by Blogbot

This Thursday, October 3rd on SuicideGirls Radio, hosts Nicole Powers and Juturna Suicide will be joined on the phone by writer, filmmaker and artist Clive Barker, and in studio by the Vice President of his Seraphim production company Mark Miller. Art historian, author, and bon vivant Thomas Negovan of the Century Guild gallery will also be joining us to talk about Barker’s forthcoming exhibition, which he is in the process of curating.

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If you have questions for the SG Radio crew or our guests, you can call in during the live broadcast at: 1-855-TRV-inLA (1-855-878-4652)

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About Clive Barker

A visionary, fantasist, poet and painter, Clive Barker has expanded the reaches of human imagination as a novelist, director, screenwriter and dramatist. An inveterate seeker who traverses between myriad styles with ease, Barker has left his indelible artistic mark on a range of projects that reflect his creative grasp of contemporary media — from familiar literary terrain to the progressive vision of his Seraphim production company. His 1998 Gods and Monsters, which he executive produced, garnered three Academy Award nominations and an Oscar for Best Adapted Screenplay. The following year, Barker joined the ranks of such illustrious authors as Gabriel Garcia Marquez, Annie Dillard and Aldous Huxley when his collection of literary works was inducted into the Perennial line at HarperCollins, who then published The Essential Clive Barker, a 700-page anthology with an introduction by Armistead Maupin.

Barker began his odyssey in the London theatre, scripting original plays for his group The Dog Company, including The History of the Devil, Frankenstein in Love and Crazyface. Soon, Barker began publishing his The Books of Blood short fiction collections; but it was his debut novel, The Damnation Game, that widened his already growing international audience.

Barker shifted gears in 1987 when he directed Hellraiser, based on his novella The Hellbound Heart, which became a veritable cult classic spawning a slew of sequels, several lines of comic books, and an array of merchandising. In 1990, he adapted and directed Nightbreed from his short story Cabal. Two years later, Barker executive produced the housing-project story Candyman, as well as the 1995 sequel, Candyman 2: Farewell to the Flesh. Also that year, he directed Scott Bakula and Famke Janssen in the noir-esque detective tale, Lord of Illusions.

Barker’s literary works include such best-selling fantasies as Weaveworld, Imajica, and Everville, the children’s novel The Thief of Always, Sacrament, Galilee and Coldheart Canyon. The first of his quintet of children’s books, Abarat, was published in October 2002 to resounding critical acclaim, followed by Abarat II: Days of Magic, Nights of War and Arabat III: Absolute Midnight. Barker is currently completing the fourth in the series. As an artist, Barker frequently turns to the canvas to fuel his imagination with hugely successful exhibitions across America. His neo-expressionist paintings have been showcased in two large format books, Clive Barker, Illustrator, volumes I & II.

About Mark Miller

As the Vice President of Seraphim, Mark Alan Miller writes, produces, and directs original content alongside master of horror Clive Barker.

Mark has been working as a writer since 2005 when he started as a columnist for OCWeekly. It was this that landed him the position of assistant editor on Barker’s recently released Novel Abarat: Absolute Midnight, for which he also directed the promotional trailer.

Since 2009, Miller has been shepherding the release of the director’s cut of Barker’s classic film Nightbreed. During that time, Miller has acted as producer on an in-house cut of Barker’s movie, which has garnered worldwide interest, and been featured in magazines such as Fangoria, Rue Morgue, and Empire magazine, and was just named TotalFilm‘s 14th best extended cut of all time.

Currently, he is editing Barker’s much-anticipated The Scarlet Gospels. His work can also be seen in the bestselling Boom! Studios comic book, Hellraiser, as well as the newly released Next Testament.

About Thomas Negovan / Century Guild

Century Guild was established in 1999 and has curated objects and artworks now on permanent display in a number of museums including The Art Institute of Chicago, The Detroit Institute of Art, and The Metropolitan Museum of Art in New York. The gallery moved to Culver City in December, 2012 and specializes in works from the Art Nouveau era through the Weimar Republic. Century Guild is located at 6150 Washington Blvd in Culver City, five blocks West of the Helms Bakery in the heart of the Arts District. For information on current and upcoming shows visit centuryguild.net/

**UPDATE**

ICYMI: This week’s show featuring author, filmmaker and artist Clive Barker, Mark Miller (the Vice President of Barker’s Seraphim production company), and Thomas Negovan of the Century Guild (who is curating an exhibition of Barker’s work).

Video streaming by Ustream

by Zach Roberts

Eros Hoagland is a photojournalist. His portfolio includes Afghanistan, Iraq, El Salvador, Haiti, Rio and Juarez. He’s seen the shit that you don’t want to – but need to and his memories are tagged NSFW.

Basically if it’s dangerous and there’s things to photograph, he’ll be there sooner or later. He’ll tell you he’s not an action photographer. It’s more about the aftermath for him. He’s been shot at however, well, he’ll say something to the extent that guns have been fired around him.

When I caught up with him via cell phone he was walking the streets of Tijuana, about 10 minutes into the conversation he starts laughing saying he just spotted a tattooed and pierced ‘SuicideGirl.’

I’ve seen his work in magazines and on news sites but as with most photographers, the photos don’t ever get attached to a name and a face – just a listing of the agency, maybe a last name. So when I heard that HBO was doing a series on photojournalists called Witness, in part on a guy named Eros Hoagland, I did a quick image search and re-discovered his work.

It’s not what you’d think; colors are drained, sometimes down to black and white. He shoots a lot with an iPhone. “I could give a shit about what other people think about what cameras I use.” He tells me cell phone shots allow him to get more real moments. “People don’t even know… their body language is completely different. The iPhone erases all of that.”

I’m not sure if Apple would want to use this as an endorsement. Hipstamatic might want too though. He says there’s “something very interesting about the way it compresses layers.” Indeed, he’s convinced me to go back to the app and drop Instagram.

Eros is not your traditional combat photographer, he’s more of a combat photo-essayist. He lays out a scene…there’s abstract shots, people’s faces are often obscured. He tells a story…”I’m not there to tell you what’s happening, I’m there to show you what I saw, what’s happening to me…you can come upon your own conclusion.”

One of the big dangers photographing in a place like Juarez – outside of direct violence – is the effect that you might have on the people after their photo is taken. Someone’s photograph showing up in a paper might endanger that person’s life, so Eros works abound that, shooting them in shadows, or with a slight blur. He’ll also do this for stylistic reasons, “[It] helps me convey a sense of mystery,” he explains. “I like people to look at pictures and say hmmm what’s going on here.” And they do. His photos convey the feel of the moment better than even video might (which he does as well).

His work from the Mexican border is coming together as a book called Reckoning at the Frontier. Some of the photos you see here will be in it. Reckoning at the Frontier will be more than just a portfolio book, he’s brought on a writer, Myle Estey (CNN, Global Post, VICE), who’s worked extensively in the borderlands to add essays and context to the photos.

Before we lost connection on our cells (me in Alaska, Eros in Tijuana) he said that he’d love to photograph SuicideGirls in his journalistic style, so if you’re in the San Diego area hit him up!

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by Nicole Powers

“I’m not cynical about clicktivism.”
– Cory Doctorow

I was recently fortunate enough to spend some quality time with Cory Doctorow discussing topics related to the plot of Homeland, the thrilling follow up to his contemporary classic novel Little Brother (which serves as a primer on civil rights in the digital age). Our conversation spanned 90 minutes and ran into excess of 17,000 words, so the need for brevity dictated that I had to edit our interview heavily. However, Doctorow has an avid following, and rightly so. Hence I figured those of you that enjoyed the first installment of our interview might appreciate this second bite at the apple.

In the first part, we discussed Burning Man, which is where the action in Homeland kicks off, and the student debt bubble, which serves as a backdrop to the book. In part two, our conversation delves further into the post-Occupy politics of Homeland. In Doctorow’s book, our hacktivist hero Marcus Yallow, having been forced out of the education system due to financial pressures, gains a position as a tech guru for an independent political candidate. Our discussion therefore naturally turns to the limitations of two party systems, the potential social media has to transform the political landscape, the pros and cons of clicktivism, and the perils of online activism, which is especially poignant given that Aaron Swartz contributed an afterward to the book.

Read part two of my interview with Cory Doctorow on SuicideGirls.com/.

Cory will be embarking on a multi-city US book tour starting on Tuesday, February 5th, which also happens to be the release date for Homeland. See below for a full list of dates:

Cory Doctorow – 2013 Homeland Book Tour
Tuesday, February 05 – Seattle Public Library Central Branch, Seattle, WA
Wednesday, February 06 – Powell’s Books, Beaverton, OR
Thursday, February 07 – Booksmith, San Francisco, CA
Friday, February 08 – Borderlands Books, San Francisco, CA
Saturday, February 09 – The Leonardo, Salt Lake City, UT
Sunday, February 10 – Changing Hands Bookstore, Tempe, AZ
Tuesday, February 12 – Times Square Marriott Marquis, New York, NY
Thursday, February 14 – Joseph-Beth Booksellers, Cincinnati, OH
Friday, February 15 – Books & Books, Coral Gables, FL
Saturday, February 16 – Flyleaf Books, Chapel Hill, NC
Sunday, February 17 – Dekalb County Public Library, Decatur, GA
Monday, February 18 – Square Books, Oxford, MS
Tuesday, February 19 – Booksellers at Laurelwood, Memphis, TN
Wednesday, February 20 – Octavia Books, New Orleans, LA
Thursday, February 21 – Brazos Bookstore, Houston, TX
Friday, February 22 – Book People, Austin, TX
Saturday, February 23 – Crowne Plaza Hotel, Nashua, NH
Saturday, February 23 – RiverRun Bookstore, Portsmouth, NH
Sunday, February 24 – Gibson’s Bookstore, Concord, NH
Monday, February 25 – Busboys and Poets, Washington DC
Tuesday, February 26 – Harvard Book Store, Cambridge, MA
Wednesday, February 27 – South Broadway Cultural Center, Albuquerque, NM

Full details can be found here.

by Nahp

A column which highlights Suicide Girls and their fave groups.

This week Rogue tells us why she loves to hang with Harry Potter and the SG Hogwarts crew.

Members: 2,323 / Comments: 28,676

WHY DO YOU LOVE IT?: Well Harry Potter is pretty much my obsession

DISCUSSION TIP: Just be yourself and jump right into talking with everyone!

MOST HEATED DISCUSSION THREAD: Don’t think I have found one, but these pics of Soya Suicide from the Scarification thread are pretty hot!

BEST RANDOM QUOTE: “Actually, the main characters in the Potterverse are around 25…Harry was actually born in 1980,
 so, technically, they’re ALL legal. 

Ba-zing. 

I want me some Draco. Mmm.” ~ excerpted from the “who would you” thread.

WHO’S WELCOME TO JOIN?: Everyone! Though respect allegiances when entering the Slytherin Common Room – “No Mudbloods Allowed!!!”

[..]

by Alex Dueben

“John Tallow is, basically, anyone who’s lost enthusiasm for their work. Anyone who was doing great right up until they realised it didn’t matter. Anyone who let themselves get disengaged from the world and then discovered they liked it better that way.”
– Warren Ellis

Warren Ellis is a name familiar to comics readers because of the many great series he’s written over the past two decades including Transmetropolitan, Planetary, The Authority, Nextwave, Global Frequency, Fell and FreakAngels. The graphic novel Red, which he wrote, was adapted into a 2010 movie starring Bruce Willis, John Malkovich and Helen Mirren. The film’s sequel, Red 2, will be released this August.

He’s also written multiple videogames including Dead Space. Ellis’ first novel, Crooked Little Vein, was released in 2007. He’s also written extensively about futurism, design and other topics for Reuters, here at SuicideGirls and currently for Vice.

Ellis’ new novel is Gun Machine, thriller set in New York City about a policeman who has to hunt a serial killer. Using that armature, Ellis uses the novel to comment on the nature of police work, explore the history of New York City, the meaning of wampum and more. We spoke with Ellis over e-mail about the book, the future of the webseries Wastelanders, which he’s writing with Joss Whedon, and whether he’s abandoned comics.

Read our interview with Warren Ellis on SuicideGirls.com.

by Nicole Powers

“Scholarship is inherently not a market activity.”
– Cory Doctorow

Cory Doctorow has made me wait almost a year to read Homeland, the much-anticipated sequel to Little Brother, his opus on civil rights and protest in the digital age. With not one but two Doctorow novels, Pirate Cinema and Rapture of the Nerds (which was co-authored with Charles Stross), already on the release schedule for 2012, Homeland has had to loiter in the wings for a 2013 publication date. But the wait has been well worth it. Homeland is a beyond worthy successor to Little Brother.

The highly prophetic novel, which was first published in 2007, is now regarded as a contemporary classic. As such, Little Brother is required reading in many of our more progressive schools, and has even been turned into a “must see” stage play –– hence Homeland has quite a legacy to live up to.

When I last sat down with Doctorow –– for an interview specifically about Little Brother –– on January 4th, 2012, Obama had just signed the National Defense Authorization Act (NDAA) for Fiscal Year 2012 into law. With the stroke of our President’s pen, yet another of the central themes of Little Brother –– unlimited military detention without trial –– had become fact rather than fiction.

In Homeland (which Doctorow had finished writing a few days prior to our first meeting), we return to the Little Brother universe a year and a half after the last novel left off. In the intervening months, austerity has choked the life and soul out of America, and our hacktivist hero Marcus Yallow has quit his studies, having been forced out of university by financial pressures and burgeoning student debt.

The action kicks off at Burning Man, where Marcus has an unexpected encounter with his sometime ally Masha, and their nemesis Carrie Johnstone. Masha, who is on the run from just about every law enforcement agency you can name (and a few that you can’t), hands Marcus an insurance policy in the form of a key to an encrypted torrent file which contains a treasure drove of highly sensitive data. Her subsequent disappearance prompts Marcus to set up a WikiLeaks-like site, an endeavor which is made all the more complicated by conflicts of interests that arise from his new job as a tech guru for an independent political candidate.

Meanwhile Johnstone has given up her position in the military for a lucrative job in the private sector with a Halliburton type entity that has tentacles embedded in the government, military, and the increasingly lucrative (and corrupt) student loan market. It’s therefore no surprise that Johnstone and her corporation, Zyz, are the subject of much of Masha’s leaked data, and a cat & mouse game ensues involving lawful interception, rootkits, and drones. It’s not all doom and gloom though, and at one point during the breakneck-paced plot, Marcus (and Doctorow vicariously through him) gets to sit down and have a Mini Dungeon adventure with Electronic Frontier Foundation founders John Perry Barlow, John Gilmore and Mitch Kapor, with uber geek Wil Wheaton acting as Dungeon Master.

Having read an advance copy of Homeland, I met up with Doctorow at his North London workspace to question him about it. As I make myself comfortable on his couch and set up my digital recorder on the coffee table next to his well-thumbed copy of the RAND Corporation’s 1955 book A Million Random Digits with 100,000 Normal Deviates, the Canadian-born writer and Boing Boing editor does something quintessentially English by offering me a cup of tea. Normally this would be more than acceptable, but having been tempted by the delights of cold-brew coffee –– Marcus’ hi-octane beverage of choice which fuels much of Homeland –– I can’t help feeling a little disappointed that Doctorow didn’t have a batch on the go…

Read our interview with Cory Doctorow on SuicideGirls.com.

by Nicole Powers

“I believe that we are at the brink of a 1,000 year Dark Age and unless we stand up viscerally and powerfully and with civil disobedience and everything we’ve got, if we don’t start fighting for a different kind of future, then we’re not going to have a future.”

~ Kalle Lasn, Adbusters

Adbusters co-founder and Occupy Wall Street protagonist Kalle Lasn is hoping his new book, Meme Wars, will ultimately facilitate the occupation of the world’s financial institutions, corporations, and governments from within. It’s a lofty goal and a long game, but as Lasn so eloquently puts it: “If we don’t start fighting for a different kind of future then we’re not going to have a future.”

Over the course of Meme War’s 400+ pages, Lasn challenges students in the economics departments of learning institutions around the globe to rise up, reeducate their professors, and demand they cast aside the failed tenets of orthodox economics. He also sets forth a more holistic curriculum which takes into account the psychological and environmental costs of doing business and redefines the concept of wealth to include mental and ecological health.

We spoke with Lasn, who was born in Estonia but is Vancouver based, by phone.

Read our interview with Kalle Lasn on SuicideGirls.com.

Meme Wars: The Creative Destruction of Neoclassical Economics is published by Seven Stories.