by Nicole Powers
“It’s an absolutely fucking crazy story.”
– Jaimie D’Cruz
Exit Through the Gift Shop is a film that defies explanation, and one’s ability to suspend disbelief. Indeed the plot would be utterly ridiculous, if it weren’t for the fact that it’s true.
It started out life as a simple documentary about street art as seen through the lens of Thierry Guetta, a French national living in Los Angeles. Thanks to a family connection, and his infectious and perpetuity ebullient personality, Guetta gained unparalleled access to the major players in the scene, who are a notoriously secretive and hard to track down bunch by necessity due to the predominantly illicit nature of their work. Guetta’s extreme enthusiasm for the form, and his zealous pursuit of its practitioners, ultimately led him to the scene’s holy grail, Banksy, an elusive British street art superstar.
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by Nicole Powers
“You never make fun of people you don’t like.”
-Lisa Lampanelli
Life is all about timing. Especially when you’re telling jokes that many might view as not funny, and that even more might find downright offensive. Thus, Lisa Lampanelli, the self-proclaimed Queen of Mean, who stars in her first HBO comedy special, Long Live the Queen, picks her moments carefully –– very carefully.
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by Nicole Powers
It was very possible to lose one’s mind…playing Catherine,” says Mena Suvari, referring to her role in the film Hemingway’s Garden of Eden, which opens in select US theaters this month. Indeed the character at the heart of the Ernest Hemingway book, upon which the movie is based, is considered to be one of the writer’s most complex.
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by Fred Topel
“I guess Stephen Brill never saw Star Wars.”
– Kyle Newman
With the Star Wars saga officially wrapped up with Episode III: Revenge of the Sith, fans will seek out any remaining sliver of that galaxy far, far away on screen. The Clone Wars animated movie gave them a little bit of light drone lasering action, but what really caught their attention was Kyle Newman’s Fanboys.
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by Nicole Powers
Amanda Palmer is a rebel with a cause; she fights fiercely for her artistic freedom. When the musician and singer, who is currently on hiatus from the “Brechtian punk cabaret” band The Dresden Dolls, made a video to promote one of the songs from her debut solo album, Who Killed Amada Palmer, it seems her belly didn’t conform to the ideal expressed by a male executive at her label, who apparently explained: “I’m a guy, Amanda. I understand what people like.” She fought the label’s attempt to slim down her stomach’s role in the clip for “Leeds United” (it was already pretty damn small). Her loyal fans also rose to her defense, and a grassroots ReBellyOn website was launched.
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by Andrea Larrabee
“I’m old fashioned and modern at the same time,” Rachel Federoff tells me at one point during our phone interview. As a key player in the hit Bravo TV show Millionaire Matchmaker – which is now in its fourth and most successful season to date – Federoff must reconcile her intrinsically alternative self with the always outspoken and often very traditional beliefs of her mentor Patti Stanger, who founded the Millionaire’s Club, the elite matchmaking service upon which the show is based.
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by Tamara Palmer
“Rockers are pussies.”
– Al Jourgensen
He’s been variously known under monikers such as Buck Satan, Alien Dog Star and Alien Jourgensen and is the brain trust behind such thought-provoking band names as Ministry, Revolting Cocks and 1000 Homo DJs. But Al Jourgensen, who cut a frightening figure with these bands’ even more provocative industrial music when they emerged in the late eighties and early nineties, is a surprisingly friendly and relatable guy. Once the picture of cocaine and heroin rock star excess, the six-years sober Jourgensen is far more likely to be found at the opera than at an arena concert these days.
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