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Jan 2012 11

By 99Percent

It was a casual Sunday and I found myself walking through the local video game store. I’m always on the lookout for games that are influenced by real-world events, geopolitics or other revolutionary ideas as presented in digital form. While I’m still waiting for the ultimate game that portrays presidential elections, an upcoming release by a major global gaming studio has caught my eye and for possibly the wrong reasons.

Ubisoft is updating Tom Clancy’s Rainbow Six series with a new sequel in 2013. Only this time, the baddies aren’t mysterious investment bank-type Arabs pointing Kalashnikovs. After seemingly an entire generation of blowing up Muslims, we’re finally getting a reprieve from the barrage of first-person-shooters that portray all of the Middle East as though it were one big underground weapons market.

So who (or what) has become the latest enemy of the state to be deemed a necessary kill for Clancy disciples in the video game world?

It just might be the 99 Percent.

You knew this would happen sooner or later. According to early press reports and box art, the enemy of America now comes from within. Rainbow Six: Patriots is a squad-based game that paints those who fight for economic inequality as a terrorist threat.

Early simulated clips that may or may not make the final release are indeed astounding. The opening scene of the first working imagery officially released portrays a home invasion – complete with the physical assault of the mother of a newborn baby – as undertaken by a band of anti-corporate zealots. Here’s a snippet of dialogue from a YouTube preview as released by Ubisoft…

“You really did cash in on everyone else getting foreclosed didn’t you? Today, you’re going to make up for that…”

Wow. I guess we’ve all been waiting for a blockbuster shooter that paints the 1 percent as victims. Thanks Tom Clancy. If violence again rears it’s ugly head at future protests, I guess we’ll know who is throwing fuel on the fire.

For those that don’t feel like watching the preview footage, what unfolds then is an exercise in violence gone amok as an apparently American-born, kevlar-vest wearing terrorist known within the game as a “True Patriot” proceeds to strap an explosive device on a docile target. It all ends in more violence as the well-armed hero Rainbow Six team can’t seem to solve the bomb problem, so they throw the target off a bridge in New York City which may or may not be the George Washington.

Given that some consider video games like these to be military trainers, many of the people whose voices gave birth to the Occupy movement are likely to be revolted and disgusted that some of their protest messages may now be fodder for what could turn out to be a very violent and very scary simulation.

Worse, does this game further encourage the militarization of domestic policing with respect to the portrayal of anti-establishment protesters?

The “True Patriot” moniker given the American terrorists in this game seems like a mix of Tea Party and Occupy movements. Granted, the game is in very early in development, but this ripped-from-the-headlines approach should upset some of the 99 Percent who hold nonviolent civil disobedience to be one of the founding principles that helped shine a spotlight on a progressive voice of unity.

If the new terror threat is indeed an underclass emboldened by cries of “this is what democracy looks like,” we’re all going to be in a lot more trouble than we think. By the end of many of the Occupy encampments, some of the public opinion voiced against those protesting was clearly being molded by a media that sought to vilify the Occupy movement as a stinking underbelly that needed to be held under the boot of a police state.

If the next step is really to turn weapons – even the digital kind – upon this group, a new front has been opened up in an entertainment propaganda / information war that civic, cloud-based journalism may find impossible to counter.

Seems the 1 percent has quite a few tricks up their golden-cufflinked sleeves.

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Jan 2012 11

by A.J. Focht


[Bob and Kemper in Droids You’re Looking For]

Superheroes are taking back Saturday mornings. A few weeks ago, Cartoon Network announced they were doing a new block of programing called DC Nation that would feature the DC heroes. Now its Marvel’s turn for the kind of cartoon resurgence we’ve been waiting for ever since Disney bought them out. The mouse-eared company will be starting their own superhero programming block called Marvel Universe. It will provide exclusive Marvel content including series of The Avengers, Hulk, Iron Man, and Thor. They will also be doing a Spider-Man series based on the Ultimate Spider-Man line, but it will feature Peter Parker, not the new Miles Morales.

Thor 2 has seen a lot of trouble pre-production, but they’ve finally settled on a writer. Robert Rodat, whose previous credits include Saving Private Ryan, will be penning the sequel to the Marvel blockbuster. The script needs to be completed pretty soon as they plan to start filming this summer.

The live action Star Wars television series is not just a myth, and now it has a name. In a recent interview with IGN, Rick McCallum, producer and right-hand man of George Lucas himself, announced the working title for the series is Star Wars: Underworld. There is no sure date when it will launch; they are apparently waiting until they can economically produce it for $5 million an episode.

Star Trek 2 has added a new cast member in the form of Sherlock star Benedict Cumberbatch. While his exact role has not been named, it is widely considered he will be a new villain in the J.J. Abrams sequel.

There is a new face to Ash William from the Evil Dead series, and she looks nothing like Bruce Campbell. Lily Collins (The Blind Side) is the first official member to join the cast of the new incarnation, taking the lead role. Now, to be fair, she will not be Ash, her name will be Mia. She will however being playing a part very similar to that played by Campbell in the 1981 original. I hope her name is actually Michael or something of the like just as a throwback to Ashley (Ash) Williams.

While were thinking about zombies, is this a good time to mention that World War Z will be a trilogy. After a chorus of complaints about the first one taking place during the actual Zombie War and not after like the book does, this may be Paramount Pictures way of making up for that, or more likely just a way to capitalize on the fad. Either way, we can hope the second and third movie will do the book some justice where it looks like the first will fail.

AMC is on a roll with innovative programming like Breaking Bad and The Walking Dead, and now they are bringing a mafia classic back to life. The company is producing a cable series based on the Martin Scorsese 1990 mobster classic, Goodfellas. To make the news even better, Nicholas Pileggi, writer of the movie and the original non-fiction book it was based on, Wiseguy, is set to co-write the series.

We have another classic being brought back to life, albeit in a different medium. After twenty-five years as a cult favorite, The Labyrinth will be getting a prequel in the form of a graphic novel. The long rumored project will explore the story of how Jareth, the guy played by David Bowie, comes to the Labyrinth for the first time.

Finally, just a friendly reminder to everyone wanting to attend San Diego Comic-Con 2012, they have changed their registration system. If you would like to register for a ticket to go, you first have to preregister for a Member ID. You can start this process now via the Comic-Con website. Just don’t get stuck being unable to snag a ticket the day they go on sale because you didn’t preregister.

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Jan 2012 11

By Nicole Breanne

Mitt Romney is the frontrunner for the Republican ticket, followed very closely by, depending on which polling site you look at, Rick Santorum or Ron Paul. As a political correspondent that takes politics seriously I want to fucking hang myself, as a cynical, bitter, jaded, 99-percenter I am thrilled to watch the train wreck.

[..]

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Jan 2012 11

By Fred Topel

“I’ve always been a sponge.”
– Vincent D’Onofrio

Vincent D’Onofrio has been a memorable character actor for 25 years. The first role most people remember was Pvt. Pyle, the marine cadet driven insane by a drill instructor in Full Metal Jacket. From other dark roles like a serial killer in The Cell and a meth dealer in The Salton Sea to high comedy as a farmer possessed by an alien in Men in Black, D’Onofrio may be unrecognizable between roles, but is always distinct.

D’Onofrio moves behind the scenes as director with the horror musical Don’t Go In the Woods. That’s right, horror musical. The conventional slasher movie gets a twist when a band goes on a forest retreat to write songs, and breaks into song as they’re being chased by a killer.

Sam Bisbee and Bo Boddie wrote the music for the film and most of the actors are first timers, so if you like them you can’t see any of their previous work. I sort of fell in love with Kate O’Malley so it’s a bummer she hasn’t done anything else. D’Onofrio had previously directed a 30 minute short, but Woods is his feature debut.

On the phone from New York, D’Onofrio sounded as intense as I expected, and hoped he would be. Not intimidating, mind you. It was a friendly conversation, going into depth about his process on both sides of the camera, and touching on some of the filmography I love. Don’t Go In the Woods is now available for download on VOD, it opens in New York theaters Jan. 13 and comes to L.A. in February.

Read SuicideGirls’ exclusive interview with Vincent D’Onofrio on SuicideGirls.com.

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Jan 2012 11

Perry Suicide in Southern Comfort

  • MAKES ME HAPPY: My friends, blunts, sex, Mexican food, big waves, baby animals, Family Guy, sleeping in, rollercoasters, sunny days, my pitbull Scarlett Johansson.
  • MAKES ME SAD: Animal cruelty, when people I love are hurt, going to class.
  • HOBBIES: Masturbation definitely counts.

Get to know Perry better over at SuicideGirls.com!


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Jan 2012 10

by Jamila

Let’s be quite clear, I am not an objective reviewer here. Mike Doughty’s music stole my heart in the summer of 2003, when I borrowed a mix CD from my roommate to listen to in the car and track 8 was “The Only Answer” –– two minutes and 9 seconds of sheer heaven that I repeated about 6 times before grilling said roommate about who had created this incredible tidbit of music and how had I missed it before. I am such a biased Mike Doughty fan that I have the robot from the cover of Rockity Roll tattooed on my ankle. Okay, disclaimer taken care of.

Doughty’s latest album, Yes and Also Yes is the perfect mix of all of the little quirky styles his other albums showcased. Haughty Melodic (a.k.a. the masterwork), was folksy and acoustic and haunting, with bright spots of silliness (and is still my favorite of his albums, to this day). Golden Delicious was a bit more experimental and electronic, while also serving to put MD on the mainstream map, at least a little bit. That album’s redux of “27 Jennifers” was the first of his songs I ever heard on a regular radio station –– not counting Sirius or college radio, etc –– and I grinned until the last strains died out.

Yes and Also Yes has the earnest, sweet, hopeful simplicity of Haughty Melodic with a twist of the edginess and electronic embellishment that he used on Rockity Roll and Golden Delicious. The most glaring difference though? The naive trust, the little boy looking for love and happily ever after who was so present on Haughty Melodic, even in the sad songs about love gone bad like the glorious “Unsingable Name,” is startlingly absent on this album. These are songs written by a man who’s had his heart ripped out and stomped on and knows so well how to tell the story.

While this isn’t the first time his fragile heart had been broken, it was the last time it will happen like this. This is not an album to cry yourself to sleep to whilst it spins endlessly on repeat, it’s much subtler and far more seductive. The kind of songs that pretty much everyone who has lost their virginity will be able to relate to. The first single “Na Na Nothing” is about as close to a universal anthem of getting fucked over as it gets. And there are so many moments on this album that made me think, “Yeah, me too!”

And yet, despite the bitterness Doughty wisely lets seep into some of the tracks, that youthful, exuberant hope is still ever present. He continues on his path of growth and exudes a ready-to-learn attitude that makes him and his music so incredibly likeable. You never really know what you will get when you buy one of his albums, but so far, I haven’t been disappointed.

Verdict? Definitely worth buying. And also worth paying extra for overnight shipping. Yes, that does mean I was talking about actually purchasing the *gasp* CD. This is one to tangibly hold in your hands.

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Jan 2012 10

by Blogbot

Leon the Pit Mix (pictured with his mistress Riae Suicide)

  • INTO: Balls, bones, cookies, cats, following Riae into every room, chasing animals in the woods, watching TV, and wearing stupid costumes ( I like it when my mum dresses me up).
  • NOT INTO: Being alone, baths, and the vacuum cleaner.
  • MAKES ME HAPPY: Sleeping in bed with my mom and dad, long walks in the woods, bones, cuddles, and playing with the leash when I walk with my mom.
  • MAKES ME SAD: Staying alone in the house and traveling by car.
  • HOBBIES: : I love destroying tennis balls and puppets.
  • 5 THINGS I CAN’T LIVE WITHOUT: My mom, food, cookies, cuddles, and my blanket.
  • VICES: I want all the attention for me. I’m jealous when my mum (or dad) cuddle the cats. I’m a little nasty with other dogs.
  • I SPEND MOST OF MY FREE TIME: Sleeping or destroying anything in the house.

Get to know Leon’s mistress, Riae Suicide, over at SuicideGirls.com!