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Jan 2012 23

by Darrah de jour

Lux Alptraum is the 29-year old editor of pop culture giant Gawker Media’s sister site Fleshbot — the web’s North Star of sexuality and adult entertainment. It garners 1 million uniques a month. Given that Fleshbot is edited by a woman, there’s a delectable juxtaposition of raucous imagery meets female-approved editorial. So when Alptraum says, of porn star Sarah Vandella, “[She] is so sweet and sassy that you just want to c*** all over her face,” there’s a simultaneous squirm and awe that goes on as a woman. Did a chick just say that about another chick? Yup, folks, she did. So, in an era where prostitutes have publicists, and football stars do PSA’s about a woman’s right to choose, we couldn’t help but wonder: is Lux just a pliable paper femme molded by the boy’s club she inhabits? Or, is she our new Linda Carter? Let’s get down and dirty with this Lower East Side babe and find out!

Darrah de jour: You won my heart with those doe eyes when I read 21 Questions With…in New York magazine. Plus, you like Hello Kitty. I’m in love already. What is the compliment that you receive most often from men?

Lux Alptraum: I don’t know! I’m apparently really good in bed.

Ddj: So, you’re a 20-something successful single living in NYC. What’s different about your experience versus Carrie Bradshaw’s in Sex and the City?

LA: [Laughs.] My apartment is a lot more expensive than hers is. I write more than one column a week. I don’t have anywhere near as many shoes as she does. And I live on the Lower East Side, not Uptown. I think I dress better, too. I’ve always felt more like a Samantha, as trite as that is to compare yourself to a character on Sex and the City, but I think Carrie is driven to find something serious, whereas Samantha is just looking to find something that works.

Ddj: Back in 2007, you began your blog Boinkology — the convergence of culture and sex from your unique P.O.V. You attained a great following from that. Did Gawker discover your blog and then reign you in to be editor of Fleshbot?

LA: Kind of. I showed off my writing on Boinkology, which is kind of how Gawker found me. But it was also through friends that worked there and they connected me. When they needed a fill-in, they called me in and then they kept me on.

Ddj: Did you have any hesitance before stepping on board, because of the graphic nature of what you’d be looking at each day?

LA: No. I’ve always been in adult content prior to this.

Ddj: You host the Fleshbot Awards. Tell me about that?

LA: The Fleshbot Awards are the only awards show for sexy pop culture. We’ve done it twice now and they’ve been a success each time. The awards break down into two categories: we have culture awards where we award things like sexiest movie, sexiest fashion, sexiest TV show, sexiest art. We’ve had everyone from Alan Cumming to Molly Crabapple in the culture awards. We also recognize crossover stars. Last year’s mainstream to porn one was Levi Johnston and porn to mainstream was Sasha Grey. This year, Chyna, who went from being a wrestler to being a Vivid movie star was our mainstream to porn crossover and Joanna Angel was our porn to mainstream. The award show is about recognizing people who are doing really awesome sexy stuff that promotes positive ideas about sexuality, celebrates the human body, celebrates sex. We also have really awesome performances. It’s about celebrating everybody – trans people, gay people, straight people, of all different backgrounds. It’s a one of a kind event.

Ddj: I read somewhere that you used to be a roller-derby girl. Tell me about that?

LA: I was. For three and a half years. I got involved with Gotham Girls in 2004 when they were just starting out. I didn’t know how to skate, I learned to skate to play roller derby. It was interesting too, because when I joined it was really rough and tumble and loose, and roller derby itself was very punk rock. It’s still punk rock but back then people were still figuring out what the sport was going to be. It’s gotten dramatically more athletic and more professionalized. People got rid of the silly costumes and…train hard and take it really seriously — which I think is awesome. What started off as this ‘let’s get drunk and hit each other’ type thing has become a serious sport.

Ddj: Riot Grrrl turns Lilith Fair?

LA: Yeah, yeah. More like being a garage band to getting really, really serious about your music.

Ddj: What was the name of your team?

LA: Queens of Pain.

Ddj: You wrote an amusing yet very useful guide to casual sex called, Booty Call Like A Boss. I consider it the Thomas Guide of booty calls, meets Emily Post, ahem. What is the most common and fatal mistake made by men and women when trying to ascertain a F.W.B. type relationship?

LA: Not being upfront and communicating what you want. And that’s not just about casual sex, that’s with all sorts of relationships. But, I think a lot of times, people are too scared to say what they want because ‘what if I say that and it’s not what the other person wants?’ Or they are not sure what they want or they’re worried about offending the other person. So they keep going and hoping it will work out the way they want. I’m guilty of that too. On the flip side, let’s say you want to be in a relationship and you don’t communicate that because the person has explicitly said they don’t want that and you keep going hoping it will turn into something else. Having ridiculous expectations and not communicating. You can’t hold regret. I don’t think there’s anything wrong with casual sex obviously, but there’s something wrong with having casual sex when that’s not what you really want. It’s just damaging and you’re doing yourself a disservice and setting yourself up to fail by entering into a situation where you want something completely different than what you’re communicating you want. It’s entirely possible that the person will end up being your boyfriend or girlfriend, but it’s entirely possible they won’t. I want to go on the record as saying that serious relationships can come out of casual sex. You can have sex on the first date and end up marrying them. I’m not trying to slut shame.

Ddj: In 2011, Slate published an article called “Sex is cheap: Why young men have the upper hand in bed, even when they’re failing in life.” This bold piece, written by a man, asserts that partly because of porn, “the market ‘price’ of sex is currently very low….Porn gives men additional sexual options — more supply for his elevated demand — it takes some measure of price control away from women.” What do you think about the so-called price of sex? Do women really have less power because men have more access to porn now?

LA: There are so many things that baffle me there. Number one, I don’t know why anybody would watch porn rather than have sex. The whole “price of sex” thing bothers me because it bothers me to see women set up as gatekeepers. I often feel like, in my relationships, the dudes are the gatekeepers. I have a way higher sex drive than any guy I’ve ever dated. It’s weird, this idea of women using sex to get security or stability or a relationship. Other than for reproduction, I don’t think people should use sex to achieve some larger goal. Even the idea of premarital sex. It’s only premarital sex if you intend on getting married.

Ddj: You wrote a story about Deep Throat star Linda Lovelace for The Atlantic recently. You make a comparison between Lovelace and porn star-turned-actress Sasha Grey. What do you see as the bind between the two ex-adult performers?

LA: Grey’s not been particularly enthusiastic about the adult industry since she started focusing more heavily on her mainstream career. She’s not involved with any adult industry stuff and I feel like she’s gone on the record as saying she wants to get away from porn. She’s not the adult industry boost that once she was.

Ddj: Is there a general distaste for Grey in the adult industry?

LA: I can’t speak to what other people feel, but she went on the record numerous times saying that she wasn’t going to be like Jenna Jameson and she wasn’t trying to get out of the industry and that she loves her work and then she pretty much turned her back on it. She comes across as a bit of a hypocrite.

Ddj: Two Lovelace biopics are underway, one with Amanda Seyfried and one with Lindsay Lohan’s replacement, Malin Akerman. If you had the casting powers, who would you net to play her?

LA: I think Amanda Seyfried is pretty good. I’m curious to see what happens.

Ddj: Do you consider yourself a feminist?

LA: Yeah, of course, absolutely. I think feminism is a philosophy based on the idea that gender should not be the primary consideration when you are dealing with a person.

Ddj: What’s your favorite dive bar in NYC?

LA: The Double Down Saloon on Avenue A.

Ddj: What’s the best spot to meet single men in a busy city?

LA: The Internet.

Ddj: I saw some of your food posts on Facebook. Are you veggie?

LA: I’ve been vegetarian for 22 1/2 years.

Ddj: Before we go into Flash Five, I want to get your opinion on something. We have an ongoing debate on SG Radio about texting versus calling. What would you rather get from a suitor, a text or call?

LA: A text. I don’t remember the last time I talked on the phone with somebody I was casually involved with.

Flash Five:

Ddj: Favorite Comic Book?

LA: A Child’s Life by Phoebe Gloeckner

Ddj: Vice?

LA: Sex

Ddj: Favorite place?

LA: My bed

Ddj: Any Regrets?

LA: I try not to regret things. I try to learn from them.

Ddj: Best Advice you’ve ever received and from who?

LA: I was very sad because my ex was moving away and I said, “You are the best thing that’s ever happened to me.” And he turned to me and said “You are the best thing that’s ever happened to you.” Not sure if that’s advice, but they’re good words to live by.

Ddj: You’re your own hero.

LA: Yes.

***

Post-feminist sex and sensuality expert Darrah de jour is a freelance journalist who lives in LA with her dog Oscar Wilde. Her writing has appeared in Marie Claire, Esquire and W. In her Red, White and Femme: Strapped With A Brain – And A Vagina columns for SuicideGirls, Darrah will be taking a fresh look at females in America. Hear her being interviewed about female sexuality on the WingGirlMethod.com, visit her blog at Darrahdejour.com/srblog, and find her on Facebook.

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Jan 2012 20

by Steven-Elliot Altman (SG Member: Steven_Altman)

Our Fiction Friday serialized novel, The Killswitch Review, is a futuristic murder mystery with killer sociopolitical commentary (and some of the best sex scenes we’ve ever read!). Written by bestselling sci-fi author Steven-Elliot Altman (with Diane DeKelb-Rittenhouse), it offers a terrifying postmodern vision in the tradition of Blade Runner and Brave New World

By the year 2156, stem cell therapy has triumphed over aging and disease, extending the human lifespan indefinitely. But only for those who have achieved Conscientious Citizen Status. To combat overpopulation, the U.S. has sealed its borders, instituted compulsory contraception and a strict one child per couple policy for those who are permitted to breed, and made technology-assisted suicide readily available. But in a world where the old can remain vital forever, America’s youth have little hope of prosperity.

Jason Haggerty is an investigator for Black Buttons Inc, the government agency responsible for dispensing personal handheld Kevorkian devices, which afford the only legal form of suicide. An armed “Killswitch” monitors and records a citizen’s final moments — up to the point where they press a button and peacefully die. Post-press review agents — “button collectors” — are dispatched to review and judge these final recordings to rule out foul play.

When three teens stage an illegal public suicide, Haggerty suspects their deaths may have been murders. Now his race is on to uncover proof and prevent a nationwide epidemic of copycat suicides. Trouble is, for the first time in history, an entire generation might just decide they’re better off dead.

(Catch up with the previous installments of Killswitch – see links below – then continue reading after the jump…)

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Jan 2012 19

by A.J. Focht

With its release scheduled for July 20 of this year, The Dark Knight Rises is now well into its post-production and marketing phase. Entertainment Weekly was the first to debut several official shots in their issue last week. On top of several shots of Bane and others inside the magazine, the cover featured a close up of Batman and his new suit.

A new still has flown in from the set of The Man of Steel as well. The shot isn’t official, and is a bit blurry, but even out of context, it’s pretty epic. It features a fire truck that has been impaled by a tree and what could possibly be Superman underneath doing said impaling.

Despite all the epic news coming out from other superhero films, we’re being reassured that Iron Man III will be one of the best superhero movies ever. Now that is a tall order considering the lackluster spectacle that was Iron Man II, but Robert Downey Jr. has added his weight to the claim that the third film could be one of the best superhero movies of all time. The film will be going back to its roots and is looking to recapture the elements that made the first film successful.

The CW hasn’t given up on riding the superhero train. They are now working on a pilot episode of DC Comics’ Green Arrow franchise. Unfortunately, Justin Hartley, who became well known for his portrayal of the Green Arrow on Smallville, is not involved with the project.

Speaking of DC Comics, the company has gone through another logo change. They have gotten some flak for their past logo changes, but this might be by far the worst. Their new logo screams ‘CORPORATION’ not ‘COMICS.’

After concluding its second season on BBC, Sherlock has been renewed for a third. The show’s co-creator, Steven Moffat, confirmed the renewal via Twitter. The second season in the series is set to premiere on PBS this spring.

Talking of turning classic tales into shows, NBC is making a television series based on the Dracula lore. The series is going to be set in the 1890’s, and is being developed by Tony Krantz and Cole Haddon. While Dracula is the iconic vampire, I don’t see the need for anymore vampire television for a few years.

That isn’t to say there aren’t some vampire stories still worthy of being told on screen. For instance, Abraham Lincoln Vampire Hunter has just released several new pics and a behind the scenes video. And the historical fiction doesn’t end there. The second most badass president (first place still goes to ol’ honest Abe) is getting his own film. That right, FDR American Badass will feature our polio stricken president fighting Nazi werewolves.

Abigail Spencer has joined the Whedonverse and will star in Joss Whedon’s next film. What film is that exactly? Well the only details we have is that it’s a “supernatural romance.” Spencer does comment that, “It’s the most romantic film in the history of time.” There is no saying what Joss is up too, but let’s be honest, has he let us down yet?

On a final note, it looks like George Lucas is going to be taking things easier. After the release of his upcoming film, Red Tails, Lucas will be taking on his own form of retirement. What this seems to mean is he will no longer be working blockbuster films, and will instead focus on movies on a smaller scale. Lucas has also been rather honest about why he has made this decision, and it’s all our faults. The massive amount of negative fan criticism from the Star Wars prequels and special editions really hurt him. Who would want to keep making films for fanboys who hate you? Despite flaws in his latter work, this fan would just like to say, “Thank you.” George Lucas transformed the world of sci-fi for so many of us, and we must respect the tremendous effect he has had on the evolution of nerdom.

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Jan 2012 17

by SuicideGirls

“It’s not democracy anymore.”
– Robert F. Kennedy, Jr.

On the surface, The Last Mountain is a documentary about the dirty business of coal, the highly destructive and toxic practice of mountaintop removal mining, and one community’s fight to preserve their homes, their livelihoods, their health, and the last great mountain in the region. However, the story of Coal River Mountain in West Virginia is allegorical of much that is wrong with America, which is why during our roundtable conversation with the film’s champion, renowned environmental lawyer and activist Robert F. Kennedy, Jr., he barely mentions the four-letter word that is coal. Instead, Kennedy focuses on the underlying history and climate that has allowed corporations to rape and pillage our environment, and poison and kill our citizenry with impunity.

In The Last Mountain, Don Blankenship, the former CEO of Massey Energy (he retired at the end of December 2010), is typecast in the role of modern day robber baron. As the largest coal producer in Central Appalachia, his company is only able to function on the scale it does by subjugating democracy. Mountaintop removal mining is cheaper and less labor intensive than traditional underground coal extraction methods, but it causes such an affront to the landscape, water and air, that it can only be done when the authorities charged with protecting the public interest are willing and able to look the other way.

Between 2000 and 2006 Massey chalked up a staggering 60,000 EPA infractions, but has suffered little in consequences beyond much belated and pitifully low fines that serve the government’s need to be seen to be doing something while maintaining the status quo. Of course, Massey is not the only corporation and coal is far from the only industry that is using and abusing our severely compromised shell of a democracy. In light of the Citizens United Supreme Court ruling allowing corporate campaign donations (and a subsequent one that makes direct-to-candidate payments permissible), our government couldn’t be for more up for sale if it were posted on eBay.

Though there will inevitably be dark days ahead for our democracy, it’s not all doom and gloom thanks to a groundswell of grassroots activism as witnessed in Coal River Valley and documented in The Last Mountain. As for the environment, Kennedy points out towards the end of this interview that there’s an (LED) light at the end of the tunnel, and ironically it’s capitalism in its cleanest and purest form that may end up saving the day.

Read our interview with Robert F. Kennedy, Jr. on SuicideGirls.com.

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Jan 2012 17

by Blogbot


[Above: “2012” by Street Drum Corps, from their forthcoming album.]

This Sunday, January 22, hosts Nicole Powers (SG’s Managing Editor) and Lacey Conner (our resident recovering reality TV star from VH1’s Rock of Love and Charm School) will be joined in-studio by Mad-Max-meets-punk-rock performance art/percussion troupe Street Drum Crops, a trio of musicians who have a talent for being able to bang the shit out of anything and make it sound good – really freakin’ good.

Tune in to the world’s leading naked radio show for two hours of totally awesome tunes and extreme conversation – and don’t let yo’ momma listen in!

Listen to SG Radio live Sunday night from 10 PM til Midnight on Indie1031.com

Got questions? Then dial our studio hotline digits this Sunday between 10 PM and midnight PST: 323-900-6012

And cyberstalk us anytime on Facebook and Twitter.

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Jan 2012 17

By Daniel Robert Epstein

“My goal is to have six films that take place in wildly different areas of the country with different social strata and just come up with a little box of movies that are just a snapshot.”
– Steven Soderbergh

Early on in his career everyone knew that Steven Soderbergh was an innovative and brilliant filmmaker. But no one had any idea that he would eventually have such an effect on the business side of making films. Bubble is the first film in a series of six that will be shot on high definition video and be released on three platforms at once, theatrical, DVD and to air on HDNet.

Bubble is about three people who work at a doll factory in a small town in rural West Virginia. One is an older woman named Martha [Debbie Doebereiner] who obviously has a crush on a young factory worker named Kyle [Dustin James Ashley]. But when a young and sexy single mother named Rose [Misty Dawn Wilkins] comes to work to the factory Martha doesn’’t like her…

Read our exclusive interview with Steven Soderbergh on SuicideGirls.com.

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Jan 2012 16

By Daniel Robert Epstein

“I wasn’t like a Yoko Ono, with a controlling scary thing going on but i was definitely consulted and involved.” – Kate Beckinsale

Big surprise! Underworld: Evolution is a good film. This is a rare case of a sequel being much better than the original. This second film takes off nearly exactly at the end of the first. Now that the death dealing vampiric Selene [Kate Beckinsale] and the hybrid werewolf/vampire Michael [Scott Speedman] have defeated the evil leader of the vampires, they must stop the founder of the vampire’s bloodline from releasing his twin brother, the first werewolf, from his prison.

I got a chance to talk with Kate Beckinsale in New York.

Read our exclusive interview with Kate Beckinsale on SuicideGirls.com.