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Jan 2012 12

by Blogbot


[Annalee]


[Anthea]

Artist / SG Member Name: Norritt

Mission Statement: Be creative because it’s fun to make stuff. If you’re not making, you’re consuming – and that just gets boring after a while.


[Kewpie]

Medium: Pen and ink, paint, Photoshop, Vector, photography/photo-manipulation, and various crafts

Aesthetic: Morbid Kawaii is my favorite style but I like to switch it up and try different things. I like making comics the best, it’s just they are time consuming!


[Lyxzen]

Notable Achievements: I was published in the Unite and Take Over book, which is a comic with various stories based on Smith’s songs that can be bought in a lot of comic shops and via Amazon.

Why We Should Care: I try to be varied and change up things to keeps things interesting. I get bored easily so you never know what to expect me to make next!


[Perdita]

I Want Me Some: I am located on various internet spots. Most of my art can be found on DeviantArt.

RealDystopia.com is where you can find the zombie cartoon project I’m working on.

My own site will be called SuperSecredid.com. It will feature my own web-comic, Paper Heroes, a silly superhero serial, and cosplay photos of models. I’m always open to commissions or proposals for art projects. Email me at: jpmanz@gmail.com


[Sysca]

[..]

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Jan 2012 06

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

[..]

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Jan 2012 05

by Blogbot


[Adria and Temper]


[Temper]

Artist / SG Member Name: Zak Smith / ZakSmith

Mission Statement: I hate it when you’re eating a cheeseburger and then the chef comes out of the kitchen interrupts you eating and goes, “Oh now let me tell you a little bit about why I made a cheeseburger.” Oh wait, I don’t hate that. Because it never happens. Because they never do that. Because that would be stupid.

Medium: Acrylic on paper for the paintings. Ink on paper for the black-and-whites.

Aesthetic: Maximalist.


[Charlie]

Notable Achievements: I have a painting in the collection of the Museum of Modern Art in New York and it’s a Suicide Girl — Charlie. I drew one picture for every page of Gravity’s Rainbow. I did an illustrated book of true stories about me working in the adult film industry called We Did Porn. I painted 100 Girls and 100 Octopuses and Charles Saatchi bought it and I know that plural is actually grammatically accurate thanks to friends I made 8 years ago on Suicide Girls. Honey Manko Suicide once called me crass.

Why We Should Care: Because throughout a decade of long disconnection and difficult-to-pin-down multimicronichefamousness SuicideGirls is the closest thing to a home I’ve ever had. And even though I went to Yale, been to a million art dinners, and have watched Sasha Grey lick my cum off another girl’s ass, I can still say to this day that most of the smartest, prettiest, and least sane people I’ve ever met and most of my best models are from this little pink pin-up girl website. Actually, that’s why I should care, isn’t it? I don’t know why you should care.

I Want Me Some: My last two books — Gravity’s Rainbow and We Did Porn were published by Tin House Books, my first one, Pictures Of Girls, was with DAP. Both are available through the usual on-line channels and by harassing finer art-book stores near you. The SG store used to sell some very nice full-size posters of my Charlie and Sawa paintings. If you complain a lot they might do some more. My site is www.zaxart.com.

[..]

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Jan 2012 05

by Nahp Suicide

Lavezzarro comes from South America, but now splits her time between London, Berlin and wherever the wind takes her.

How did you first get involved with SuicideGirls?

Monik’s set was my first time shooting a naked girl. I’m glad it got accepted. That was in 2005 and how it began.

What’s your background photography-wise?

I dropped out of Fashion Design University in the 4th semester as I noticed it wasn’t my thing, and I decided to learn photography without a school. I worked for different studios as assistant where I could learn something, and the main thing I learnt was that I dislike studios. So I kept on doing my thing – I still am learning actually.

What was the first photo you had published?

It probably was a band shot I did for an ex-boyfriend’s band back in 2004 when they were releasing a CD and got featured on a major newspaper.

How would you describe your style?

I am very honest. I like to photograph the girls how they are. I don’t tell them how to dress or to pretend to be something, and I think that can be seen in the images. I’m a bit of dark person, so you won’t be seeing rainbow cupcake pictures coming from me. I am also not a technical person, so I won’t be freaking out looking for the perfect images. I like to capture what happens and I like spontaneity. I think it’s raw.

What gear do you use?

All Canon lenses and body and few analogs, which are my favorites.

How important is Photoshop in your final images?

Not very. I do it very little to none, as I have no talent editing. Now I have amazing Photoshoppers working with me. They can retouch much better than I, but I ask them to keep it really natural. I can’t stand airbrushed images.

What gives you ideas and inspires you to create such amazing sets?

I listen music 24/7 and I am addicted to information. I have to be watching, reading, listening, consuming new stuff all the time – everything can inspire me because I am open to it.

What is your favorite image?

Tell us why it’s your fave and how you achieved it?

It is one of my favorites because it is simple, sexy, natural. Sums up what I like to show; the girls how they really are. The lady was kind of shy and we couldn’t communicate very well because of a language barrier, but I could see in her eyes she had the flame and I think it was properly captured in her whole set.

Is there anybody or anything you would love to photograph that you haven’t? (And tell us why)

I really want to photograph as many people as possible, travel more, discover more, so everyone that I haven’t photographed yet I want to photograph one day. And everyone I already have done, I want to do again.

For more on Lavezzarro visit her SG and Facebook profiles, and see her portfolio at www.lavezzaro.com.

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Dec 2011 30

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

[..]

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Dec 2011 29

by Blogbot


[Voodou in Robot Lament]

Artist / SG Member Name: Voodou Suicide

Mission Statement: Art can be an escape, a personal thing, a social thing, a way to meet others. It has been all these things for me. I love making and doing things, so I don’t think I could ever stop. Art is a huge part of what makes me, me.

Medium: Mixed media, some favorites include Copic markers, acrylic, fineliners, water colors and my Wacom tablet for computer work.

Aesthetic: Fun, colorful, graphic, most likely containing robots and/or dinosaurs.

Notable Achievements: I won Sappi ThinkAhead Graphic Design Student of the Year. I have passed my ISTD (International Society of Typographic Design) exam, making me able to put MISTD after my name. I have been featured in House & Leisure magazine (South Africa) as a winner of their reusable packaging contest. I have also been an Emerging Creative at Design Indaba (South Africa) in 2009.

Why We Should Care: Cause everyone could do with more fun and robots.

I Want Me Some: Find more of my graphic design on Tumblr and my T-shirts via my Etsy store. I also do commissions. Message me on SG if interested. Or email robot.factory.design@gmail.com

[..]

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Dec 2011 23

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

[..]