by Blogbot
The much-anticipated SuicideGirls comic is hot off the press, and is available now from the SG store. Set in the near future, it follows a kick ass group of SuicideGirls as they take on an evil religious order that is trying to take over the world and force everyone to live by their oppressive doctrine alone.
by Blogbot
More than 30,000 people are fasting to stop the Republicans pulling a fast one, with budget proposals that would cut funds for vital programs and services, while giving corporations and the super wealthy even more tax relief than they already enjoy.
“And that’s where you really see where the problems lie…”
– Duncan Jones
Duncan Jones’s debut feature Moon (2009), a retro-1970s science-fiction/art-house epic that ingeniously managed to hit a lot of the same notes that Kubrick and Tarkovskiy hit despite a miniscule budget and having only one principal character (played by Sam Rockwell), nabbed Jones a BAFTA award for Outstanding Debut by a British Writer, Director or Producer and dumptrucks full of other nominations and accolades.
His most recent feature, Source Code (starring Jake Gyllenhaal, Michelle Monaghan, Vera Farmiga and Jeffrey Wright) could be pitched as “Die Hard by way of Quantum Leap served in eight-minute repeating chunks of Groundhog Day.”
Get to know Chad better over at SuicideGirls.com!
by Aaron Colter
Back in my post about Emerald City Comic Con, I highlighted Rexa a monster pornography art book by Jason “JFish” Fischer, and hoped I’d be able to preview some pages from his upcoming work. Well, Fischer was kind enough to send me a couple pages from a book he’s debuting at the Stumptown Comics Festival in Portland this weekend called Junqueland written by Robin Bogert. He says the story is about “a couple of monsters having tasty fun in a bakery.”
So . . . yeah. Check it out. Shit’s crazy, and as far as I can tell, about some dinosaurs fucking, but it’s probably much deeper than that. Or not. Whatever. Who cares, it’s rad.
by Mur Lafferty
SuicdeGirls presents the third installment of our Fiction Friday sci-fi series, Marco and the Red Granny, which is brought to you by SG columnist Mighty Mur a.k.a. cyber commentator Mur Lafferty.
Marco and the Red Granny is set in a not-so-distant future where an alien species, the Li-Jun, has transformed the moon into the new artistic center of the universe, where the Sally Ride Lunar Base soon gains the nickname “Mollywood.” These aliens can do amazing things with art and the senses, allowing a painting, for example, to stimulate senses other than sight.
In the previous installments, Marco, a writer whose career has long been in the doldrums, gets a surprise call from an agent he thought he no longer had, informing him that he had received an offer from Mollywood for a much coveted Li-Jun patronage. Keen to catch up career-wise with his ex-GF Penelope, who’d unceremoniously dumped him after being recruited by the Li-Jun two years earlier, Marco jumps on the next shuttle to the moon. Once aboard, he finds himself sitting next to a seemingly unassuming old lady called Heather, who turns out to be The Red Granny, a legend in Li-Jun’s reality show world for being a three-time champion of The Most Dangerous Game (which requires contestants to sign away the rights to their life).
We rejoin Marco shortly after he lands on the Moon. Accompanied by Heather The Red Granny and her Li-Jun bodyguard Seven Blue, who are heading in the same direction, Marco sets off to House Blue to meet up with his new patron…
by Ryan Stewart
“There’s much more to the Saw movies than just Jigsaw…” –
– Darren Lynn Bousman
Don’t blame Darren Lynn Bousman for giving me a relatively swift interview – he’s a busy guy. Apart from Saw IV, which he’s currently out doing promotion for, he’s also shooting a film in Toronto called Repo!: The Genetic Opera, and is heavily involved in pre-production for his next film, a remake of the 1981 classic Scanners that will be shooting in Toronto in the coming months.
As if all that isn’t enough, he’s also taking part in preparations for the next Saw film, scheduled to hit theaters in October 2008. He won’t be directing that one, however – three times up to bat is enough. The reigns on Saw V are being handed over to the series’ longtime production designer and second unit director, David Hackl, and how long the gravy train will keep rolling along is anyone’s guess.
