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Jul 2011 26

by Fred Topel

“I use The Weekly World News to teach my son how to read.”
– Errol Morris

For some reason I expected Errol Morris to be a really serious documentarian trying to blow the lid off a scandal. Instead he was happy and smiling and laughing. He even made a joke that my two digital records (one for backup) were brother and sister. Morris has explored topics like police corruption in The Thin Blue Line and Abu Ghraib in SOP. His latest film, Tabloid tells a story we may not know, with a theme that still resonates today.

Joyce McKinney caused a scandal in the ‘70s when she allegedly kidnapped Kirk Anderson from the Mormon Church. At the time, the London tabloids either glorified her as a beautiful heroine or slammed her as a sexual predator. Today it takes far simpler scandals to make someone a tabloid star. For the film, Morris conducted an interview with McKinney and some of the other men who knew her, helped her or tried to stop her. The story unfolds in their own words, with a few on screen images for emphasis.

I spoke with Morris about today’s media, tabloid or otherwise.

Read our exclusive interview with Errol Morris on SuicideGirls.com.

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Jul 2011 25

by Jay Hathaway

“People are more homicidal than they used to be.”
– John Linnell

John Linnell and John Flansburgh of They Might Be Giants have been making music for 30 years, and they still haven’t run out of things to say. While other bands with that kind of longevity just go through the motions and secretly hate one another, the Johns somehow manage to get along and keep making good records.

Their 15th record, Join Us, has been three years in the making. During that time, They Might Be Giants have been putting out wildly successful kids’ albums, and Join Us marks their return to “adult” rock n’ roll.

We were lucky enough to spend some time on the phone with John Linnell, trying to figure out what this record is all about. It turns out that after 30 years, a band can just make music without having to explain themselves. Join Us is a They Might Be Giants record: you’ll either get it, or you won’t, and Linnell is totally okay with that.

Read our exclusive interview with John Linnell on SuicideGirls.com.

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Jul 2011 22

by Aaron Colter

The bulk of this blog post isn’t about San Diego Comic-Con, I’m just using it as an excuse to get you to click on the title. And it worked. Fooled you, motherfuckers! You might as well stick around though, I mean, you did already click on the title, and you are already reading this sentence. The next one’s pretty good, you should read it too.

Comic-Con can actually be a lot of fun, but it’s expensive as hell and crowded as five pounds of shit in a four pound bag. If conventions are your type of party, there are smaller conventions around the country that are legitimately well-attended, where you’ll have the opportunity to meet with other fans and actually speak to creators about their work. If, however, you’re looking to blow a few thousand dollars, and can get a decent group of your friends to do the same, plan a year in advance, and set aside hundreds in cash for stuff on the show floor, then yes, San Diego Comic-Con is fucking awesome. If attending, my top three picks for things to get at SDCC are Mr. Hipp Strikes!, Any Empire by Nate Powell, and the 2011 Color Ink Book.

But, if you’re like me, and don’t really want to deal with all of that noise this year, next, or ever, unless absolutely necessary, then here’s some cool stuff that you can do this weekend that will still be pretty fun.

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Jul 2011 22

by Mur Lafferty

SuicdeGirls presents the seventeenth installment of our Fiction Friday sci-fi series, Marco and the Red Granny, which is brought to you by SG columnist Mighty Mur a.k.a. cyber commentator Mur Lafferty.

Marco and the Red Granny is set in a not-so-distant future where an alien species, the Li-Jun, has transformed the moon into the new artistic center of the universe, where the Sally Ride Lunar Base soon gains the nickname “Mollywood.” These aliens can do amazing things with art and the senses, allowing a painting, for example, to stimulate senses other than sight. However, humans remain suspicious of the Li-Jun’s emotion-imbued goods, so while their entertainment can be beamed back to earth, a trade embargo prevents anything from being physically imported to the planet.

In the previous installments, Marco, a writer whose career has long been in the doldrums, gets a surprise call from an agent he thought he no longer had informing him that he has received an offer from Mollywood for a much coveted Li-Jun patronage. Keen to catch up career-wise with his ex-GF Penelope, who’d unceremoniously dumped him after being recruited by the Li-Jun two years earlier, Marco hastily jumps on the next shuttle to the moon. Once aboard, he finds himself sitting next to a seemingly unassuming old lady called Heather, who turns out to be The Red Granny, a legend in Li-Jun’s reality show world for being a three-time champion of The Most Dangerous Game (which requires contestants to sign away the rights to their life).

After settling into his new accommodations at House Blue, Marco has a brief meeting with his new patron, a Li-Jun called Thirteen. It’s only then that Marco realizes he’s never been shown the terms of his employment, and a sense of unease sets in. That evening, Marco is taken on a trip to see The Red Granny in action in The Most Dangerous Game. After a bloody battle, the senior reality TV star is again victorious. The viciousness of the game leaves The Red Granny unconscious, and Marco shocked, disturbed, and in need of a stiff drink. Unfortunately stiff drinks are frowned upon by the Li-Jun, so Marco settles for an early night

The next day, Marco learns first hand about the process that enables the Li-Jun to put taste into paintings, music into pie, and stories into (nonalcoholic) beverages. Having had his deepest and most depraved memories dredged and thoroughly probed by the aliens so they can be monitored and recorded, Marco finally sees the terms of his contract. He ultimately accepts the Li-Jun’s too-good-to-refuse offer, and embarks on his new life at House Blue. However, though he’s been handed everything he ever wanted, somehow the reality of it is hollow.

Twenty thousand words into his new graphic novel, with his first deadline looming, Marco suffers from a severe case of writers block, and searches for inspiration in the bottom of a glass that’s actually had something worth drinking in it. To this end, he stumbles across an illicit drinking establishment on the seedier side of the moon which turns out to be run by a collective of folks who are strictly persona non grata as far as the Li-Jun are concerned – The Alcoholic’s Guild. There Marco has an uneasy encounter with a glass or three of gin, his ex-GF Penelope, who is now going by the name Knowledge, and her AG sponsor, Defect. After downing one too many drinks, Marco begins to get a sense of exactly how severe of an infraction the Li-Jun consider the consumption of alcohol to be.

While attempting to conceal his inebriation as he sneaks back into House Blue, Marco is caught red handed by his Li-Jun keeper Seven (it was probably his spontaneous vomiting that gave him away). The punishment is a second bout of mind raping/mapping. Afterwards, with his patronage in jeopardy, Heather gives him a ‘special’ necklace to calm his nerves and promises to plead his case with Thirteen.

The following morning, Heather takes Marco on a behind-the-scenes tour of the secret areas of House Blue where the Li-Jun infuse emotion into art. The Red Granny also reveals that everything created in Mollywood will soon be permitted to be legally imported back to earth. Duly inspired and placated, Marco is allowed to resume his patronage…However, that was before he got kidnapped twice in one day. The first time by Penelope/Knowledge and Defect of The Alcoholic’s Guild, who made him realize the Li-Jun had brainwashed him into compliance, and the second time by the Li-Jun, who were rather upset about the fact he’d just been fraternizing with said Alcoholic’s Guild – albeit initially unwillingly. Marco’s punishment for this infraction? He was to be a contestant in The Most Dangerous Game.

Having selected his weapon of choice, with a little help from Heather, we join Marco as he prepares for his first bout – armed with nothing more than a bad case of nerves/abject terror, a staff, and a seemingly unassuming knife. However, something Heather said gives him pause for thought:

We are not that dissimilar. We’re just going about our paths in a different way.
Before he enters the arena, Marco cuts himself with the knife to see what it might be imbued with. He discovers thanks to its nefarious Li-Jun properties, it gives him a sense of rage he’s never felt before…

[..]

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Jul 2011 22

by Daniel Robert Epstein

“I wouldn’t say Knoxville’’s too talented.”
– Jeff Tremaine

On camera the Jackass cast and crew always come off like psychotic eight year olds, which they are. But it also takes some talent to take this very motley crew, have them do all these insane and disgusting things to themselves and each other, and still be able to formulate it all into a movie. That’’s where Jackass co-creator and director Jeff Tremaine steps in.

Before the Jackass phenomenon, Tremaine was best known as the editor for Big Brother Magazine. Tremaine was the one who put all these lunatics together into the major franchise that they are now.

Read our exclusive interview with Jeff Tremaine on SuicideGirls.com.

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Jul 2011 21

by Blogbot

A column which highlights Suicide Girls and their fave groups.


[Zephyr in 59 Sound]

This week, Zephyr Suicide takes us on a tour of a group that’s bigger on the inside than it is on the outside; it travels through space and time in a TARDIS and is called Doctor Who.

Members: 1,054 / Comments: 8,827

  • WHY DO YOU LOVE IT?: Doctor Who is just a fun show. I’ve been watching it for years, and got started on some of the older episodes from the 1960s. It’s got aliens, time travel, paradoxes, and robots — what more could a girl want?


  • DISCUSSION TIP: Don’t say it’s a kids program!
  • BEST RANDOM QUOTE: “Should I be worried that I find girls with plastic cups on their heads holding sink plungers and egg whisks mildly attractive?”

  • MOST HEATED DISCUSSION THREAD: Pretty much any of the episode / theory threads. No one gets angry, but it gets pretty serious in there.
  • WHO’S WELCOME TO JOIN?: Anyone! It certainly would help if you watched the show though — it could get confusing otherwise. 



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Jul 2011 21

by Daniel Robert Epstein

“There’’s nothing about David [Lynch] that is elitist.”
– Laura Dern

Laura Dern is the talented and beautiful muse of many of David Lynch’s best films. Dern has starred in Blue Velvet, Wild at Heart and most recently, Inland Empire.

In Lynch’’s three hour, shot on video opus Dern plays multiple characters all orbiting her main character of an actor who lands her first really great part in a long time.

Dern has not only supported many independent filmmakers throughout her career, she produced Alexander Payne’’s first film Citizen Ruth, scored an Oscar nomination for Rambling Rose and even changed herself into a femme fatale for Novocaine.

I got a chance to talk with Dern about Inland Empire from an undisclosed place in Manhattan.

Read our exclusive interview with Laura Dern on SuicideGirls.com.