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Jan 2012 02

By Fred Topel

“I have no fear of zombies breaking in here ever.”
– Ti West

Ti West is becoming a major name in horror movies. His 2009 film, The House of the Devil, harkened back to 1980s atmospheric horror, to the point where it was available on VHS in a big plastic shell case. He’s been invited to speak on numerous panels, such as the 2010 South by Southwest Film Festival’s Directing the Dead one, where he joined Zombieland’s Ruben Fleischer, and Cloverfield and Let Me In’s Matt Reeves, and memorably spoke about the awkward moment when you have to direct a woman to show her naked breasts.

His new film, The Innkeepers, premiered at this year’s SXSW. After continuing to play the festival circuit, it’ll finally creep into homes via VOD on December 30 (and will get a theatrical release on February 3, 2012).

The Innkeepers is a horror comedy about two clerks working at a soon-to-be defunct hotel during its last weekend in business. Claire (Sara Paxton) and Luke (Pat Healy) pass the time by speculating about ghostly inhabitants and attempting to record EVP.

Claire’s slapstick bumbling and Luke’s sarcastic comments are a change in tone from the popular House of the Devil (a satanic cult movie that exploited the power of silence with nary a laugh). West has also directed The Roost and Cabin Fever 2: Spring Fever, although he disowns the latter because it was taken away from him in editing. He also directed segments of the forthcoming films V/H/S and The ABCs of Death.

Midway through the SXSW festival in Austin, I caught up with West at a point when we didn’t have a full night’s sleep between us. I was going on three hours and he just barely had me beat. Those are the glorious moments when you just push through the exhaustion on pure adrenaline because you just have to keep up with the prevailing film geekery.

Read my exclusive interview with Ti West on SuicideGirls.com.

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Dec 2011 30

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

[..]

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Dec 2011 30

by Auren Suicde

“I can’t speak for Justin, but indirectly SuicideGirls had a lot to do with what would influence me musically, on the [She Wants Revenge] record.”
– “Adam 12” Bravin of She Wants Revenge

She Wants Revenge: is clearly the type of dancy, sexy music that modern rock was hungry for. DJ Adam 12, the jack-of-all-trades who plays bass, keys, does the programming and co-founded the band, spoke with me about his impending stardom and love of SG. Who knew?

Read our exclusive interview with She Wants Revenge on SuicideGirls.com.

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Dec 2011 29

by Fred Topel

“My main interest was to shoot Pina’s eyes at work.”
– Wim Wenders

One of my favorite kinds of interviews is when I end up just talking with a filmmaker about what movies they like. That’s exactly how it went when I interviewed Wim Wenders, one of the original icons of the indie film movement.

Having made movies since the ‘60s, Wenders has seen a lot of world cinema firsthand. His impact peaked in the ‘80s when Paris, Texas and Wings of Desire captivated arthouse cinemas. He’s made music videos for U2 and pretty much a movie a year, 33 in all plus shorts, television and segments in anthology films.

Wenders’ latest movie is worth discussing too. Pina is a documentary profile of the dancers in Pina Bausch’s company. Bausch unfortunately died before filming was finished so she herself could not be in the film more. Shot in 3D, Wenders captures her dancers occupying real space in their avant-garde performances.

Over a cup of coffee one morning during the AFI Film Festival in Los Angeles, Wenders sat with me to talk about Pina. In a quiet, unassuming German accent, Wenders revealed his art with a confidence and vulnerability. If you’re interested in dance or just looking for some obscure movie recommendations, here is my candid chat with Wim Wenders.

Read our exclusive interview with Wim Wenders on SuicideGirls.com.

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Dec 2011 28

by A.J. Focht

Another batch of photos from the Amazing Spider-Man have been released. Unlike the previous photos that have focused on Andrew Garfield and the Spider-Man suit, these photos include shots of Peter Parker and Gwen Stacy as well.

Despite all the drama surrounding Patty Jenkins’ departure from Thor 2, Marvel studios is pushing forward and has announced that Game of Thrones director Helmer Alan Taylor will now be directing the film. Assuming there are no other delays, the film should be set to meet the previously scheduled November 15, 2013 release date.

Walt Disney, parent company of Marvel, is getting their greedy hands into the comic giant’s upcoming projects. Despite all of the calls not to, Disney will be releasing The Avengers in 3D. The film was not shot in 3D, and the 3D will all be added in postproduction. The good news is Joss Whedon has come out and said that the film will not be “obnoxiously 3D.”

Speaking of Disney messing with the Marvel movies, they have also announced that an unnamed Marvel project has been bumped up from June 2014 to April 2014. With one other unnamed project scheduled for May 2014, there are rumors that it is because the films will be related in some way. As the two movies are still unannounced though, speculation is rife as to what they might be.

There is confirmation that Watchmen 2 is underway. Bleeding Cool published the cover art to Watchemen 2, but was then contacted by DC and asked to remove it. Most of the reposts have also been taken down, but we can tell you they featured Nite Owl by Andy Kubert and Joe Kubert.

The cast of Ender’s Game has just gained some true star power. Harrison Ford has officially signed on to play Colonel Hyram Graff. And in case Ford doesn’t provide enough box office oomph, they have also landed Hailee Steinfeld (True Grit) to portray Petra Arkanian. This cast of the film is really giving me high hopes that it will end up a sci-fi classic rather than a dud.

On the day the Prometheus trailer was to release, it was leaked. Just hours after, the official trailer was “debuted” by the studio. It finally sheds some light on what the movie is about. Simply put: as humans search for their beginning, they may find their end.

More news from Middle-earth; To help celebrate the holidays, Peter Jackson posted his fifth production blog. This video focused on the location of the shooting, and includes some reasoning for filming in New Zealand.

It’s always fun to see the power of the internet in action. It’s even more fun to see the power of fanboys and fangirls – especially when they’re angry that their favorite sci-fi show has been cancelled unduly early. A few months ago, University of Wisconsin-Stout theater professor James Miller, who was also such a fanboy, posted an infamous Firefly quote outside his office to protest against the show’s untimely demise at the hands of Fox.

You don’t know me, son, so let me explain this to you once: If I ever kill you, you’ll be awake. You’ll be facing me. And you’ll be armed.

The campus police failed to appreciate the geeky reference, or the irony – that the quote isn’t about killing but about playing fair – and removed the “offending” quotation. But it didn’t end there. The school authorities threatened Miller with criminal charges, and fearing for his job, he contacted the Foundation for Individual Rights in Education (FIRE) to defend his right to free speech. After the school refused to back down, the case was taken to the internet jury. This video explains how the online massive – and Neil Gaiman – helped Miller defeat the close-minded educational institution.

A final cheerful clip to brighten the last of the holidays, for those who didn’t catch it, Stan Lee had an amazing cameo in Chuck’s holiday special.

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Dec 2011 28

by Daniel Robert Epstein

“There’s something very universal about people who spend all day and night on horseback. Right down to their physical aspect. Once they get off the horse it still looks like there’s a horse between their legs.”
– Heath Ledger

Heath Ledger became a teen idol with roles in 10 Things I Hate About You and A Knight’s Tale. But his choices after that were too eclectic to hold onto that audience and thank god for that because now he’’s had his best year ever. He started off starring in the Terry Gilliam film The Brothers Grimm, delivered a mesmerizing performance in Lords of Dogtown and finished off the year with a role as Ennis, the gay cowboy, in Brokeback Mountain – a role that has garnered him his first Oscar nomination.

Read our exclusive interview with Heath Ledger on SuicideGirls.com.

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Dec 2011 27

By Justin Beckner

The dawn of another brutal election year is upon us and the majority of the country has developed a feeling of distain for politics all together. Still, masses of protesters have flocked to the streets to speak out against corporate greed and corrupt government practices. Never has there been a better time for a band like Anti-Flag to make new record and gear up for another world tour.

Anti-Flag frontman, Justin Sane has relentlessly spoken out against injustice since he and his friends formed the band back in 1988. Sane has long been hailed as one of the most intelligent songwriters of our generation. While musically, Anti-Flag is a direct descendent of classic punk rock bands, lyrically they ring reminiscent of a Woody Guthrie or Billy Bragg. Anti-Flag had a few minor hits with songs like “Protest Song” and “Turncoat” which could be heard being played at almost any protest demonstration during the Bush Administration. It is rather common to find Anti-Flag playing shows at protests. They recently played at an Occupy Wall Street Demonstration. Sane draws a lot of his songwriting topics from his experiences playing at and marching in these kinds of events.

Aside from his rigorous touring schedule with Anti-Flag, Sane has also put out three solo records (one full length and two EPs) and is in the process of putting together another album. In these solo records, he has found a freedom to pursue different musical directions – often this means falling back into acoustic music and dabbling in different genres. The light-hearted solo albums are a glimpse at the other side of the charismatic frontman.

In the following interview, Sane and I discuss the roots of his love of music and activism, the causes and effects of the Occupy Wall Street Protests, and the new Anti-Flag album due out this spring.

Justin Beckner: It seems to me that there are a lot of ideological similarities between traditional Irish music and punk rock music. You came from an Irish household, is that where your passion for music and social justice came from?

Justin Sane: Yeah, it really did. My dad is from Ireland and both of my mother’s parents are from Ireland so I am 110% Irish. My parents were both really involved in activism as a result of their Catholic upbringing. In Catholicism, there’s something called “Liberation Theology” and that’s the kind of theology that Jesus preached – that you should help out in your community and work with the poor and stand up for people who can’t stand up for themselves or give a voice to those who don’t have a voice in the world. With the British occupation of Ireland for hundreds and hundreds of years, there’s always been that drive in the Irish people to work for their own liberation. I think that the idea of fighting for people who are oppressed was carried along with those who left Ireland. Those ideas have been well documented in Irish folk music which is something I grew up listening to and playing. My parents had nine kids because Catholics don’t use birth control. I was the youngest of the nine and we all played instruments. It was like our own version of The Pogues or Flogging Molly within our own family. I’m not Catholic myself, I’m not really religious, but I think that I was influenced by that Liberation Theology that my parents were so profoundly influenced by. They fought for civil rights and fought to make the environment clean for their kids.

JB: Were there any non-political bands that you were influenced by on a more technical level?

JS: Yeah, I mean I’ve always loved KISS. I thought they were really cool. I’m sure there were others – I listened to Jackson Browne a lot. I listened to much of the same music my older brothers and sisters listened to and a lot of it wasn’t political. The Beatles were a band that was unanimously liked by everyone in my family and they had their political songs and their non-political songs. So there was a lot of non-political music that I drew influence from.

JB: You’ve spent a fair amount of time at the Occupy Wall Street Protests. Do you think the message that is being sent by the protesters is getting through to those who need to hear it?

JS: I think it’s definitely getting through because the protesters are being addressed quite often with brutal physical force by a police force that has traditionally been used to work for the elite. I think what we have now is a police force that is propping up a corporatocracy. Let’s look at it from this perspective – if there were protests in North Korea where protesters were trying to make a statement by occupying a square in North Korea and the police came in a brutally beat people up and pepper sprayed them and hit them with non-lethal weapons, the State Department here in the US would be on Fox news decrying the authoritarian rulers of North Korea. But we have that exact same thing happening right here in a democracy where we supposedly have the right to free speech. We have peaceful protesters making a peaceful statement and they’re being beat down by police. I think that says something about the state of our nation and it says something about the concern that those in power have about a message like that being freely spoken. If they didn’t think that message was dangerous, they wouldn’t be sending the police out there to shut those people up. There’s a very clear and directed initiative to suppress that speech and I think that’s really tragic. I’m really proud of the people who are out there making that statement because it obviously needs to be made. People are waking up and realizing that the rich in this country have been taking advantage of the poor for a very long time. So, they’re waking up and making the statement that things in this country are very out of balance – in that respect I think it’s very important that statement be made.

JB: That sense of injustice and imbalance has certainly been getting much harder for people to ignore in recent years. The top 1% of Americans control 42% of the country’s wealth and assets. That’s a pretty staggering figure.

JS: Yeah it is and I think in America there’s a sense of fairness – that everybody has an opportunity to get ahead and that’s based on an assumption that there’s a level playing field that we all start out on. Now people are looking around and seeing that there isn’t a level playing field, things are vastly out of balance, and people with a lot of money are actually breaking the law in many cases and doing things that should be illegal to make more money – all this while the rest of us are just trying to scrape by. I think Americans are pretty fair minded – most people are just saying that they want a level playing field and that’s why we see a lot of protests popping up recently.

JB: Over the past couple weeks I’ve noticed major news networks belittling the protesters on Wall Street. How do you feel when you hear people say that the Occupy Protesters don’t know what they want?

JS: I think a lot of people have a hard time verbalizing it, but in their gut they know there’s something out of whack. That’s where I think the media does a really great disservice by putting out things like, “There’s these occupiers out there but they don’t know what they want.” Because the reality is that if you spent five minutes at any of the Occupy events and walked around and talked to some of the protesters, you’d very quickly find out that there are incredibly articulate people who can tell you exactly what they think the problem is, what should change, and they’d give you statistics to back it up. They’d tell you that the corporations have bought and paid for our politicians to the point that they don’t represent us anymore, they represent corporations, and we want corporate money out of politics so we can have our politicians back. Those are the messages that we don’t see on Fox or CNN. When I go to Occupy Wall Street, as I have a number of times in several different cities, I talk to people who are really articulate, and then I turn on the news and they’re interviewing some guy who can hardly talk and doesn’t seem to know why he’s there. It makes me wonder why the hell aren’t they running interviews with the people I talked to when I was there. But those people at the top of the food chain at Fox news and places like that don’t want a clear message coming out of there. They’re doing their best to make people look stupid but the amount of knowledgeable people down at these protests is unbelievable. I just wonder why we’re not hearing those voices on the news.

JB: With the dawn of another election year upon us I’ve got to ask, how do you think these protests are going to influence the elections in 2012?

JS: One thing that was really clever about the way the Occupy movement was structured was that there is no figurehead leading the movement. That’s a good thing because leaders can be coopted, they can be bought, they can be bribed, they can be stroked in different ways. The Occupy movement is a true democratic process and a true movement of the people. I think that politicians today are just too corrupt to bring this country back to some degree or normalcy. However they will do what they need to do to get reelected and in that sense the Occupy movement is a message of what the people want. It’s not a message of what the corporations want. Ultimately politicians have to bow to the will of the people, and little by little, as a result of the Occupy movement, we see that happening. So it’s a step in the right direction. I think that what the Occupy movement is going to do is change things on a broad scale and politicians in turn will be pulled in and forced to think about what the people want if they want to get elected.

It’s going to take time and it’s going to happen as a result of attitudes and ideas changing. One of those ideas that has to change is that we can have corporate money in politics – we just can’t. There are huge payoffs for these politicians. Say I get elected to the senate and I vote with a chemical company in my area even though I know it’s really bad for my constituents. I know that even if I get voted out of office the next term, I’ll still have a cushy job at that chemical company where I can use the friends I made in Washington to benefit my company. This is what happens over and over again. Our former senator or Pennsylvania, Rick Santorum, who is running for president right now, is a poster child for this type of thing. Dick Cheney is another stellar example – he was with Halliburton, then in the Senate, went back to Halliburton, and then was vice president. That is how these corporations use their influence – what we have right now is not a democracy, it’s a corporatocracy and it needs to change. The Occupy movement gives me a lot of hope. I think people went to the ballot box expecting change from Barack Obama and they didn’t get it. They’re realizing that change isn’t going to come from the ballot box and they’re going to find a new way to move the country in a different direction – it’s really exciting and I feel optimistic for the first time in twelve years!

JB: Switching gears back to music, I’ve been told the new Anti-Flag album is in the mixing process right now. Do you have a title or a release date?

JS: Yeah we’re tentatively titling it The General Strike. A general strike is generally where a city or a country is shut down to make a point that progress will not move forward without the people’s labor. The UK had a massive general strike which wasn’t even mentioned in this country’s news. They shut the entire country down. The idea behind calling the new album The General Strike is that it’s a worldwide general strike and Anti-Flag is a band that is talking about unity between all people. I think there really is a group of people who have unified in this world around the idea of equality for all people – and that’s the concept that the title came from.

JB: A lot has happened in the world since your last album; is there any certain subject matter that you focused on with the writing of the new record?

JS: After going to a number of Occupy Wall Street Demonstrations and witnessing the recurring theme of police oppression and the masses of cops working as a tools for what I refer to as the corporate state, that was certainly on my mind when I was writing for the new album. Because I’ll tell you what, when you’ve had a billy club shoved in your face or been pepper sprayed or witnessed innocent people being beat down for absolutely no reason – the videos are on The Daily Show so you don’t have to look very hard to see it – it makes you angry. Especially when it happens to an old lady or people you know, and when you see this happening day after day to peaceful people who are just expressing their democratic right to free speech. So writing about police oppression was something that happened on this record as a result of that. I’ve been having a really hard time looking at police and feeling good about them. It’s really unfortunate because I have police officers in my family and when police do their job and serve their community and protect people, it’s really nice to see them. But we keep seeing over and over again police acting outside what their role is. It’s really enraging and it’s something I’ve been putting pen to paper about because that’s my way of dealing with it.

We’ve also been writing about the exciting events that have been happening around the world like the revolutions in Tunisia and Egypt, the ousting of Moammar Gaddafi, and the changes happening in Saudi Arabia. And then we’ve got a song about skateboarding (laughs). There’s a general theme that the songs are about what’s going on in the world, but we like to have some fun too. It should be out sometime in the spring of 2012.

JB: There will be a tour ensuing the release of that album I’d imagine?

JS: Yeah, we’re looking at starting in Australia and then playing Indonesia for the first time which we’re pretty excited about. Then we’ll definitely be doing our dates in the states and the Europe. After that we’ll see what happens, were always looking forward to meeting new people, seeing new places, and experiencing new things.

JB: I also understand you’ve been writing some songs for a solo record. What do you get out of writing songs for a solo album that you don’t get from writing Anti-Flag songs?

JS: We had an idea when we started Anti-Flag that we wanted it to be a political punk rock band and when people started to follow the band that was the impression they got as well. When we stray from that formula people don’t accept it very well, some react pretty viscerally to it. On the record Bright Lights of America, which we released a few years back, we really tried to expand and go in some different directions and people either liked that about it or they hated it. [Instead of] trying to force people [to hear[ something that they don’t want from Anti-Flag, I write solo albums. With my solo albums, if I want to write about my cat or my girlfriend I can do that. With Anti-Flag I don’t feel free to write songs like that. Another thing is the ability to write different types of music. In my family we listened to so much music and it was so diverse that it almost makes more sense to come across me playing an acoustic guitar in an Irish pub than playing electric guitar in a punk rock band.

The solo albums give me a chance to do something else and that freedom is really exciting. It’s an opportunity for people to know the personal side of me. Sometimes in Anti-Flag people get to thinking that we’re just these serious political robots all the time – it’s kind of funny. Anyways, I’m hoping to get a solo album together in 2012.