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Jun 2011 09

by Brad Warner

About a week ago I saw a posting on Facebook regarding a big Buddhist gathering in upstate New York. The post read as follows, “Next week, New York’s Garrison Institute will be hosting some 230 Buddhist teachers for a conference on a range of topics concerning the future of Buddhist practice in North America, including legacy, succession, lineage, ethics, and ‘how to preserve and adapt the Dharma in new conditions without losing depth.’ The conference, known as the Maha Teacher Council, is by invitation only.”

I reposted this link on my own Facebook page with the following comments, “Oh nice. A self-selected group of important Buddhists get together to decide what’s best for the rest of us. Gatherings like this worry me a lot. The intent is to create a unified sense of what Buddhism ought to be. It’s like trying to create a unified sense of what art ought to be. Very Soviet sounding to me.” This generated a lot of commentary and crosstalk that’s still going on even as I type this.

One of the initial comments asked if I was “butt hurt” at not being invited. I’m not sure if “butt hurt” is how I would describe my feelings. But the commenter was correct in assuming I was not invited. And he was on the right track in thinking that my not having been invited was part of my problem with the event. But it wasn’t because I was “butt hurt.”

[..]

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Jun 2011 03

by Aaron Colter

There’s been a collective pants shitting in the comic book industry this week as DC Comics announced that they would relaunch nearly every series this September as a #1 issue, making the content available for download on the same day as print versions hit stores.

Shop owners are crying the death of the industry, and other publishers are trying to play catch-up. Meanwhile, DC Comics is taking a huge gamble on its latest venture. It’s no secret that the company has been playing second-fiddle to Marvel Comics, now backed by the giant Disney corporation, and cleaned house to make room for new executives from a more traditional background that owners Warner Bros. found necessary.

As harsh as it may sound, DC Comics can’t be supported by serialized issues that are sold to only a few hundred thousand costumers, at best, every month. The real money made by Batman, Superman, and all the other beloved characters, is in stupid shit, like T-shirts, movies, action figures, cartoons, and anything else you can slap a logo on to make it appeal to children and nerds.

[..]

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Jun 2011 03

by Mur Lafferty

SuicdeGirls presents the tenth installment of our Fiction Friday sci-fi series, Marco and the Red Granny, which is brought to you by SG columnist Mighty Mur a.k.a. cyber commentator Mur Lafferty.

Marco and the Red Granny is set in a not-so-distant future where an alien species, the Li-Jun, has transformed the moon into the new artistic center of the universe, where the Sally Ride Lunar Base soon gains the nickname “Mollywood.” These aliens can do amazing things with art and the senses, allowing a painting, for example, to stimulate senses other than sight.

In the previous installments, Marco, a writer whose career has long been in the doldrums, gets a surprise call from an agent he thought he no longer had, informing him that he had received an offer from Mollywood for a much coveted Li-Jun patronage.

Keen to catch up career-wise with his ex-GF Penelope, who’d unceremoniously dumped him after being recruited by the Li-Jun two years earlier, Marco jumps on the next shuttle to the moon. Once aboard, he finds himself sitting next to a seemingly unassuming old lady called Heather, who turns out to be The Red Granny, a legend in Li-Jun’s reality show world for being a three-time champion of The Most Dangerous Game (which requires contestants to sign away the rights to their life).

After settling into his new accommodations at House Blue, Marco has a brief meeting with his new patron, a Li-Jun called Thirteen. It’s only then that Marco realizes he’s never been shown the terms of his employment, and a sense of unease sets in. That evening, Marco is taken on a trip to see The Red Granny in action in The Most Dangerous Game. After a bloody battle, the senior reality TV star is again victorious. The viciousness of the game however, leaves The Red Granny unconscious, and Marco shocked, disturbed, and in need of a stiff drink.

Unfortunately stiff drinks are frowned upon by the Li-Jun, so at the 2Two2, a bar specifically created for humans, Marco has to console himself with a fisheye – a drink that tastes of oranges and spice, and contains the story A Study in Scarlet by Sir Arthur Conan Doyle. As soon as he finishes it, a second drink appears in front of him. When he asks who bought it, the barkeep points to a woman across the room who looks suspiciously like Penelope. Deciding to call it a night, Marco is escorted home to House Blue.

The next day, Marco learns first hand about the process that enables the Li-Jun to put taste into paintings, music into pie, and stories into (nonalcoholic) beverages. Having had his deepest and most depraved memories dredged and thoroughly probed by the aliens so they can be monitored and recorded, Marco finally sees the terms of his contract. Having accepted the Li-Jun’s too-good-to-refuse offer, Marco feels that though he’s been handed everything he ever wanted, somehow the reality of it is hollow…

[..]

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Jun 2011 02

by Damon Martin

If you haven’t heard of the comic book series Morning Glories from Image, then you might want to rush to your local comic store and start snatching up issues. A whirlwind success, it’s sold out multiple printings of several issues, and the first trade paperback sold out at comic stores across the country. Moving beyond paper, the series has drawn comparisons to other comic juggernauts like The Walking Dead and Y: The Last Man. Co-creators Nick Spencer (who writes) and Joe Eisma (who draws) only just released Issue 9, but since its release, Morning Glories has been called the next great comic that will make its way to television.

I recently sat down with Joe Eisma to discuss the future of the comic, which is one of the most popular books in recent history.

[..]

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May 2011 27

by Mur Lafferty

SuicdeGirls presents the ninth installment of our Fiction Friday sci-fi series, Marco and the Red Granny, which is brought to you by SG columnist Mighty Mur a.k.a. cyber commentator Mur Lafferty.

Marco and the Red Granny is set in a not-so-distant future where an alien species, the Li-Jun, has transformed the moon into the new artistic center of the universe, where the Sally Ride Lunar Base soon gains the nickname “Mollywood.” These aliens can do amazing things with art and the senses, allowing a painting, for example, to stimulate senses other than sight.

In the previous installments, Marco, a writer whose career has long been in the doldrums, gets a surprise call from an agent he thought he no longer had, informing him that he had received an offer from Mollywood for a much coveted Li-Jun patronage.

Keen to catch up career-wise with his ex-GF Penelope, who’d unceremoniously dumped him after being recruited by the Li-Jun two years earlier, Marco jumps on the next shuttle to the moon. Once aboard, he finds himself sitting next to a seemingly unassuming old lady called Heather, who turns out to be The Red Granny, a legend in Li-Jun’s reality show world for being a three-time champion of The Most Dangerous Game (which requires contestants to sign away the rights to their life).

After settling into his new accommodations at House Blue, Marco has a brief meeting with his new patron, a Li-Jun called Thirteen. It’s only then that Marco realizes he’s never been shown the terms of his employment, and a sense of unease sets in. That evening, Marco is taken on a trip to see The Red Granny in action in The Most Dangerous Game. After a bloody battle, the senior reality TV star is again victorious. The viciousness of the game however, leaves The Red Granny unconscious, and Marco shocked, disturbed, and in need of a stiff drink.

Unfortunately stiff drinks are frowned upon by the Li-Jun, so at the 2Two2, a bar specifically created for humans, Marco has to console himself with a fisheye – a drink that tastes of oranges and spice, and contains the story A Study in Scarlet by Sir Arthur Conan Doyle. As soon as he finishes it, a second drink appears in front of him. When he asks who bought it, the barkeep points to a woman across the room who looks suspiciously like Penelope. Deciding to call it a night, Marco is escorted home to House Blue.

The next day, Marco learns first hand about the process that enables the Li-Jun to put taste into paintings, music into pie, and stories into (nonalcoholic) beverages. Having had his deepest and most depraved memories dredged up in a claustrophobic sensory deprivation tank so they can be monitored and recorded, Marco is in need of a shower. However, having been thoroughly probed by the aliens, he knows no amount of water will wash his mind clean of the experience.

[..]

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May 2011 27

by Aaron Colter

I didn’t ask to be born. None of us did. But there are still some really good things in life. Think about it! Rain drops on roses and whiskers on kittens . . . and boobs. Anyway, it’s my birthday, so I think about these things, and dying. Out of all forms of entertainment, music makes me feel the most of alive. We should all go to a concert soon, together, and make-out. Until then, here are some songs that get the blood pumping.

[..]

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May 2011 26

by Laurelin

Remember that dream from when you were younger? The one where you’re walking the halls of your high school and everyone is looking at you funny and you can’t figure out why, and then you look down and find that you’re naked, and everyone sees you at your most vulnerable. That dream came true for me this past Saturday night. Instead of being involuntarily naked in a dream, it was real life, and I had actually consciously chosen to go nude on a stage in front of a theatre full of strangers.

Naked Girls Reading is exactly what it sounds like. I heard about it randomly one night out in Boston and thought that it would be a perfect wacky event to cover for my Boston nightlife blog. I sat in the darkened theatre at midnight and watched with bated breath as four women came out in beautiful silk robes and sparkling jewelry and fantastic heels, and one by one, they approached the microphone, dropped their robes, and read to the audience from a book. Was anyone listening to them? I kept losing track of what they were saying because I was just so amazed, they were there… naked, for everyone to see.

[..]