by Daniel Robert Epstein

Thora Birch has been entertaining us for ¾ of her life, from kids’ films like Monkey Trouble and Hocus Pocus all the way up to her breakout roles in American Beauty and Ghost World. Now Birch concentrates on smaller films with strong character roles and her latest is the horror film Dark Corners where her character wakes up one day as a different person being stalked by terrifying creatures.

Read our exclusive interview with Thora Birch on SuicideGirls.com.

by Sash Suicide

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by Daniel Robert Epstein

Diego Luna has long been one of Mexico’s favorite actors but it wasn’t until Y tu mama también became an international hit that he started working in America. Since then he’s had some great success with the conman film Criminal and the Steven Spielberg directed The Terminal. But for his own directorial debut Luna has looked back to his native country and created a documentary about one of his heroes, the legendary Mexican boxer Julio Cèsar Chávez. The documentary is showing at New York’s Tribeca Film Festival and I got a chance to talk with Luna on his very busy first day of press about the film.

Read our exclusive interview with Diego Luna on SuicideGirls.com.

by SG’s Team Agony feat. Yulia and Kraven

Let us answer life’s questions – because great advice is even better when it comes from SuicideGirls.

Q: I have something I’m in hoping an SG could help with — mainly cause it’s about an SG. Over the past year I have had my attention drawn toward a very beautiful Suicide Girl. The problem is that I’m falling for her big time and I’m really not sure how to go about getting her attention with all the other messages she has to wade through sending “love.” I’m sure you girls get all kinds of messages, and disregard most — right? 
Thanks for any and all help with getting connected with my longed for love.


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by Blogbot

Artist/SG Name: Oro Mali / Oro Suicide

Mission Statement: “I want to top expectations. I want to blow you away.” – Quentin Tarantino

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by Nicole Powers

Producer, DJ, songwriter and multi-instrumentalist Mark Ronson has been responsible for some of the freshest sounds of the last few years. Despite his impressive résumé, which includes Amy Winehouse’s seminal album Back to Black, and tracks for Lily Allen (“Littlest Things”) and Adele (“Cold Shoulder”), he’s also a rather humble and an eminently likeable chap, which, along with the aforementioned, explains why so many marquee artists are keen to work with him today.

Ronson came to prominence with work that showcased his own highly stylized aesthetic, which combines a ’60s Motown sound with cool danceable grooves and hipster chic, as evidenced on Back To Black, which was released in 2006, and his second solo full length, Version, which came out the following year. However, he’s not a man to be pigeonholed.

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by Aaron Colter

There’s been a collective pants shitting in the comic book industry this week as DC Comics announced that they would relaunch nearly every series this September as a #1 issue, making the content available for download on the same day as print versions hit stores.

Shop owners are crying the death of the industry, and other publishers are trying to play catch-up. Meanwhile, DC Comics is taking a huge gamble on its latest venture. It’s no secret that the company has been playing second-fiddle to Marvel Comics, now backed by the giant Disney corporation, and cleaned house to make room for new executives from a more traditional background that owners Warner Bros. found necessary.

As harsh as it may sound, DC Comics can’t be supported by serialized issues that are sold to only a few hundred thousand costumers, at best, every month. The real money made by Batman, Superman, and all the other beloved characters, is in stupid shit, like T-shirts, movies, action figures, cartoons, and anything else you can slap a logo on to make it appeal to children and nerds.

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