff all the time – everything can inspire me because I am open to it.

What is your favorite image?

Tell us why it’s your fave and how you achieved it?

It is one of my favorites because it is simple, sexy, natural. Sums up what I like to show; the girls how they really are. The lady was kind of shy and we couldn’t communicate very well because of a language barrier, but I could see in her eyes she had the flame and I think it was properly captured in her whole set.

Is there anybody or anything you would love to photograph that you haven’t? (And tell us why)

I really want to photograph as many people as possible, travel more, discover more, so everyone that I haven’t photographed yet I want to photograph one day. And everyone I already have done, I want to do again.

For more on Lavezzarro visit her SG and Facebook profiles, and see her portfolio at www.lavezzaro.com.

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Jan 2012 05

by Daniel Robert Epstein

“My work doesn’t really have much to do with my personal relationships…”
– Zooey Deschanel

Zooey Deschanel is as beautiful, funny and charming in person as you all expected. Even though she comes from a family of movie people, her father is legendary cinematographer Caleb Deschanel, Zooey seems as down to earth as anyone. I got a chance to talk with her at the Toronto Film Festival where Winter Passing, her newest independent film, premiered.

Winter Passing has Deschanel playing a young actor who returns home after a seven-year absence to her famous alcoholic father [Ed Harris] and a house full of strangers that include a religious wandering loner [Will Ferrell] and one of her father’s former students [Amelia Warner].

Read our exclusive interview with Zooey Deschanel on SuicideGirls.com.