Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World…
By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.
Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.
When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.
(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)
News Corporation chief executive and chairman Rupert Murdoch lashed out on Twitter against the changing tide of public opinion with regards to SOPA and PIPA. In this video post, SG Political Contributor David Seaman talks about why big media corporations such as Fox and Disney support these ugly sister acts, and gives us an overview of yesterday’s day of internet action against them.
He also gives us an update on NDAA – one of the most treasonous bills ever signed into law by Congress according to some – and points us in the direction of the grass roots groups who are seeking to recall every congressman that supported it. Also, David talks about last night’s NDAA segment on Coast to Coast, in which he participated.
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David Seaman is an independent journalist. He has been a lively guest on CNN Headline News, FOX News, ABC News Digital, among others, and on his humble YouTube channel, DavidSeamanOnline. Some say he was recently censored by a certain large media corporation for posting a little too much truth… For more, find him on G+ and Twitter.
With its release scheduled for July 20 of this year, The Dark Knight Rises is now well into its post-production and marketing phase. Entertainment Weekly was the first to debut several official shots in their issue last week. On top of several shots of Bane and others inside the magazine, the cover featured a close up of Batman and his new suit.
A new still has flown in from the set of The Man of Steel as well. The shot isn’t official, and is a bit blurry, but even out of context, it’s pretty epic. It features a fire truck that has been impaled by a tree and what could possibly be Superman underneath doing said impaling.
Despite all the epic news coming out from other superhero films, we’re being reassured that Iron Man III will be one of the best superhero movies ever. Now that is a tall order considering the lackluster spectacle that was Iron Man II, but Robert Downey Jr. has added his weight to the claim that the third film could be one of the best superhero movies of all time. The film will be going back to its roots and is looking to recapture the elements that made the first film successful.
The CW hasn’t given up on riding the superhero train. They are now working on a pilot episode of DC Comics’ Green Arrow franchise. Unfortunately, Justin Hartley, who became well known for his portrayal of the Green Arrow on Smallville, is not involved with the project.
Speaking of DC Comics, the company has gone through another logo change. They have gotten some flak for their past logo changes, but this might be by far the worst. Their new logo screams ‘CORPORATION’ not ‘COMICS.’
After concluding its second season on BBC, Sherlock has been renewed for a third. The show’s co-creator, Steven Moffat, confirmed the renewal via Twitter. The second season in the series is set to premiere on PBS this spring.
Talking of turning classic tales into shows, NBC is making a television series based on the Dracula lore. The series is going to be set in the 1890’s, and is being developed by Tony Krantz and Cole Haddon. While Dracula is the iconic vampire, I don’t see the need for anymore vampire television for a few years.
That isn’t to say there aren’t some vampire stories still worthy of being told on screen. For instance, Abraham Lincoln Vampire Hunter has just released several new pics and a behind the scenes video. And the historical fiction doesn’t end there. The second most badass president (first place still goes to ol’ honest Abe) is getting his own film. That right, FDR American Badass will feature our polio stricken president fighting Nazi werewolves.
Abigail Spencer has joined the Whedonverse and will star in Joss Whedon’s next film. What film is that exactly? Well the only details we have is that it’s a “supernatural romance.” Spencer does comment that, “It’s the most romantic film in the history of time.” There is no saying what Joss is up too, but let’s be honest, has he let us down yet?
On a final note, it looks like George Lucas is going to be taking things easier. After the release of his upcoming film, Red Tails, Lucas will be taking on his own form of retirement. What this seems to mean is he will no longer be working blockbuster films, and will instead focus on movies on a smaller scale. Lucas has also been rather honest about why he has made this decision, and it’s all our faults. The massive amount of negative fan criticism from the Star Wars prequels and special editions really hurt him. Who would want to keep making films for fanboys who hate you? Despite flaws in his latter work, this fan would just like to say, “Thank you.” George Lucas transformed the world of sci-fi for so many of us, and we must respect the tremendous effect he has had on the evolution of nerdom.
Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World…
By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.
Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.
When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.
(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)
It was a casual Sunday and I found myself walking through the local video game store. I’m always on the lookout for games that are influenced by real-world events, geopolitics or other revolutionary ideas as presented in digital form. While I’m still waiting for the ultimate game that portrays presidential elections, an upcoming release by a major global gaming studio has caught my eye and for possibly the wrong reasons.
Ubisoft is updating Tom Clancy’s Rainbow Six series with a new sequel in 2013. Only this time, the baddies aren’t mysterious investment bank-type Arabs pointing Kalashnikovs. After seemingly an entire generation of blowing up Muslims, we’re finally getting a reprieve from the barrage of first-person-shooters that portray all of the Middle East as though it were one big underground weapons market.
So who (or what) has become the latest enemy of the state to be deemed a necessary kill for Clancy disciples in the video game world?
It just might be the 99 Percent.
You knew this would happen sooner or later. According to early press reports and box art, the enemy of America now comes from within. Rainbow Six: Patriots is a squad-based game that paints those who fight for economic inequality as a terrorist threat.
Early simulated clips that may or may not make the final release are indeed astounding. The opening scene of the first working imagery officially released portrays a home invasion – complete with the physical assault of the mother of a newborn baby – as undertaken by a band of anti-corporate zealots. Here’s a snippet of dialogue from a YouTube preview as released by Ubisoft…
“You really did cash in on everyone else getting foreclosed didn’t you? Today, you’re going to make up for that…”
Wow. I guess we’ve all been waiting for a blockbuster shooter that paints the 1 percent as victims. Thanks Tom Clancy. If violence again rears it’s ugly head at future protests, I guess we’ll know who is throwing fuel on the fire.
For those that don’t feel like watching the preview footage, what unfolds then is an exercise in violence gone amok as an apparently American-born, kevlar-vest wearing terrorist known within the game as a “True Patriot” proceeds to strap an explosive device on a docile target. It all ends in more violence as the well-armed hero Rainbow Six team can’t seem to solve the bomb problem, so they throw the target off a bridge in New York City which may or may not be the George Washington.
Given that some consider video games like these to be military trainers, many of the people whose voices gave birth to the Occupy movement are likely to be revolted and disgusted that some of their protest messages may now be fodder for what could turn out to be a very violent and very scary simulation.
Worse, does this game further encourage the militarization of domestic policing with respect to the portrayal of anti-establishment protesters?
The “True Patriot” moniker given the American terrorists in this game seems like a mix of Tea Party and Occupy movements. Granted, the game is in very early in development, but this ripped-from-the-headlines approach should upset some of the 99 Percent who hold nonviolent civil disobedience to be one of the founding principles that helped shine a spotlight on a progressive voice of unity.
If the new terror threat is indeed an underclass emboldened by cries of “this is what democracy looks like,” we’re all going to be in a lot more trouble than we think. By the end of many of the Occupy encampments, some of the public opinion voiced against those protesting was clearly being molded by a media that sought to vilify the Occupy movement as a stinking underbelly that needed to be held under the boot of a police state.
If the next step is really to turn weapons – even the digital kind – upon this group, a new front has been opened up in an entertainment propaganda / information war that civic, cloud-based journalism may find impossible to counter.
Seems the 1 percent has quite a few tricks up their golden-cufflinked sleeves.
Superheroes are taking back Saturday mornings. A few weeks ago, Cartoon Network announced they were doing a new block of programing called DC Nation that would feature the DC heroes. Now its Marvel’s turn for the kind of cartoon resurgence we’ve been waiting for ever since Disney bought them out. The mouse-eared company will be starting their own superhero programming block called Marvel Universe. It will provide exclusive Marvel content including series of The Avengers, Hulk, Iron Man, and Thor. They will also be doing a Spider-Man series based on the Ultimate Spider-Man line, but it will feature Peter Parker, not the new Miles Morales.
Thor 2 has seen a lot of trouble pre-production, but they’ve finally settled on a writer. Robert Rodat, whose previous credits include Saving Private Ryan, will be penning the sequel to the Marvel blockbuster. The script needs to be completed pretty soon as they plan to start filming this summer.
The live action Star Wars television series is not just a myth, and now it has a name. In a recent interview with IGN, Rick McCallum, producer and right-hand man of George Lucas himself, announced the working title for the series is Star Wars: Underworld. There is no sure date when it will launch; they are apparently waiting until they can economically produce it for $5 million an episode.
Star Trek 2 has added a new cast member in the form of Sherlock star Benedict Cumberbatch. While his exact role has not been named, it is widely considered he will be a new villain in the J.J. Abrams sequel.
There is a new face to Ash William from the Evil Dead series, and she looks nothing like Bruce Campbell. Lily Collins (The Blind Side) is the first official member to join the cast of the new incarnation, taking the lead role. Now, to be fair, she will not be Ash, her name will be Mia. She will however being playing a part very similar to that played by Campbell in the 1981 original. I hope her name is actually Michael or something of the like just as a throwback to Ashley (Ash) Williams.
While were thinking about zombies, is this a good time to mention that World War Z will be a trilogy. After a chorus of complaints about the first one taking place during the actual Zombie War and not after like the book does, this may be Paramount Pictures way of making up for that, or more likely just a way to capitalize on the fad. Either way, we can hope the second and third movie will do the book some justice where it looks like the first will fail.
AMC is on a roll with innovative programming like Breaking Bad and The Walking Dead, and now they are bringing a mafia classic back to life. The company is producing a cable series based on the Martin Scorsese 1990 mobster classic, Goodfellas. To make the news even better, Nicholas Pileggi, writer of the movie and the original non-fiction book it was based on, Wiseguy, is set to co-write the series.
We have another classic being brought back to life, albeit in a different medium. After twenty-five years as a cult favorite, The Labyrinth will be getting a prequel in the form of a graphic novel. The long rumored project will explore the story of how Jareth, the guy played by David Bowie, comes to the Labyrinth for the first time.
Finally, just a friendly reminder to everyone wanting to attend San Diego Comic-Con 2012, they have changed their registration system. If you would like to register for a ticket to go, you first have to preregister for a Member ID. You can start this process now via the Comic-Con website. Just don’t get stuck being unable to snag a ticket the day they go on sale because you didn’t preregister.
Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World…
By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.
Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.
When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.
(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)
