by Blogbot

For the best part of a decade Rapture of The Nerds was essentially a two part trilogy, which, like a threesome without a third person, though fun, lacked its defining and completing part. A veritable Crosby and Stills, awaiting a Nash (and with no hope of being joined by a bonus Young), Cory Doctorow and Charles Stross’ jointly-penned post-singularity novellas Jury Service (2002) and Appeals Court (2004) languished, with fans resigning themselves to the fact that they may remain, for all eternity, a duo. But now, thanks in part to a rather random April Fools joke, a third installment of the adventures of an uploaded and rather curmudgeonly consciousness called Huw is about to be unleashed. For many a geek, the completion of the triptych is as miraculous as the father and son being joined by the holy ghost. But since sci-fi fans don’t put much weight in blind faith when it comes to trinities, the good Dr. Doctorow offered up this excerpt to SG by way of empirical proof of the September 4th third coming of Huw. – NP, SG Ed.

Welcome to the fractured future, at the dusk of the twenty-first century.

Earth has a population of roughly a billion hominids. For the most part, they are happy with their lot, living in a preserve at the bottom of a gravity well. Those who are unhappy have emigrated, joining one or another of the swarming densethinker clades that fog the inner solar system with a dust of molecular machinery so thick that it obscures the sun.

The splintery metaconsciousness of the solar-system has largely sworn off its pre-post-human cousins dirtside, but its minds sometimes wander…and when that happens, it casually spams Earth’s networks with plans for cataclysmically disruptive technologies that emulsify whole industries, cultures, and spiritual systems. A sane species would ignore these get-evolved-quick schemes, but there’s always someone who’ll take a bite from the forbidden apple.

So until the overminds bore of stirring Earth’s anthill, there’s Tech Jury Service: random humans, selected arbitrarily, charged with assessing dozens of new inventions and ruling on whether to let them loose. Young Huw, a technophobic, misanthropic Welshman, has been selected for the latest jury, a task he does his best to perform despite an itchy technovirus, the apathy of the proletariat, and a couple of truly awful moments on bathroom floors…

“I hope you enjoy the facilities here,” says the gorilla with a wink. “Nothing but the best for our expert witnesses—we have hot and cold running everything.”

It’s a far cry from jury duty accommodation in a crappy backpacker’s hostel in dusty Tripoli. Huw dials her time right up (sinfully extravagant: it’s the same kind of costly acceleration that got her into trouble when 639,219 called her on it) and orders the whirlpool-equipped hot tub with champagne to appear in the bathroom. Then she climbs in to marinate for subjective hours (a handful of seconds in everyone else’s reference frame) and to unkink for the first time in ages. After all, it’s not as if she’s consuming real resources here. And she needs to relax, recenter her emotions the natural way, and do some serious plotting.

Of course, the sim is far too realistic. A virtual champagne bath should somehow manage to keep the champagne drinking-temp cold while still feeling warm to the touch. And it shouldn’t be sticky and hot and flat; it should feel like champagne does when it hits your tongue—icy and bubbly and fizzy. And when Huw’s nonbladder feels uncomfortably full and relaxed in the hot liquid and she lets a surreptitious stream loose, it should be magicked away, not instantly blended in with the vintage Veuve to make an instant tubworth of piss-mimosa.

This is what comes of having too much compute-time at one’s disposal, Huw seethes. In constraint, there is discipline, the need to choose how much reality you’re going to import and model. Sitting on an Io’s worth of computronium has freed the Galactic Authority—and isn’t that an unimaginative corker of a name? — from having to choose. And with her own self simulated as hot and wide as she can be bothered with, she can feel every unpleasant sensation, each individual sticky bubble, each droplet clinging to her body as she hops out of the tub and into the six-jet steam-shower for a top-to-bottom rinse, and then grabs a towel —every fiber slightly stiff and plasticky, as if fresh out of the wrapper and never properly laundered to relax the fibers—and dries off. She discovers that she is hyperaware, hyperalert, feeling every grain of not-dust in the not-air individually as it collides with her not-skin.

Oh, oh, oh, enough, she wants to shout. What is the point of all this rubbish?

This is the thing that Huw has never wanted to admit: Her primary beef against the singularity has never been existential — it’s aesthetic. The power to be a being of pure thought, the unlimited, unconstrained world of imagination, and we build a world of animated gifs, stupid sight gags, lame van-art avatars, brain-dead “playful” environments, and brain-dead flame wars augmented by animated emoticons that allowed participants to express their hackneyed ad hominems, concern-trollery, and Godwin’s law violations through the media of cartoon animals and oversized animated genitals.

Whether or not sim-Huw is really Huw, whether or not uploading is a kind of death, whether or not posthumanity is immortal or just kidding itself, the single, inviolable fact remains: Human simspace is no more tasteful than the architectural train wreck that the Galactic Authority has erected. The people who live in it have all the aesthetic sense of a senile jackdaw. Huw is prepared to accept — for the sake of argument, mind — that uploading leaves your soul intact, but she is never going give one nanometer on the question of whether uploading leaves your taste intact. If the Turing test measured an AI’s capacity to conduct itself with a sense of real style, all of simspace would be revealed for a machine-sham. Give humanity a truly unlimited field, and it would fill it with Happy Meal toys and holographic, sport-star, collectible trading card game art.

There’s a whole gang of dirtside refuseniks who make this their primary objection to transcendence. They’re severe Bauhaus cosplayers, so immaculately and plainly turned out that they look more like illustrations than humans. Huw’s never felt any affinity for them — too cringeworthy, too like a Southern belle who comes down with the vapors at the sight of a fish knife laid where the dessert fork is meant to go. It always felt unserious to object to a major debate over human evolution with an argument about style.

But Huw appreciates their point, and has spent his and then her entire life complaining instead about the ineffable and undefinable humanness that is lost when someone departs for the cloud. She’s turned her back on her parents, refused to take their calls from beyond the grave, she’s shut herself up in her pottery with only the barest vestige of a social life, remade herself as someone who is both a defender of humanity and a misanthrope. All the while, she’s insisted — mostly to herself, because, as she now sees with glittering clarity, no one else gave a shit — that the source of her concerns all along has been metaphysical.

The reality that stares her in the face now, as she reclines on the impeccably rendered 20-million-count non-Egyptian noncotton nonsheets, is that it’s always been a perfectly normal, absolutely subjective, totally meaningless dispute over color schemes.

Now she’s got existential angst.

<#>

The Burj Khalifa’s in-room TV gets an infinity of channels, evidently cross-wired from the cable feed for Hilbert’s hotel. It uses some evolutionary computing system to generate new programs on the fly, every time you press the channel-up button. This isn’t nearly as banal as Huw imagined it might be when she read about it on the triangular-folded cardboard standup that materialized in her hand as she reached for the remote. That’s because — as the card explained — the Burj has enough computation to model captive versions of Huw at extremely high speed, and to tailor the programming by sharpening its teeth against these instances-in-a-bottle so that every press of the button brings up eye-catching, attention-snaring material: soft-core pornography that involves pottery, mostly.

Huw would like nothing better than to relax with the goggle-box and let her mind be lovingly swaddled in intellectual flannel, but her mind isn’t having any of it. The more broadly parallel she runs, the more meta-cognition she finds herself indulging in, so that even as she lies abed, propped up by a hill of pillows the size of a Celtic burial mound, her thoughts are doing something like this:

• Oh, that’s interesting, never thought of doing that sort of thing with glaze.• Too interesting, if you ask me, it’s not natural, that kind of interesting, they’ve got to be simulating gigaHuws to come up with that sort of realtime optimization.• There’ll be hordes of Huw-instances being subjected to much-less-interesting versions of this program and winking out of existence as soon as they get bored.• Hell, I could be one of those instances, my life dangling on a frayed thread of attention.• Every time I press the channel-up button, I execute thousands — millions? billions? — of copies of myself.• Why don’t I care more about them? It’s insane and profligate cruelty but here’s me blithely pressing channel-up.• Whoa, that’s interesting — she looks awfully like Bonnie, but with a bum that’s a little bit more like that girl I fancied in college.• I could die at any instant, just by losing attention and pressing channel up.• That’s wild, never noticed how those muscles — quadrati lumborum? — spring out when someone’s at the wheel, that bloke’s got QLs for days.• If I were really ethically opposed to this sort of thing, I’d be vomming in my mouth with rage at the thought of all those virtual people springing into existence and being snuffed out.• But I’m not, am I? Hypocrite, liar, poseur, mincing aesthete, that’s me, yeah? • So long as it’s interesting and stylish, I’ll forgive anything.• I’ve got as much existential introspection as a Mario sprite.

Enough, already, she tells herself, and cools herself down to a single thread, then slows that down, hunting for the sweet spot at the junction of stupidity and calm. Then finding it, she settles down and watches TV for a hundred subjective years, slaughtering invisible hordes of herself without a moment’s thought.

Satori.

The Rapture of The Nerds excerpt reprinted with the kind permission of Tor Books.

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by Nicole Powers

NASA’s Jet Propulsion Laboratory had its annual Open House event this past weekend. It was gratifying to see how packed it was – that so many people were inspired by science to head out to the West Coast, La Cañada Flintridge campus several miles north of Hollywood on a weekend. However, as I navigated the crowds and looked at the gadgets on display, it struck me how sad it was that now the Shuttle program is reduced to a terrestrial tourist attraction, our government has all but abandoned the space race.

There were a lot of satellites, robots and assorted landers on display, but without people it has all the excitement of sending a Kenwood Chef into space.

Like the Kenwood Chef, I’m sure these machines can multi-task and do lots of really cool things, but sending them into space isn’t going to inspire humanity like the Apollo and Shuttle missions did.

Is it just me, or does this blinged out, gold foil covered satellite look like it has eyes, a nose, and a silly hat? At least we’re sending something with a face into space!

Q: Why did the rover cross the road?
A: Because NASA doesn’t have the funds to send it into space.

If science rocks your world, you might like to join SG’s Mad Scientists group. And if reaching for the stars is more you thing, check out our Space and Time group.

by A.J. Focht

Microsoft kicked off the major E3 conferences on Monday morning. They started the show off with a bang, introducing the next game in the Xbox flagship series Halo 4. It focuses once again on Master Chief and is full of your favorite past enemies as well as an exciting new threat. Following the Halo 4 debut, was news of the next game in the Splinter Cell series, Blacklist. A handful of other sequels were featured, including: Resident Evil 6, Call of Duty Black Ops 2, Gears of War: Judgment, and a new addition to the Tomb Raider series. There were a few new titles showcased as well, the most impressive of which was the new South Park game where the player creates a character and joins the gang in an episode.

Microsoft also showed off the new Microsoft Smart Glass, which is an application that will work with Windows 8, and Windows Phones and tablets. The smart glass can link with the Xbox to enhance the in game experience. Smart Glass has multiple applications, among other things, it allows the wireless device to double as a controller or an interface to look up outside information on the game without having to exit it.

Two game developers had large press conferences that were streamed live, EA Games and Ubisoft. EA showed several expected follow-ups including: FIFA 13, Need for Speed: Most Wanted, and a new Sim City. E3 also announced they acquired the rights to future UFC games. Ubisoft took things in a different direction. They introduced one new IP called Watch Dogs. They also touched on Assassin’s Creed III and future games for the Wii U.

Sony had several announcements at this year’s E3. The electronics giant displayed the latest addition to the PS3 lineup, Beyond Two Souls, the enticing tale of a girl who speaks to ghosts. They also introduced another new IP called All-Stars Battle Royale, Sony’s version of Super Smash Bros. All-Stars will feature characters such as Kratos, Sweet Tooth, Sly Cooper, and Big Daddy. After talking about the future of the Vita and the new Play Station Plus subscription service that will offer members discounts and other perks, Sony closed with their two most keenly awaited titles: God of War Ascension and The Last of Us.

Nintendo held two separate press conferences. The main one was used to show off the Nintendo Wii U. There are several new game properties making their way to the device such as Pikmin 3 and New Super Mario Bros U. The new Nintendo IP for the Wii U is Nintendo Land, a theme park based game that offers mini-games based on your favorite Nintendo characters. A few third party games were revealed as well including Mass Effect 3 and Ninja Gaiden 3.

The second conference Nintendo held was focused on the 3DS. There were many games featured, starting with Castlevania: Lords of Shadow – Mirror of Fate. Many new games for classic Nintendo titles were displayed as well, including: Luigi’s Mansion 2, Epic Mickey: Power of Illusion, Paper Mario Sticker Star, and more information about Pokemon Black and White 2 was also divulged.

Many other games were showed off during the conference as well. One of the most talked about games at E3 has been Injustice: Gods Among Us, which pits DC heroes against each other in an all-out fighting game. Bethesda also released the first teaser trailer for The Elder Scrolls Online.

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World…

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then read the finale after the jump…)

[..]

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World…

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

[..]

by Damon Martin

The comic book industry has never been afraid to tackle tough and somewhat controversial subjects. They’ve featured stories of alcoholism, drug abuse, rape, and many other difficult themes that may have seemed somewhat taboo for a world that mostly involves spandex clad super heroes and mystical villains. The comic book world is more about fantasy than reality, but sometimes reality collides with their fantasy world.

Following President Barack Obama’s historic speech recently, in which he became the first sitting American president to endorse gay marriage, the topic has become a hot button subject on every talk show, news show and press outlet in the world. And now it appears the comic book industry is getting on board as well.

In 1992, Marvel revealed that Northstar, a character that was featured at the time in the Alpha Flight comic book, was indeed gay. Now 20 years later, in issue #50 of the Astonishing X-Men, Northstar (real name Jean-Paul Beaubier) proposed to his long time boyfriend Kyle Jinadu. They will marry in issue #51 set to hit stores in June.

“The Marvel Universe has always reflected the world outside your window, so we strive to make sure our characters, relationships and stories are grounded in that reality,” Marvel editor-in-chief, Axel Alonso said in a press release. “We’ve been working on this story for over a year to ensure Northstar and Kyle’s wedding reflects Marvel’s ‘world outside your window’ tradition.”

In addition to the wedding between X-Man Northstar and the love of his life Kyle Jinadu, DC Comics is set to reveal a major character as gay in the coming months in one of their books.

DC has tackled the subject previously, including with the relaunch of the Batwoman series in 2006 that revealed lead character Kathy Kane was a lesbian. The Batwoman comic has remained a top seller for DC over the last few years, and J.H. Williams III has actually been named the ‘Artist of the Year’ for Batwoman the last two years running by SuicideGirls.

Now, a major male character is apparently set to come out of the closet. “One of the major iconic DC characters will reveal that he is gay in a storyline in June,” said DC Comics co-publisher Dan DiDio earlier this month.

While no solid confirmation has been given by DC Comics regarding who it will be, most rumors have pointed to the original Green Lantern, Alan Scott, who was originally introduced to the DC Universe in 1941. He was the first ever Green Lantern, although in a much different incarnation than the Green Lantern Corps that survive today in most comic books.

The comic book industry as a whole has always been focused more towards the young male demographic, but these new characters help to broaden the comic book universe. It may sound hokey or somewhat old fashioned to think that way, but comic books are a real slice of pop culture and the introduction of more gay characters as well as the idea of gay marriage can only be seen as a positive step in the realm of science fiction, fantasy, comics, and real world social dynamics.

by A.J. Focht

Men In Black III topped the box office for Memorial Day weekend, knocking The Avengers down a peg. It pulled in $73.4 million over the four day weekend. It’s currently rated at 77% Fresh on Rotten Tomatoes.

Warner Bros. is pushing the advertisements for The Dark Knight Rises at full force, with dozens of poster releases and a new television spot. Christian Bale also gave an interview in June’s Rolling Stone Magazine.

The Amazing Spider-Man is not rushing their ad campaign, instead they are maintaining a steady approach Most recently, a new Australian trailer has surfaced that includes new footage. Not too much new footage, but it’s more of the steady stream of bait we’ve been seeing.

Kevin Fiege spoke with Empire Magazine, giving information on both Thor 2 and Iron Man 3. Fiege revealed they would be featuring a new major villain in Thor 2. When it was announced Mads Mikkelson was cast in the film, many assumed he was the villain. If he is, he likely won’t be the major villain, unless he can pull off a blonde female wig. A reliable source has told Bleeding Cool the major villain will be Enchantress.

In the same interview, Fiege talked Iron Man 3. He confirmed they will not be doing the Demon in a Bottle storyline that tackles Tony’s alcoholism. Fiege says, Iron Man 3 will be the most personal journey Tony Stark has taken since Afghanistan and will be the most spectacular of the Iron Man movies. He also teased that they will be introducing a new hero outside of the Avengers. Ashley Hamilton is also in talks to play the villain, Firepower.

Two new clips from Prometheus have been released. There is both behind-the-scenes footage and new scenes from the movie included. Director Ridley Scott is also thinking about the future, and he wants Harrison Ford in the Blade Runner sequel.

G.I. Joe: Retaliation has been pushed back. The additional time is going to be used to film new scenes in 3D. There is also talk of other ulterior motives, such as bringing in Joseph Gordon-Levitt as Cobra Commander.

After firing Community creator Dan Harmon, NBC released a memo which gives detailed answers that the cast is supposed to use to avoid any interview questions about Dan Harmon’s release. Below are examples of the stock answers NBC has asked the cast to give:

Why did Dan get let go from the show?

We’re not made aware of why staffing changes take place, but I will always be grateful to Dan for his great work on the show and wish him only the best. We’re also excited that we’ll be back on NBC’s schedule in the fall and are looking forward to working on those episodes.

Were you aware that Dan was going to be let go?

No, that’s not something we’re consulted on. I’m sad to see him go, but I am looking forward to starting our next 13 episodes of “Community.”

Did the studio or network consult with you about these changes?

No they didn’t, but we’re looking forward to working with David Guarascio & Moses Port on a new season of “Community.”

Doctor Who’s Matt Smith has been given the honor of running the Olympic Torch. He was the lead runner on Saturday May 26. The Time Lord ran from the Norwegian Church in Cardiff Bay to the National Assembly building.